Lady Gaga Fugue et d'autres hits Pop disposés dans un style classique.En un instant, YouTube qui est allé virale, Giovanni Dettori a créé une fugue baroque convaincante traditionnelle basée sur les souches d'ouverture du succès de Lady Gaga 'Bad Romance', et Lady Gaga Fugue est né.Giovanni a appliqué ce concept à d'autres favoris pop et les fixer pour piano solo en utilisant des formes et des styles traditionnellement classiques, y compris Invention à deux voix, Thème et Variations, Sonatine, Nocturne, et plus encore.Caractéristiques 8 arrangements novateurs: Don't Know Why - Hey Jude - Just the Way You Are - Lady Gaga Fugue / Piano

An essential addition to your Piano library, this collection includes some of the greatest masterpieces by Hollywood and Broadway composer George Gershwin , arranged for solo Piano. The Essential Collection: Gershwin Gold includes songs from the much-loved musicals Porgy And Bess, Girl Crazy, The Goldwyn Follies, A Damsel In Distress and more. The book includes a Download Card, giving you instant online access to full recordings of each piece. / Piano

Cette belle sélection présente les oeuvres les plus célèbres de George Gershwin, contenant la partition à la fois et audio complète sur CD. Chaque morceau a été composé, ou spécialement aménagé, pour piano solo et est accompagné par de hautes performances de démonstration de qualité sur un CD de musique spécialement commandée. Un complément indispensable à votre bibliothèque de piano. / Piano

Appearing in a practical and convenient landscape format, Pianorama is a collection of contemporary and classic hits, arranged by Hans-Günter Heumann with melody line, lyrics and chord symbols. With spiral-binding and songs on a double-page spread, this songbook is easy-to-use and a lot of fun.Featuring 100 hits including currently popular songs like Coldplay's A Sky Full Of Stars, Lady Gaga's Applaus, Daft Punk's Get Lucky and Pharrell Williams' Happy, Pianorama includes plenty to keep pop-loving pianists happy. It also includes many fantastic evergreen and classic hits such as R.E.M.'s Losing My Religion, Keane's Everybody's Changing and Buena Vista Social Club's Chan Chan, along with many more. Expertly arranged by Hans-Günter Heumann, Pianorama is full of great songs to play on the Piano in a convenient and accessible format that will stay open on your music stand while also minimising page-turns. / Piano

15 arrangements de style classique par Phillip Keveren de 15 Fab Four favoris, y compris: All My Loving - Come Together - A Hard Day's Night - I Want to Hold Your Hand - Lady Madonna - The Long and Winding Road - Lucy in the Sky with Diamonds - Sgt. Pepper's Lonely Hearts Club Band - Ticket to Ride - When I'm Sixty-Four - While My Guitar Gently Weeps - / Piano

Titres : A Hard Day's Night; All My Loving; Can't Buy Me Love; Eleanor Rigby; Golden Slumbers; Help!; Here Comes The Sun; Here, There And Everywhere; Hey Jude; In My Life; Lady Madonna; Let It Be; Lucy In The Sky With Diamonds; Michelle; Nowhere Man Octopus's Garden; Penny Lane; She Loves You; Something; Ticket To Ride; When I'm Sixty-four; Yellow Submarine; Yesterday.

Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied). The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance. The second book of Wladyslaw Zelenski?s Six Character Pieces contains three miniatures: Canon, Scherzo and Farewell. They manifest characteristic features of the composer?s style, such as the use of counterpoint and a rich, organ-like texture. The Canon, with its emotional charge and build-up of tension, brings to mind miniatures from the brilliant piano cycles of Robert Schumann. A very simple phrase is imitated canonically between the top voice and the two bottom voices, passing through different keys. A touch of finesse is added by the triplet figuration in the middle plan. The next miniature is a classic Scherzo in ABA form. The outer sections, with an imitated theme, are in G minor. With its rather ominous, perhaps somewhat tragic, character, it contrasts with the middle section, Un poco più tranquillo, in the parallel key of G major, which clearly represents a more luminous, dance-like episode in this set of works. The title Farewell given to the last piece in opus 17 may stir associations with Ludwig van Beethoven?s only programme sonata, Les Adieux. This miniature is far more expansive and texturally richer than the other works in this set. The virtuosic elements are of the highest order, not overwhelming the composition, but emphasising its powerful emotional charge. Each of these miniatures can function as a separate work, but when played as two three-part cycles they fall into logical wholes, in which the climax is reached in the last, most elaborate piece. Yet a performance of all six works from both books, so the whole of Zelenski?s opus 17, allows us to discern an even larger cyclical form, developed in an equally deliberate way. - Anna Miernik/ Répertoire / Piano

Just like our wildly popular E-Z Play Today songbooks - but smaller! These 6x9 songbooks are easily portable and easily played thanks to handy note names in the note heads. This volume includes 73 easy listening standards: All Out of Love - Always on My Mind - Beyond the Sea - Bridge over Troubled Water - Dust in the Wind - Every Breath You Take - Hallelujah - Hello - If You Don't Know Me by Now - Imagine - Let It Be - Midnight Train to Georgia - Over the Rainbow - Reminiscing - She's Always a Woman - Summer Breeze - Three Times a Lady - What a Wonderful World - What the World Needs Now Is Love - You Are the Woman - Your Song - and more. / Piano

John Thompson’s Easiest Piano Course. First published in 1954, John Thompson’s Easiest Piano Course is one of the most-loved and best-selling Piano methods in the world. John Thompson’s timeless approach to teaching has been trusted by generations of teachers to start millions of students on their musical journey. Featuring popular smash hits, this book includes 15 repertoire pieces to complement the Easiest Piano Course, helping to reinforce basic technique, develop musicality and increase the enjoyment of learning. Includes smash hits by Ed Sheeran, Lady Gaga, George Ezra, Billie Eilish, and Camila Cabello./ Recueil / Piano

Par ZELENSKI WLADYSLAW. Wladyslaw Zelenski had the Six Character Pieces for piano, op. 17 ready around 1871, although it is quite possible that he composed them earlier, even in 1864. Such is indicated by the opus number. At that time he was giving opus numbers to works in chronological order of composition. This set is dedicated to Auguste Auspitz-Kolár, a pianist whom Zelenski could have met on one of his trips to Vienna. The composer published these works in 1872, with Gotthard of Vienna, in two books under the common title Sechs Charakterstücke. The present edition is based on Ludwig Doblinger?s Viennese edition (cat. no. 1221 comprises the Praeludium, Promenade and Tanz, cat. no. 1222 the Canon, Scherzo and Abschied). The compositions collected in Zelenski?s opus 17 have been unjustly forgotten. Their undeniable qualities include advanced harmonies and expressive melodic writing, as well as a wide range of textural means and composition techniques. Quite ?densely? written, these miniatures may prove challenging, but the right fingering eliminates many difficulties of performance. The first book of the Six Character Pieces opens with a Prelude. Here the voices are often led in thirds, sixths and octaves. This work is ideally suited to practising parallel intervals, but with its expressive qualities it can also be successfully played in a recital by a mature pianist. The second piece, entitled Promenade, displays a distinct ABA form. The composer gradually builds up to a climax, beginning with an initially innocent motif and an intricate right-hand part. The Dance is the most complex of all the three pieces. Here the composer juxtaposes two different characters: a waltz in A flat major in the outer sections with a playful scherzando in the middle, led in E major. The virtuosic triplet progressions in a Chopinesque brillant style lend this miniature a light feel. The closing coda recapitulates the principal motifs. In the first book of Six Character Pieces, besides the Chopinesque subtleties, one also notes inspirations from the German Romantic tradition, while Zelenski himself comes across as an extremely interesting figure in Polish neoromanticism and a composer who elaborated his own original, distinctive style. Anna Miernik/ Répertoire / Piano

Par ZELENSKI WLADYSLAW. The Piano Sonata in G minor, op. 5, Wladyslaw Zelenski?s first important composition, was written in Kraków under the guidance of Franciszek Mirecki ? a conservative composer and teacher who was a pupil of Johann Nepomuk Hummel. It was probably Mirecki who brought about the publication of his 22-year-old pupil?s work by the esteemed Milan firm of Ricordi in 1859. That publication generated interest among Polish music critics, who discerned the young composer?s talent, the work?s ambitious conception and the European (German, to be precise) inspirations, distinguishing this composition among Polish music of that period. The Sonata is distinguished by its expressiveness and virtuosity, skilfully combining Beethovenian in¬spirations with references to the legacy of Chopin. It constitutes a key component of Polish pianism from the second half of the nineteenth century, worthy of the attention of musicians and music lovers alike. / Date parution : 2022-12-12/ Répertoire / Piano