For Flute, Oboe, Viola, Violoncello and Glass Harmonica (Piano). By Wolfgang Ama...(+)
For Flute, Oboe, Viola,
Violoncello and Glass
Harmonica (Piano). By
Wolfgang Amadeus Mozart.
Edited by H. Wiese.
Chamber Music with Winds.
Pages: Score = VI and 21
* Fl = 3 * Ob = 3 * Va =
3 * Vc = 3 *
Glasharmonica = 8. Urtext
edition-paper bound.
Published by G. Henle.
For Piano. Contains a newly engraved, complete music score, printed on high-qual...(+)
For Piano. Contains a
newly engraved, complete
music score, printed on
high-quality ivory paper;
and a digital stereo
compact disc containing a
complete reference
version of the quartet,
then a recording of the
accompaniments minus you,
the soloist!. Published
by Music Minus One.
(Italie). By Franz Liszt (1811-1886). Edited by Ernst Herttrich. For piano solo....(+)
(Italie). By Franz Liszt
(1811-1886). Edited by
Ernst Herttrich. For
piano solo. This edition:
HN174. Piano
(Harpsichord), 2-hands.
Henle Music Folios.
Pages: VIII and 55. SMP
Level 10 (Advanced).
Urtext edition-paper
bound. 64 pages.
Published by G. Henle
Verlag
Viola/Piano SKU: HL.50483116 Composed by Franz Liszt. Arranged by Franz S...(+)
Viola/Piano
SKU:
HL.50483116
Composed
by Franz Liszt. Arranged
by Franz Schmidtner. This
edition: SIK304. String
Solo. 7 pages. Sikorski
#SIK304. Published by
Sikorski (HL.50483116).
For Viola and Orchestra - Piano Reduction (with Comments in English). By Johann ...(+)
For Viola and Orchestra -
Piano Reduction (with
Comments in English). By
Johann Nepumuk Hummel.
Edited by N.
Gertsch,Steiner. Viola.
Henle Music Folios.
Pages: Score = * Va Part
=. Urtext edition
(Paper-bound). Published
by Hal Leonard.
(for Piano Ensemble, or with Violin, Viola and/or Cello). By Constance and Willi...(+)
(for Piano Ensemble, or
with Violin, Viola and/or
Cello). By Constance and
William Starr. For Piano.
Piano - Suzuki Method
Supplement. Book. 44
pages. Published by
Alfred Publishing.
Piano - difficult SKU: HL.49046534 From 'Polnisches Requiem'. Comp...(+)
Piano - difficult
SKU:
HL.49046534
From
'Polnisches Requiem'.
Composed by Krzysztof
Penderecki. Sheet music.
Edition Schott.
Softcover. Composed
2005/2015. Duration 7'.
Schott Music #ED22292.
Published by Schott Music
(HL.49046534).
ISBN
9781705122556. UPC:
840126946895.
9.0x12.0x0.083
inches.
Das
Originalwerk zu dieser
Bearbeitung ist die
Ciaccona fur
Streichorchester aus dem
Jahre 2005, die aus
Anlass des Todes Papst
Johannes Paul II.
entstand. Als
instrumentales
Zwischenspiel hat sie der
Komponist in sein grosses
oratorisches Werk, das
Polnische Requiem,
ubernommen. In den
folgenden Jahren
entstanden bereits
Bearbeitungen fur Violine
und Viola, fur zwei
Klaviere, fur drei
Akkordeons und fur funf
Violoncelli. Die
vorliegende Ausgabe
integriert das Werk nun
auch ins Repertoire fur
Klavier solo.
The Most Moving Classical Music of All Time. By Various. Piano Solo Songbook (In...(+)
The Most Moving Classical
Music of All Time. By
Various. Piano Solo
Songbook (Intermediate to
advanced piano
arrangements with no
lyrics). Softcover. 80
pages. Published by Hal
Leonard.
Piano seul [Partition] - Intermédiaire Music Sales
Composed by Heitor Villa-Lobos (1887-1959). For piano. Music For Millions: Volum...(+)
Composed by Heitor
Villa-Lobos (1887-1959).
For piano. Music For
Millions: Volume 62.
Format: piano solo book.
20th century. 166 pages.
9x12 inches. Published by
Music Sales.
Simply Baroque Piano seul [Partition] - Facile Alfred Publishing
27 Well Known Masterpieces. Arranged by Bruce Nelson. For Piano. Piano Collectio...(+)
27 Well Known
Masterpieces. Arranged by
Bruce Nelson. For Piano.
Piano Collection. Simply
Series. Masterwork.
Level: Easy Piano. Book.
80 pages. Published by
Alfred Publishing.
Perpetuum Mobile Piano seul [Conducteur] - Intermédiaire OR-TAV Music Publications
Piano - Late Intermediate, Advanced SKU: OT.21124 Composed by Maayan Tal....(+)
Piano - Late
Intermediate, Advanced
SKU: OT.21124
Composed by Maayan Tal. 7
etudes for piano.
Classical. Score. OR-TAV
Music Publications
#21124. Published by
OR-TAV Music Publications
(OT.21124).
ISBN
9789655050981. 8.27 x
11.69
inches.
Perpetuum
Mobile, meaning perpetual
motioni, is a Latin term
that describes an
impossible situation in
which a substance has
infinite energy. This
situation is impossible
because it violates the
first and second laws of
Newton. But it is
possible in music.
Imagine a musical piece
that is a continuous
stream of notes. These
are exactly the etudes in
this album. They do not
stop, they are always in
motion and they can be
played continuously.
Etudes are solo
pieces, purposed to help
the musician practice his
technique. In this album,
each etude is designed to
practice another
technique. In
addition, the etudes in
this album are arranged
according to the circle
of fifths - each etude
ends in a key which is
dominant to the beginning
of the next etude, even
the last etude to the
first one, and so on and
so forth. This further
emphasizes the infinite
mobility of the music in
this piece. Once you
enter the loop, you can't
get out of it. All the
etudes start in a minor
key, as a symbol of the
sadness of the matter,
and end in a major key,
to represent the hope, a
false hope, that perhaps
the next etude will take
you out of the loop.
This album is a
three-year-long project,
in which I gathered ideas
from the environment in
which I live, from the
people in it and from
their thoughts, from life
that continues all the
time, and the music that
will never stop.
Maayan Tal, 17, is a
young Israeli musician,
pianist and composer.
Viola or 2 Viole and Piano SKU: HL.50494306 Per Viola E Orchestra (196...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50494306
Per
Viola E Orchestra (1964)
- Riduzione Per Viola E
Pianoforte. Composed
by M. Zafred. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR130818.
Published by Ricordi
(HL.50494306).
PER VIOLA E
ORCHESTRA (1964) -
RIDUZIONE PER VIOLA E
PIANOFORTE.
Cello; Piano SKU: HL.49045013 For Cello (Viola) and Piano. Compose...(+)
Cello; Piano
SKU:
HL.49045013
For
Cello (Viola) and
Piano. Composed by
Wolfgang Koehler.
Arranged by Christiane
Kohler and Tassilo
Kaiser. This edition:
Saddle stitching. Sheet
music. String Solo.
Classical. Softcover. 16
pages. Schott Music
#ED22300. Published by
Schott Music
(HL.49045013).
ISBN
9790001203890. UPC:
841886025813.
9.25x12.0x0.07
inches.
Wolfgang
Kohler is professor of
piano at the Department
of Jazz and Popular Music
of the Berlin Academy of
Music. His Romance for
violoncello (or viola)
and piano is a 'love song
without words' with
rather agitated middle
and final sections.
Klavierkonzert.
Composed by Johann
Christoph Friedrich Bach.
Edited by Ulrich
Leisinger. Stuttgart
Urtext Edition: Bach
vocal. Klavierkonzert In
Es Brc43/Wf Ii/5. Single
Part, Viola. BR JCFB C
43. 12 pages. Carus
Verlag #CV 34.402/13.
Published by Carus Verlag
(CA.3440213).
ISBN
9790007212650. Key: E
flat major. Language: all
languages.
Works
for keyboard with and
without accompaniment
make up the core of
Johann Christoph
Friedrich Bach's oeuvre.
The Concerto in E flat
major belongs to Bach's
last creative period
during which he once
again concerned himself
intensely with orchestral
music in the form of
symphonies, keyboard
concertos and concertos
for keyboard with another
solo instrument. Score
and part available
separately - see item
CA.3440200.
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano
SKU:
PR.701175060
Arranged
by Edison Quintana.
Peermusic Classical
#70117-506. Published by
Peermusic Classical
(PR.701175060).
UPC:
888680101268.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano
SKU:
PR.701185010
Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010).
UPC:
888680101275.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Viola or 2 Viole and Piano SKU: HL.50494417 Improvvisazione Per Viola ...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50494417
Improvvisazione Per
Viola E Pianoforte.
Composed by Mauro
Bortolotti. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR131426.
Published by Ricordi
(HL.50494417).
Viola or 2 Viole and Piano SKU: HL.50494373 Riduzione Per Viola E Pian...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50494373
Riduzione Per Viola E
Pianoforte. Composed
by Virgilio Mortari. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR131243.
Published by Ricordi
(HL.50494373).
