49 Timeless Love Classics (Piano/Vocal/Guitar). Composed by various composers and arrangers. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Best Songs. Love; Pop; Pop/Rock; Standard. 248 pages. Published by Alfred Music (AP.44681).

Collection for solo piano. Easy to intermediate. Series: The World's Great Classical Music. 232 pages. Published by Hal Leonard.

(15th Updated Edition) Arranged by Richard Bradley. Collection for easy solo piano. 304 pages. Published by Alfred Publishing.

By James Bastien. For Piano. Bastien Piano. Bastiens' Older Beginner Piano Library. Solo Collection. Published by Neil A. Kjos Music Company.

Piano Technique. By Albert De Vito. Piano Method. Size 9x12 inches. 168 pages. Published by Kenyon.

By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Published by Jackman Music Corporation.

By Robert Schumann. For Piano. (Piano Solo). CD Sheet Music (Version 2.0). PDF file on CD. 800 pages. Published by Subito Music.

Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal. Sacred. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 208 pages. Published by Mel Bay Publications, Inc.

By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Published by Jackman Music Corporation.

(8 Solo Piano Arrangements of Timeless Hymns). Arranged by Mary K. Sallee. For Piano. Book; Piano Collection; Piano Supplemental; Worship Resources. Sacred Performer Collections. Form: Medley. Hymn; Sacred. Advanced. 40 pages. Published by Alfred Music Publishing

By Wolfgang Amadeus Mozart. For Piano Solo & Guitar, with chord symbols. Classical. Sheet Music. 48 pages. Published by Music Sales. Twenty-five classical pieces arranged for easy piano including Eine Kleine Nachtmusik, The Magic Flute, and Ave Verum Corpus.

By Various. Easy Piano Songbook. Latin. Softcover. 208 pages. Published by Hal Leonard

ABC for piano, del 2' er en pianobok for litt viderekomne. Den er forst og fremst mente for barn, men kan ogsa brukes av voksne som vil friske opp pianokunnskapene sine, laere noter pa egen hand, eller hjelpe sine barn som laerer a spille. Boken inneholder et utbrettsark med oversikt over alle tangentene og notene + litt teori.

Boken inneholder mange morsomme oppgaver. Det er brukt mangefolketoner, bade fra Norge og andre europeiske land, samt populaerebarnesanger.

Innhold:
Lille bjork
Kjerringa med staven
En hostkveld
Na skal vi telle
Humoreske - L. Mozart
mary had a little lamb
Tamburin -J. Rameau
Vuggesang
Blinke, blinke stjerne lill
I min hage
Et stykke - J. Arman
Jeg gikk meg over sjo og land
Preludium
Do vne Trulte
Haren uti gresset
Kjaere gasen min er stjalet
Jeg gikk en tur pa stien
Min nye ball
Etyde - L. Shytte
Marching Pigs - Boris Berlin
Vesle Lise er sa liten - P.I. Tschaikovsky
Etyde
Potet-sang
Etyde - C. Czerny
Min hatt den har tre kanter
Alle fugler
Gratulerer med dagen
Hurra for deg!
Ola Diger
Musette - L. Mozart
I Dovregubbens hall E. Grieg
Etyde - C. Czerny
Menuet - W.A. Mozart
En spok
O sole mio!
Per Sjuspring
Oh, when the Saints go marching in
Pa var bryllupsdag
Etyde - N. Paganini
Gjok - Couperin
Jeg trenger deg for dansen
Morgenstemning - E. Grieg
Du er den eneste
Skalaer, arpeggio og akkorder
Schumanns regler for musikere
Olga Alexandra Holter er fodt i Russland. Etter a graduere fra Gnesyn's Musikkakademi i Moskva, en av de mest kjente hoyskolene i Russland, begynte hun a jobbe som pianolaerer. Senere tok hun mastergrad i lingvistikk og pedagogikk. Hun kom til Norge i 1993. For a fa en grundig forstaelse av det norske musikk-pedagogiske systemet gikk hun pa Musikkhogskolen i Oslo, hvor hun studerte hos den kjente pianisten Liv Glaser. I 1999 etablerte Olga Barnemusikkakademiet, hvor hun i dag jobber som pianolaerer og daglig leder

Piano

SKU: BT.HITPCDEBPIA01

32 morceaux complets. Composed by Hélène Philippe-Gérard. Method. Book with CD. Composed 2016. 112 pages. Hit Diffusion #HITPCDEBPIA01. Published by Hit Diffusion (BT.HITPCDEBPIA01).

French.

Je débute le piano est une méthode de piano pour débutants grand public, qui permet d’apprendre le piano de façon ludique. Tous les tubes que les pianistes rêvent de jouer y sont : La valse d’Amélie Poulain (Yann Tiersen), Lettre France(Polnareff), Someone like you (Adele), le prélude n°1 en Do majeur (Bach), Honesty (Billy Joel), Imagine, Let It Be (The Beatles), Hallelujah (Leonard Cohen), Sunburn (Muse), Video Games (Lana del Rey)... En tout, 32 morceaux, des exercices etconseils...Avec sa présentation claire et accessible, sa progression intelligente et son répertoire qui couvre tous les genres et toutes les époques, Je débute le piano convaincra tous ceux qui veulent apprendre ou redécouvrir le piano sérieusement, mais dansla détente et la bonne humeur!Et sur le CD accompagnant l’ouvrage, les morceaux en version audio, pour faciliter l’apprentissage ! 112 pages, broché. Conçu et fabriqué en France.

133 Selections by 43 Composers. Piano Solo Mixed Folio (Intermediate to advanced piano arrangements with no lyrics). Size 9x12 inches. 480 pages. Published by Hal Leonard.

Compiled and arranged by Denes Agay. Book. Published by Music Sales. This appealing book is for players of all ages; the material ranges from waltzes, marches, and polkas to song favorites and jazz solos. As a special feature, the book contains variations on Happy Birthday in a number of styles from Bach to boogie.

Piano

SKU: BR.EB-9253

Composed by Helmut Lachenmann. Solo instruments; stapled. Edition Breitkopf.

World premiere of the orchestral version: Stuttgart, January 1, 2018World premiere of the piano version: Mito, June 17, 2017

Have a look into EB 9283.

New music (post-2000). Score. Composed 2016/17/20. 12 pages. Duration 8'. Breitkopf and Haertel #EB 9253. Published by Breitkopf and Haertel (BR.EB-9253).

ISBN 9790004185537. 9 x 12 inches.

Marche fatale is an incautiously daring escapade that may annoy the fans of my compositions more than my earlier works, many of which have prevailed only after scandals at their world premieres. My Marche fatale has, though, little stylistically to do with my previous compositional path; it presents itself without restraint, if not as a regression, then still as a recourse to those empty phrases to which modern civilization still clings in its daily utility music, whereas music in the 20th and 21st centuries has long since advanced to new, unfamiliar soundscapes and expressive possibilities. The key term is banality. As creators we despise it, we try to avoid it - though we are not safe from the cheap banal even within new aesthetic achievements.Many composers have incidentally accepted the banal. Mozart wrote Ein musikalischer Spass [A Musical Jape], a deliberately amateurishly miscarried sextet. Beethoven's Bagatellen op. 119 were rejected by the publisher on the grounds that few will believe that this minor work is by the famous Beethoven. Mauricio Kagel wrote, tongue in cheek, so to speak, Marsche, um den Sieg zu verfehlen [Marches for being Unvictorious], Ligeti wrote Hungarian Rock; in his Circus Polka Stravinsky quoted and distorted the famous, all too popular Schubert military march, composed at the time for piano duet. I myself do not know, though, whether I ought to rank my Marche fatale alongside these examples: I accept the humor in daily life, the more so as this daily life for some of us is not otherwise to be borne. In music, I mistrust it, considering myself all the closer to the profounder idea of cheerfulness having little to do with humor. However: Isn't a march with its compelling claim to a collectively martial or festive mood absurd, a priori? Is it even music at all? Can one march and at the same time listen? Eventually, I resolved to take the absurd seriously - perhaps bitterly seriously - as a debunking emblem of our civilization that is standing on the brink. The way - seemingly unstoppable - into the black hole of all debilitating demons: that can become serene. My old request of myself and my music-creating surroundings is to write a non-music, whence the familiar concept of music is repeatedly re-defined anew and differently, so that derailed here - perhaps? - in a treacherous way, the concert hall becomes the place of mind-opening adventures instead of a refuge in illusory security. How could that happen? The rest is - thinking.(Helmut Lachenmann, 2017)CD (Version for Piano):Nicolas Hodges CD Wergo WER 7393 2 Bibliography:Ich bin nicht ,,pietistisch verformt. Ein Gesprach [von Jan Brachmann] mit dem Komponisten Helmut Lachenmann, in: FAZ vom 7. Juni 2018, p. 15.

World premiere of the piano version: Mito/Japan, June 17, 2017, World premiere of the orchestral version: Stuttgart, January 1, 2018, World premiere of the ensemble version: Frankfurt, December 9, 2020.

Piano Solo. Composed by Various. Ashley Publications. Sacred. 124 pages. Ashley Mark Publishing Company #AS10422. Published by Ashley Mark Publishing Company

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Elois aâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.

(Volumes 1-5, Complete) Written by Kenneth Baker. For piano. Format: instructional book. With standard notation, chord names, lyrics, instructional text, illustrations, fingerings and pull-out keyboard chart. Learn to play. 240 pages. 9x12 inches. Published by Music Sales.

By Gail Smith. For Keyboard Piano. Solos. Made Easy. Gospel-Old Time. Level: Beginning. Book. Size 8.75x11.75. 32 pages. Published by Mel Bay Publications, Inc.

Ave Maria Piano Solo, Composed by Johann Sebastian Bach, Charles Francois Gounod Abide With Me Vocal And Piano Be Still, My Soul Vocal And Piano Day By Day Vocal And Piano God Will Take Care Of You Vocal And Piano He Leadeth Me Vocal And Piano His Eyes Is On The Sparrow Vocal And Piano I Must Tell Jesus Vocal And Piano I Need Thee Every Hour Vocal And Piano In The Garden Vocal And Piano A Mighty Fortress Is Our God Vocal And Piano Moment By Moment Vocal And Piano Savior, Like A Shepherd Lead Us Vocal And Piano Thou Will Keep, Him In Perfect Peace Vocal And Piano 'tis So Sweet To Trust In Jesus Vocal And Piano What A Friend We Have In Jesus Vocal And Piano Music for Solemn Moments arranged by Jerry Ray. For voice and piano. Piano Collection; Piano Supplemental. Sacred. Late Intermediate. Songbook. Vocal melody, lyrics, piano accompaniment and chord names. 44 pages. Published by Alfred Music Publishing

Book/Online Audio and Video Piano The Best Step-by-Step Guide to Start Playing. Do It Yourself. Instruction, Method. Softcover Media Online. 128 pages. Published by Hal Leonard