Piano Pop. Artist Folio. Score. Yamaha Music Media #GTP01097741. Published by Yamaha Music Media

Piano

SKU: BR.EB-8570

37 Easy Piano Pieces for Children. Composed by Weinhandl (Hg) Strebl Schneider Salzbrunn Haas. Edited by Elisabeth et al. Haas. Solo instruments; Softcover. Edition Breitkopf.

The Keyboard Crocodile is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times.

Music pedagogy. Score. 52 pages. Breitkopf and Haertel #EB 8570. Published by Breitkopf and Haertel (BR.EB-8570).

ISBN 9790004178577. 9 x 12 inches. Japanese.

It won't wag its tail at the Funeral of Max the Turtle or snarl at Carefree Jack. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the Keyboard Crocodile would like to sink its teeth into are boring piano albums for beginners!

The Keyboard Crocodile is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times.

. By Ludwig van Beethoven. Edited by Kenneth Cooper. For solo piano. First edition. With performance notes. Part. Published by International Music Co.

Piano

SKU: PR.701175060

Arranged by Edison Quintana. Peermusic Classical #70117-506. Published by Peermusic Classical (PR.701175060).

UPC: 888680101268.

“Th e idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..

By Martha Mier. perf. Scott Price. For Piano. Piano Collection. CD. Published by Alfred Publishing.

Op. 29 & 32 Piano. Composed by Henri Bertini. Edited by Ruth Taneda. This edition: Paperback/Soft Cover. Sheet music. Piano. Classical. Softcover. Op. 29 und op. 32. 120 pages. Schott Music #ED22309. Published by Schott Music

Piano

SKU: HL.49046272

Piano. Composed by Xuntian He. Piano Solo. Classical. Softcover. 44 pages. Duration 1440 seconds. Schott Music #ED22958. Published by Schott Music (HL.49046272).

ISBN 9781540064691. UPC: 888680967178.

In his compositions, Xuntian He no shackles of any cultural or academic tradition. He does not feel obliged to either Western or Eastern culture. In Kalavinka Sutra, for example, he explores, in accordance with his individual style, the surprising melodic and rhythmic structures on the piano.

Piano

SKU: PR.701185010

Arranged by Leticia Gómez-Tagle. Peermusic Classical #70118-501. Published by Peermusic Classical (PR.701185010).

UPC: 888680101275.

“Th e idea of writing the Danzón No.2 originated in 1993 during a trip to Malinalco with the painter Andrés Fonseca and the dancer Irene Martínez, both of whom are experts in salon dances with a special passion for the danzón, which they were able to transmit to me from the beginning, and also during later trips to Veracruz and visits to the Colonia Salon in Mexico City. From these experiences onward, I started to learn the danzón’s rhythms, its form, its melodic outline, and to listen to the old recordings by Acerina and his Danzonera Orchestra. I was fascinated and I started to understand that the apparent lightness of the danzón is only like a visiting card for a type of music full of sensuality and qualitative seriousness, a genre which old Mexican people continue to dance with a touch of nostalgia and a jubilant escape towards their own emotional world; we can fortunately still see this in the embrace between music and dance that occurs in the State of Veracruz and in the dance parlors of Mexico City. The Danzón No.2 is a tribute to the environment that nourishes the genre. It endeavors to get as close as possible to the dance, to its nostalgic melodies, to its wild rhythms, and although it violates its intimacy, its form and its harmonic language, it is a very personal way of paying my respects and expressing my emotions towards truly popular music. Danzón No.2 was written on a commission by the Department of Musical Activities at Mexico’s National Autonomous University and is dedicated to my daughter Lily.” -- Arturo Marquez About the danzon genre, Lidice Valenzuela writes in Cubanow: The history of the danzon goes back to the arrival in Cuba of the European contradance. It came in three different ways: directly from Spain, the colonial metropolis; with the British, who occupied Havana in 1762; and the French colonizers and their slaves who landed in Cuba's Eastern shores after fleeing from the Haitian Revolution. From all of that trans-cultural process the Danzon was born. This new Cuban dance, naturalized by the Creoles, had much more expressive freedom: the couple danced in each other's arms, and the dancing time was extended. People began calling it Danzon and it was in Matanzas, in the 1870s that figure dancing also began to be called Danzon. Thus, Failde, an outstanding musician, named his composition with the generic name of Danzon..

Soprano Voice Solo, SSA Choir, organ (piano)

SKU: CA.330570

Composed by Jules Massenet. Separate edition with choral collection. Sacred vocal music, Fear and trust, Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary. Full score. 5 pages. Carus Verlag #CV 03.305/70. Published by Carus Verlag (CA.330570).

ISBN 9790007172688. Key: E flat major. Text language: French/English. Text: Boyer, Georges.

Unison children's choir, melody instrument, piano

SKU: CA.330770

Composed by Detlev Kuttler and Ulrich Gohl. Separate edition with choral collection. Sacred vocal music, Easter and Eastertide, Praise and thanks. Full score. Composed 2013. 1 pages. Carus Verlag #CV 03.307/70. Published by Carus Verlag (CA.330770).

ISBN 9790007172862. Key: F major. Text language: German. Text: Gohl, Ulrich.