By Various. For Piano. Specimen Sight-Reading Tests for Piano Gr. 2. Education. Grade 2

Composed by Various. ABRSM Piano Exams. Book. ABRSM (Associated Board of the Royal Schools of Music) #9781786013354. Published by ABRSM (Associated Board of the Royal Schools of Music)

Piano - Grade 6;Grade 7;Grade 8

SKU: TL.TCL020502

Classical. Textbook. Trinity College London #TCL020502. Published by Trinity College London (TL.TCL020502).

ISBN 9780857369277. 12 x 9 inches.

This progressive method provides a carefully paced approach to the sight reading requirements of Trinity grade exams at Grades 6 to 8. For each grade there are ten lessons, each with a clear area of focus. Stage-appropriate sight reading tips, both general and specific to the instrument, are given along the way.

Each lesson presents four or five preparatory exercises leading to a duet, included to encourage the development of ensemble sight reading skills. While duets are not required for grade exams, they are vital in building confidence and rhythmic fluency. Each duet builds on the same musical ideas as the preceding exercises, consolidating the learning and assisting the student through familiarity.

Official Trinity specimen sight reading tests from Trinity's Sound at Sight Piano (original series) conclude each grade section. By the time the student has completed the ten lessons they should be well prepared to cope with the demands of these tests. Further specimen tests are available separately in Sound at Sight Piano (2nd series).

Classical. Textbook. Trinity College London #TCL020482. Published by Trinity College London

Classical. Textbook. Trinity College London #TCL020499. Published by Trinity College London

Piano

SKU: BT.MUSMI0329

Al Pianoforte. Composed by Bruno Tauzin. Play Music Italia. Tuition. Book with CD. Composed 2016. Play Music Italy #MUSMI0329. Published by Play Music Italy (BT.MUSMI0329).

Italian.

Ques t’opera presenta una serie di accompagnamenti ed assoli di pianoforte nello stile Pop Rock. Scoprirete quindi degli accompagnamenti che illustrano chiaramente i principali procedimenti armonici e ritmici specifici...che spaziano dalla ballad Slow Rock in arpeggio alle ritmiche Rock più energiche passando per gli accompagnamenti Pop attuali. Suonerete poi gli assoli... con tutte le caratteristiche proprie di questo stile (gimmicksarmonici e ritmici, timing, respirazione…). Troverete dei licks e delle frasi tipiche che spaziano dal British Pop di una volta a quello più moderno di oggi, dalla musica Pop leggera ad una formapiùsbrigliata , più Rock... in breve, c’è di tutto! Dai Beatles a David Bowie passando per Elton John, Keane o Coldplay... le fonti d’ispirazione non mancano per evocare questo stile al pianoforte!Per ogni accompagnamento ed assolo, troverete 5 registrazioni diverse sul CD MP3 allegato, distribuite nel modo seguente: il pianoforte da solo, a velocità normale poi ridotta, la stessa parte di pianoforte suonataperò sulla sua base musicale ed infine la sola base musicale, prima a velocità normale, poi ridotta... per permettere ad ognuno di suonare secondo il proprio ritmo, il proprio livello e le proprie capacità.Ossia più di 4 ore di musica in tutto!

Piano

SKU: HL.48186486

Composed by Isabelle Aboulker. Leduc. Softcover. 32 pages. Alphonse Leduc #AL30753. Published by Alphonse Leduc (HL.48186486).

UPC: 888680829018. 9x12 inches.

“AL 30 753 - MILA AND THE SHIP TREE - Version for piano For decades the French composer Isabelle Aboulker has been very successful with vocal works for children and young people, in whom well-known fairy tales are processed. Now she has once again met with Mila and the Schiffbaum, a work commissioned by the Académie musicale by Villecroze in the course of the project ”“3 composers write for the school”“, and by the French music publishers with the music prize 2015 in the category ”“ Works for young performers ”“. With this composition, Isabelle Aboulker has created a musical story for narrator, children's choir and instrumental accompaniment, which helps children between five and eight years in educational and valuable ways to gain first experiences with music theater and choral singing. Thanks to an excellent German translation, the successful work can now also be found in the German-speaking world. With the deep sensitivity and subtlety that is the secret of her art, Isabelle Aboulker tells of a little girl who succeeds in getting over the loss of a loved one, namely, his grandfather. The highly charming melodies of this piece, written for unanimous children's choir, are joined by an instrumental accompaniment in which tender melancholy and subtle humor alternate - this musical language comes directly from the heart. AL 30 754 - Choral Partitur (German and French text) The work is also available in English translation: AL 30 732 - version for speaker, children's choir and piano (French and English text) AL 30 743 - Choral Partitur (French and English text) As well as with other instrumental accompaniments: AL 30 733 - version for speaker, children's choir and trio (clarinet in B, cello and piano) (French and English text) AL 30 734 - version for spokesman, children's choir and instrumental ensemble (French, English, German, French, Italian, Italian)&rdquo.

Piano

SKU: BT.EMBZ14501A

Suppl. 6. EMB New Listz Edition. Book Hardcover. Composed 2009. 244 pages. Editio Musica Budapest #EMBZ14501A. Published by Editio Musica Budapest (BT.EMBZ14501A).

English-German-Hungari an.

In Volume I/9 of the New Liszt Edition the definitive ten-movement version of the piano cycle Harmonies poétiques et religieuses was published in 1981. On several occasions Liszt mentioned that he attached particular importance to this cycle, and this is confirmed by the fact that he devoted almost two decades (1835-1853) to its composition. This Supplement volume of the New Liszt Edition initiates the reader into the mysteries of the cycle's genesis, publishing 17 completed pieces written for it and 6 that have survived as fragments, together with the album leaves belonging to them. The works composed between 1840 and 1848 also reflect the various concepts of the cycle and theprior history of the movements included in the final version, more than one shows Liszt's skill as an improviser. Among the compositions that survive in manuscript there are gems such as the hitherto virtually unknown Piano piece in G flat major, conceived in a moment of unselfconscious happiness. Others waiting to be discovered include the Piano piece in C minor and the enchantingly beautiful prayer, Litanies de Marie, of which two versions were written.

Die endgültige Version des Klavierzyklus Harmonies poétiques et religieuses (Poetische und geistliche Harmonien) von zehn Sätzen erschien 1981 im Band I/9. der NLA. Liszt erwähnte mehrmals, dass dieser Zyklus für ihn von herausragender Bedeutung sei, das bewies er auch dadurch, dass er für seine Komposition fast zwei Jahrzehnte (1835-1853) aufwendete. Durch die Herausgabe der siebzehn beendeten und sechs nur zum Teil erhalten gebliebenen Stücke, sowie der zu ihnen gehörenden fünf Albumblätter, weiht dieser Band der Neuen Liszt Ausgabe Interessierten in die Geheimnisse der Genesis ein. Die zwischen 1840 und 1848 komponierten Werke stellen uns die verschiedenenZyklusvorste llungen und gleichzeitig die Vorgeschichte der Sätze der endgültigen Version vor, wobei uns nicht nur eine den improvisierenden Liszt vor unseren Augen erscheinen lässt. Unter den als Manuskript erhalten gebliebenen Kompositionen findet man auch Perlen, wie zum Beispiel das bis jetzt fast unbekannte.

Piano

SKU: BT.EMBZ14501

EMB Liszt Works. Book Only. Composed 2009. 232 pages. Editio Musica Budapest #EMBZ14501. Published by Editio Musica Budapest (BT.EMBZ14501).

English-German-Hungari an.

In Volume I/9 of the New Liszt Edition the definitive ten-movement version of the piano cycle Harmonies poétiques et religieuses was published in 1981. On several occasions Liszt mentioned that he attached particular importance to this cycle, and this is confirmed by the fact that he devoted almost two decades (1835-1853) to its composition. This Supplement volume of the New Liszt Edition initiates the reader into the mysteries of the cycle's genesis, publishing 17 completed pieces written for it and 6 that have survived as fragments, together with the album leaves belonging to them. The works composed between 1840 and 1848 also reflect the various concepts of the cycle and theprior history of the movements included in the final version, more than one shows Liszt's skill as an improviser. Among the compositions that survive in manuscript there are gems such as the hitherto virtually unknown Piano piece in G flat major, conceived in a moment of unselfconscious happiness. Others waiting to be discovered include the Piano piece in C minor and the enchantingly beautiful prayer, Litanies de Marie, of which two versions were written.

Die endgültige Version des Klavierzyklus Harmonies poétiques et religieuses (Poetische und geistliche Harmonien) von zehn Sätzen erschien 1981 im Band I/9. der NLA. Liszt erwähnte mehrmals, dass dieser Zyklus für ihn von herausragender Bedeutung sei, das bewies er auch dadurch, dass er für seine Komposition fast zwei Jahrzehnte (1835-1853) aufwendete. Durch die Herausgabe der siebzehn beendeten und sechs nur zum Teil erhalten gebliebenen Stücke, sowie der zu ihnen gehörenden fünf Albumblätter, weiht dieser Band der Neuen Liszt Ausgabe Interessierten in die Geheimnisse der Genesis ein. Die zwischen 1840 und 1848 komponierten Werke stellen uns die verschiedenenZyklusvorste llungen und gleichzeitig die Vorgeschichte der Sätze der endgültigen Version vor, wobei uns nicht nur eine den improvisierenden Liszt vor unseren Augen erscheinen lässt. Unter den als Manuskript erhalten gebliebenen Kompositionen findet man auch Perlen, wie zum Beispiel das bis jetzt fast unbekannte.

By Various. For Piano. Education. Level: Grade 8. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Various. For Piano. Education. Level: Grade 3. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Various. For Piano. Education. Level: Grade 6. Published by ABRSM (Associated Board of the Royal Schools of Music).

By Francis Poulenc. For Piano. 20th Century, Classical. Sheet Music. 16 pages. Published by Chester Music.

By Various. For Piano. Education. Level: Grade 7. Published by ABRSM (Associated Board of the Royal Schools of Music).

Studies, ABRSM Exams. ABRSM Sight-reading. Education. Collection. 16 pages. Published by ABRSM (Associated Board of the Royal Schools of Music)

Composed by Various. ABRSM Publications. ABRSM Sight-reading. Education. Sheet Music. 12 pages. ABRSM (Associated Board of the Royal Schools of Music) #9781860969058. Published by ABRSM (Associated Board of the Royal Schools of Music)

By Gioacchino Rossini. Edited by Marty Winkler. Marty Winkler. Classical piano. Level: upper intermediate - advanced. 124 pages. Published by Warner Brothers

Piano

SKU: M7.AHW-3027

For the Modern Improviser. Composed by Oligario Diaz. Sheet music. 174 pages. Charles Colin Corp. #AHW 3027. Published by Charles Colin Corp. (M7.AHW-3027).

English.

This theoretical book is meant to improve contemporary jazz styles techniques for all musician players of modern jazz. We will divide this book into scale exercises, arpeggio exercises, jazz line phrases as well as contemporary chord progressions. Exercises consist of diatonic and chromatic exercises; and, line phrases, consist of jazz solos by great musicians such as Miles Davis, Bill Evans, John Coltrane, Freddy Hubbard, Woody Shaw, Wayne Shorter, Joe Henderson, Chick Corea, Herbie Hancock, Joe Farrel, Dave Liebman, Bob Berg, Michael and Randy Brecker, Jerry Bergonzi, George Garzone, Tom Harrel, Chris Potter, Brad Mehldau, Joey Calderazzo, Kenny Garrett, Branford Marsalis, Walt Weiskopf, Rich Perry, Seamus Blake, Alex Sipiagin and many other well known musicians these days. The majority of these exercises should be transposed to all twelve (12) tones, so we can achieve perfect coordination. Major chords, Minor chords and Dominant chords will be extended to their highest level, in scales, arpeggios and chromatic form. There will not be key signature centres, so we will work all exercises in accidental way. These exercises were made as an extension of my first book 'Improvise Now'. There are as well many improvisational lines transcribed from some of the previously mentioned musicians.