By Carol Matz. For Piano/Organ. The FJH Piano Teaching Library. Contents include: notes on the staff, duration names for notes and rests; sharps, flats, and naturals; grand staff symbols including clef signs and more. Book. Published by The FJH Music Company, Inc.

By Various. For Piano Solo. Classical. Easy. Instrumental Album. Text language: English. 128 pages. Published by Ashley Mark Publishing Company

Volume Two. By Various. Arranged by Christopher Norton. (Piano). Boosey and Hawkes Piano. Size 9x12 inches. 27 pages. Published by Boosey & Hawkes.

By Johann Pachelbel. Arranged by Willard A. Palmer. For Piano. Piano Solo. Simply Classics Solos. Masterwork. Level: Intermediate (grade 4/5). Sheet. 4 pages. Published by Alfred Publishing.

Basso Continuo (Piano)

SKU: HL.267696

Basso Continuo Part. Composed by Henry Purcell. Music Sales America. Classical. Softcover. Novello & Co Ltd. #NOV46002201. Published by Novello & Co Ltd. (HL.267696).

Henry Purcell's Close Thine Eyes for Soprano (or Tenor) and Bass soli with Organ (or Harpsichord) and Basso Continuo.

Orchestra solo soprano/baritone voices, SATB choir, flute, oboe, clarinet, bassoon, trumpet, 2 horns, trombone, timpani, percussion, 2 violins, viola, cello/double bass, jazz bass, piano

SKU: CA.1060103

Szenische Kantate in zwei Akten. Composed by Peter Schindler. German title: Sonne, Mond und Sterne. Lieder for choir, Sacred vocal music - Jazz, Cantatas. Vocal score. Duration 110 minutes. Carus Verlag #CV 10.601/03. Published by Carus Verlag (CA.1060103).

ISBN 9790007132996. Language: German.

In his new work Sonne, Mond und Sterne (Sun, moon and stars), composer Peter Schindler combines texts from five centuries to form a kaleidoskope of life. The music, closely reflecting the many and diverse texts, borrows influences from classical music and jazz, chanson, pop and chamber music, and is merged into a unique and unmistakable musical language by Peter Schindler. Score available separately - see item CA.1060100.

Piano solo, flute, 2 oboes, 2 bassoons, 2 horns, 2 trumpets, strings (solo: pno - 1.2.0.2 - 2.2.0.0 - timp - str)

SKU: BR.PB-15110-07

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Norbert Gertsch. Softbound. Partitur-Bibliothek (Score Library).

In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).

ISBN 9790004212677. 6.5 x 9 inches.

The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).

By Keith Snell. Edited by Diane Hidy. (Piano Town). Snell Piano. Piano Town. Level: Level 3. Music Book. Size 232. Published by Neil A. Kjos Music Company.

Piano - Early Intermediate; Late Elementary

SKU: FJ.FJH2229

2C. Composed by Helen Marlais. Method/Instruction; Piano Method. Succeeding at the Piano. Method. Book. The FJH Music Company Inc #98-FJH2229. Published by The FJH Music Company Inc (FJ.FJH2229).

ISBN 9781619281981. UPC: 241444382080. English.

The motivational music in this book shows students how to practice and how to listen. Styles include blues, folk, patriotic tunes, classical themes, and terrific original solos. New concepts are: waltz bass; broken chord bass; ear training on intervals M2-M6; dotted quarter note; one octave scales and I-V7-I in F and D; reading ledger lines above, below and in-between the staffs; legato pedaling; the IV chord; and eighth rest. At the end of the book parallel motion and contrary motion scales on the white keys are shown with I-IV-I-V7-I cadences and one-hand arpeggios. Music dictionary included.

Piano - Level 3

SKU: BA.BA08772

Composed by Edgar Knecht. Stapled. Performance score, anthology. 43 pages. Baerenreiter Verlag #BA08772_00. Published by Baerenreiter Verlag (BA.BA08772).

ISBN 9790006502349. 30 x 23 cm inches. Language: German/English. Preface: Knecht, Edgar.

Edgar Knecht is a jazz pianist who has created his own unique style. His dbut CD, “Good Morning Lilofee” (with four-piece combo), conquered the clubs and earned him invitations to international festivals. His treatment of the original melodies is refreshingly different from standard jazz arrangements: It is characterized by a free perception of the tunes, varied rhythms as well as unconventional harmonies. The same recipe for success underlies his second CD, “Dance On Deep Waters”, with which the Edgar Knecht Quartet is again going on tour, with many gigs lined up for spring and summer.

All eight of the songs in our edition offer agreeable and stimulating literature outside the classical and jazz pigeonholes for pianists everywhere, whether or not they dig German folksongs. Familiar tunes such as “Es freit der wilde Wassermann” or “Die Gedanken sind frei” gain a wholly new quality and pizzazz in his arrangements. Though based on the original songs, the pieces go far beyond them in form, harmony and rhythm, thereby turning the originals into top-quality jazz ballads. All the pieces have suggestions for improvised passages, usually with chords and written-out ostinato bass lines.

All the pieces are recorded on the like-named CD with Edgar Knecht at the piano, accompanied by his trio of bass, drums and percussion.


Th e Author
Edgar Knecht lives in Kassel (Germany), where he heads a piano school and tours with his combo. Since the age of 14 he has held concerts with his own piano pieces and written many theatre, film and TV scores. With his Edgar Knecht Trio he transforms German folksongs into fascinating jazz ballads with which he fills his programmes and venues.

Playlist:< br>www.youtube .com/playlist?list=PLh-AU h-Pv3D4lXqmq2cdu-ubVBDIfv xQJ

Piano/Keyboard

SKU: HL.1219845

For Solo Piano. Composed by John Bass. E.B. Marks. Classical. Softcover. Edward B. Marks Music #MP410030. Published by Edward B. Marks Music (HL.1219845).

ISBN 9781705195628. UPC: 196288141914.

Writt en for piano by British composer John Bass. The work was also arranged for orchestra by Felix Guenther.

By Walter Noona. For piano. Level: Level 3. Piano method. Published by Heritage Music Press. (40/1034H)

Let's Play Jazz and More * Book 2 composed by Jay Latulippe and Sonny Doss. For easy piano. This edition: Paperback. Instructional. Jazz Method. Book and CD. Text Language: English. 48 pages. Published by Santorella Publications

Bass Clarinet; Piano

SKU: HL.14041304

For Bass Clarinet and Piano. Composed by Markus Fagerudd. Music Sales America. Classical. Softcover. Hal Leonard #JMU00006. Published by Hal Leonard (HL.14041304).

9.5x14.75x0.097 inches.

Double Bass; Piano

SKU: HL.50482164

Double Bass and Piano. Composed by Sofia Gubaidulina. String Solo. Classical, Contemporary, Russian, Sonata. 28 pages. Sikorski #SIK1895. Published by Sikorski (HL.50482164).

UPC: 073999821642. 8.25x11.75x0.14 inches.

Piano

SKU: HL.14018940

Composed by Johann Sebastian Bach. Music Sales America. Classical. Book [Softcover]. Composed 2007. 12 pages. Chester Music #CH02145. Published by Chester Music (HL.14018940).

This composition is taken from the well-known Secular Cantata for Bass Voice Amore Traditore. In playing over this Cantata the writer was impressed by the sparkling vivacity and brilliance of the Cembalo obbligato in the Bass Aria. This piece makes an excellent study for strengthening the individual fingers and can be practised in various rhythms. Lass dich nimmer von der liebe berucken.

(A Totally Different, Fun Way to Learn). By Robert Bennett Brown (1917-). For Keyboard; Piano. Book; CD; Keyboard/Piano; Method/Instruction. The New Basics. Rock. Beginner. 48 pages. Published by Alfred Music Publishing

Piano (Piano)

SKU: HL.48182576

Composed by Gerd Kaemper. Leduc. Classical. CD. Alphonse Leduc #AL23926. Published by Alphonse Leduc (HL.48182576).

Freelance pianist, Gerd Kaemper has compiled many significant books for progression in Piano technique. Complete Method of the Piano is no exception to the composer's successful technical study aids. Published in 1967, Kaemper's Complete Method of the Piano introduces beginners to the world of the Piano. Beginning with understanding the treble and bass clefs, note values and note names, a selection of suitable, short pieces are addressed to ensure progression. As the pupil advances through the books, they will address rests, accidentals, further note values and articulation, amongst other aspects, accompanied by helpful, short exercises. For all aspiring, beginner pianists, Kaemper's Complete Method of the Piano ensures adequate technical understanding from the start..

Piano, Online Audio SKU: HU.9781562243197 Jazz, Jazz Instruction. Jazz Piano Essentials. Softcover Book and Online Audio. 186 pages. Jamey Aebersold Jazz #9781562243197. Published by Jamey Aebersold Jazz (HU.9781562243197). 11 x 8.5 x 0.8 inches. Jazz Piano Essentials includes a collection of riffs, patterns, and exercises as well as explanations of stylistic piano idioms such as stride, walking bass, rootless voicings, rhythm changes, blues, swing, bebop and others supported with transcriptions, arrangements, and solos based on standards. It also contains many intros and endings along with standard runs and fills. A unique compendium full of personal tips and secrets of jazz piano collected over a lifetime of study and performance. Classical musicians starting to investigate jazz or intermediate to advanced players wanting to enhance their skill set will find this book to be full of promise and absolutely "essential".

Piano

SKU: ST.H403

Composed by Tony Cliff. Score and CD. Stainer & Bell Ltd. #H403. Published by Stainer & Bell Ltd. (ST.H403).

ISBN 9790220219177.

Eigh t jazzy pieces for piano with CD accompaniment and tips on improvisation and chords. Written to encourage the development of improvisational skills, Piano Grooves is for players who've had a basic classical training, but now feel they'd like to work in jazz and popular styles. The eight pieces range from Blues to Bossa, from Funk to Romantic Ballad. With their CD accompaniments (in addition to full recorded performances) you can be your own soloist, with backing band, drums, bass guitar and strings. A regular contributor to Music Teacher magazine, a songwriter and arranger and a special representative for the Yamah-Kemble disklavier piano, Tony Cliff writes clearly and concisely, both in words and in music. His tips, guidance, targets and helping hand offer players a maximum of musical enjoyment with a minimum of theoretical fog.

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.