Piano SKU: HL.14001903 Composed by Per Norgard. Music Sales America. Clas...(+)
Piano
SKU:
HL.14001903
Composed
by Per Norgard. Music
Sales America. Classical.
Book [Softcover]. Music
Sales #KP00981. Published
by Music Sales
(HL.14001903).
ISBN
9788759859605.
Danish.
Animals In
Concert - Three pieces
for Piano solo by Per
Norgard. Programme Note
1. A Tortoise's
Tango (1984) - dur.: 4'
2. Light of a Night
- Paul meets bird (1989)
- dur.: 6' 3.
Hermit Crab Tango -
Esperanza (1997) - dur.:
5' The pieces can
be performed together or
one by one. In the1980s,
quite a few finds turned
up in Per Norgard's
music. The material could
be, say, a number of song
birds' equilibrist
melodic lines, the
overtones of the ocean
surf, or waltzing themes
by the schizophrenic
artist Adolf Wolfli
(1864-1930). Or again, as
heard here, it can be the
rhythms and motifs of the
tango and a Beatles song
(with bird), explored in
three independent piano
pieces that form the
Animals in Concert suite,
about which the composer
writes: A
Tortoise's Tango: The
tortoise as tango dancer
must presumably possess
certain rhythmic
peculiarities, which I
have chosen to express by
letting the tune of the
tortoise shuffle broadly,
tripartite through the
strict four partite time
of tango. Tortoise
Tango was the original
title of this piece,
written for Achilles (the
pianist Yvar Mikhashoff),
for his so called tango
project, including new
tangos for piano by
composers from all over
the world. Light of
a Night (Paul meets bird)
was commissioned by
pianist Aki Takahashi. It
is a reworked arrangement
for piano of the Beatles
song Blackbird. As some
of us will recall, the
Beatles on The White
Album let the beautiful
song to the blackbird be
accompanied by an
(apparently) live
blackbird song. It is
this authentic bird-motif
world that in Light of a
Night weaves itself into
the Beatles melody and in
turn is gradually
infected by it, so that a
completely new third
entity ensues: a kind of
Bird-rock ballad (or
maybe it is a
Beatle-bird?).
Hermit Crab Tango
(Esperanza): The tango
situation is quite
special for a Hermit
Crab. It is a well-known
fact that the hermit crab
- this soft animal - must
run the gauntlet among
the many perils at the
bottom of the sea when it
must move hose. I have
chosen to express the
angers by a tango pattern
- sharp as a cactus -
through which the tune,
optimistic, slips to its
new shelter. I have
borrowed the tune from
songwriter Hanne
Methling's Introduction:
'I want to get through
this time!' she sings in
a ecstatically ascending
melody line - and I
believe that these words
must correspond very well
to the mood of the hermit
crab: 'Esperanza'- the
green runners of hope
wind among the
latticework formed by the
tango rows.
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB)
SKU:
HL.49042462
No.
1-4. Composed by Carl
Maria von Weber. Edited
by Markus Bandur. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. Op.
24+39+49+70. 372 pages.
Schott Music #WGA1071.
Published by Schott Music
(HL.49042462).
ISBN
9783795794637. German -
English.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Piano Solo SKU: YM.GTP01101942 Game Music. Score. Yamaha Music Media #GTP...(+)
Piano Solo
SKU:
YM.GTP01101942
Game
Music. Score. Yamaha
Music Media #GTP01101942.
Published by Yamaha Music
Media (YM.GTP01101942).
ISBN 9784636115994. 12
x 9 inches.
This is
a collection of easy
piano solo arrangements
featuring memorable
masterpieces FINAL
FANTASY series of games I
to XIII, which have fans
all over the world. The
best album includes
iconic tracks such as
Chocobo Theme and
Aerith's Theme from the
early games, as well as
classic pieces like Eyes
On Me and Because You're
Here..
(75 Short Late Elementary Piano Solos with Optional Duet Accompaniments). Arrang...(+)
(75 Short Late Elementary
Piano Solos with Optional
Duet Accompaniments).
Arranged by Tom Gerou.
For Piano. This edition:
Five Finger Piano. Book;
Piano Collection; Piano
Supplemental. 5 Finger.
Children; Movie; Pop.
Five Finger; Late
Elementary. 152 pages.
Published by Alfred Music
Publishing
50 Advanced Arrangements. Arranged by Dan Coates. Book; Piano Collection; Pia...(+)
50 Advanced Arrangements.
Arranged by Dan Coates.
Book; Piano Collection;
Piano Supplemental. The
Professional Pianist.
Christmas; Holiday Pops;
Sacred; Secular; Winter.
136
pages. Published by
Alfred
Music
Piano - Grade 5 SKU: FA.MFCD017B By Nicolas Horvath. By Claude Debussy an...(+)
Piano - Grade 5
SKU:
FA.MFCD017B
By
Nicolas Horvath. By
Claude Debussy and Robert
Orledge. Rediscoverd
Debussy. Christmas.
Score. Musik Fabrik
#MFCD017B. Published by
Musik Fabrik
(FA.MFCD017B).
8.27 x
11.69
inches.
Contains Le
Roi Lear:
Prelude,Premiere Fanfare,
and La Mort de
Cordelia,Toomai des
elephants, Rodrigue et
Chimene: Prelude a l'acte
1p. Le Martyre de Saint
Sebastien: La Passion ,
and No-ja-li ou Le Palais
du Silence
From
Robert Orledge's
notes:
My interest
in the wonderful music of
Claude Debussy began in
the 1980s when I
researched and published
a book with Cambridge
University Press entitled
Debussy and the Theatre.
During the course of my
studies in Paris, I was
amazed to discover that
Debussy planned over 50
theatrical works but only
finished two of these
entirely by himself (the
opera Pelleas et
Melisande in 1893-1902
and the ballet Jeux for
Diaghilev's Ballets
Russes in 1912-13). Of
the rest, many were never
started musically (like
Siddartha and Orphee-roi
with the Oriental scholar
Victor Segalen, 1907);
some had a few
tantalising sketches
(like the Edgar Allan Poe
opera Le Diable dans le
beffroi, 1902-03); some
were half-finished (like
his other Poe opera La
Chute de la Maison Usher,
1908-17); while others
were musically complete
but had their
orchestrations completed
by other composers (like
Khamma, by Charles
Koechlin, 1912-13; or Le
Martyre de Saint
Sebastien and La Boite a
joujoux by his 'angel of
corrections' ['l'ange des
Corrections'] Andre
Caplet in 1911 and 1919
respectively).
For
it has to be admitted
that what some scholars
call Debussy's
'compulsive achievement'
could equally well be
viewed as laziness,
especially as far as the
minute detail required
for calligraphing his
orchestral scores was
concerned. It was as if
creating the music itself
was of greater importance
than controlling its
final sound, even if
Debussy was an
imaginative orchestrator
when he found the time
and energy to do it. It
also seems true that
Debussy also preferred
inventing ideas to
turning them into
complete pieces. However,
despite the lack of
detail in many of his
sketches (missing clefs,
key signatures, dynamics,
phrasing, etc.) the notes
themselves are
surprisingly accurate,
whether or not they can
be compared with a later
draft. Thus, a large
number of sketches exist
for his Chinese ballet
No-ja-li ou Le Palais du
Silence and it is not too
difficult to see which
parts of Georges de
Feure's 1913 scenario
(see below) inspired
which ideas. But Debussy
hardly made any attempt
to join them together
after the first few
bars.
It was
usually up to his
publisher, Jacques
Durand, to find solutions
when Debussy risked a
breach of contract.
Debussy was supposed to
supervise the
orchestrations completed
by others, but this
supervision was usually
very light and restricted
to quiet, sensitive
moments in which problems
were easier to spot. Far
from jealously guarding
every one of his created
notes, as Ravel did,
Debussy once even went as
far as to ask Koechlin to
'write a ballet for him
that he would sign' on 26
March 1914 when he was
hard-pressed to fulfil
his lucrative contract
for No-ja-li with Andre
Charlot at the Alhambra
Theatre in London. In the
end, Debussy (through
Durand) sent Charlot the
symphonic suite Printemps
instead, whose
orchestration had been
completed by Henri Busser
in the Spring of
1912.
So, when I
was offered early
retirement as Professor
of Music at Liverpool
University in 2004, I
seized the opportunity it
would give me to spend
time trying to
reconstruct some of
Debussy's lost potential
masterpieces from his
existing sketches and
drafts--then
orchestrating them in
Debussy's style when this
was appropriate. I had
begun this mission in
2001 with the most
promising project, the
missing parts of Scene 2
of La Chute de la Maison
Usher and the sheer joy
it gave me at every stage
persuaded me to tackle
other projects,
especially when Debussy
experts were unable to
identify exactly where I
took over from Debussy
(and vice versa) in
Usher.
Piano SKU: M7.GRG-106126102 Die Klavierschule mit der ABC-Methode....(+)
Piano
SKU:
M7.GRG-106126102
Die Klavierschule mit
der ABC-Methode.
Edited by Margret Feils.
Arranged by Peter Wondra.
This edition:
Klebebindung. Sheet music
with 2 CDs and Online
material. 196 pages.
Edition Melodia #GRG
106126102. Published by
Edition Melodia
(M7.GRG-106126102).
ISBN 9783872523556.
German. Susanne
Thienel.
Die
Klavierschule mit der
ABC-Methode Fu?r
Jugendliche und
Erwachsene, die das
Klavierspiel erst lernen
möchten oder wieder
einsteigen wollen. Durch
ihre aus der Praxis
entwickelte ABC-Methode
kommt man auch ohne
Vorkenntnisse schnell zum
Klavierspiel und zu
ersten Erfolgen. Mit
langsam im
Schwierigkeitsgrad
ansteigenden
Originalkompositionen
sowie Titeln aus Rock,
Blues und Klassik. Alle
107 Titel auf 2 CDs
eingespielt und als
Slow-Down-Vorlage zum
langsamen Mitspielen. Mit
QR-Codes, um schnell und
gezielt zu der passenden
Slow-Version und den
Tutorials zu
gelangen.
Composed by Bela Bartok (1881-1945), edited by Dr Benjamin Suchoff. For piano. T...(+)
Composed by Bela Bartok
(1881-1945), edited by Dr
Benjamin Suchoff. For
piano. The Archive
Edition. Format: piano
solo book. With standard
notation, fingerings and
introductory text. 20th
Century and Hungarian.
150 pages. 9x12 inches.
Published by Dover
Publications.
Upper Intermediate Level. By Various Composers. Piano Solo Songbook (Intermediat...(+)
Upper Intermediate Level.
By Various Composers.
Piano Solo Songbook
(Intermediate to advanced
piano arrangements with
no lyrics). Softcover.
Size 9x12 inches. 104
pages. Published by Hal
Leonard.
Voice, piano SKU: BR.SON-504 Lieder fur Singstimmer und Klavier 1917-1...(+)
Voice, piano
SKU:
BR.SON-504
Lieder
fur Singstimmer und
Klavier 1917-1921.
Composed by Hanns Eisler.
Edited by Chr.M,
J./Schmidt, and
Rittig-Becker. Hardback.
Complete Works. Early
modern; Music post-1945.
Complete Works. 256
pages. Breitkopf and
Haertel #SON 504.
Published by Breitkopf
and Haertel (BR.SON-504).
ISBN 9790004802526. 10
x 12.5
inches.
Editorial
BoardThomas Phleps
(Music), Georg Witte
(Writings)Editorial
MembersMusic: Oliver
Dahin / Johannes C. Gall,
Writings: Maren
KosterEditorial
CommitteeMusic: Hartmut
Fladt, Werner Grunzweig,
Elmar Juchem, Roland
Kluttig, Giselher
SchubertWritings:
Albrecht Betz, Albrecht
Riethmuller, Jurgen
Schebera, Friederike
WissmannThe editorial
works are supported by
the Deutsche
Forschungsgemeinschaft.Sp
ecial volumes are made
possible with the support
of the following
foundations:Klockner-Stif
tung, Lotto-Stiftung,
Hanns und Steffy Eisler
StiftungThe goal of the
Hanns Eisler Complete
Edition (HEGA) is to
present to the public all
available compositions,
writings and letters in
an appropriately
scholarly form. It takes
a historico-critical
approach and seeks to
document the history of
the works and writings by
shedding light on their
transformations, thus
identifying the various
versions as witnesses of
evolving aesthetic and
historical positions.
Eislers complete oeuvre
(only a limited number of
his works had penetrated
the publics awareness up
until the 1990s) first
became the object of an
editorial undertaking
when the Eisler -
Gesammelte Werke (EGW)
was founded by Nathan
Notowicz. It was later
placed under the
direction of Manfred
Grabs and Eberhardt
Klemm, and began issuing
its publications in 1968
through the intermediary
of the Deutscher Verlag
fur Musik in Leipzig.
However, only four
volumes of music and five
volumes of writings were
published. The Hanns
Eisler Complete Edition
pursues the work begun at
that time, although it
has had to fundamentally
revise its editorial
principles. In this
respect, the Hanns Eisler
Complete Edition can be
considered as a
completely new editorial
undertaking. It became
necessary to reconceive
the organization of the
volumes and series as
well as the editorial
guidelines in order to
adapt the standards of
historico-critical
editing generally
applicable today to the
specific and sometimes
singular circumstances of
Eislers works.The
Critical Commentaries
pertaining to the main
volumes follow the music
section or, whenever they
are too extensive, appear
in a special
volume.Series I: Choral
MusicSeries II: Music for
Voice and Instrumental
Ensemble or
OrchestraSeries III:
Music for Voice and
PianoSeries IV:
Instrumental MusicSeries
V: Incidental MusicSeries
VI: Film MusicSeries VII:
Sketches and
FragmentsSeries VIII:
Arrangements of works by
other composersSeries IX:
Writings, Letters and
InterviewsSON 501 has
been awarded the German
Music Edition Prize
2003.SON 502 has been
awarded the German Music
Edition Prize
2007.
The major
upheavals that
transformed society and
musical aesthetics during
the first half of the
20th century also
profoundly affected the
life of Hanns Eisler, as
well as his compositions
and writings. The
importance and scope of
Eislers oeuvre are reason
enough to make his works
accessible to musical
scholarship and practice
in a comprehensive
fashion. Price reduction
for a subscription.
(Easy Piano). Arranged by Dan Coates. For Piano. Book; Piano - Easy Piano Coll...(+)
(Easy Piano). Arranged by
Dan
Coates. For Piano. Book;
Piano
- Easy Piano Collection;
Piano
Supplemental. The Giant
Book
of Sheet Music.
Christmas;
Sacred; Secular; Winter.
Easy
Piano. 168 pages.
Published by
Alfred Music
Timeless Hits and Popular Favorites. Composed by Nancy Faber and Randall ...(+)
Timeless Hits and
Popular Favorites.
Composed by Nancy Faber
and Randall Faber. Faber
Piano Adventures�®.
Softcover. 80 pages.
Faber Piano Adventures
#FF3031. Published by
Faber Piano Adventures
(HL.159073).
Beatmüller Piano seul [Partition + Accès audio] - Intermédiaire De Haske Publications
Piano - intermediate SKU: BT.DHP-1064042-404 25 Piano pieces in swing,...(+)
Piano - intermediate
SKU:
BT.DHP-1064042-404
25 Piano pieces in
swing, rock and
latin. Composed by
Fons Van Gorp. Book with
Online Audio. Composed
2022. 52 pages. De Haske
Publications #DHP
1064042-404. Published by
De Haske Publications
(BT.DHP-1064042-404).
ISBN 9789043164511.
English-German-French-Dut
ch.
The 25 pieces
in Beatmüller
have been composed by
Fons van Gorp as an
alternative or homage to
the popular 25
romantic studies
Opus 100 by good old
Friedrich Burgmüller.
They are written in
twentieth centuryidioms:
rock, swing, latin and
funk styles are all
there, but romance is
also present. All the
pieces in
Beatmüller are
meant to be played solo,
but the audio tracks
available online in MP3
format are a perfect tool
tohelp develop the right
drive and beat.
De 25 stukken in
Beatmüller zijn
gecomponeerd als
alternatief voor of
aanvulling op de aloude,
geliefde 25
romantische etudes
(opus 100) van
Friedrich Burgmüller.
Ze zijn geschreven in
idiomen van de
twintigsteeeuw: de
stijlen rock, swing,
latin en funk passeren de
revue, maar ook de
romantiek is present.
Alle stukken in
Beatmüller zijn
bedoeld om solo te
spelen, maar de online in
mp3-formaat beschikbare
audiotracks zijn eenprima
hulpmiddel om de juiste
‘drive’ en
‘beat’ te
ontwikkelen.
Die
25 Stücke in
Beatmüller
wurden als Alternative
oder Ergänzung zu den
beliebten 25
romantischen
Etüden
opus 100 des guten
alten Friedrich
Burgmüller komponiert.
Fons van Gorp ist es
gelungen, die
wertvollenklaviertechnisc
hen Lerninhalte aus
Burgmüllers Etüden
in neue Stücke zu
übertragen. Diese
wurden alle in
Stilidiomen des 20.
Jahrhunderts geschrieben:
Rock, Swing, Latin und
Funk sind vertreten, aber
ebenso auch die Romantik.
AlleStücke in
Beatmüller sind
für das Solospiel
gedacht die online im
MP3-Format verfügbaren
Audiotracks sind jedoch
die perfekte
Unterstützung, um den
richtigen Drive und Beat
zu entwickeln.
I 25
studi contenuti in
Beatmüller sono
stati composti come
alternativa o supplemento
ai famosi 25 romantici
Studi Opus 100 di
Friedrich Bergmüller.
Sono stati scritti negli
stili cardini del XX
secolo: rock, swing,latin
e funk, non dimenticando
lo stile romantico. Tutti
i pezzi di questo libro
sono pensati per
l’esecuzione in
assolo. Le tracce audio
disponibili online in
formato MP3 fornisce il
giusto supporto per
sviluppare il
“Drive
andBeatâ€.
Piano - intermediate SKU: HL.50565843 For Piano Four Hands. By Edm...(+)
Piano - intermediate
SKU: HL.50565843
For Piano Four
Hands. By Edmond
Lemaitre. By Claude
Debussy. Editions Durand.
Classical. Softcover.
Composed 2016. Editions
Durand #DD01632000.
Published by Editions
Durand (HL.50565843).
PNODT inches.
English-French.
Thi
s critical edition of the
Petite Suite is an
excerpt from the COMPLETE
WORKS OF CLAUDE DEBUSSY,
Series I, volume 9. The
titles of the movements
of the Petite Suite,
'Cortege' and 'Ballet',
evoke the universe of
both the Premiere Suite
d'orchestreand Fetes
galantes by Paul Verlaine
('Cortege' and 'En
bateau'), several poems
from which Debussy began
to set as early as
1882.The contract that
Debussy signed with the
editors Durand,
Schoenewerk & Cie for the
Petite Suite is dated 8
December 1888. The work
appeared at the beginning
of the following year;
the 'depot legal', (legal
deposit) of the work, was
accomplished on12
February 1889. It is
difficult to believe that
the Petite Suite, which
became one of Durand's
bestselling items during
the composer's lifetime,
was at first not
appreciated by those who
heard
it.
Claude
Debussy's
Petite Suite for
Piano 4-hands.
Cette edition
critique de la Petite
Suite constitue un tire a
part des OEUVRES
COMPLETES DE CLAUDE
DEBUSSY, Serie I, volume
9. Les titres des
mouvements de la Petite
Suite, notamment <<
Cortege >> et << Ballet
>>, evoquent aussi bien
la Premiere
Suited'orchestre que
l'univers poetique des
Fetes galantes de Paul
Verlaine (<< Cortege >>,
<< En bateau >>) dont
Debussy avait mis en
musique plusieurs poemes
des 1882. L'oeuvre fut
cedee a l'editeur Durand,
Schoenewerk & Cie le 8
decembre 1888. Elle
parutau debut de l'annee
suivante, le depot legal
ayant ete effectue le 12
fevrier 1889. On a
beaucoup de mal a
imaginer que la
PetiteSuite qui fut une
des meilleures ventes de
l'editeur Durand du
vivant du compositeur fut
d'abord boudee par les
auditeursqui la
decouvrirent.
Level 1. Composed by Various. Arranged by Nancy Faber, Randall Faber. Faber P...(+)
Level 1. Composed by
Various. Arranged by
Nancy
Faber, Randall Faber.
Faber
Piano Adventures. Movies,
Children, Disney.
Softcover.
24 pages. Faber Piano
Adventures #FF3040.
Published by Faber Piano
Adventures
The companion CD for book two of the Piano Gefällt Mir! series, featuring son...(+)
The companion CD for book
two of the Piano
Gefällt Mir! series,
featuring songs compiled
and arranged by
Hans-Günter Heumann .
This CD includes a
professionally-recorded
demonstration of the full
song, as well as a
version with the Piano
removed for you to play
along with. Please note
that this is the CD Only.
You can purchase
the , book here , or
the , book and CD
here . **Please note: The
CD included with this
title can only be played
through an MP3 compatible
program.**
Let's Play Jazz and More * Book 3 composed by Jay Latulippe and Sonny Doss. For ...(+)
Let's Play Jazz and More
* Book 3 composed by Jay
Latulippe and Sonny Doss.
For easy piano. This
edition: Paperback.
Instructional. Jazz
Method. Book and CD. Text
Language: English. 32
pages. Published by
Santorella Publications
Piano SKU: M7.VHR-3564 125 Bearbeitungen und Original-Kompositionen f...(+)
Piano
SKU:
M7.VHR-3564
125
Bearbeitungen und
Original-Kompositionen
für Klavier.
Composed by Anne
Terzibaschitsch. Sheet
music. Performance book.
Holzschuh Musikverlag
#VHR 3564. Published by
Holzschuh Musikverlag
(M7.VHR-3564).
ISBN
9783864340765.
German.
Zum
20-jährigen
Jubiläum der
Zusammenarbeit von Anne
Terzibaschitsch und dem
Holzschuh-Verlag
erscheint vorliegende
Sammlung. Enthalten sind
sowohl Eigenkompositionen
von Anne Terzibaschitsch
als auch Bearbeitungen
der Autorin von Werken
aus Barock über
Klassik und Romantik bis
hin zu Musik des 20.
Jahrhunderts. Populäre
Melodien - Traditionals,
Volkslieder sowie Themen
aus Film, Musical und Pop
- bereichern diese
Edition.
50 Selections from the Best Musicals. For Piano. This edition: Easy Piano. Piano...(+)
50 Selections from the
Best Musicals. For Piano.
This edition: Easy Piano.
Piano - Easy Piano
Collection. Broadway's
Best. Broadway. Level:
Easy Piano. Book. 208
pages. Published by
Alfred Publishing.
Classic and Contemporary Disney Hits. Composed by Nancy Faber and Randall Fa...(+)
Classic and Contemporary
Disney Hits. Composed by
Nancy
Faber and Randall Faber.
Faber
Piano Adventures®.
Disney,
Pop. Softcover. 80 pages.
Faber Piano Adventures
#FF3060. Published by
Faber
Piano Adventures