('Grande Sonate' - Revised Edition). Composed by Franz Liszt (1811-1886). For Pi...(+)
('Grande Sonate' -
Revised Edition).
Composed by Franz Liszt
(1811-1886). For Piano.
Henle Facsimile.
Hardcover. G. Henle
#HN3227. Published by G.
Henle
Piano SKU: NR.81477 Dlia fortepiano = Sonate b minor : for piano, 1853...(+)
Piano
SKU:
NR.81477
Dlia
fortepiano = Sonate b
minor : for piano,
1853. Composed by
Franz Liszt. Edited by
Genrikh Gustavovich
Neigauz and V. S. Belov.
Score. Noten Roehr
#81477. Published by
Noten Roehr (NR.81477).
Belov, V. S.,
ed, Neigauz, Genrikh
Gustavovich, 1888-1964,
ed.
Sonate h-Moll Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ12900 Composed by Franz Liszt. EMB Liszt Works. Book On...(+)
Piano
SKU:
BT.EMBZ12900
Composed
by Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2016. 48 pages.
Editio Musica Budapest
#EMBZ12900. Published by
Editio Musica Budapest
(BT.EMBZ12900).
English-German.
Liszt s Piano Sonata in B
minor, first drafted in
1849, is one of his most
innovative piano works.
The handwritten, final
version was completed on
2 February 1853, and was
first published in April
1854. Liszt dedicated the
work to Robert Schumann
as a response to Schumann
previously dedicating his
C Major Fantasy to Liszt.
The Sonata in B Minor was
premiered on 22 January
22 1857, by the Liszt s
youngest daughter s
husband, Hans von
Bülow, who was a
renowned pianist and
conductor.This
publication contains not
only musical scores of
excellent quality, but
also a detailed foreword
in English and German as
well as critical notes in
English.
Piano SKU: M7.DOHR-17600 Composed by Franz Joseph Haydn. This edition: Ha...(+)
Piano
SKU:
M7.DOHR-17600
Composed by Franz Joseph
Haydn. This edition:
Hardback/Hard Cover.
Sheet music. Performance
book. 104 pages. MDS
(Music Distribution
Services) #DOHR 17600.
Published by MDS (Music
Distribution Services)
(M7.DOHR-17600).
ISBN
9790202036006.
Von
der Existenz der sieben
verschollenen
Klaviersonaten Hob. XVI:
2a-e und g-h wissen wir
lediglich durch die
Eintragungen in den
sogenannten
Entwurf-Katalog, dessen
Hauptteil Ende 1765
entstand. Haydn führte
den Katalog bis 1777
fort, indem er von Zeit
zu Zeit die jeweils neu
komponierten Werke
ergänzte. Entstanden
sind die Sonaten
vermutlich in der Zeit
zwischen 1766 und 1772.
Die Tatsache, dass die
Sonaten verschollen sind,
wird häufig mit dem
Brand, dem Haydns Haus in
Eisenstadt im Jahr 1768
zum Opfer fiel, in
Verbindung gebracht. Der
Zeitraum 1766 bis 1772
deckt sich ziemlich genau
mit der häufig, jedoch
nur unzureichend
charakterisierend Sturm
und Drang-Zeit genannten
Schaffensphase des
Komponisten, die den
Höhepunkt einer Phase
intensiven
Experimentierens und
Suchens nach neuen Wegen
auf fast allen für
Haydn besonders
bedeutsamen Gebieten der
Instrumentalmusik, der
Symphonie, dem
Streichquartett und der
Klaviersonate, bildet. Da
die Eintragungen im
Entwurf-Katalog lediglich
die ersten zwei bis vier
Takte der je ersten
Sätze der Sonaten
wiedergeben, musste der
Verfasser nicht nur den
restlichen Verlauf der
Eröffnungssätze
weitgehend selbst
erdichten, er war auch
bei der Gesamtanlage der
Sonaten (Anzahl und
musikalischer Inhalt der
übrigen Sätze)
insofern auf sich allein
gestellt, als der
Entwurf-Katalog
hierüber keine
Auskunft gibt. Als
stilistische Vorbilder
dienten naturgemäß
die im genannten Zeitraum
komponierten und
erhaltenen Sonaten.
Darüber hinaus hat der
Verfasser versucht, eine
möglichst große
Bandbreite der
verschiedenen Formen, die
in Haydns Musik dieses
Zeitraums zu finden sind,
abzubilden. Ebenso
differenziert und zur
Nachahmung herausfordernd
ist der
Abwechslungsreichtum der
Satztechniken, die Haydn
verwendet. Dem Vorbild
Haydns folgend sind vor
allem die dynamischen
Angaben auf ein Minimum
reduziert und sollen
bewusst Raum zur eigenen
fantasievollen
Interpretation lassen.
(Thomas Enselein).
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
with Remarks on Fingering. By Sonatinas for Piano. Edited by Ernst Herttrich. Pi...(+)
with Remarks on
Fingering. By Sonatinas
for Piano. Edited by
Ernst Herttrich. Piano
(Harpsichord), 2-hands.
Pages: IX and 91. Urtext
edition-paper bound.
Published by G. Henle.
Consolations Piano seul EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14505 Grand solo de concert (earl. vers.) and Other ...(+)
Piano
SKU:
BT.EMBZ14505
Grand
solo de concert (earl.
vers.) and Other Works
(Suppl. B 10). By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB Liszt
Works. Book Only.
Composed 2014. 208 pages.
Editio Musica Budapest
#EMBZ14505. Published by
Editio Musica Budapest
(BT.EMBZ14505).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research result and,
numerous manuscript
facsimiles make the
practical paperback
version of this volume of
the New Liszt Edition a
specially important
publication of scholarly
value.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
(Samtliche Klaviersonaten, Band I). By Franz Joseph Haydn (1732-1809). Edited by...(+)
(Samtliche
Klaviersonaten, Band I).
By Franz Joseph Haydn
(1732-1809). Edited by
Georg Feder. For Piano.
STUDY EDITION. Henle
Study Scores. Urtext
edition. SMP Level 10
(Advanced). Study score
(paper-bound). G. Henle
#HN9238. Published by G.
Henle (HL.514 study score
(paper-bound)
Piano Solo. By Frederic Chopin. Arranged by C Mikuli. Piano Solo (Intermediate t...(+)
Piano Solo. By Frederic
Chopin. Arranged by C
Mikuli. Piano Solo
(Intermediate to advanced
piano arrangements with
no lyrics). Size 9x12
inches. 32 pages.
Published by G. Schirmer,
Inc.
Piano - easy SKU: BT.EMBZ14967 Essential Sonatinas for Music Education...(+)
Piano - easy
SKU:
BT.EMBZ14967
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 44
pages. Editio Musica
Budapest #EMBZ14967.
Published by Editio
Musica Budapest
(BT.EMBZ14967).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classical
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnengut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit HIlfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
Samtliche Klaviersonaten, Band III. By Franz Joseph Haydn. Edited by Georg Feder...(+)
Samtliche Klaviersonaten,
Band III. By Franz Joseph
Haydn. Edited by Georg
Feder. For piano solo.
This edition: HN9242.
STUDY EDITION. Henle
Study Scores. Urtext
edition. Study score
(paper-bound). 128 pages.
Published by G. Henle.
15 Well-Known Original Pieces in Progressive Order. Composed by Wolfgang ...(+)
15 Well-Known Original
Pieces in Progressive
Order. Composed by
Wolfgang Amadeus Mozart
(1756-1791). Edited by
Sylvia
Hewig-Tr�¶scher. At
the Piano. Softcover. 64
pages. G. Henle #HN1812.
Published by G. Henle
(HL.51481812).
Composed by Ludwig van Beethoven (1770-1827), edited by Stewart Gordon. Collecti...(+)
Composed by Ludwig van
Beethoven (1770-1827),
edited by Stewart Gordon.
Collection for piano
solo. With introductory
text, fingerings and
performance notes.
Published by Alfred
Publishing. ISBN
0739037625.
(Nos. 25-32). By Ludwig van Beethoven (1770-1827). Edited by Stewart Gordon. For...(+)
(Nos. 25-32). By Ludwig
van Beethoven
(1770-1827). Edited by
Stewart Gordon. For
Piano. Book; Masterworks;
Piano Collection. Alfred
Masterwork Edition. Form:
Sonata. Classical;
Masterwork; Recital;
Romantic. Advanced; Early
Advanced. 264 pages.
Published by Alfred Music
Publishing
