Piano

SKU: FP.FLJ40

Composed by John Longmire. Published by Forsyths Publications (FP.FLJ40).

ISBN 979-0-57050-204-2.

Traditional airs for piano duet. Suggested grade 2.

(26 Pieces from Famous and Fun: Pop, Classics, Favorites, Rock, Duets). Arranged by Carol Matz. For Piano. Book; Piano Collection; Piano Supplemental. Famous and Fun. Early Elementary. 56 pages. Published by Alfred Music Publishing

Piano

SKU: BT.MUSWMR000209

John Thompson's Easiest Piano Course. Book Only. Composed 2005. 32 pages. Willis Music #MUSWMR000209. Published by Willis Music (BT.MUSWMR000209).

ISBN 9780711956902. English.

Fun repertoire for beginning pianists to complementing the Easiest Piano Course. Includes nursery rhymes, Christmas songs, carols and folk songs.

Famous and Fun: Familiar Favorites Book 1 is a collection of appealing arrangements of familiar songs that students are sure to know and love. Written at the early-elementary level, it may be used as a supplement to any method. The optional duet parts for teacher or parent add to the fun.

Arranged by Melody Bober. Duet or Duo; Piano Supplemental; Promotional Packet. Christmas; Winter. Alfred Music #00-107043. Published by Alfred Music

Piano

SKU: BT.YK21376

By Denes Agay. Joy Of. Classical. Book Only. Composed 1992. 80 pages. Yorktown Music Press #YK21376. Published by Yorktown Music Press (BT.YK21376).

ISBN 9780711911017.

Noth ing can quite compare to the satisfaction, pleasure and joy of learning and playing the finest pieces of classical music and this terrific volume gives you the opportunity to do exactly that! Inside there are more than 60 easy pieces and Keyboard miniatures by master composers, selected and edited by Dennis Agay. All the pieces are printed in their original form though have had sensible expression marks and fingerings added. There is a wonderful range and diversity to these pieces with works by the likes of Bach, Haydn, Mozart and also lesser-known composers, set for Piano solo.

Piano - intermediate/advanced

SKU: JK.01976

Composed by Various. Arranged by Sarah Brough Blomquist. Christian, Contemporary Christian, Gospel, Inspirational. Jackman Music Corporation #01976. Published by Jackman Music Corporation (JK.01976).

UPC: 093285019768.

Intro ducing Path to Serenity, the advanced sacred instrumental series for C instruments. This series of C instrument solo books is the answer to many inquiries for advanced sacred solo repertoire from a variety of instrumentalists. These elegant arrangements were composed to enfold the souls of all listeners in the messages of hope and healing found in the hymns. This series will accommodate the oboe, flute, violin, cello, bassoon, and many other instruments. Appropriate settings include sacred occasions such as funerals, sacrament meetings, and firesides, as well as recitals and concerts.

The series includes three books (SOLD SEPARATELY):
Piano Accompaniment Book - #01976
C Instrument - Treble Clef - #01977
C Instrument - Bass Clef - #01978



Arr angements found in this book:
Be Still, My Soul
Come, Thou Fount of Every Blessing (Treble/Bass Duet - use all three books)
Where Can I Turn for Peace?
If You Could Hie to Kolob
I Need Thee Every Hour
More Holiness Give Me
Jesus, the Very Thought of Thee
Amazing Grace
Our Savior's Love
Composer: Various
Arranger: Sarah Brough Blomquist
Difficulty: Late-Intermediate/Advance d.

(Easy Piano). For Piano. This edition: Easy Piano. Book; Masterworks; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Masterwork Arrangement; Recital. Easy Piano. 296 pages. Published by Alfred Music

(50 Short Late Elementary Piano Solos with Optional Duet Accompaniments (Five Finger Piano)). Arranged by Tom Gerou. For Piano. This edition: Five Finger Piano. Book; Piano Collection; Piano Supplemental. A to Z. Sacred; Secular; Traditional. Five Finger; Late Elementary. 104 pages. Published by Alfred Music Publishing

Piano

SKU: BT.9780008353230

By Em Wilson. By Karen Marshall. Get Set! Piano. Tuition. Book Only. Composed 2020. 64 pages. Collins Music Publishing #9780008353230. Published by Collins Music Publishing (BT.9780008353230).

ISBN 9780008353230. English.

My First Piano Book introduces young children to the piano and music-making through fun activities, rhymes, songs and pieces. The author’s tried-and-tested progression covers note learning, theory, aural and composing through acreative and holistic approach. Many pieces have simple teacher duet parts to encourage ensemble playing from the start, and the book is illustrated throughout in the charming Get Set! style. This carefully designed tutor willinspire, entertain and, most importantly, nurture a love of music that can last a lifetime. Suitable for children aged 5+.

Book. Published by Music Sales. (YK21137) This is a richly varied assortment of materials for recital and study. It includes compositions suitable for a beginner's first recital, as well as solos and duets for the intermediate grades. There are long-neglected pieces plus jazz and contemporary pieces.

(75 Short Late Elementary Piano Solos with Optional Duet Accompaniments). Arranged by Tom Gerou. For Piano. This edition: Five Finger Piano. Book; Piano Collection; Piano Supplemental. 5 Finger. Children; Movie; Pop. Five Finger; Late Elementary. 152 pages. Published by Alfred Music Publishing

(Easy Solo Arrangements with Optional Duet Accompaniments). Arranged by Dennis Alexander. For easy piano and voice. Piano - Alfred's Basic Adult All-in-One Piano Course. Alfred's Basic Adult Piano Course. Sacred. Difficulty: easy-medium. Songbook. Easy piano notation, fingerings, lyrics, harmony part (for the teacher) and introductory text. 31 pages. Published by Alfred Music Publishing

Piano; Piano/Keyboard - easy

SKU: HL.49003708

Piano. Edited by Richard Krentzlin. Arranged by Richard Krentzlin. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. 48 pages. Schott Music #ED2340. Published by Schott Music (HL.49003708).

ISBN 9790001036979. UPC: 073999748574. 9.0x12.0x0.182 inches.

68 der beliebtesten Melodien aus den bekanntesten Opern und Operetten.

Piano Solo, Piano Duet

SKU: YM.GTP01097153

Composed by Various. Arranged by Jacob Koller and Tomoko Asaka. DEEMO. Anime, Game, J-Pop. Collection. Yamaha Music Media #GTP01097153. Published by Yamaha Music Media (YM.GTP01097153).

ISBN 9784636971538. 8.5 x 12 inches.

DEEMO is a score-based rhythm music game app that has been a long-time hit around the world, and this sheet music collection is the complete matching score for the piano CD album DEEMO Piano Collection that includes its popular songs. It precisely recreates the musical world of DEEMO with piano arrangements, and the arrangers/pianists are Tomoko Asaka and Jacob Koller, who are also known as YouTubers. The exquisite work is perfect for live performances. Piano players will surely love to play! Check out more DEEMO sheet music in the same series!

By Margaret Goldston. For Piano. Piano Solo. Sheet. 4 pages. Published by Alfred Publishing.
Level: Elementary (grade 1A).

Vocal and Piano (Piano)

SKU: HL.14034353

Composed by David Turnbull. Music Sales America. Tuition. Book [Softcover]. 48 pages. Music Sales #BOE005030. Published by Music Sales (HL.14034353).

ISBN 9780711991712. 9.0x12.0x0.146 inches.

Step by step instructions for ABRSM and other singing exams. This book contains everything you need to progress to Grade 3 and includes over 30 songs which can be used in your exam. Includes sections on warming-up, sight singing and an introduction to singing with other people.

Piano - Early Elementary; Elementary

SKU: FJ.FJH2343

1. Composed by Mary Leaf. Piano Collection; Piano Supplemental. The Best of. Book. The FJH Music Company Inc #98-FJH2343. Published by The FJH Music Company Inc (FJ.FJH2343).

ISBN 9781619282971. UPC: 241444418710. English.

The 13 pieces in this book will appeal to young beginners with titles such as: I Love Horses; Zoo on Saturday; Ladybug, Ladybug; Flickering Firefly and many more. It's a great book that reinforces Middle C position written in the keys of C, G mixolydian, C minor, and A minor. All have optional duets, and most have lyrics.

Orchestra Piano

SKU: PR.11641861SP

Composed by William Kraft. Part. 35 pages. Duration 21 minutes. Theodore Presser Company #116-41861SP. Published by Theodore Presser Company (PR.11641861SP).

UPC: 680160685202.

What? ! - my composer colleagues said - A concerto for the piano? It's a 19th century instrument! Admittedly we are in an age when originally created timbres and/or musico-technological formulations are often the modus operandi of a piece. Actually, this Concerto began about two years ago when, during one of my creative jogs, the sound of the uppermost register of the piano mingled with wind chimes penetrated my inner ear. The challenge and fascination of exploring and developing this idea into an orchestral situation determined that some day soon I would be writing a work for piano and orchestra. So it was a very happy coincidence when Mona Golabek phoned to tell me she would like discuss the Ford Foundation commission. After covering areas of aesthetics and compositional styles, we found that we had a good working rapport, and she asked if I would accept the commission. The answer was obvious. Then began the intensive thought process on the stylistic essence and organization of the work. Along with this went a renewed study of idiomatic writing for the piano, of the kind Stravinsky undertook with the violin when he began his Violin Concerto. By a stroke of great fortune, the day in February 1972 that I received official notice from the Ford Foundation of the commission, I also received a letter from the Guggenheim Foundation informing me I had been awarded my second fellowship. With the good graces of Zubin Mehta and Ernest Fleischmann, masters of my destiny as a member of the Los Angeles Philharmonic, I was relieved of my orchestral duties during the Hollywood Bowl season. Thus I was able to go to Europe to work and to view the latest trends in music concentrating in London (the current musical melting pot and showcase par excellence), Oslo, Norway, for the Festival of Scandinavian Music called Nordic Days, and Warsaw, Poland, for its prestigious Autumn Festival. Over half the Concerto was completed in that summer and most of the rest during the 72-73 season with the final touches put on during a month as Resident Scholar at the Rockefeller Foundation's Villa Serbelloni in Bellagio, Italy. So much for the external and environmental influences, except perhaps to mention the birds of Sussex in the first movement, the bells of Arhus (Denmark) in the second movement and the bells of Bellagio at the end of the Concerto. Primary in the conception was the personality of Miss Golabek: she is a wonderfully vital and dynamic person and a real virtuoso. Therefore, the soloist in the Concerto is truly the protagonist; it is she (for once we can do away with the generic he) who unfolds the character and intent of the piece. The first section is constructed in the manner of a recitative - completely unmeasured - with letters and numbers by which the conductor signals the orchestra for its participation. This allows the soloist the freedom to interpret the patterns and control the flow and development of the music. The Concerto is actually in one continuous movement but with three large divisions of sufficiently contrasting character to be called movements in themselves. The first 'movement' is based on a few timbral elements: 1) a cluster of very low pitches which at the beginning are practically inaudibly depressed, and sustained silently by the sostenuto pedal, which causes sympathetic vibrating pitches to ring when strong notes are struck; 2) a single powerful note indicated by a black note-head with a line through it indicating the strongest possible sforzando; 3) short figures of various colors sometimes ominous, sometimes as splashes of light or as elements of transition; 4) trills and tremolos which are the actual controlling organic thread starting as single axial tremolos and gradually expanding to trills of increasingly larger and more powerful scope. The 'movement' begins in quiescent repose but unceasingly grows in energy and tension as the stretching of a string or rubber band. When it can no longer be restrained, it bursts into the next section. The second 'movement,' propelled by the released tension, is a brilliant virtuosic display, which begins with a long solo of wispy percussion, later joined in duet with the piano. Not to be ignored, the orchestra takes over shooting the material throughout all its sections like a small agile bird deftly maneuvering through nothing but air, while the piano counterposes moments of lyricism. The orchestra reaches a climax, thrusting us into the third 'movement' which begins with a cadenza-like section for the piano. This moves gently into an expressive section (expressive is not a negative term to me) in which duets are formed with various instruments. There are fleeting glimpses of remembrances past, as a fragmented recapitulation. One glimpse is hazily expressed by strings and percussion in a moment of simultaneous contrasting levels of activity, a technique of which I have been fond and have utilized in various fixed-free relationships, particularly in my Percussion Concerto, Contextures and Games: Collage No. 1. The second half of the third 'movement; is a large coda - akin to those in Beethoven - which brings about another display of virtuosity, this time gutsy and driving, raising the Concerto to a final climax, the soloist completing the fragmented recapitulation concept as well as the work with the single-note sforzando and low cluster from the very opening of the first movement.

Piano - Early Intermediate

SKU: HL.645898

Level 3. Arranged by Wesley Schaum. Educational Piano. Folk, Supplementary. Softcover. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0838. Published by Schaum Publications, Inc. (HL.645898).

ISBN 9781495081811. UPC: 008148008384. 9.0x12.0 inches.

NFMC 2016-2020 Federation Festivals Bulletin selection for Elementary I - III. When they originated, folk songs were passed along from one generation to another without written music. Many times they were sung unaccompanied. The melody of a simple accompaniment may also have been played on fiddle, guitar, banjo or whatever instrument was available. Over time, different performers made little changes in both melody and words. In some instances, there are now six or more variations of the same song. The tunes and lyrics in this book may be a little different than what is familiar to the teacher or student. Changes to music or words may certainly be made; however it is recommended that any revised notes and lyrics be written on the pages where they are used. Duet accompaniments offer many possibilities for recitals and school events. The duets help provide valuable rhythmic training and ensemble experience. The duets are recommended for use at home as well as at the lesson. This volume includes: Aura Lee * Barbara Allen * Bill Bailey * Down in the Valley * He's Got the Whole World in His Hands * Home on the Range * On Top of Old Smoky * Pop! Goes the Weasel * Scarborough Fair * and more.

Primer Piano - Early Elementary

SKU: HL.645895

Primer Level. Arranged by Wesley Schaum. Educational Piano. Folk, Supplementary. Softcover. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0835. Published by Schaum Publications, Inc. (HL.645895).

ISBN 9781495081781. UPC: 008148008353. 9.0x12.0 inches.

When they originated, folk songs were passed along from one generation to another without written music. Many times they were sung unaccompanied. The melody of a simple accompaniment may also have been played on fiddle, guitar, banjo or whatever instrument was available. Over time, different performers made little changes in both melody and words. In some instances, there are now six or more variations of the same song. The tunes and lyrics in this book may be a little different than what is familiar to the teacher or student. Changes to music or words may certainly be made; however it is recommended that any revised notes and lyrics be written on the pages where they are used. Duet accompaniments offer many possibilities for recitals and school events. The duets help provide valuable rhythmic training and ensemble experience. The duets are recommended for use at home as well as at the lesson. This volume includes 11 folk favorites: Alouette * Camptown Races * Lightly Row * Little Nut Tree * Mexican Clap-Hands Dance * Old MacDonald * On the Bridge at Avignon * Row, Row, Row Your Boat * She Wore a Yellow Ribbon * When the Saints Go Marching In * Yankee Doodle.

Piano - Elementary

SKU: HL.645896

Level 1. Arranged by Wesley Schaum. Educational Piano. Folk, Supplementary. Softcover. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0836. Published by Schaum Publications, Inc. (HL.645896).

ISBN 9781495081798. UPC: 008148008360. 9.0x12.0x0.096 inches.

NFMC 2016-2020 Federation Festivals Bulletin selection for Primary II-III. When they originated, folk songs were passed along from one generation to another without written music. Many times they were sung unaccompanied. The melody of a simple accompaniment may also have been played on fiddle, guitar, banjo or whatever instrument was available. Over time, different performers made little changes in both melody and words. In some instances, there are now six or more variations of the same song. The tunes and lyrics in this book may be a little different than what is familiar to the teacher or student. Changes to music or words may certainly be made; however it is recommended that any revised notes and lyrics be written on the pages where they are used. Duet accompaniments offer many possibilities for recitals and school events. The duets help provide valuable rhythmic training and ensemble experience. The duets are recommended for use at home as well as at the lesson. This volume includes 11 folk favorites: Bear Went over the Mountain * Bingo * Clementine * Goodbye Old Paint * John Jacob Jingleheimer Schmidt * She'll Be Comin' 'Round the Mountain * Shoo Fly * Skip to My Lou * and more.

By Carol Barratt. For Piano. Folk, Blues, Classical. 64 pages. Published by Music Sales

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Level 1 Piano - Elementary

SKU: HL.645921

Level One. Composed by Various. Arranged by Wesley Schaum. Educational Piano. General Worship, Sacred. Softcover Audio Online. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0951. Published by Schaum Publications, Inc. (HL.645921).

ISBN 9781495082153. UPC: 008148009510. 9.0x12.0x0.128 inches. Book/Online Audio.

This series of sacred solos includes favorite hymns, gospel songs, spirituals and sacred music from classical repertoire. The selections have been made to appeal to students of all ages and also with regard to popularity in many different churches. Some of the hymn tunes may be known with different titles and lyrics. Duet accompaniments offer many possibilities for recitals and Sunday school participation. The duets help provide valuable rhythmic training and ensemble experience. Duets are recommended for use at home as well as at the lesson. Level 1 includes: Amazing Grace * Beneath the Cross of Jesus * Christ the Lord Is Risen Today * Hallelujah Chorus (Handel) * I Love to Tell the Story * Nearer My God to Thee * Now Thank We All Our God * Onward Christian Soldiers * Praise to the Lord * Song of Joy (Beethoven) * What a Friend We Have in Jesus.

Composed by Dennis Alexander, Gayle Kowalchyk, E. L. Lancaster, Victoria McArthur, and Martha Mier. Method/Instruction; Piano - Alfred's Premier Piano Course. Premier Piano Course. Christmas; Winter. Book. 32 pages. Alfred Music #00- 47307. Published by Alfred Music

11 Piano Arrangements of Holiday Favorites. Arranged by Catherine Rollin. Book; Graded Standard Repertoire; Piano Collection; Piano Supplemental. Christmas; Recital; Sacred; Secular; Winter. 24 pages. Published by Alfred Music