49 Timeless Love Classics (Piano/Vocal/Guitar). Composed by various compo...(+)
49 Timeless Love
Classics
(Piano/Vocal/Guitar).
Composed by various
composers and arrangers.
This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Best
Songs. Love; Pop;
Pop/Rock; Standard. 248
pages. Published by
Alfred Music (AP.44681).
Piano - easy SKU: BT.EMBZ14967 Essential Sonatinas for Music Education...(+)
Piano - easy
SKU:
BT.EMBZ14967
Essential Sonatinas
for Music Education -
Ausgewählte Sonatinen
für die
Musikausbildung. By
Jozsef Sarmai.
Educational Tool. Book
Only. Composed 2016. 44
pages. Editio Musica
Budapest #EMBZ14967.
Published by Editio
Musica Budapest
(BT.EMBZ14967).
Hungarian-English-Germ
an-French.
Sonatina
s form a vital part of
the teaching material for
beginner and intermediate
piano students. Compared
to the great classical
piano sonatas, they are
technically and musically
simpler and typically
shorter. However, they
still convey the basic
elements of Classical
style: the relation of
melody to accompaniment,
articulation,
stylistically authentic
playing, and correct
interpretation. For the
two volumes of Giraffe
Piano, the most favoured
and instructive of the
sonatinas have been
chosen. Volume 1 contains
simpler pieces and Volume
2 is compromised of
moderately difficult
ones. Correct
interpretation of the
pieces is facilitated by
added performance and
fingeringmarks. Learning
is helped along by clear
presentation of the
score, carefully placed
page turns, and by
inspiration from colour
images showing the
keyboard instruments of
the 1720-1820 period for
which the pieces were
written. The most notable
of them is the giraffe
piano, after which the
collection is named.
Im Lehrstoff
für Anfänger und
fortgeschrittene
Klavierschüler auf
Mittelstufenniveau sind
Sonatinen unverzichtbar.
Sie sind technisch und
musikalisch einfacher und
vor allem kürzer als
die großen klassischen
Klaviersonaten, zugleich
kann man an ihnengut die
Grundelemente des
klassischen Stils, das
Verhältnis von Melodie
und Begleitung, eine
klare, stilgetreue
Vortragsweise und die
richtige Formgebung
üben.
In den zwei
Bänden des
Giraffenklaviers
haben wir die
beliebtesten und auch
für den Unterricht am
meisten geeigneten
Sonatinen
zusammengestellt. Im 1.
Band befinden sich
leichte, im 2.
mittelschwere Stücke.
Den richtigen Vortrag der
Stücke unterstützt
der Herausgeber mit HIlfe
von Artikulations- und
Vortragszeichen sowie
Fingersätzen. Über
das klare Notenbild und
die sorgsam gewählten
Stellen zum Umblättern
hinaus machen farbige
Bilder von
zeitgenössischen,
zwischen 1720 und1820
gebauten
Tasteninstrumenten,
für die auch Stücke
des Bandes geschrieben
wurden, ihre Aneignung zu
einem besonderen
Erlebnis. Das
eigentümlichste unter
ihnen war das auf dem
Umschlag abgebildete
Giraffenklavier, das dem
Album auch seinen Namen
gab.
Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal....(+)
Hymn Arrangements for
Every Occasion. Arranged
by Gail Smith. For Piano.
Hymnal. Sacred. Level:
Intermediate-Advanced.
Book. Size 8.75x11.75.
208 pages. Published by
Mel Bay Publications,
Inc.
(8 Solo Piano Arrangements of Timeless Hymns). Arranged by Mary K. Sallee. For P...(+)
(8 Solo Piano
Arrangements of Timeless
Hymns). Arranged by Mary
K. Sallee. For Piano.
Book; Piano Collection;
Piano Supplemental;
Worship Resources. Sacred
Performer Collections.
Form: Medley. Hymn;
Sacred. Advanced. 40
pages. Published by
Alfred Music Publishing
By Wolfgang Amadeus Mozart. For Piano Solo & Guitar, with chord symbols. Classic...(+)
By Wolfgang Amadeus
Mozart. For Piano Solo &
Guitar, with chord
symbols. Classical. Sheet
Music. 48 pages.
Published by Music Sales.
Twenty-five classical
pieces arranged for easy
piano including Eine
Kleine Nachtmusik, The
Magic Flute, and Ave
Verum Corpus.
ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og frems...(+)
ABC for piano, del 2' er
en pianobok for litt
viderekomne. Den er forst
og fremst mente for barn,
men kan ogsa brukes av
voksne som vil friske opp
pianokunnskapene sine,
laere noter pa egen hand,
eller hjelpe sine barn
som laerer a spille.
Boken inneholder et
utbrettsark med oversikt
over alle tangentene og
notene + litt
teori.
Boken
inneholder mange morsomme
oppgaver. Det er brukt
mangefolketoner, bade fra
Norge og andre europeiske
land, samt
populaerebarnesanger.
Innhold: Lille
bjork Kjerringa med
staven En
hostkveld Na skal vi
telle Humoreske - L.
Mozart mary had a
little lamb Tamburin
-J.
Rameau Vuggesang
Blinke, blinke stjerne
lill I min
hage Et stykke - J.
Arman Jeg gikk meg
over sjo og
land Preludium Do
vne Trulte Haren uti
gresset Kjaere gasen
min er stjalet Jeg
gikk en tur pa
stien Min nye
ball Etyde - L.
Shytte Marching Pigs
- Boris Berlin Vesle
Lise er sa liten - P.I.
Tschaikovsky Etyde Potet-sang Etyde -
C. Czerny Min hatt
den har tre
kanter Alle
fugler Gratulerer med
dagen Hurra for
deg! Ola
Diger Musette - L.
Mozart I Dovregubbens
hall E. Grieg Etyde -
C. Czerny Menuet -
W.A. Mozart En
spok O sole
mio! Per
Sjuspring Oh, when
the Saints go marching
in Pa var
bryllupsdag Etyde -
N. Paganini Gjok -
Couperin Jeg trenger
deg for
dansen Morgenstemning
- E. Grieg Du er den
eneste Skalaer,
arpeggio og
akkorder Schumanns
regler for
musikere Olga
Alexandra Holter er fodt
i Russland. Etter a
graduere fra Gnesyn's
Musikkakademi i Moskva,
en av de mest kjente
hoyskolene i Russland,
begynte hun a jobbe som
pianolaerer. Senere tok
hun mastergrad i
lingvistikk og
pedagogikk. Hun kom til
Norge i 1993. For a fa en
grundig forstaelse av det
norske musikk-pedagogiske
systemet gikk hun pa
Musikkhogskolen i Oslo,
hvor hun studerte hos den
kjente pianisten Liv
Glaser. I 1999 etablerte
Olga
Barnemusikkakademiet,
hvor hun i dag jobber som
pianolaerer og daglig
leder
133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced...(+)
133 Selections by 43
Composers. Piano Solo
Mixed Folio (Intermediate
to advanced piano
arrangements with no
lyrics). Size 9x12
inches. 480 pages.
Published by Hal Leonard.
Compiled and arranged by Denes Agay. Book. Published by Music Sales. This appeal...(+)
Compiled and arranged by
Denes Agay. Book.
Published by Music Sales.
This appealing book is
for players of all ages;
the material ranges from
waltzes, marches, and
polkas to song favorites
and jazz solos. As a
special feature, the book
contains variations on
Happy Birthday in a
number of styles from
Bach to boogie.
New music
(post-2000). Score.
Composed 2016/17/20. 12
pages. Duration 8'.
Breitkopf and Haertel #EB
9253. Published by
Breitkopf and Haertel
(BR.EB-9253).
ISBN
9790004185537. 9 x 12
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Piano Solo. Composed by Various. Ashley Publications. Sacred. 124 pages. Ashley ...(+)
Piano Solo. Composed by
Various. Ashley
Publications. Sacred. 124
pages. Ashley Mark
Publishing Company
#AS10422. Published by
Ashley Mark Publishing
Company
Piano - Grade 7-8 SKU: ST.C463 Composed by Federico Ruiz. Edited by Clara...(+)
Piano - Grade 7-8
SKU:
ST.C463
Composed by
Federico Ruiz. Edited by
Clara Rodriguez. Piano
and keyboard music.
Collection. Clifton
Edition #C463. Published
by Clifton Edition
(ST.C463).
ISBN
9790570814633.
This
volume contains
contrasting works by
Federico Ruiz spanning
quite a large and rich
period of his
compositional output that
goes from his early
Micro-Suite (1971), to
lilting, sweet and
rhythmic Venezuelan
waltzes passing by the
mysterious, intimate, and
intense Nocturno (1994)
plus pieces originally
composed for film, and
theatre. Real eclecticism
in styles, moods and
atmospheres that show
Ruizâ??s talents and
scope.
The
Nocturno is a deep,
intriguing, substantial
piece presenting a
satisfying length which
moves from different
paths of the mind and the
heart written in an
abstract, chromatic
idiom, that does not
dissociate itself from
the Venezuelan waltz and
the joropo. One could
perhaps say that there is
a deconstruction of the
latter. For the
interpretation, the
composer has suggested to
me that it is allowed to
have some flexibility in
the tempo. Ruiz kindly
dedicated it to me, and I
have had the pleasure of
performing it in many
concerts.
Although
all highly expressive,
the Three Venezuelan
Waltzes present in this
collection as well as the
piece titled Aliseo, are
works that are close to
the colourful Venezuelan
folk tradition. Federico
Ruiz had given me two of
them when we first met:
â??Tu Presenciaâ??
(1981) and
â??EloÃsaâ?? (1989)
and then I attended a
performance of the play
â??Office Number Oneâ??
by Miguel Otero Silva
with a fantastic actor,
Elba Escobar in the role
of Carmen Rosa and, I
just fell in love and was
very moved by the
incidental music that I
later discovered, by
reading the programme,
had been written by
Federico Ruiz. Later that
evening, I called him and
asked to please make a
piano score of the
composition, so I could
have the desired piece in
my hands. That is how
â??Carmen Rosaâ?
waltz (1987) came to
exist in a piano
version.
â??Elois
aâ?? is another
Venezuelan waltz with
more jazzy harmonies
where precision in the
rhythm and elegant
playing is also
essential, as it is in
most of his
pieces.
â??Tu
Presenciaâ?? was
dedicated to his mother,
Margarita. It is written
with the structure of the
Venezuelan waltz, which
consists of a nostalgic
subject that leads to a
faster, happier middle
section where the typical
graceful rhythm is given
by the left-hand
accompaniment figure of a
dotted crotchet followed
by a quaver and a
crotchet.
The
craft and magic found in
the five movements of the
Micro-Suite is based on a
dodecaphonic row by Ernst
Krenek. They remind us of
the idiom of the Second
Viennese School. These
real miniatures seem to
tell short stories. The
â??Preludioâ?? is full
of humour. I imagine
dancing figures given by
the jumps all over the
keyboard and extreme
dynamics; the phrases
give the impression of a
conversation with many
questions and answers.
The â??Invenciónâ??
is a kaleidoscopic piece
where the hands mirror
each other. The
â??Passacagliaâ?? is
the longest movement, at
just over a minute where
the prime motif is
repeated three times on
the bass line. For its
construction Federico
Ruiz uses as well the
retrograde and the
retrograde inversion of
the twelve-tone series.
It must be played
expressively with dynamic
contrasts between
pianissimo and louder
events. The
â??Scherzoâ?? has
repetitive motifs of a
minor third in both hands
and the â??Finalâ??
displays virtuosic
passages for the
pianist.
(Volumes 1-5, Complete) Written by Kenneth Baker. For piano. Format: instruction...(+)
(Volumes 1-5, Complete)
Written by Kenneth Baker.
For piano. Format:
instructional book. With
standard notation, chord
names, lyrics,
instructional text,
illustrations, fingerings
and pull-out keyboard
chart. Learn to play. 240
pages. 9x12 inches.
Published by Music Sales.
By Gail Smith. For Keyboard Piano. Solos. Made Easy. Gospel-Old Time. Level: Beg...(+)
By Gail Smith. For
Keyboard Piano. Solos.
Made Easy. Gospel-Old
Time. Level: Beginning.
Book. Size 8.75x11.75. 32
pages. Published by Mel
Bay Publications, Inc.
Ave Maria Piano Solo, Composed by Johann Sebastian Bach, Charles Francois Gounod...(+)
Ave Maria Piano Solo,
Composed by Johann
Sebastian Bach, Charles
Francois Gounod
Abide With Me Vocal And
Piano
Be Still, My Soul Vocal
And Piano
Day By Day Vocal And
Piano
God Will Take Care Of You
Vocal And Piano
He Leadeth Me Vocal And
Piano
His Eyes Is On The
Sparrow Vocal And Piano
I Must Tell Jesus Vocal
And Piano
I Need Thee Every Hour
Vocal And Piano
In The Garden Vocal And
Piano
A Mighty Fortress Is Our
God Vocal And Piano
Moment By Moment Vocal
And Piano
Savior, Like A Shepherd
Lead Us Vocal And Piano
Thou Will Keep, Him In
Perfect Peace Vocal And
Piano
'tis So Sweet To Trust In
Jesus Vocal And Piano
What A Friend We Have In
Jesus Vocal And Piano
Music for Solemn Moments
arranged by Jerry Ray.
For voice and piano.
Piano Collection; Piano
Supplemental. Sacred.
Late Intermediate.
Songbook. Vocal melody,
lyrics, piano
accompaniment and chord
names. 44 pages.
Published by Alfred Music
Publishing
Book/Online Audio and Video Piano The Best Step-by-Step Guide to Start Playing...(+)
Book/Online Audio and
Video
Piano
The Best Step-by-Step
Guide to
Start Playing. Do It
Yourself.
Instruction, Method.
Softcover
Media Online. 128 pages.
Published by Hal Leonard