Piano - intermediate SKU: BT.DHP-1175849-401 20 great songs and themes...(+)
Piano - intermediate
SKU:
BT.DHP-1175849-401
20 great songs and
themes arranged for piano
solo.
TV-Film-Musical-Show.
Book Only. Composed 2017.
76 pages. De Haske
Publications #DHP
1175849-401. Published by
De Haske Publications
(BT.DHP-1175849-401).
ISBN 9789043153881.
International.
Are
you an enthusiastic
cinema-goer? Then many of
the melodies and themes
in this collection will
be familiar to you: they
are soundtracks to some
of the great classics
from the world of film.
If youâ??ve had just a
few years of study on the
pianoyouâ??ll be able to
enjoy these wonderful
pieces.
Ga je
graag naar de bioscoop?
Dan zullen de
melodieën en
themaâ??s uit deze
selectie je zeker bekend
voorkomen: ze zijn
afkomstig uit de
soundtracks van een
aantal van de grootste
filmklassiekers aller
tijden. Wie slechts een
paar jaar
pianolessenheeft gevolgd,
kan deze prachtige
filmmuziek nu zelf
spelen. De bewerkingen
zijn van een gemiddelde
moeilijkheidsgraad en
blijven heel dicht bij de
originele stukken, zodat
je ze meteen
herkent!
Sie sind
begeisterter
Kinogänger? Dann
werden Ihnen mit
Sicherheit viele der in
diesem Band versammelten
Melodien und Themen
bekannt vorkommen: Sie
entstammen den
Soundtracks zu einigen
der grö�ten
Filmklassiker aller
Zeiten. Mit ein paar
JahrenUnterrichts- bzw.
Spielerfahrung auf dem
Klavier können Sie
diese wunderbaren
Filmmusiken nun selbst
nachspielen. Die
Bearbeitungen sind im
mittleren
Schwierigkeitsgrad
gehalten und orientieren
sich klanglich eng an den
Originalen, sodass Sie
sorecht in Erinnerungen
schwelgen
können.
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
By Nicolas Horvath. By Robert Orledge and Claude Debussy (1862-1918). Redi...(+)
By Nicolas Horvath. By
Robert Orledge and Claude
Debussy (1862-1918).
Rediscoverd Debussy.
Christmas. Score. Musik
Fabrik #MFCD017A.
Published
by Musik Fabrik
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Arranged by Denes Agay. Book. Published by Music Sales. (YK21103) These famili...(+)
Arranged by Denes Agay.
Book. Published by Music
Sales. (YK21103)
These familiar melodies
in easy arrangements
include Fascination,
Moscow Nights, waltzes by
Strauss, and over 65 more
favorite pieces; themes;
and folk, popular, and
standard songs. The
variety is both appealing
and educational.
20 iconic pieces of British classical music specially arranged for intermediat...(+)
20 iconic pieces of
British
classical music specially
arranged for intermediate
piano solo, plus a
pull-out
print of the striking
cover
artwork. Graded Standard
Repertoire; Piano
Collection.
The Piano Player Series.
Classical; Masterwork
Arrangement; Traditional.
Book. Faber Music #12-
0571541690. Published by
Faber
Music
The Piano Student's Hymnal arranged by Gayle Kowalchyk and E. L. Lancaster. For ...(+)
The Piano Student's
Hymnal arranged by Gayle
Kowalchyk and E. L.
Lancaster. For Piano.
Piano Collection; Piano
Supplemental. Late
Elementary/Early
Intermediate level piece
for the Hymn Playing
event with the National
Federation of Music Clubs
(NFMC) Festivals Bulletin
2008-2009-2010. Hymn;
Sacred. Early
Intermediate; Late
Elementary. Book. 32
pages. Published by
Alfred Music Publishing
Written by Dennis Alexander, E. L. Lancaster, Gale Kowalchyk, Martha Mier, edite...(+)
Written by Dennis
Alexander, E. L.
Lancaster, Gale
Kowalchyk, Martha Mier,
edited by Morton Manus,
written by Victoria
Mcarthur. Instructional
book for piano. With
instructional text and
instructional photos.
Series: Alfred's Premier
Piano Course. 48 pages.
Published by Alfred
Publishing.
Written by Dennis Alexander, E. L. Lancaster, Gayle Kowalchyk, Martha Mier, edit...(+)
Written by Dennis
Alexander, E. L.
Lancaster, Gayle
Kowalchyk, Martha Mier,
edited by Morton Manus,
written by Victoria
Mcarthur. Instructional
book for piano. With
instructional text and
instructional photos.
Series: Alfred's Premier
Piano Course. 48 pages.
Published by Alfred
Publishing.
By Rouget De L'isle. Arranged by Patrice Bourges. For Piano. This edition: piano...(+)
By Rouget De L'isle.
Arranged by Patrice
Bourges. For Piano. This
edition: piano
arrangement. CrocK'MusiC.
Level: 9. Size 8.19 x
11.583. 3 pages.
Published by Editions
Bourges (French import).
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
Piano SKU: HL.48182068 The Buzzard, The Black Wheatear and the Curlew ...(+)
Piano
SKU:
HL.48182068
The
Buzzard, The Black
Wheatear and the Curlew
Piano. Composed by
Olivier Messiaen. Leduc.
Classical. Softcover. 24
pages. Alphonse Leduc
#AL22947. Published by
Alphonse Leduc
(HL.48182068).
Piano SKU: BT.YK21376 By Denes Agay. Joy Of. Classical. Book Only. Compos...(+)
Piano
SKU:
BT.YK21376
By Denes
Agay. Joy Of. Classical.
Book Only. Composed 1992.
80 pages. Yorktown Music
Press #YK21376. Published
by Yorktown Music Press
(BT.YK21376).
ISBN
9780711911017.
Noth
ing can quite compare to
the satisfaction,
pleasure and joy of
learning and playing the
finest pieces of
classical music and this
terrific volume gives you
the opportunity to do
exactly that! Inside
there are more than 60
easy pieces and Keyboard
miniatures by master
composers, selected and
edited by Dennis Agay.
All the pieces are
printed in their original
form though have had
sensible expression marks
and fingerings added.
There is a wonderful
range and diversity to
these pieces with works
by the likes of Bach,
Haydn, Mozart and also
lesser-known composers,
set for Piano solo.
106 Graded Pieces from Baroque to the 20th C. Compiled and Edited by P. Low, ...(+)
106 Graded Pieces from
Baroque to the 20th C.
Compiled and Edited by P.
Low,
S. Schumann, C. Siagian.
Composed by Various.
Edited
by Charmaine Siagian.
Willis.
Classical, Recital,
Solos.
Softcover. Published by
Willis Music
Edited by Helen Marlais. Collection and accompaniment CD for piano. The FJH pian...(+)
Edited by Helen Marlais.
Collection and
accompaniment CD for
piano. The FJH pianist's
curriculum. Series: In
Recital with Classical
Themes. 39 pages.
Published by The FJH
Music Company.
Piano SKU: BT.EMBZ14505A Suppl. 10. By Adrienne Kaczmarczyk_Ãgn...(+)
Piano
SKU:
BT.EMBZ14505A
Suppl. 10. By
Adrienne
Kaczmarczyk_Ãgnes Sas.
By Franz Liszt. EMB New
Listz Edition. Book
Hardcover. Composed 2014.
224 pages. Editio Musica
Budapest #EMBZ14505A.
Published by Editio
Musica Budapest
(BT.EMBZ14505A).
English-German-Hungari
an.
Of the early
versions of works
included in this volume
the first versions of the
notably popular
Consolations cycle and
Grand solo de concert
(published in 1850) are
of particular interest.
In the first version of
Consolations the third
movement was a style
hongrois piece whose
thematic material was
later used by Liszt in
his Hungarian Rhapsody
No. 1 (published in
1851). The first version
of Grand solo de concert
shows that the work did
not originally include a
slow middle section to be
recapitulated towards the
end as seen in the final
version. This is a
characteristically
Lisztian feature that
would reappear a few
years later in his Sonata
in B minor. A detailed
preface inHungarian,
English, and German,
including new research
results, numerous
manuscript facsimiles,
and critical notes, makes
this volume of the New
Liszt Edition an
important publication of
immense scholarly value.
Along with the
cloth-bound Complete
Edition, a paperback
version for practical use
has also been published.
This edition's contents
are identical to those of
the hardcover edition
with the exception that
the critical notes are
not included.
Of
the early versions of
works included in
Supplementary Volume 10,
particular interest is
expected in the first
versions of the notably
popular Consolations
cycle and the monumental
Grand solo de concert of
1850. In the first
version of
Consolationsthe third
movement was a style
hongrois piece whose
thematic material Liszt
used again later in the
first piece of the
Hungarian Rhapsodies
published in 1851. The
first version of the
Grand solo de concert
shows that the original
concept did notinclude
the slow
“movementâ€
that would be placed in
the middle of the work
and recapitulated towards
the end in the final
version - a
characteristically
Lisztian feature that
would reappear a few
years later in the Sonata
in B flat minor.A
detailed preface in
Hungarian, English and
German, including new
research results,
numerous manuscript
facsimiles and critical
notes make this volume of
the New Liszt Edition a
specially important
publication of scholarly
value. Simultaneously
withthe Complete Edition
volume in colth-bound,
its paperback for
practical purposes is
also published, the
contents of which, except
for the critical notes,
is identical with the
Complete Edition
volume.
Von den im
vorliegenden Band
veröffentlichten
Werkversionen dürften
der außerordentlich
populäre
Consolations-Zyklus sowie
die Erstfassung des 1850
entstandenen Grand solo
de concert (Großes
Konzertsolo) auf
besonderes Interesse
stoßen. In der ersten
Fassung der Consolations
stand an dritter Stelle
noch ein Stück im
ungarischen Stil, dessen
Thematik Liszt später
im 1851 herausgegebenen
1. Stück der
Ungarischen Rhapsodien
verwendete. Die erste
Version des Großen
Konzertsolos belegt, dass
der in der Mitte der
Komposition angelegte und
kurz vor Ende
rekapitulierte langsame
Teil, welcher zum typisch
Lisztschen Element der
endgültigen Fassung
des Konzertsolos - und
einige Jahre
späterauch der
H-Moll-Sonate - wird,
noch kein Bestandteil der
ursprünglichen
Konzeption war.
By C.S. Morrison; Carl Koelling; Ella Ketterer; Ethelbert Nevin; Frederic Groton...(+)
By C.S. Morrison; Carl
Koelling; Ella Ketterer;
Ethelbert Nevin; Frederic
Groton; Frederick Keats;
Frederick Williams;
George Hamer; Hans
Engelmann; Ignace Jan
Paderewski; John Philip
Sousa; Karl Bechter;
Marie Crosby; Richard
Krentzlin. Edited by
George Walter Anthony.
Arranged by G.W. Anthony.
Solo piano. For piano.
Classical. Soft Cover. 70
pages. Published by
Theodore Presser Company.
By Gayle Kowalchyk, Dennis Alexander, E. L. Lancaster. For Piano. Piano - Alfred...(+)
By Gayle Kowalchyk,
Dennis Alexander, E. L.
Lancaster. For Piano.
Piano - Alfred's Premier
Piano Course. Premier
Piano Course. Book. 32
pages. Published by
Alfred Publishing.
Piano SKU: BT.BOE7935 Songbook. Composed by Hauschka. Contemporary...(+)
Piano
SKU:
BT.BOE7935
Songbook. Composed
by Hauschka. Contemporary
Music. Book Only.
Composed 2019. 80 pages.
Bosworth & Co. #BOE7935.
Published by Bosworth &
Co. (BT.BOE7935).
ISBN
9783954562008.
German.
Known
professionally as
Hauschka, composer Volker
Bertelmann has catapulted
himself into the top tier
of instrumental
composers. This is
proven, not least, by the
Oscar nomination which he
received for his
soundtrack to the2016
film Lion.
In his
latest album A Different
Forest, released on 8
February 2019 at Sony
Classical, Hauschka takes
the forest as a contrast
to the urban life. The
names of the pieces, such
as 'Talking To My
Father',testify equally
that those natural
experiences are
metaphorical of the
important things in
life.
For this
album Hauschka renounces
entirely his prepared
Piano. The existential
questions which he
musically poses,
however,donot lose their
intensity, but rather,
without the alienation by
electronic elements, gain
urgency.
In
addition to the 13 LP
tracks, this songbook for
Piano also contains three
exclusive arrangements of
previouslyunreleased
songs: 'Collecting
Stones', 'Loosing
Directions' and 'Misty
Day'.
Volker
Bertelmann aka Hauschka
lanceerde zichzelf naar
top van de instrumeantele
componisten, niet in het
minste door zijn
oscar-nominatie die hij
ontving voor zijn
soundtrack bij de film
Lion. In zijn laatste
album A Different Forest
- uitgebracht op 8
februari 2019 - gebruikt
hij het bos als een
contrast met het
stadsleven.
Titels
zoals Talking To My
Father tonen dat deze
ervaringen in de natuur
metaforen zijn voor
belangrijke
gebeurtenissen in het
leven. Dit songbook voor
piano bevat, naast de 13
nummers van de LP,
eneneens 3 exclusieve
bewerkingen van tot nu
onuitgebrachte nummers:
Collecting Stones,
Losing Directions and
Misty
Day.
Volker
Bertelmann alias Hauschka
hat sich mittlerweile in
die oberste Riege der
Instrumentalkomponisten
katapultiert. Dies
beweist nicht zuletzt die
Oscar-Nominierung, die er
für seinen Soundtrack
zum Film Lion“
erhielt. In seinem
neusten Album A Different
Forest“ am 08.
Februar 2019 bei Sony
Classical erschienen
nimmt er sich dem Wald
als Kontrastraum zum
städtischen Leben an.
Titelnamen wie Talking
To My Father bezeugen
gleichermaßen, dass
jene Naturerfahrungen
metaphorisch für die
wichtigen Dinge des
Lebens stehen. Für
dieses Album verzichtet
Hauschka gänzlich auf
sein präpariertes
Klavier. Die
existentiellen Fragen,
denen er sich musikalisch
stellt, verlieren
hierdurch aber nicht an
Intensität, sondern
gewinnen ohne die
Verfremdung durch
elektronische Elemente
vielmehr an
Dringlichkeit. Dieses
Songbook für Klavier
enthält neben den 13
Titeln der LP drei
exklusive Arrangements
bisher
unveröffentlichter
Songs: Collecting
Stones, Losing
Directions und
Misty
Day.
Volker
Bertelmann aka Hauschka
si è portato a un
livello superiore dei
compositori strumentali.
Questo non è subito
evidente nella colonna
sonora del film Lion, per
cui ha ricevuto una
candidatura all' Oscar,
ma nel suo ultimo album A
Different Forest - uscito
l'8 febbraio 2019 - in
cui utilizza l'immagine
della foresta come
contrasto con la vita
urbana.
Titoli come
Talking to My
Father testimoniano
allo stesso modo che
tutte quelle esperienze
della natura sono
metafore di eventi
importanti della vita.
Questo canzoniere per
pianoforte contiene,
oltre ai 13 brani
dell'LP, tre
arrangiamenti esculisivi
di canzoni inedite:
Collecting Stones,
Losing Directions e
Misty Day.
By Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster. Edited by Morton Manus. F...(+)
By Dennis Alexander,
Gayle Kowalchyk, E. L.
Lancaster. Edited by
Morton Manus. For Piano.
Piano Method. Premier
Piano Course. Book. 32
pages. Published by
Alfred Publishing.
Piano SKU: BT.MUSAM1010207 Composed by Maurice Ravel. Joy Of. Book Only. ...(+)
Piano
SKU:
BT.MUSAM1010207
Composed by Maurice
Ravel. Joy Of. Book Only.
Composed 2015. 96 pages.
Wise Publications
#MUSAM1010207. Published
by Wise Publications
(BT.MUSAM1010207).
ISBN
9781783058662.
This
collection of sheet music
by the great French
composer Maurice
Ravel features 19 of
his greatest pieces, all
newly-arranged especially
for this volume. The
subtle melodies and
achingly beautiful
harmonies oftheselush
Impressionist pieces
truly do illustrate the
sheer Joy Of
Ravel.
Written by Dennis Alexander, E. L. Lancaster, Gayle Kowalchyk, edited by Morton ...(+)
Written by Dennis
Alexander, E. L.
Lancaster, Gayle
Kowalchyk, edited by
Morton Manus, written by
Victoria Mcarthur.
Instructional book for
piano. Series: Piano -
Premier Method. 32 pages.
Published by Alfred
Publishing.
By Dennis Alexander, Gayle Kowalchyk, and E. L. Lancaster. For Piano. Method/Ins...(+)
By Dennis Alexander,
Gayle Kowalchyk, and E.
L. Lancaster. For Piano.
Method/Instruction; Piano
- Alfred's Premier Piano
Course; Theory. Premier
Piano Course. Children.
Book. 32 pages. Published
by Alfred Music
Publishing