Facilement identifiable par son ISBN 9790201854922 cette pièce Piano Sonatas 3rd sequence appartient à la collection désormais incontournable Feder, Georg .Composée pour Piano par le célèbre compositeur Haydn Franz Josef ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / 70 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

* A Walk in the Paradise Garden fr A Village Romeo and Juliet (Delius)
* Basse Danse (Warlock)
* March fr The Love of 3 Oranges (Prokofieff)
* Nimrod fr Enigma Variations (Elgar)
* The Holy Boy (Ireland)
* Theme fr Cello Concerto (Elgar)
* Theme fr Piano Concerto 2, 2nd mvt (Rachmaninoff)
* Theme fr Symphony 2, 3rd mvt (Rachmaninoff)
* Theme fr Symphony 5, 2nd mvt (Shostakovich)
* Themes for Peter and the Hunters fr Peter and the Wolf (Prokofieff)
* This Little Babe fr A Ceremony of Carols (Britten)
* Troika fr Lieutenant Kijé (Prokofieff)
* Venus fr The Planets (Holst)

Sonata for Piano N 5 /Three Romances Without Words op. 17 N 52 / Mazurka N 8 / Prelude [and Fugue] N 17 / Gavotte N 14 / Short Pieces op. 84 N 147 / Mazurka op. 32 N 75 / Five Impromptus. Par FAURE GABRIEL. Centering on the important series of the “Impromptus”, the collection of “Pièces brèves”, and the “Trois Romances sans paroles”, the present volume also gathers piano works by Gabriel Fauré that are either unpublished or little-known. It is of additional interest insofar as it draws attention to a series of pieces dating from his earliest creative period. The young composer’s progress can thus be followed, from his student work at the “École de musique classique et religieuse” to the earliest masterpieces for piano born between 1875 and 1880. These scores show Fauré’s ability to imitate styles of the past, crafting preludes and fugues, a sonata in the Viennese tradition, and character pieces deriving straight from Mendelssohn, Schumann, and Chopin. Through them, a musical personality emerges little by little: its signs are tenuous in the “Sonate”, in the early versions of the “Fugues”, and in the “Trois Romances”, but they are more in evidence in the “Mazurke”, the “Gavotte”, and the “Prélude” in E minor. Of his early compositions, Fauré, to be sure, retained only what is included in this volume, namely those pieces which he deemed most personal and suitable for publication. All of these compositions are remarkable for their individual flavour. Despite the diverse origin of its constituent parts the contrasted “Pièces brèves” collection is unjustly neglected, as it forms an ensemble of high quality, with a search for concision that anticipates the “Neuf Préludes”. Next to the “Nocturnes” and “Barcarolles”, the five “Impromptus”, vigorously crafted between 1881 and 1906, show a composer with ever increasing creative powers who crosses borders in the pursuit of his artistic ideas. Beside the first versions of the 3rd “Romance” and two “Pièces brèves”, the appendices to the present volume include the interesting piano solo version of the “Pavane” doubtlessly penned by the composer, as well as the cadenzas to piano concertos by Beethoven and Mozart which he wrote for his students and, later, for the pianist Marguerite Hasselmans. These cadenzas’ originality has aroused the interest of pianists again and again./ Recueil / Piano

Recueil Piano. Par POULENC FRANCIS. Nocturnes is a set of 8 pieces for piano by Francis Poulenc. Composed between 1929 and 1938 for intermediate players, this set was composed as a cycle and represents night scenes of different events. They can be differentiated from most of the other nocturnes as they are not romantic tone-poems. Nocturnes 's eight pieces are: - 1st Nocturne (C Major) - 2nd Nocturne & Young girl's ball / Bal de jeunes filles (A Major) - 3rd Nocturne & Maines' bells / Les Cloches de Maines (F Major) - 4th Nocturne & Ghost's Ball / Bal fantome (C minor) - 5th Nocturne& Moths / Phalenes (B minor) - 6th Nocturne (G major) - 7th Nocturne (Cb major) - 8th Nocturne (For Coda) Francis Poulenc is French compositor and pianist. He also produced Piano and Chamber pieces, Operas ('Dialogues des Carmelites'), ballets ('Les Biches') as well as some Orchestra works. / Répertoire d'Examen / Répertoire / Piano

At last! A simple, easy-to-learn method for playing the melodies of your favorite tunes, using hip voicings as played by Bill Evans, Herbie Hancock, McCoy Tyner, Kenny Barron, etc. Famed jazz pianist and author of 'The Jazz Piano Book,? Mark Levine has created 'The Menu? - a succinct guide to learning a multitude of voicings so you can harmonize melodies on the spot.'So What' chords, upper structures, 4th chords, etc. are not only good for 'comping,' but are also ideal for voicing melodies. For example, the note G in the melody on top of a D-7 chord is the 4th of the chord. Did you know that a 'stacked 3rd' voicing, as well as the 'Kenny Barron chord' would be perfect for that? This book explains all of that, so you can instantly play jazz songs with the best available voicings. Using two standards and a bebop melody as examples, Mark breaks each tune up into four-bar sections, then shows the best voicings to use on each chord and why those choices were made. These voicings are all drawn from a one-page 'Menu' that, once internalized, will allow you to spontaneously create your own style of playing jazz piano, based on the masters of the art form. / Piano

3rd Edition. Par . Trusted by hundreds of teachers since 2001, Scale Shapes is the popular, diagram-based way to learn piano scales using the Stocken Method. Based on the new ABRSM syllabus, this fully revised and updated third edition is an invaluable aid for grade exams and general progress. ' BASED ON THE NEW ABRSM SYLLABUS ' UNIQUE KEYBOARD DIAGRAMS make playing scales easy; left- and right-hand diagrams appear together ' SPEED UP the learning process and supplement music lessons with this foolproof aid ' IMPROVE PERFORMANCE with SCALES SHAPES' intuitive method for memorising the physical shapes of different keys/ Etude / Piano

Sonate Au Clair De Lune. Par BEETHOVEN LUDWIG VAN. The so-called Moonlight Sonata is probably the best known of all of Beethoven's piano sonatas, and one should think that all that can be said about this work has already been said. But far from it! Even this sonata shows problems in the surviving musical text into which the new edition looks very meticulously. Is it a note-head or a staccato dot in bar 159 of the 3rd movement? This and other questions are answered in the edition and reasonably explained in the Critical Notes. Furthermore, the edition contains remarks of Beethoven's pupil Carl Czerny concerning the performance practice which introduce us into the poetic way of thinking, among others, that is behind the work and provides an essential impetus to a highly imaginative interpretation. / Date parution : 2019-11-28/ Répertoire / Piano

Par NG YING YING / O'SULLIVAN FARRELL MARGARET. Book 1 introduces the child to the keyboard, staves, clefs, simple time signatures, note values and rests. Reading encompasses notes to a 5th above and a 5th below Middle C. The notes A and E are introduced first, played by a braced 3rd finger of each hand. This encourages free movement of the whole arm from the shoulder, and develops a natural, balanced hand position, before the 5-finger position is gradually mastered. The first line of the treble stave and the fifth line of the bass stave are highlighted, and further lines are similarly treated as the child learns more notes. Staccato, slurs, ties, upbeats and repeat signs are all experienced in Book 1. Tempo and dynamic markings encourage musical playing, and are in English. / Methods & Tutors, Miscellaneous / Méthode / Piano

This book offers teachers and students a wide selection of literature to help pace musical and technical development evenly and with ease. The book presents appropriate teaching literature by 14 composers who wrote inspirationally for the intermediate student. The pieces in this book are primarily from Levels 7 and 8, according to Jane Magrath's The Pianist's Guide to Standard Teaching and Performance Literature. Titles include: Prelude in D Minor, BWV 926 (J. S. Bach) * Prelude in D Minor, BWV 940 (J. S. Bach) * Sonata in F Major, K. 78 (Scarlatti) * Sonata in G Major, K. 391 (Scarlatti) * Sonata in C Major, K. 309 (Scarlatti) * Sonata in A Minor, K. 149 (Scarlatti) * Viennese Sonatina No. 1 in C Major (1st movement) (Mozart) * Viennese Sonatina No. 2 in A Major (1st movement) (Mozart) * Viennese Sonatina No. 6 in C Major (1st and 3rd movements) (Mozart) * Sonatina in G Major, Hob. XVI: 8 (1st movement) (Haydn) * Sonatina in F Major, Hob. XVI: 9 (1st movement) (Haydn) * Sonatina in C Major, Hob. XVI: 10 (1st movement) (Haydn) * Bagatelle in G Minor, Op. 119, No. 1 (Beethoven) * Bagatelle in D Major, Op. 119, No. 3 (Beethoven) * Bagatelle in A Minor, Op. 119, No. 9 (Beethoven) * German Dance in D Major, D. 783, No. 2 (Schubert) * Waltz in B Minor, D. 145, No. 6 (Schubert) * Waltz in A-flat Major, D. 365, No. 2 (Schubert) * Two Ecossaises, D. 421, Nos. 1 and 2 (Schubert) * Album leaf in F-sharp Minor, Op. 99, No. 4 (Schumann) * From Foreign Lands and Places, Op. 15, No. 1 (Schumann) * Mignon, Op. 68, No. 35 (Schumann) * Important Event, Op. 15, No. 6 (Schumann) * Prelude in A Major, Op. 28, No. 7 (Chopin) * Mazurka in F Major, Op. 68, No. 3 (Chopin) * Mazurka in G Minor, Op. 67, No. 2 (Chopin) * Mazurka in G Major, Op. Post (Chopin) * Mazurka in B-flat Major, Op. Post (Chopin) * Song of the Cowherd, Op. 17, No. 22 (Grieg) * Waltz, Op. 38, No. 7 (Grieg) * Norwegian Melody, Op. 12, No. 6 (Grieg) * The Little Shepherd (Debussy) * Album Leaf (Debussy) * Braul (Bartok) * Buciumeana (Bartok) * The Farewell, Op. 21, No. 3 (Borkiewicz) * Venice, Op. 21, No. 7 (Borkiewicz) * Pierrot's Serenade (Martinu) * Columbine Remembers (Martinu) * Prelude (Fragment) (Gershwin) * Merry Andrew (Gershwin) * Promenade (Walking the Dog) (Gershwin).

Par NEWMAN THOMAS. This songbook presents selections from soundtrack to the 23rd James Bond blockbuster, Skyfall , arranged for solo piano. Also includes the Skyfall theme song by Adele, arranged for Piano, Voice and Guitar. / Niveau : Intermédiaire / TV, Film, Comédie musicale / Recueil / Piano

French Language Edition. This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book Level 1A begins by teaching basic keyboard topography and fluent recognition of white key names in relation to black keys. It focuses on simple rhythms and prepares students for intervallic reading with entertaining songs that focus on same, stepping up and stepping down. It then introduces lines and space notes in treble and bass clefs, melodic and harmonic intervals of 2nds, 3rds, 4ths and 5ths, and graduates to reading on the grand staff. It also introduces the flat and sharp signs. This course is most effective when used under the direction of a piano teacher or experienced musician.

Conçu pour être accessible aux jeunes débutants, nous avons utilisé des polices plus grandes et les paroles ajoutées qui font appel à des enfants. Chaque unité dispose d'un thème tel que At the Park, dans l'espace, ou choses rampantes Crawly.Chaque jour, les coups d'étudiants / comptages deux lignes rythmiques courtes, et la vue lit deux courtes pièces, et coche une Did It! boîte.Ce livre soigneusement séquencé commence par la lecture de 2nds et 3rds du guide de notes C Middle, Treble G, F et Bass, ajoute l'intervalle d'une 4ème tranche 4.Ce nouvel ajout à la série des guides des élèves d'une manière simple à déchiffrer avec aisance, précision et musicalité. / Piano