German Favorites for Easy Piano with Lyrics composed by Various. Arranged by Jonathon Robbins. For easy piano. This edition: Paperback. Collection. Ethnic. Book. Text Language: English. 32 pages. Published by Santorella Publications

(13 new Latin-American piano pieces). Edited by Jean Kleeb. For piano. Stapled. Ready to Play. Performance score, Anthology. Text Language: German/English. 27 pages. Published by Baerenreiter Verlag

(32 Traditional Pieces). For Piano/Keyboard. Piano Collection. Softcover with CD. 56 pages. Schott Music #ED13620. Published by Schott Music

25 Traditional Pieces. Composed by Pete Rosser. This edition: Saddle stitching. Sheet music with CD. Schott World Music. Multicultural, Folk, European. Edition/Softcover with CD. 13646. 64 pages. Schott Music #ED13646. Published by Schott Music (HL.49045027).

By Antonin Rejcha. Edited by Jan Sykora. For piano. This edition: 1st printing 2012 edition. Paperback. Performance score. Language: Czech/English/German. 162 pages. Published by Baerenreiter Verlag

Piano - easy

SKU: BT.BOE8013

Von Olivia Rodrigo bis Indiana Jones. Arranged by Hans Gunter Heumann. Piano Gefällt Mir! TV-Film-Musical-Show. Book Only. Composed 2021. 92 pages. Bosworth & Co. #BOE8013. Published by Bosworth & Co. (BT.BOE8013).

ISBN 9783954562848. German.

Von Olivia Rodrigo bis Indiana Jones

Nach dem großen Erfolg der Serie piano gefällt mir! präsentiert Hans-Günter Heumann unter dem Motto Die leichte Art Klavier zu spielen“, den Nachfolger zur gleichnamigen Serie mit neuem Outfit. Das große Anliegen des Autors ist es, mit einfachen, aber dennoch gut klingenden Arrangements, die Spielstücke sehr leicht zugänglich zu machen. Der 1. Spielband von piano gefällt mir! light enthält 20 Chart- und Film-Hits und bietet ein unkompliziertes Spielvergnügen für Anfänger*innen und Wiedereinsteiger* innen. Die Titelliste umfasst eine große Auswahl an populären Charthits, wie Wellerman, My Head & My Heart (Ava Max), Good 4 U (Olivia Rodrigo), Girls Like Us (Zoe Wees), The Winner Takes It All (ABBA). Dazu kommen bekannte Filmmusiken, u.a. Raiders March aus Indiana Jones“ sowie Theme from Jurassic Park aus Jurassic Park“. Alle Songs sind pädagogisch aufbereitet und mit Tempoangaben, Fingersätzen, Akkordsymbolen und dem Text versehen.

25 Traditional Pieces (BK/CD). Piano. Softcover with CD. 64 pages. Schott Music #ED13684. Published by Schott Music

(Complete Piano Sonatas, Volume 1). By Alexandr Skrjabin. Edited by Christoph Flamm. For piano. This edition: Urtext edition. Performance score, Anthology (paperbound). Text language: German, English. 123 pages. Published by Baerenreiter Verlag

By Louis Vierne (1870-1937). Edited by Olivier Gardon. For piano. Paperback. Anthology. Text: French, English, German. Published by Baerenreiter Verlag

Zur Vorgeschichte - Das Problem der musikalischen Temperatur - Werkbesprechungen - Wirkungsgeschichte. By D!Rr, Alfred. B0renreiter Werkeinf!hrungen. (paperbound). Published by Baerenreiter-Verlag (German import).

Klavier- und Lautenwerke, Band 6/2. Urtext der Neuen Bach-Ausgabe. By Johann Sebastian Bach. Edited by Alfred Durr. For Piano/Harpsichord. Neue Bach-Ausgabe. Serie V, Band 6/2. Playing Score; Urtext Edition; Complete Edition (cloth bound). Published by Baerenreiter-Ausgaben (German import). (BA5086 01)

By Amy Appleby. For Piano. Classical. Sheet Music. 192 pages. Published by Music Sales.

Piano

SKU: BT.EMBZ8183

Années de Pelerinage. Composed by Franz Liszt. EMB Liszt Works. Book Only. Composed 1977. Editio Musica Budapest #EMBZ8183. Published by Editio Musica Budapest (BT.EMBZ8183).

English-German.

During his ''years of pilgrimage'' spent in Italy, the young Liszt gained enough musical inspiration from the local musical, artistic, and literary heritage to last for decades. These intense impressions are recorded in Volume 2 of Années de pelerinage, whose sources range from Raphael to Michelangelo, Dante, and Petrarch. Three of the latter's sonnets (47: Benedetto sia 'l giorno 104: Pace non trovo and 123: I' vidi in terra angelici costumi) were first set by Liszt as songs and, shortly afterwards, arranged for piano solo. The songs and, as a result, the piano pieces as well, reflect the style of Italian bel canto - Donizetti and Bellini - rather than following the GermanLied tradition. And while this feature was criticized by the contemporary press, the broadly arching melodic lines of these pieces and their Mediterranean passion have always carried away performer and listener alike. This revised (2018) edition contains the Three Sonnets in two versions: the first version was published in the course of 1846 and 1847, and the second, as part of Volume 2 of Années de pelerinage, in 1858. Based on the New Liszt Edition, the present volume provides a revised score, a facsimile reproduction, and critical notes. The new editorial preface orientates the reader in all the major questions regarding the work's genesis.

Piano

SKU: PA.H07911

Fur Klavier. Composed by Luboš Fišer. Stapled. Performance score. With Text Language: Czech/German/English. Editio Baerenreiter Praha #H07911_00. Published by Editio Baerenreiter Praha (PA.H07911).

ISBN 9790260104457. 31 x 23.5 cm inches.

Lubos Fiser (1935-1999) was one of the most talented Czech composers of his generation. Born in Prague, he studied at the Prague Conservatoire from 1952-1956 and then at the Academy of Music. He was known to the public for his many film scores but it was his other compositions, many of them written under difficult political conditions, which mark him out as a composer of significance.

Fise r's eight piano sonatas have a special place in his oeuvre. Fiser subsequently eliminated his second sonata (1956) from his compositional repertoire. From the third sonata onwards (1960), subtitled Fantasia, the composer wrote a two-movement composition, in which he continued to incorporate as his fundamental musical device the confrontation of sharp contrasts in tempo and mood. Beginning with his fourth sonata (1962-1964), Fiser created a single-movement work in an expressive, formally focused composition which betrays a progression towards greater compactness of musical shape in a concise yet effective musical testimony. The fifth sonata was written in 1974, the sixth sonata in 1978. The seventh sonata from 1985 was dedicated to Frantisek Maxian, the eighth sonata was written in 1995.

Piano Sonata No.1 was written in 1955. Fiser worked on it during his last year at the Prague Conservatoire under the supervision of Emil Hlobil. The piece is one of Fiser's early works which still respect a traditional compositional approach. Unlike his major and late piano sonatas, this sonata has three movements, each representing the traditional Classical-Romantic form. The sonata was premiered by Fiser's fellow-student and friend Antonin Jemelik in Theatre D34 on 30 January 1956.

The new setting for this piece is based on the single edition to date (SNKLHU, 1957); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music, acquisition number 297/2006).

Piano - easy to intermediate

SKU: M7.VHR-13519

Arranged by Uwe Sieblitz. Sheet music. Holzschuh Musikverlag #VHR 13519. Published by Holzschuh Musikverlag (M7.VHR-13519).

ISBN 9783864342011.

31 Christmas songs in easy to medium difficulty. The arrangements of the piano accompaniment are especially characterized by their stylistic diversity: from classic traditional to modern and groovy. In addition to traditional Christmas songs, the German hits In der Weihnachtsbäckerei and Küss mich, halt mich, lieb mich are included, as well as international titles, such as: White Christmas, Rudolph, The Red-Nosed Reindeer, Feliz Navidad, Sleigh Ride, Les anges dans nos campagnes, Winter Wonderland, Santa Claus Is Coming To Town, Little Drummer Boy, Let It Snow, Let It Snow, Let It Snow ... All editions of the series Weihnachtslieder aus aller Welt (Christmas songs from around the world) are compatible (exception: guitar solo) and ideally suited for playing together.

Piano

SKU: PA.H07957

Fur Klavier. Composed by Luboš Fišer. Stapled. Performance score. With Text Language: Czech/German/English. Editio Baerenreiter Praha #H07957_00. Published by Editio Baerenreiter Praha (PA.H07957).

ISBN 9790260104464. 31 x 23.5 cm inches.

Piano Sonata No. 3 was written in 1960 during the composer's studies at HAMU (Music Faculty of the Academy of Performing Arts in Prague) under Emil Hlobil. The first half of the 1960s was the period during which Fiser's musical language underwent fundamental change as he rapidly cultivated his own, distinctive style, established in Fifteen Prints after Durer's Apocalypse. This sonata thus also includes several essential traits which shift his compositional development further. The work has two movements, however, its internal structure abandons traditional form. The piece is divided into several short, mutually contrasting sections, whereby the distinctions between the adjacent parts are emphasised by the thematic and chordal treatment. These contrasts are also supported by the chosen dynamics, tempo and other expressional means. The harmony is largely based on traditional chords or their condensed form while, in certain passages, we will nevertheless come across semitone clusters or fourth chords. The melody is still chiefly diatonic; at times Fiser uses chromatic sequences. These new elements in Sonata No. 3 indicate an attempt to simplify his writing and ensure greatest transparency and impact. This endeavour became a basic characteristic of Fiser's compositions from the mid-1960s onwards.

The sonata originally bore the postscript Fantasia, which was subsequently taken out by the composer. It was first performed by Ales Bilek in 1961. The new setting for this piece is based on the single edition to date (Panton, 1967); only with regard to a few inconsistencies in the score was it necessary to consult the composer's manuscript (kept at the National Museum - Czech Museum of Music).

Piano - very easy to intermediate

SKU: M7.VOGG-852

Arranged by Jeromy Bessler and Norbert Opgenoorth. Sheet music. 160 pages. Voggenreiter #VOGG 852. Published by Voggenreiter (M7.VOGG-852).

ISBN 9783802408526. German.

Klassik, Gospel und Traditional: das perfekte Spielbuch für alle Pianisten! Ein Wunschtraum vieler Pianisten wird wahr: weltbekannte und vielgeliebte Melodien inschönen Arrangements für Klavier! 100 der schönsten und beliebtesten Melodien aus Klassik, Gospel und Traditional; leicht arrangiert für alle Pianisten von 8-88 Jahren - hier kann auch ein Anfänger sofort mitspielen! Ob für den Autodidakten, als Ergänzung zum Klavierunterricht oder für den Wiedereinsteiger: dieses Buch ist die ideale Ergänzung zu jeder Klavierschule! So ist die faszinierende Welt des Klaviers zum Greifen nah! Alle Stücke wurden in 'einfache' Tonarten transponiert und - wo nötig - behutsam vereinfacht; Fingersatz-Angaben unterstützen den Musiker bei schwierigeren Passagen.

Composed by Erwin Schulhoff (1894-1942). Edited by Michael Kube. For piano solo. Performance score. Published by Baerenreiter Verlag

Composed by Jean Kleeb. For piano solo. Ready to Play. Performance score. Published by Baerenreiter Verlag

Piano solo

SKU: GH.LUN-570-0032

Wiegenlied. Composed by Johannes Brahms. With Language: German. Op. 49:4. Gehrmans Musikforlag #LUN 570 0032. Published by Gehrmans Musikforlag (GH.LUN-570-0032).

Text: Traditional.

For piano, with lyrics.

Piano solo - Level 4

SKU: FV.FUE-3160

Composed by Ruth Schonthal. Piano (Harpsichord), 2-hands. Instrumental Music. Full score. Composed 2000. Duration 13'. Furore Verlag #FUE 3160. Published by Furore Verlag (FV.FUE-3160).

ISBN 979-0-50012-816-8.

Ruth Schonthal's compositions, which reflect the concerns of today's world, display a unique blend of her deeply rooted European tradition, depth of feeling, and masterful blending of traditional and contemporary techniques.Ruth Schonthal never followed the prevalent contemporary aesthetic fashions. At a time when Anton Webern and John Cage were the American role models, she followed her own musical path, never denying her own classic-romantic heritage. The extraordinarily varied impressions she absorbed in the course of her life in different parts of the world provided the foundation of her musical style. Through exposure to diverse influences and teaching methods in Germany, Sweden, Mexico and the USA, Ruth Schonthal was able to extrapolate an unusually rich mixture of compositional techniques from these experiences. She used them to form a comprehensive stylistic synthesis.