Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
A Kind of Miniatures / Panta Rhei. By Lutz Gerlach. For Piano. Solos. AMA Verlag...(+)
A Kind of Miniatures /
Panta Rhei. By Lutz
Gerlach. For Piano.
Solos. AMA Verlag.
Contemporary. Level:
Beginning-Intermediate.
Book. Size 9x12. 144
pages. Published by AMA
Verlag. ISBN 3899220102.
Schirmer's Library of Musical Classics, Vol. 2139. Composed by Various. Piano....(+)
Schirmer's Library of
Musical
Classics, Vol. 2139.
Composed
by Various. Piano.
Classical.
Softcover. 386 pages. G.
Schirmer #LIB 2139.
Published
by G. Schirmer
11 Miniaturen. Composed by Claus Kuhnl. Edition Breitkopf. In these eleven s...(+)
11 Miniaturen. Composed
by
Claus Kuhnl. Edition
Breitkopf.
In these eleven short
piano
pieces, the composer
follows
the cue of such
modern-day
masters as Olivier
Messiaen,
Karlheinz Stockhausen,
Helmut
Lachenmann and Nicolaus
A.
Huber.
Pedagogical. Breitkopf
and
Haertel #EB-9175.
Published
by Breitkopf and Haertel
Piano - Level 1-2 SKU: DB.01-00406 Eine klassische Methode fur den Anf...(+)
Piano - Level 1-2
SKU:
DB.01-00406
Eine
klassische Methode fur
den Anfang A Classical
Method for the
Beginning. Composed
by Elena Malycheva and
Uwe Korn. Keyboard music.
Composed 2004. 67 pages
pages. Doblinger Music
Publishers #01-00406.
Published by Doblinger
Music Publishers
(DB.01-00406).
ISBN
9790012193036.
Klav
ierschule - Piano
Method Detektiv (4ms
ad lib.) / Detective -
Wiegenlied (4ms ad lib.)
/ Lullaby - Ein sonniger
Tag (4ms ad lib.) / A
Sunny Day - Walzer (4ms
ad lib.) / Waltz - O When
the Saints (4ms) - Au
Clair de la Lune - Herbst
/ Autumn - Bourree -
Chicago - Greensleeves -
Piano Rock - When Israel
Was In Egypt's Land (4ms)
- Kristall / Crystal -
Was soll das bedeuten? /
What does it mean? -
Schmetterlinge /
Butterflies - In der
Halle des Bergkonigs
(4ms) / In the Hall of
the Mountain King -
Plattfussmarsch /
Flatfooted March -
Geisterstunde / The
Witching Hour - Melodie /
Melody - Praludium /
Prelude - Karawane /
Caravan - Musette /
Musette - Der Regen /
Rain - Flug der Elfen /
Flight of the Elves -
Neapolitanisches Lied /
Neapolitan Air - Blues -
Ganoven-Tango /
Gangster-Tango - Das
Standchen (4ms) /
Serenade - Lied der
Eisbaren / Song of the
Polar Bears - Mazurka -
Abendlied / Evening Song
- Krabbentanz / Dance of
the Crabs - Le Coucou -
Menuett / Minuet -
Altfranzosisches Lied /
Old French Song -
Maxi'.
Solo Repertoire and Lead Sheets from Movies, TV, Radio, and Stage. Edited by...(+)
Solo Repertoire and Lead
Sheets from Movies, TV,
Radio, and Stage. Edited
by
E. L. Lancaster and Kenon
D.
Renfrow. Book;
Method/Instruction; Piano
-
Alfred's Group Piano for
Adults. Alfred's Group
Piano
for Adults. Pop. 64
pages.
Published by Alfred Music
For piano. Endelig har vi gleden av a presentere oppfolgeren til vare suksess...(+)
For piano. Endelig har
vi gleden av a presentere
oppfolgeren til vare
suksesser: Perler fra
barokken I og
II.
Per Selberg og
Eva Sandvik Stugu er
kjente navn blant
landetspianolaerere og
elever. Med erfaring som
fa kan vise til, har de
denbeste forutsetning for
a vite hva som er
fengende og laererikt
repertoarblant vare unge
pianister
Piano seul [Partition] - Intermédiaire Music Sales
For piano. Music For Millions: Volume 37. Format: piano solo book. With fingerin...(+)
For piano. Music For
Millions: Volume 37.
Format: piano solo book.
With fingerings. Baroque,
classical period,
romantic period and 20th
century. 160 pages. 9x12
inches. Published by
Music Sales
Arranged by Tom Gerou. Method/Instruction; Piano - Alfred's Basic Adult...(+)
Arranged by Tom Gerou.
Method/Instruction; Piano
-
Alfred's Basic Adult
Piano
Course. Alfred's
Basic Adult
Piano Course. Broadway;
Movie; Pop. Book. 40
pages.
Alfred Music #00-44698.
Published by Alfred Music
Piano SKU: BT.YK21376 By Denes Agay. Joy Of. Classical. Book Only. Compos...(+)
Piano
SKU:
BT.YK21376
By Denes
Agay. Joy Of. Classical.
Book Only. Composed 1992.
80 pages. Yorktown Music
Press #YK21376. Published
by Yorktown Music Press
(BT.YK21376).
ISBN
9780711911017.
Noth
ing can quite compare to
the satisfaction,
pleasure and joy of
learning and playing the
finest pieces of
classical music and this
terrific volume gives you
the opportunity to do
exactly that! Inside
there are more than 60
easy pieces and Keyboard
miniatures by master
composers, selected and
edited by Dennis Agay.
All the pieces are
printed in their original
form though have had
sensible expression marks
and fingerings added.
There is a wonderful
range and diversity to
these pieces with works
by the likes of Bach,
Haydn, Mozart and also
lesser-known composers,
set for Piano solo.
... of all times. Composed by Various Artists. Music Sales America. Classical. B...(+)
... of all times.
Composed by Various
Artists. Music Sales
America. Classical. Book
Only. 110 pages. Wise
Publications
#MUSAM987943. Published
by Wise Publications
Edited by Denes Agay. For piano. Music For Millions: Volume 27. Format: piano so...(+)
Edited by Denes Agay. For
piano. Music For
Millions: Volume 27.
Format: piano solo book.
With fingerings. Baroque,
Classical Period,
Romantic Period and 20th
Century. 160 pages. 9x12
inches. Published by
Music Sales.
By Request Piano seul - Facile De Haske Publications
Piano - easy SKU: BT.DHP-1053813-401 All Time Piano Hits. Arranged...(+)
Piano - easy
SKU:
BT.DHP-1053813-401
All Time Piano
Hits. Arranged by
Andy Newland. Pop & Rock.
Book Only. Composed 2005.
28 pages. De Haske
Publications #DHP
1053813-401. Published by
De Haske Publications
(BT.DHP-1053813-401).
ISBN 9789043122276.
9x12 inches.
English-German-French-Dut
ch.
The following
situation may be familiar
to you: You’re at
a party, visiting friends
or hosting relatives and
someone asks you to play
something on the piano.
It’s best to
choose a song that people
know, but it is often
difficult to choose one
that is suitable. You are
expected to perform on
the spot and impress your
audience. This book
contains thirteen pieces
written especially for
such occasions. From
Lambada to Beethoven,
from The Muppet Show to
Sting, you’re sure
to find familiar songs
for your impromptu
performances. And best of
all, these pieces can be
played by anyone who has
taken piano lessons for
just a few
years.
Een stuk
spelen op verzoek - van
klassiek tot populair? In
dit boek staan dertien
bekende stukken waarmee
de pianist voor de dag
kan komen bij diverse
gelegenheden. Van de
Lambada tot
Beethoven en van The
Muppet Showtot Sting:
By Request is
geschikt voor iedereen
die een paar jaar les
heeft gehad.
Die
folgende Situation ist
sicherlich vielen
vertraut: Bei einer Party
oder einem Familienfest
wird man gebeten, etwas
Nettes auf dem Klavier
vorzuspielen. Da ist es
oft schwer, das Passende
zu finden. Dieses Buch
enthält dreizehn
leichte Stücke, mit
welchen auch Spieler mit
wenig Erfahrung bei
solchen Gelegenheiten
groß herauskommen
können. Ob vorgetragen
oder zu Hause zum eigenen
Vergnügen gespielt: Es
ist für jeden Anlass
und jede Stimmung etwas
dabei!
Quando alla sera
fra amici o in famiglia,
vi viene domandato di
mettervi al pianoforte e
di suonare una piccola e
simpatica musica, la
difficolt risiede nella
scelta del brano. By
Request contiene 13
brani adatti a questo
genere di situazione:
dalla Lambada a Ludwig
van Beethoven, da Muppet
Show a Sting, tutti i
brani presenti in questa
raccolta sono celebri e
accessibili a tutti i
pianisti con qualche anno
di pratica
strumentale.
Piano SKU: M7.VHR-3565 Für Klavier, leicht bis mittelschwer. Co...(+)
Piano
SKU:
M7.VHR-3565
Für
Klavier, leicht bis
mittelschwer.
Composed by Anne
Terzibaschitsch. Sheet
music. 104 pages.
Holzschuh Musikverlag
#VHR 3565. Published by
Holzschuh Musikverlag
(M7.VHR-3565).
ISBN
9783864340864.
Der
vorliegende Band ist eine
Sammlung von über 100
Liedern durch das ganze
Jahr. Alle Lieder, ob zu
Tages- und Jahreszeiten,
zum Geburtstag oder zu
den großen Festen im
Jahreslauf wie Ostern,
Pfingsten und
Weihnachten, sind mit
Texten unterlegt.
Natürlich dürfen
auch Laternenlieder und
Tanzlieder nicht fehlen.
Für den Klaviersatz
wurden Tonarten
bevorzugt, die ein
Mitsingen ermöglichen.
Der Schwierigkeitsgrad
bewegt sich zwischen
leicht und mittelschwer.
Die Anordnung innerhalb
der Kapitel ist
progressiv. So findet
sowohl der Anfänger
als auch der etwas
fortgeschrittene Spieler
das passende
Stück.
Orchestra Piano SKU: PR.11641861SP Composed by William Kraft. Part. 35 pa...(+)
Orchestra Piano
SKU:
PR.11641861SP
Composed by William
Kraft. Part. 35 pages.
Duration 21 minutes.
Theodore Presser Company
#116-41861SP. Published
by Theodore Presser
Company (PR.11641861SP).
UPC:
680160685202.
What?
! - my composer
colleagues said - A
concerto for the piano?
It's a 19th century
instrument! Admittedly we
are in an age when
originally created
timbres and/or
musico-technological
formulations are often
the modus operandi of a
piece. Actually, this
Concerto began about two
years ago when, during
one of my creative jogs,
the sound of the
uppermost register of the
piano mingled with wind
chimes penetrated my
inner ear. The challenge
and fascination of
exploring and developing
this idea into an
orchestral situation
determined that some day
soon I would be writing a
work for piano and
orchestra. So it was a
very happy coincidence
when Mona Golabek phoned
to tell me she would like
discuss the Ford
Foundation commission.
After covering areas of
aesthetics and
compositional styles, we
found that we had a good
working rapport, and she
asked if I would accept
the commission. The
answer was obvious. Then
began the intensive
thought process on the
stylistic essence and
organization of the work.
Along with this went a
renewed study of
idiomatic writing for the
piano, of the kind
Stravinsky undertook with
the violin when he began
his Violin Concerto. By a
stroke of great fortune,
the day in February 1972
that I received official
notice from the Ford
Foundation of the
commission, I also
received a letter from
the Guggenheim Foundation
informing me I had been
awarded my second
fellowship. With the good
graces of Zubin Mehta and
Ernest Fleischmann,
masters of my destiny as
a member of the Los
Angeles Philharmonic, I
was relieved of my
orchestral duties during
the Hollywood Bowl
season. Thus I was able
to go to Europe to work
and to view the latest
trends in music
concentrating in London
(the current musical
melting pot and showcase
par excellence), Oslo,
Norway, for the Festival
of Scandinavian Music
called Nordic Days, and
Warsaw, Poland, for its
prestigious Autumn
Festival. Over half the
Concerto was completed in
that summer and most of
the rest during the 72-73
season with the final
touches put on during a
month as Resident Scholar
at the Rockefeller
Foundation's Villa
Serbelloni in Bellagio,
Italy. So much for the
external and
environmental influences,
except perhaps to mention
the birds of Sussex in
the first movement, the
bells of Arhus (Denmark)
in the second movement
and the bells of Bellagio
at the end of the
Concerto. Primary in the
conception was the
personality of Miss
Golabek: she is a
wonderfully vital and
dynamic person and a real
virtuoso. Therefore, the
soloist in the Concerto
is truly the protagonist;
it is she (for once we
can do away with the
generic he) who unfolds
the character and intent
of the piece. The first
section is constructed in
the manner of a
recitative - completely
unmeasured - with letters
and numbers by which the
conductor signals the
orchestra for its
participation. This
allows the soloist the
freedom to interpret the
patterns and control the
flow and development of
the music. The Concerto
is actually in one
continuous movement but
with three large
divisions of sufficiently
contrasting character to
be called movements in
themselves. The first
'movement' is based on a
few timbral elements: 1)
a cluster of very low
pitches which at the
beginning are practically
inaudibly depressed, and
sustained silently by the
sostenuto pedal, which
causes sympathetic
vibrating pitches to ring
when strong notes are
struck; 2) a single
powerful note indicated
by a black note-head with
a line through it
indicating the strongest
possible sforzando; 3)
short figures of various
colors sometimes ominous,
sometimes as splashes of
light or as elements of
transition; 4) trills and
tremolos which are the
actual controlling
organic thread starting
as single axial tremolos
and gradually expanding
to trills of increasingly
larger and more powerful
scope. The 'movement'
begins in quiescent
repose but unceasingly
grows in energy and
tension as the stretching
of a string or rubber
band. When it can no
longer be restrained, it
bursts into the next
section. The second
'movement,' propelled by
the released tension, is
a brilliant virtuosic
display, which begins
with a long solo of wispy
percussion, later joined
in duet with the piano.
Not to be ignored, the
orchestra takes over
shooting the material
throughout all its
sections like a small
agile bird deftly
maneuvering through
nothing but air, while
the piano counterposes
moments of lyricism. The
orchestra reaches a
climax, thrusting us into
the third 'movement'
which begins with a
cadenza-like section for
the piano. This moves
gently into an expressive
section (expressive is
not a negative term to
me) in which duets are
formed with various
instruments. There are
fleeting glimpses of
remembrances past, as a
fragmented
recapitulation. One
glimpse is hazily
expressed by strings and
percussion in a moment of
simultaneous contrasting
levels of activity, a
technique of which I have
been fond and have
utilized in various
fixed-free relationships,
particularly in my
Percussion Concerto,
Contextures and Games:
Collage No. 1. The second
half of the third
'movement; is a large
coda - akin to those in
Beethoven - which brings
about another display of
virtuosity, this time
gutsy and driving,
raising the Concerto to a
final climax, the soloist
completing the fragmented
recapitulation concept as
well as the work with the
single-note sforzando and
low cluster from the very
opening of the first
movement.
Piano (KL) - easy SKU: HL.49032875 Folk-Songs in Easy Arrangements for...(+)
Piano (KL) - easy
SKU:
HL.49032875
Folk-Songs in Easy
Arrangements for
Piano. Composed by
Friedrich Rabl. Arranged
by Friedrich Rabl. This
edition: Saddle
stitching. Sheet music.
Edition Schott. 64 pages.
Schott Music #ED 8977.
Published by Schott Music
(HL.49032875).
ISBN
9790001126106.
9.0x12.0x0.241 inches.
Eva Balthazar.
This
collection is an
invitation to a musical
voyage of discovery
around the entire globe.
Starting with well-known
European folksongs, the
itinerary continues via
Scandinavia and the
Balkans to more exotic
destinations - with tunes
from the Congo, Mexico
and China among others -
and ends with American
Spirituals. Thanks to the
easy settings even
beginners get a good
impression of the
fascinating kaleidoscope
of folksongs of the world
and can absorb unfamiliar
styles in an easy-going
playful manner.