Composed by Johann Sebastian Bach (1685-1750), edited by Riemenschneider. For piano. Format: piano solo book. With piano reduction, introductory text, instructional text, lyrics and performance notes. Baroque. 184 pages. 9x12 inches. Published by Schirmer

Piano - easy

SKU: BT.BOE8013

Von Olivia Rodrigo bis Indiana Jones. Arranged by Hans Gunter Heumann. Piano Gefällt Mir! TV-Film-Musical-Show. Book Only. Composed 2021. 92 pages. Bosworth & Co. #BOE8013. Published by Bosworth & Co. (BT.BOE8013).

ISBN 9783954562848. German.

Von Olivia Rodrigo bis Indiana Jones

Nach dem großen Erfolg der Serie piano gefällt mir! präsentiert Hans-Günter Heumann unter dem Motto Die leichte Art Klavier zu spielen“, den Nachfolger zur gleichnamigen Serie mit neuem Outfit. Das große Anliegen des Autors ist es, mit einfachen, aber dennoch gut klingenden Arrangements, die Spielstücke sehr leicht zugänglich zu machen. Der 1. Spielband von piano gefällt mir! light enthält 20 Chart- und Film-Hits und bietet ein unkompliziertes Spielvergnügen für Anfänger*innen und Wiedereinsteiger* innen. Die Titelliste umfasst eine große Auswahl an populären Charthits, wie Wellerman, My Head & My Heart (Ava Max), Good 4 U (Olivia Rodrigo), Girls Like Us (Zoe Wees), The Winner Takes It All (ABBA). Dazu kommen bekannte Filmmusiken, u.a. Raiders March aus Indiana Jones“ sowie Theme from Jurassic Park aus Jurassic Park“. Alle Songs sind pädagogisch aufbereitet und mit Tempoangaben, Fingersätzen, Akkordsymbolen und dem Text versehen.

Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 best-loved Christian hymns that have inspired praise and worship for over four centuries. Series: Piano Treasury Series. 392 pages. Published by Music Sales.

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Mario Aschauer. This edition: urtext edition. Stapled. Barenreiter Urtext. With the Rondo "Alla Turca". Performance score. KV 331 (300i). Baerenreiter Verlag #BA11816. Published by Baerenreiter Verlag

(Book/USB Flash Drive Play-Along Pack). By Various. For C Instruments. Real Book Play-Along. USB Flash Drive. 462 pages. Published by Hal Leonard

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Edited by Amy Appleby. Music Sales America. Baroque, Classical Period and World. Softcover collection (spiral bound). With fingerings (does not include words to the songs). 240 pages. Music Sales #AM967440. Published by Music Sales

Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal. Sacred. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 208 pages. Published by Mel Bay Publications, Inc.

(60 Easily Prepared Piano Arrangements for Services Throughout the Year). Arranged by Cindy Berry. For Piano. Book; Piano Collection; Piano Supplemental. Sacred Performer Collections. Sacred. Late Intermediate. 232 pages. Published by Alfred Music

Piano Solo

SKU: IG.PFW211

Composed by Kenneth Piotrowski. Score. Imagine Music Publishing #PFW211. Published by Imagine Music Publishing (IG.PFW211).

9 x 12 inches.

This etude is designed for solid intermediate and advanced students to strengthen the inner thumb and index fingers of each hand. Until the final few measures, no pedal is to be used. In order to keep the piece smooth, the performer must move with extreme swiftness and with total confidence as there are many wide-leaping intervals. Additionally, it is important to alter neither the dynamic level nor the tempo until the ritard. Once mastered, this piece makes a wonderful, if slightly creepy, encore solo.

(The Essential Collection for Piano Solo). Piano Collection. Faber Edition: Classic FM. Published by Faber Music

Chamber Music Piano

SKU: PR.110418200

For Piano. Composed by Lowell Liebermann. With Standard notation. 16 pages. Duration 8 minutes. Theodore Presser Company #110-41820. Published by Theodore Presser Company (PR.110418200).

ISBN 9781491111505. UPC: 680160667574.

Liebe rmann was commissioned by the Stecher and Horowitz Foundation for an exam piece to be played by each contestant at the Eighth New York International Piano Competition, which took place in June, 2016 at the Manhattan School of Music in New York. The First Prize Winner, Aristo Sham, also won the award for Best Performance of Commissioned Work, so it fell to him to give the first public performance of the work. Mr. Liebermann, a fine pianist himself, writes some of the most idiomatic piano music today, so any contestant would be delighted to be assigned the Two Impromptus as a 'test piece.' (Rorianne Schrade, New York Concert Review).

By russian. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 2000 pages. Published by Subito Music.

For piano solo. Keyboard. Level: Intermediate (4/5). Published by Alfred Publishing. Students love ragtime, and when you add delightful lyrics (provided by Christine's daughter, Allison) to this style, you get a solo that is irresistibly fun! The left hand is a good study in intervals, and the right hand melody expands to the octave. Chromatics are found throughout in both hands. The swing rhythm will have audiences tapping their feet to this recital winner!

Joplin's Greatest Rags for Easy Piano with CD composed by Scott Joplin (1868-1917). Arranged by James Progris. For easy piano. This edition: Paperback. Collection. Ragtime. Easy. Book and CD. Text Language: English. 64 pages. Published by Santorella Publications

By Stephanie J. Wilburn. For Piano. Spotlight Solo Sheets. This frolicking piece features staccato and legato touches, light use of accidentals, and an extended keyboard range. Students will love the clever "forearm" glissandos that conclude this award-winning solo. Circus. Level: Early Intermediate. Solo Sheet. Published by The FJH Music Company Inc

Piano solo - Late Intermediate

SKU: EC.8853

Composed by Elena Ruehr. Recital Music. 21st Century. Score. Duration 5 minutes, 15 seconds. E.C. Schirmer Publishing #8853. Published by E.C. Schirmer Publishing (EC.8853).

UPC: 600313488535.

An evocation of the sound world of Schubert's Sonatas, especially channeling Schubertâ??s D959. The references to Schubert are sometimes direct, but often altered in slight ways to evoke the dreamy sense of time that occurs while sleeping. It was commissioned by David Deveau specifically for a recording of this work with Steinway Records. Duration: 5:15.

By Walter Noona. Piano. Level: Level 1+. Piano method. Published by Heritage Music Press.

By Scott Joplin. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 850 pages. Published by Subito Music.

Composed by Frederic Chopin (1810-1849). Edited by Christoph Flamm. This edition: urtext edition. Paperback. Collection. Published by Baerenreiter Verlag (BA.BA9610).