[Klaviersonaten - Band 1] / Classique / Editeur : Bertha Antonia Wallner / Doigtés : Conra / Partition / Broché / Edition Urtext

Par SCHUMANN ROBERT. In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ” The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 9 Carnaval – Scènes mignonnes sur quatre notes op. 10 Six Concert Etudes based on Caprices by Paganini op. 11 Piano Sonata No. 1 in F sharp minor op. 12 Fantasiestuecke for piano op. 13 Symphonic Etudes in C sharp minor In 1925, Breitkopf & Härtel approached the young pianist Wilhelm Kempff to prepare Clara Schumann’s “Instructive Edition” of her husband’s works for the new engraving. “[…] The comparison with the autograph and the Urtext edition [First Schumann Complete Edition], the results of the Schumann research, the modern principles of notation – all of this would have to be taken into account in the new engraving and could lead to a significant improvement in the edition without compromising the spirit of editing by Clara Schumann. ” The present edition thus conveys the reading of one of the most important pianists of the twentieth century, which we make fully accessible intime for the 200th birthday of Clara Schumann. Contents: op. 9 Carnaval – Scènes mignonnes sur quatre notes op. 10 Six Concert Etudes based on Caprices by Paganini op. 11 Piano Sonata No. 1 in F sharp minor op. 12 Fantasiestuecke for piano op. 13 Symphonic Etudes in C sharp minor/ Répertoire / Piano

21 Pieces by 12 Composers. Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Intermediate edition features 20 pieces by 12 composers, including: Carl Philipp Emanuel Bach: Sofeggio in C minor, H. 220 · Johann Sebastian Bach: Invention No. 1 in C Major · Johann Sebastian Bach: Invention No. 8 in F Major · Ludwig van Beethoven: Bagatelle in G Major, Op. 126, No. 5 · Ludwig van Beethoven: Bagatelle in A minor Für Elise, WoO59 · Ludwig van Beethoven: Sonatina No. 2 in F Major, Anh. 5, No. 2 · Frédéric Chopin: Mazurka in A minor, Op. 68, nO. 2 · Frédéric Chopin: Prelude in B minor, Op. 28, No. 6 · Frédéric Chopin: Prelude in A Major, Op. 28, No. 7 · Frédéric Chopin: Prelude in D-flat Major Raindrop, Op. 28, No. 15 · Claude Debussy: La fille aux cheveux de lin · Claude Debussy: Le petit nègre · Scott Joplin: The Entertainer · Franz Liszt: Consolation No. 5 · Felix Mendelssohn: Venetian Boat Song No. 2 from Songs Without Words, Op. 30, No. 6 · Erik Satie: Gymnopédie No. 1 · Franz Schubert: Moment Musical in F minor, D. 780, No. 3 · Franz Schubert: Scherzo in B-flat Major, D. 593, No. 1 · Robert Schumann: The Happy Farmer from Album for the Young · Pyotr Il'yich Tchaikovsky: Morning Prayer from Album for the Young. / Niveau : Intermédiaire / Classique / Recueil / Piano

[Klaviersonaten - Band 2] / Classique / Editeur : Bertha Antonia Wallner / Doigtés : Conra / Partition / Broché / Edition Urtext

21 Pieces by 17 Composers. Some of the most often taught original piano literature by dozens of master composers of the past has been carefully selected and compiled by difficulty level. The Early Intermediate edition features 17 pieces by 15 composers, including: Anonymous (18th century): Minuet in G from The Notebook for Anna Magdalena Bach · Johann Sebastian Bach: Gavotte II: La Musette from English Suite No. 6, BWV 811 · Johann Sebastian Bach: Prelude in C Major from The Well-Tempered Clavier, Book 1 · Béla Bartók: Three Pieces from For Children, Sz. 42 · Ludwig van Beethoven: Minuet in G Major, WoO 10, No. 2 · Ludwig van Beethoven: Sonatina No. 1 in G Major, Anh. 5, No. 1 · Anton Diabelli: Rondino · César Franck: The Doll's Complaint · George Frideric Handel: Sarabande from Suite in D minor, HWV 437 · Franz Joseph Haydn: German Dance in D Major, Hob. IX: 22, No. 2 · Friedrich Kuhlau: Scottish Dances Nos. 2, 3, 5 and 6 from Six Scottish Dances · Edward MacDowell: To a Wild Rose from Woodland Sketches · Wolfgang Amadeus Mozart: Minuet in G Major, K. 1 · Jean-Philippe Rameau: La tambourin · Franz Schubert: Waltz in A Major · Robert Schumann: Soldiers' March from Album for the Young · Pyotr Il'yich Tchaikovsky: Italian Song from Album for the Young. / Niveau : Débutant à Intermédiaire / Classique / Recueil / Piano

Rock Piano sensation Robert Wells has been touring his Rhapsody In Rock for over a decade, to sell-out venues across the world. For the first time in print, the Piano Concertos No I-IX have been transcribed for you to learn and play, and with the included download card, you can even play along to specially-mixed orchestral accompaniment tracks.Produced in direct collaboration with the world-renowned composer, this Rhapsody In Rock Piano Concerto sheet music collection features scores for all nine concertos, including The Overture, The Nordic Touch, The Royal, The Ballet and The Circus. The Rhapsody In Rock musical has been acclaimed for its blend of traditional classical styles, hard rock sounds as well as boogie-woogie and jazz influences. All nine Piano Concertos are transcribed here allowing solo pianists to enjoy playing these fantastically fun compositions.The accompanying download card features specially-mixed orchestral accompaniment tracks for you to play along with. One is a classical track while the other is in a rock style, so you can choose which one to play along with, or just try both! These tracks are very simple to download to your computer and you'll have great fun learning the scores as well as putting your own spin on them.The Piano Concertos I-IX were produced in direct collaboration with Robert Wells himself, who has written an extensive introduction to the songbook, detailing his inspiration, compositional process and some invaluable performance tips. Each Concerto also comes with a short introduction written by Wells, in which he describes how the idea for that particular track came about, or how the particular style developed. As explained in the songbook, the note-for-note transcriptions will allow you to play the tunes exactly as Wells composed them, whereas improvisation and creativity is encouraged, with chord symbols included to aid this. / Piano

Par FLAMENT NATALIA (Arr.). La voix, la mélodie, le mouvement... Ces trois mots m'ont inspirée pour cette aventure - les réunir ! J'ai exposé dans ce volume ma version personnelle des airs d'opéra : tout en gardant ma propre lecture, je les ai adaptés à la carrure des exercices (le nombre pair des phrases de 8 mesures dans la plupart des cas). Les morceaux sont présentés dans l'ordre correspondant au déroulement d'un cours de danse le plus courant. Précédés d'une introduction stylisée, ces extraits peuvent aider les élèves à revivre le contenu émotionnel de la mélodie et de l'exprimer au travers des mouvements de la danse. Observer comment la parole chantée influence l'expressivité du mouvement, lire l'émotion provoquée par la tonalité et la dynamique du morceau sur les visages des élèves - c'est la plus belle récompense de cette belle aventure ! Natalia Flament/ Recueil / Piano

Cette anthologie propose des pièces pour piano à quatre mains du 18ème au 20ème siècle et vous invite à un voyage passionnant à travers le temps. Les plus beaux et les plus célèbres morceaux de vingt compositeurs différents rassemble une magnifique collection de duos de piano. En plus des classiques de Mozart, Beethoven, Schubert, Brahms et Grieg, compositions rarement jouées par Robert Volkmann, Moritz Moszkowski, Paul Hindemith, Emile Naoumoff et d'autres ont été inclus. / Piano 4 Mains

Par BIRCH SVEN. Brahms Johannes: Erlaube mir, feins Mädchen WoO 33 · Grieg Edvard: Letzter Frühling · Fauré Gabriel-Urbain: Berceuse op. 56/1 · Chopin Frédéric: Mazurka C-Dur op. 67/3 · Händel Georg Friedrich: VI. Sonate für Violine und Klavier HWV 373 · Dvorák Antonín: Symphonie Nr. 8 G-Dur op. 88, IV. Satz · Beethoven Ludwig van: Thema aus: 6 Variationen op. 76 · Borodin Alexander: Polowetzer Tanz Nr. 1 · Debussy Claude: En bateau aus: Petite Suite · Schumann Robert: Quintett Es-Dur op. 44, II. Satz · Tschaikowsky Peter Iljitsch: Rokokothema op. 33/ Recueil / Piano

50 Célèbres Mélodies D'Opéra Dans Des Arrangements Faciles Pour Piano. The anthology La donna è mobile is the follow-up volume to the best-seller Eine kleine Nachtmusik with masterpieces of classical music (ED 20764). The latest volume in the Pianissimo series contains 50 of the best known opera melodies and 'favourites of the public' by Mozart, Rossini, Puccini, Verdi and others. The arrangements by Hans-Günter Heumann are easy to play, yet remain as close to the original as possible. A treasure trove for music lessons and playing for pleasure! / Niveau : Facile / Recueil / Piano

Compilation de 31 oeuvre du célèbre compositeur français, Alexandre Tansman. / Piano / Partition

This collection contains 39 easy-to-play piano pieces from the Baroque to the Early Modern period and presents an ideal repertoire for music schools and private music-making.Conceived as a current supplement to Bärenreiter's popular anthology 'Easy Classics for Piano? (BA 8758), it offers a wide-ranging repertoire which includes popular classical pieces but also small gems such as Chopin's 'Contredanse? in G-flat major as well as Satie's 'Berceuse? and 'Méditation?. Tried and tested fingering by the experienced pianist and piano teacher Annette Töpel help players to learn the pieces more quickly.- Ideal for students, music-lovers and piano teachers- Tried and tested fingering - Practical page-turnsFrom the contents:Chopin, 'Préludes? in A major and C minor (op. 28 nos. 7 and 20), Contredanse in G-flat major, Schumann, 'Bärentanz and Haschemann? / Bach, 'Preludes? / Debussy, 'The little shepherd? from 'Children's Corner? / Mendelssohn, 'Wedding March? / Brahms, 'Waltz? in E major (op. 39 #5), Theme from the 'Paganini Variations? (op. 35), 'Verstohlen geht der Mond auf? from Piano Sonata op. 1 (movt. 2) / Ravel, Prélude / Satie, 'Berceuse? and 'Méditation? / Piano

Le Nouveau Robert Schumann Edition (RSA) est conçue comme une édition historico-critique des oeuvres complètes. Ils seront soigneusement étudiés et préparés selon les techniques actuelles musicologiques et éditoriale et présentés dans leur intégralité. Ebauches, des esquisses et fragments, bref, tout ce qui est venu jusqu'à nous comme étant authentique par Schumann et qui, dans la plupart des cas, a été volontairement conservé par lui, seront rassemblés, évalués quant à son importance et documentés dans une certaine forme ou d'une autre dans l'édition des oeuvres complètes.C'est le but de l'édition de reproduire des textes authentiques qui - après avoir corrigé scribe, copie et impression des erreurs et des ajouts ultérieurs éradiqué et autres corruptions textuelles - se rapprocher le plus possible de l'intention des originaux.L'édition critique formeront la base du matériel des performances précises pour les travaux de Robert Schumann. / Piano

Robert Schumann's Kreisleriana for piano is a cycle of eight contrasting pieces composed in 1838. The work belongs to one of Schumann's most creative periods. It was influenced by the writings of author E. T. A. Hoffmann and was inspired by Schumann's love for his wife, Clara. The current edition has been thoroughly researched, with comparisons made between all early sources. The 1850 second edition has been used as the primary source, which includes revisions made by Schumann and reflects his final intentions. Discrepancies with the first edition (1838), third edition (1858), and various Clara Schumann editions have been discussed in critical notes. Prefatory matter discusses the genesis of Kreisleriana, the relationship between Hoffmann's writings and Schumann's journalism and compositions, and the early champions and performers of this masterwork. Also included are discussions of the form of each piece and helpful performance suggestions. Editorial pedaling and fingering suggestions have been provided to facilitate learning and performance.Charles Timbrell is Professor of Music and Coordinator of Keyboard Studies at Howard University in Washington, D.C., where he teaches piano, piano literature, and piano pedagogy. He also maintains an active career as a performer, author, lecturer, and adjudicator. / Piano