Music for Little Mozarts - Music Discovery (Book 1) Gayle Kowalchyk, Christine H. Barden, E. L. Lancaster See larger cover Your price $7.95 Usually ships in 24 hours 1 2 Ready to buy? Quantity: (you can remove it later) Save 10% when you buy 2 or more copies of this title. Average customer rating: see ratings What recent customers say about this title: A Great Addition to Mozart Books Anonymous writes... "This is great to go along with all the other Music for Little Mozarts books. My daughter, who is four, loves to sing along and do the motions for the songs. I only... more" Awesome! Anonymous writes... "I LOVE all the activities which include moving, clapping, playing instruments, singing, and solfege. My preschool-age piano students love their piano lessons... more" See all reviews...or add your own! About Music for Little Mozarts - Music Discovery (Book 1) (Singing, Listening, Music Appreciation, Movement and Rhythm Activities to Bring Out the Music in Every Young Child) Written by Christine H. Barden, E. L. Lancaster, Gayle Kowalchyk. Instructional book (big note notation) for piano. 48 pages. Published by Alfred Publishing.

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Chopin * Intermediate to Advanced Piano Solos composed by Frederic Chopin (1810-1849). Arranged by Erika Feuchtner Macris. For piano. This edition: Paperback. Collection. Classical Composer Series. Classical. Intermediate to Advanced. Book. Text Language: English. 64 pages. Published by Santorella Publications

Piano

SKU: M7.AV-5851

Melodienfolge. Composed by Paul Lincke. Arranged by Franz Marszalek. This edition: Folding. Sheet music. 7 pages. MDS (Music Distribution Services) #AV 5851. Published by MDS (Music Distribution Services) (M7.AV-5851).

ISBN 9790203917168.

Piano

SKU: BR.EB-9078

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Hannover, October 7, 1990Dedicated to the pianist Catherine Vickers

Music post-1945; New music (post-2000). Score. Composed 1990. 4 pages. Duration 3'. Breitkopf and Haertel #EB 9078. Published by Breitkopf and Haertel (BR.EB-9078).

ISBN 9790004179536. 9 x 12 inches.

In ,,Beds and Brackets gibt es ein Stuck im Stuck: Statement zu einem Faustschlag Nonos. Kurz vor seinem Tod war ich mit Nono zusammen in einer Kompositionswettbewerbs-J ury. Wahrend dieser Tage schlug er manchmal mit der Faust schwere, massige Rhythmen elementarster Proportion auf den Tisch. Vierfaches Forte. Diese Befreiungsschlage hafteten die ganze Zeit wahrend der Arbeit an Statement in meinem Gedachtnis. Sie waren ganz aus dem Nahbereich des Machens und Wahrnehmens geboren. Solcher Nahbereich menschlicher Sinnenwelt ist auch musikalisches Ausfuhrungs- und Hormodell des ubrigen Stuckes. Die jeweiligen Tone werden aus der 88-tastigen Klaviatur aufgrund von Bewegungsentwurfen abgerufen, deren Streckenmasse und Geschwindigkeiten, multipliziert mit den jeweils zu bewegenden Organ(gewicht)en, Ton und Harmonik charakterisieren. Der horizontale, zeitliche Verlauf des Stuckes verwirrt zeitweise die Nahbereichswahrnehmung durch Wiederholung. In der Partitur zeigen numerierte Klammern das jeweilige Notentextfragment an, das an einer anderen Stelle in den musikalischen Verlauf eingeschoben werden soll, und zwar so, als wurde es zum ersten Mal erklingen. Es geht also nicht um psychisch-dynamische Weiterspinnung, sondern um eine live simulierte Wiederholung von Vergangenem, als ware es gar nicht vergangen. Derartige horizontale Bewegungsentwurfe betonen an Wiederholung eher das Fremde, Sprengende, nicht das Zusammenhangschaffende. Gegen Ende argumentiert der korperliche Nahbereich, schlagt um in ,,Umgebung: Lauft da nicht ein Radio, ein Fernseher, ein Kuhlschrank? Geht da nicht ein Wind draussen? Fahrt nicht ein Auto? Spielen da nicht Kinder? Tonbander sind nur eine schwache Simulation! Im Optimalfall sollen Fenster und Turen des Konzertsaales geoffnet und wieder geschlossen werden. (Nicolaus A. Huber, 1990) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD col legno AU 31821 CD Koch Aulos 3-1817-2 Bibliography : Birkenkotter , Jorg: Keine Kleinigkeiten: ,,Bagatellen, ,,Shrugs, ,,Statement ... Kurze Stucke im Werk Nicolaus A. Hubers, in: Nicolaus A. Huber, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge 168/169), Munchen: edition text + kritik 2015, pp. 153-175. Schat , Peter W.: Didaktische Brucken. Ein Kommmentar zu Nicolaus A. Hubers Beds and Brackets, Musik & Bildung 5/1995, pp. 49-51.

World premiere: Hannover, October 7, 1990Dedicated to the pianist Catherine Vickers.

Piano, Online Audio SKU: HU.PSCK002 Piano and Keyboard, Instructional, Methods. Encore On Keys - Primary Series 2. Softcover Book and Online Audio. Hal Leonard Australia #PSCK002. Published by Hal Leonard Australia (HU.PSCK002). 11.8 x 7.9 x 0.4 inches. Book with Audio Files and Flash Cards. This is a one year piano/keyboard course that is comprehensive and lots of fun. It incorporates a broad range of styles such as rock jazz and classical. The learning sequence is the same as for the Junior series but with alternative repertoire. Each book comes packaged with audio files featuring "play-along" arrangements of all the pieces. Also included are Rhythym Taps to assist in the development of 2-handed rhythym reading and playing plus Finger Taps to establish finger numbers and patterning. Students who successfully complete the Encore on Keys Primary Series advance to the Achiever Series.

Edited by Maxwell Eckstein. For piano. Format: piano solo book. Baroque, Classical Period and Romantic Period. 160 pages. 9x12 inches. Published by Carl Fischer.

Piano

SKU: BR.EB-9420

Based upon a Theme by Franz Schubert. Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf. World premiere: Stuttgart, 1957. Variations; Music post-1945; New music (post-2000). Score. Composed 1956. 12 pages. Duration 7'. Breitkopf and Haertel #EB 9420. Published by Breitkopf and Haertel (BR.EB-9420).

ISBN 9790004188972. 9 x 12 inches.

Obwohl die Variationen vorwiegend von rationalen Kompositionsmitteln in Anlehnung an Reihentechniken Schonbergs und des spaten Strawinsky gepragt sind, ist in ihnen das spielerische musikantische Element und der tanzerische Charakter, wenn auch immer wieder anders gebrochen, erhalten geblieben. (Helmut Lachenmann, 1985) Das burgerliche Denken ist gekennzeichnet durch ein hochentwickeltes System von Verdrangungsmechanismen, welche die Isolation, Entfremdung, Angst und Sprachlosigkeit des Individuums uberspielen sollen. Unser Kulturbetrieb ist ein wesentlicher Teil dieses Verdrangungssystems. In diesem Sinn hat er die Tradition in Beschlag genommen: die Illusion einer in Wirklichkeit langst verlorenen gemeinsamen Verstandigungsbasis bewahrt er durch die Konservierung und Fetischisierung historischer asthetischer Kategorien und daran gebundener Wertvorstellungen; als Synonym fur tabuisierte Konvention bildet Tradition heute einen verraterischen Teil dieser unserer Wirklichkeit. Die Funf Variationen uber ein Thema von Franz Schubert sind 1956, also noch vor meinem Studium bei Nono, entstanden. In ihnen ist jener oben ausgefuhrte gesellschafts- und kulturbetriebskritische Ansatz noch kaum erkennbar, eher keimhaft verborgen. Ich mag das Stuck so, wie einer vielleicht Souvenirs aus seiner Jugend mag. Es ist vorwiegend von rationalen Prinzipien in Anlehnung an Motivtechniken Schonbergs und des spaten Strawinsky gepragt, und doch ist das musikantische Element und der tanzerische Charakter, wenn auch immer anders gebrochen, erhalten geblieben. Noch nicht ausgepragt ist hierin der Widerstand gegen Tradition, insofern deren Kategorien als herrschende Konventionen jenen zuvor erwahnten burgerlichen Verdrangungsmechanismen unterstellt sind. Helmut Lachenmann (aus: Programmheft Tage der Neuen Musik, Wurzburg 1989) CDs: Roland Keller CD col legno 429 356-2 Lars Vogt CD EMI 567-754446-2 Susanne Kessel (piano) CD Arte Nova 74321 75498 2 Herbert Schuch (piano) (Mitschnitt des Preistragerkonzerts des Klavier-Festivals Ruhr vom 27. Mai 2006 in Dusseldorf) Intitiativkreis Ruhrgebiet in Zusammenarbeit mit der Zeitschrift FonoForum und WDR3 (Beilage FonoForum August 2006) Herbert Schuch (piano) CD Oehms Classics, OC 593 CD Oehms Classics, OC 012 (8 CDs)

World premiere: Stuttgart, 1957.

Piano

SKU: HL.48182066

Composed by Olivier Messiaen. Leduc. Post-1900. Softcover. 10 pages. Alphonse Leduc #AL22944. Published by Alphonse Leduc (HL.48182066).

UPC: 888680850869. 9.0x12.0x0.155 inches.

“The Bird Catalogue by Olivier Messiaenis a set of 7 books with 13 pieces for Piano composed between 1956 and 1958. Each volume refers to a special bird and to the region where the bird is typically from in France. The piece not only describes the bird, it also depicts its surroundings, such as other birds, the landscape of its area, the colours and the temperature. Book 1 - Le Chocard des Alpes (Alpine Chough) - Le Loriot (Golden Oriole) IH Le Merle Bleu (Blue Rock Thrush) Book 2 - Le Traquet Stapazin (Black-Eared Wheatear) Book 3 - La Chouette Hulotte (Tawny Owl) - L'Alouette Lulu (Wood Lark) Book 4 - La Rousserolle Effarvatte (Reed Warbler) Book 5 - L'Alouette Calandrelle (Short-Toed Lark) - La Bouscarle (Cetti's Warbler) Book 6 - Le Merle de Roche (Rock Thrush) Book 7 - La Buse Variable (Buzzard) - Le Traquet Rieur (Black Wheatear) - Le Courlis Cendré (Curlew) As mentioned above, this 5th volume focuses on the Short-toed Lark and the Cetti's Warbler. The first one, the Short-toed Lark represents the wilderness of Provence and the Cetti's Warbler, the Charente area. The interpretation of these pieces requires a strong level in Piano (upper advanced), due to some complex technique requirement. Olivier Messiaen (1908-1992) was a French organist and composer who was passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Treatise on rhythm, colour and ornithology' in 7 volumes.”.

Piano solo - Level 7

SKU: IG.PM062

Composed by Wieslaw Rentowski. Score. Imagine Music Publishing #PM062. Published by Imagine Music Publishing (IG.PM062).

9 x 12 in inches.

By Wieslaw Rentowski. A La Mode [ French, la mode in the fashion; served with ice cream ] was commissioned by the Louisiana Music Teachers Association, as a result of the LMTA 1998 Commissioning Award Composition Contest. The composition was first performed in Lake Charles, LA by pianist Christina Ay-Chen Long ( during the 1998 LMTA Convention ), and is dedicated to her. A La Mode was conceived as a brilliant piano metaphor of French-Polish culture and is related to the composer's concept of open/universal tonality.

Composed by Ludwig van Beethoven (1770-1827). Edited by Jonathan Del Mar. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score. Opus 7. Baerenreiter Verlag #BA11802. Published by Baerenreiter Verlag

By Walter Noona. Piano. Level: Level 3. Piano method. Published by Heritage Music Press.

(All Piano Works Published by Salabert) Composed by Erik Satie (1866-1925). For solo piano. Format: piano solo songbook. Impressionistic and 20th century. 288 pages. 9x12 inches. Published by Salabert.

Piano

SKU: LM.29386

Composed by Raoul Jehl. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29386. Published by Editions Henry Lemoine (LM.29386).

ISBN 9790230993869.

1. La Coquecigrue ecarlate (a la maniere d'Olivier Messiaen) - 2. Le tapis d'Ispahan (a la maniere de Morton Feldman) - 3. Versailles-Varanasi (a la maniere de Mauricio Kagel) - 4. Les Cloches de la Giudecca (a la maniere de Luigi Nono) - 5. Un air lointain (a la maniere de Gyorgy Legeti) - 6. Alpha Canis Majoris (a la maniere de Karlheinz Stockhausen) - 7. La Cristal d'Osiris (a la maniere de Gerard Grisey) - 8. Tratteggiata (Pointilles, a la maniere de Luciano Berio) - 9. Le Murmure du Lac (a la maniere de Salvatore Sciarrino) - 10. Iron Age (L'Age de Fer pour piano prepare a la maniere de John Cage).

Piano

SKU: BR.EB-9246

Composed by Christian Mason. Solo instruments; stapled. Edition Breitkopf.

World premiere: Passau (Festspiele Europaische Wochen), 26. Juni 2016

Music post-1945; New music (post-2000). Score. Composed 2016. 16 pages. Duration 7'. Breitkopf and Haertel #EB 9246. Published by Breitkopf and Haertel (BR.EB-9246).

ISBN 9790004185469. 9 x 12 inches.

In a world of invisible waves: a butterfly is a response to the idea of the butterfly effect: that a small cause can have a disproportionately large effect. Before composing the music I wrote this short poem in order to focus my imagination and help with shaping the most appropriate sonic gestures:In a world of invisible waves: a butterfly Flies into a storm Which it unknowingly created When it took its first flight.This narrative is not literally translated, but maybe you can hear the resonances of delicate flapping and mercurial weather somewhere amid the rippling waves of the music? It is warmly dedicated to Catherine Le Bris. (Christian Mason, 2016) Bibliography: Whittall, Arnold: Questioning the Sound: the Music of Christian Mason, in: The Musical Times 161 (Summer 2017), S. 85-99

World premiere: Passau (Festspiele Europaische Wochen), 26. Juni 2016.

By Erik Satie (1866-1925). Edited by Jens Rosteck. For piano. This edition: Urtext edition. Stapled. Level 3. Performance score. German/English. Published by Baerenreiter Verlag

Piano - Level 5

SKU: BA.BA11471

Composed by Zsigmond Szathmary. Stapled. Dedicated to Zoltán Kocsis. Performance score. Baerenreiter Verlag #BA11471. Published by Baerenreiter Verlag (BA.BA11471).

ISBN 9790006574759. 29.7 x 21 cm inches.

The powerful intensity of colour and expressiveness of the mosaic images in the apse and altar area of the late antique church of San Vitale (from the 6th century) in Ravenna made a lasting impression on Zsigmond Szathmáry. The fascination of how imposing images emerge from tiny, luminous mosaic cubes and vividly tell the biblical stories inspired the composer to write his piano piece: In my composition, I tried to follow this path: to organise the smallest coloured and angular glass cubes â?? that is, the smallest coloured and angular musical miniature events â?? in such a way that they constantly grow and finally culminate in a tangible musical statement. Despite this seemingly archaic procedure, the composer wants his piece to be understood as a continuation of the virtuoso piano music tradition of the 19th and 20th centuries. The Mosaikbilder â?? (Mosaic Pictures) are dedicated to the great Hungarian pianist Zsoltán Kocsis, for whom they were written in 2012.

By Leos Janacek (1854-1928). Edited by Leos Faltus; Jarmila Prochazkova. For solo piano/winds (solo piano/flute (piccolo)/2 trumpets in C/3 trombones/tenor tuba/horn). This edition: Stapled. Performance score, Set of parts. Text Language: Czech/English/German. 54/4/7/4/8/8/8/8/8 pages. Published by Baerenreiter Verlag

Piano - Level 5

SKU: KU.GM-1890

1993. Composed by Martin Schlumpf. Edited by Martin Schlumpf. Bach format (230 x 302). Staple Bound. Modern. Piano score. 15 pages. Duration 7 minutes. Edition Kunzelmann #GM-1890. Published by Edition Kunzelmann (KU.GM-1890).

ISBN 9790206201547.

C ommissioned by the Zurich University of the Arts with fiancial support of the Cultural Department of the City of Zurich.

Piano - Level 2

SKU: BA.BA08046

Composed by Gunter Bialas. Stapled. Neue Hausmusik. Performance score. Composed 1937/1987. Baerenreiter Verlag #BA08046_00. Published by Baerenreiter Verlag (BA.BA08046).

ISBN 9790006488209. 21 x 29 cm inches.

4 Kompositionen fur 3 Hande - 7 Kompositionen fur 4 Hande - 1 Kompositionen fur 6 Hande.

By Beat Furrer. For piano. This edition: 2nd printing 2011 edition. Stapled. Performance score. Composed 2011. 10 pages. Duration 7 minutes. Published by Baerenreiter Verlag

Piano - Level 2

SKU: BA.BA11565

Composed by Leopold Kozeluch. Edited by Christopher Hogwood. This edition: urtext edition. Stapled. Barenreiter Urtext. Performance score, anthology. Baerenreiter Verlag #BA11565_00. Published by Baerenreiter Verlag (BA.BA11565).

ISBN 9790260109100. 31 x 24.3 cm inches. Preface: Hogwood, Christopher / Mark, Ryan.

Leopold Koželuch (also Koželuh) was among the leading musical figures of 18th-century Vienna, well-known in his day as an excellent pianist and piano teacher.

Six delightful sonatas have been selected from the complete edition of his piano sonatas published by Bärenreiter – namely the easiest, as this album is specifically aimed at beginner and moderately advanced pianists. The edition includes Piano Sonatas No. 37 in G major, No. 47 in E-flat major, No. 7 in D major, No. 46 in C major, No. 10 in F major and No. 14 in G major, inviting pianists to explore the piano music of the Viennese Classic.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

Piano

SKU: SP.MP012

Composed by Avis Romm. Collection; Classical. Book and CD. Santorella Publications #MP012. Published by Santorella Publications (SP.MP012).

ISBN 9781585606115. UPC: 635344000128.

The Essential Composer Series published for Piano by Minstrel Press and distributed by Santorella Publications features the original works from some of the greatest composers that ever lived. The selections have been carefully chosen to give the user a source of essential core literature from that specific composer. This transcribed series by Avis Fedge Romm has only had minor editing when seen as a valuable aid in facilitating the musician in authentically interpreting the composer's music. The Essential Composer Series has become a staple stock item for many music retailers throughout the world. Each edition includes a performance CD, which is also a great tool for younger players to hear the melodies that they have been practicing so diligently. This edition contains the following works of Ludwig van Beethoven; German Dance - Ecossaise - Landler No. 5 - Landler No. 7 - Sonatina in G - Allemande - German Dance No. 2 - German Dance No. 7 - Fur Elise - Menuet in G - Waltz - Sonata Quasi Una Fantasia (Moonlight Sonata).

Beethoven * Beginner to Intermediate Piano Solos composed by Ludwig van Beethoven (1770-1827). Arranged by Erika Feuchtner Macris. For piano. This edition: Paperback. Collection. Classical Composer Series. Classical. Beginner to Intermediate. Book. Text Language: English. 64 pages. Published by Santorella Publications

Composed by Domenico Scarlatti (1685-1757). Stapled. Performance score, anthology. 7 pages. Baerenreiter Verlag #BA06591. Published by Baerenreiter Verlag

Piano

SKU: BA.BA02257

Composed by Ernst Pepping. Stapled. Performance score. Composed 1945. No. 4. Duration 7 minutes. Baerenreiter Verlag #BA02257_00. Published by Baerenreiter Verlag (BA.BA02257).

ISBN 9790006419227. 30 x 23 cm inches.

Print on demand (POD).

Wind instruments, Piano (Piano)

SKU: BA.BE03396

Composed by Norbert Engelmann. Stapled. Junior Band Blaserklasse 1. Instructional. Single part. 36 pages. Gustav Bosse Verlag #BE03396_00. Published by Gustav Bosse Verlag (BA.BE03396).

ISBN 9790201133966. 29.7 x 21 cm inches. Language: German.

Piano

SKU: BR.EB-9254

Composed by Christian Mason. Solo instruments; stapled. Edition Breitkopf.

Repertoire piece for the final round of the 61th International Ferruccio Busoni Piano Competition, Bolzano, August 22 - September 1, 2017

New music (post-2000). Score. Composed 2006/09. 12 pages. Duration 7'. Breitkopf and Haertel #EB 9254. Published by Breitkopf and Haertel (BR.EB-9254).

ISBN 9790004185544. 9 x 12 inches.

Repertoire piece for the final round of the 61th International Ferruccio Busoni Piano Competition, Bolzano, August 22 - September 1, 2017.