Piano - Advanced

SKU: LO.70-2396L

Composed by Todd Beaney. Sacred. Lorenz Publishing Company #70/2396L. Published by Lorenz Publishing Company (LO.70-2396L).

ISBN 9780787775889.

Todd Beaney is quickly making a name for himself as one of our most trusted writers. His extensive background as both a performer and music educator informs every note he writes. These arrangements, focusing on the provisional care given to us by our Savior, are full of well-crafted pianism and creativity. The sophisticated nature of these pieces make them a suitable choice for both the sanctuary and the concert hall, and the collection also provides a worthy resource for pianists worshiping through music in times of quiet devotion at home.

For the Later Beginner. By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Piano Method. Alfred's Basic Piano Library. Sacred. Book. 48 pages. Published by Alfred Publishing.

Piano

SKU: KJ.WP1210

Composed by Rebecca Pulju. Center Stage Solos. Piano, Repertoire. Neil A. Kjos Music Company #WP1210. Published by Neil A. Kjos Music Company (KJ.WP1210).

ISBN 9780849799075.

Pian o students are sure to be engaged by these nine adventurous and highly diverse solos. Common meters and key signatures are included. Playful pieces in 6/8 time include Happy-Go-Lucky and Folklore and Fairytales. Two ballads (Reminiscing and Floating on the Breeze) contrast with a graceful waltz (Dancing Under the Stars) and the impressionistic Sparkling Snow. A lively show- piece (The Wild Ride) and two syncopated works reminiscent of ragtime (Spicy! and Uptown) round out this attractive set.

Arranged by Steven K. Tedesco. Piano Solo Songbook. Softcover. 40 pages. Published by Hal Leonard

Piano

SKU: BT.9780008353230

By Em Wilson. By Karen Marshall. Get Set! Piano. Tuition. Book Only. Composed 2020. 64 pages. Collins Music Publishing #9780008353230. Published by Collins Music Publishing (BT.9780008353230).

ISBN 9780008353230. English.

My First Piano Book introduces young children to the piano and music-making through fun activities, rhymes, songs and pieces. The author’s tried-and-tested progression covers note learning, theory, aural and composing through acreative and holistic approach. Many pieces have simple teacher duet parts to encourage ensemble playing from the start, and the book is illustrated throughout in the charming Get Set! style. This carefully designed tutor willinspire, entertain and, most importantly, nurture a love of music that can last a lifetime. Suitable for children aged 5+.

Composed by Leonard Bernstein (1918-1990). For Piano/Keyboard. Piano Solo Selections. 48 pages. Published by Boosey & Hawkes

(59 Familiar Hits for Everybody to Play! (Piano/Vocal/Guitar)). For Guitar; Keyboard; Piano; Voice. This edition: Piano/Vocal/Guitar. Book; P/V/C Mixed Folio; Piano/Vocal/Chords. Family Treasury. Pop/Rock. 336 pages. Published by Alfred Music Publishing

By Various. Edited by Helen Marlais. For Piano. Succeeding with the Masters. Level: Elementary through Late Elementary. Repertoire/Activity Book and Listening/Practice CD. Published by The FJH Music Company Inc.

Piano

SKU: BT.MUSME0180

Jazz. Book and DVD. Composed 2015. Play Music Publishing #MUSME0180. Published by Play Music Publishing (BT.MUSME0180).

English.

This assortment solely comprises solo jazz piano pieces. Here the objective is not to play with a complete band, but to learn how to bravely hold the fort alone - and that in a musical style which best suits soloing, namely jazz. The assortmentincludes a number of particularly original musical pieces, veritable etudes, which will give you the opportunity to study the harmonies, rhythms and tone colors typifying jazz and its numerous variants such as swing, bebop, bossa nova, blue jazz orragtime. You may rest assured that here you will find something for all tastes and ages! Here you are taught which fingering is best suited to a specific playing situation. In so doing, you learn how to perform the many musical pieces that are partof this assortment in a technically flawless manner. The DVD pertaining to this tutorial gives you the possibility to carefully observe the jazz piano pieces treated therein, but above all it gives you the possibility to discover what their exactperformance style should be.

Piano - Intermediate

SKU: MN.15-751

Composed by Nicholas Palmer. Bestseller. Thanksgiving, 21st Century, Creation/Nature, Justice/Peace/Social Concerns, Praise/Thanksgiving, Stewardship. MorningStar Music Publishers #15-751. Published by MorningStar Music Publishers (MN.15-751).

UPC: 688670157516.

Wheth er planning a special service centered on the Care of the Earth, or looking for unique treatments of cherished Creation hymns, these nine arrangements by Nicholas Palmer are a superb addition to the repertoire. The music is expressive and original, at times taking unexpected yet logical turns, and will cause both player and listener to ponder the hymns in a new light. The arranging is pianistic, making good use of pedaling, higher/lower registers, accents, etc., to create a sometimes playful, sometimes plaintive, sound. Tunes include: The Ash Grove, Cantad al Señor, Dix, Lasst uns erfreuen, and others.

Piano

SKU: C4.9790902257176

Composed by Johann Sebastian Bach. Edited by Daniel Mitterdorfer and Harold Fabrikant. Arranged by Eugen d'Albert. Classical. Score. Crescendo Music Publications #9790902257176. Published by Crescendo Music Publications (C4.9790902257176).

ISBN 9790902257176. 8.27 x 11.7 inches.

Eugen d'Albert (1864-1932) enjoyed an illustrious and colourful career as both concert pianist and composer. He wished to include J.S. Bach's music in his concerts and sought the grandeur of some of the large secular organ works. The transcriptions he made for this purpose are arguably better than the numerous Bach transcriptions made by his contemporaries. D'Albert's versions of eight secular masterworks present them remarkably close to their original form, yet perfectly matched to the modern piano. At times, they make very considerable technical demands, but the effort to master them is amply rewarded.

This 116-page volume marks their first appearance since they were first issued over a century ago. Many errors and inaccuracies have been remedied and English translations of his musical terms have been provided.

By Denes Agay. Book. Published by Music Sales. (YK21053) Designed for use as a method book, this book allows the teacher to vary the approach according to the needs of the student. The book can also be used as a source of carefully graded pieces, for use with any first-year method.

40 Advanced Arrangements. Arranged by Carol Tornquist. Book; Piano Collection; Piano Supplemental. The Professional Pianist. Christmas; Contemporary Christian; Sacred; Winter. 140 pages. Published by Alfred Music

Edited by Nancy Bachus. Collection for piano solo. With performance CDs and historical background information. Series: A History of Piano Masterworks. 128 pages. Published by Alfred Publishing.

by Gail Smith. For Piano. method. You Can Teach Yourself. Gospel-Old Time. Level: Intermediate. Book/CD Set. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

(Melody, Lyrics and Simplified Chords in the Key of C). By Various. For C Instruments. Easy Fake Book. Softcover. 256 pages. Published by Hal Leonard

By Gail Smith. For piano. Methods. You Can Teach Yourself. Gospel-Old Time. Level: Intermediate. Book. Size 8.75x11.75. 128 pages. Published by Mel Bay Publications, Inc.

Piano

SKU: BT.ESZ-01494800

Composed by Sandor Veress. Score Only. Edizioni Suvini Zerboni #ESZ 01494800. Published by Edizioni Suvini Zerboni (BT.ESZ-01494800).

With his Venti pezzi per pianoforte (1938), the Hungarian composer Sándor Veress (1907-92) wanted to create a collection of piano miniatures on folk melodies destined for use in the concert hall as well as for teaching purposes. Each piece is based on one or more songs and dances from different Hungarian speaking areas, which are re-elaborated and presented in a carefully conceived alternation of character, musical writing and technical difficulty. The result is a multi-colored overview of Hungarian folk music: songs of a pathetic or even dramatic nature are contrasted with lighter and high-spirited pieces, interspersed with dances of varying types, among which a homogeneousblock stands out formed by the group of Csárdás, a typical tavern dance also used by Liszt. The Venti pezzi per pianoforte represent the culmination of the extensive ethnomusicological research made by Veress in the ’30s and ‘40s, while working as assistant to László Lajtha and to Béla Bartók, and at the same time carrying out field work in Hungary and neighboring countries. The composer intended that this collection should play a fundamental role of mediation between folklore and western “art” music, by revitalizing the language from within, without resorting to the abstractions of the experimentation being developed in Europe at the time. During his lifetime Veress never succeeded in publishing the complete version of the Venti pezzi per pianoforte, but issued various selections of the pieces, two of which remained totally unpublished. The present critical edition prepared by Giada Viviani reconstructs the complete text of the Venti pezzi per pianoforte on the basis of manuscript sources kept at the Paul Sacher Foundation in Basel: the musical scores, with fingering by Jakub Tchorzewski, are accompanied by an introductory essay on the context in which the collection was created, including a description of the state of the sources and a detailed apparatus criticus of the textual variants.

Con i suoi Venti pezzi per pianoforte (1938), il compositore ungherese Sándor Veress (1907-92) ha voluto creare una raccolta di miniature pianistiche su melodie popolari destinate sia a un uso concertistico, sia all’attivit didattica. In ogni branovengono rielaborati uno o più canti e danze provenienti da diverse aree geografiche di lingua ungherese, che si susseguono in base a una sapiente alternanza di carattere, scrittura musicale, difficolt esecutiva. Viene così offerta una variegatapanoramica della musica popolare di questa nazionalit : a canti di contenuto patetico o addirittura drammatico se ne affiancano di più leggeri e giocosi, avvicendandosi a danze di natura differente, tra cui spicca come un blocco omogeneo il gruppodelle Csárdás, tipica danza da locanda utilizzata anche da Liszt.I Venti pezzi per pianoforte rappresentano il coronamento della ricca attivit etnomusicologica condotta da Veress tra gli anni ’30 e ‘40, sia lavorando come assistente di László Lajtha e di Béla Bartók, sia svolgendo ricerca sul campo in Ungheria enei paesi limitrofi. Per il compositore, questa raccolta doveva svolgere un fondamentale ruolo di mediazione tra il folklore e la musica “colta” occidentale, in maniera da rivitalizzarne il linguaggio dall’interno, senza gli astrattismi dellesperimentazioni allora condotte in Europa.Nel corso della sua vita Veress non riuscì mai a pubblicare la versione integrale dei Venti pezzi per pianoforte, mentre ne fece uscire sul mercato alcune selezioni, lasciando del tutto inediti due brani. La presente edizione critica a cura di GiadaViviani ricostruisce il testo completo dei Venti pezzi per pianoforte in base alle fonti manoscritte conservate presso la Fondazione Paul Sacher di Basilea: gli spartiti musicali, corredati dalla diteggiatura di Jakub Tchorzewski, sono accompagnatida un saggio introduttivo sul contesto di creazione della raccolta, dalla descrizione dello stato delle fonti e da un dettagliato apparato critico delle varianti testuali.

Alfred's Basic Piano Course Lesson Book - Level 3 (French Edition). (French Language Edition). By Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Method/Instruction; Piano - Alfred's Basic Piano Course. Alfred's Basic Piano Library. Children. Book. 48 pages. Published by Alfred Music Publishing

Piano

SKU: BT.EMBZ8377

Composed by Gyorgy Kurtag. Educational Tool. Book Only. Composed 1979. 88 pages. Editio Musica Budapest #EMBZ8377. Published by Editio Musica Budapest (BT.EMBZ8377).

English-German-Hungari an.

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).

Piano

SKU: BT.EMBZ8378

Composed by Gyorgy Kurtag. Educational Tool. Book Only. Composed 1979. 60 pages. Editio Musica Budapest #EMBZ8378. Published by Editio Musica Budapest (BT.EMBZ8378).

English-German-Hungari an.

The idea of composing 'Games' was suggested by children playing spontaneously, children for whom the piano still means a toy. They experiment with it, caress it, attack it and run their fingers over it. They pile up seemingly disconnected sounds, and if this happens to arouse their musical instinct they look consciously for some of the harmonies found by chance and keep repeating them. Thus this series does not provide a tutor, nor does it simply stand as a collection of pieces. It is a possibility for experimenting and not for learning to play the piano.Pleasure in playing, the joy of movement - daring and if need be fast movement over the entire keyboard right from the firstlessons instead of clumsy groping for keys and the counting of rhythms - all these rather vague ideas lay at the outset of the creation of this collection. Playing - is just playing. It requires a great deal of freedom and initiative from the performer. On no account should the written image be taken seriously but the written image must be taken extremely seriously as regards the musical process, the quality of sound and silence. We should trust the picture of the printed notes and let is exert its influence upon us. The graphic picture conveys an idea about the arrangement in time of even the most free pieces. We should make use of all that we know and remember of free declamation, folk-music parlando-rubato, of Gregorian chant and of all that improvisational musical practice has ever brought forth.Let us tackle bravely even the most difficult task without being afraid of making mistakes: we should try to create valid proportions, unity and continuity out of the long and short values - just for our own pleasure! (BMC CD 139).

By Fred Hersch. For Piano Solo. Modern. Sheet Music. Composed Composed: 2001. Duration circa 2.5 minutes. Published by Edition Peters