The Celtic Collection for Solo Piano by Various. For Piano Solo. Music Sales America. Irish, Celtic. Softcover. 96 pages. Ossian Publications #OMB162. Published by Ossian Publications

Piano - Intermediate

SKU: CZ.9798854439596

Composed by Various. Edited by Larry Newman. Arranged by Larry Newman. Book. Children's Music Workshop #9798854439596. Published by Children's Music Workshop (CZ.9798854439596).

Are you ready to embark on a musical journey through the timeless classics? Thirty Classical Piano Solos is the perfect companion for pianists of all ages and skill levels. This delightful collection features simply arranged pieces of easy to intermediate classical music, offering a delightful challenge for beginners and a refreshing repertoire for more seasoned players. Experience the Joy of Playing: From the elegant simplicity of Minuet in G to the grandeur of Symphony No. 9, these thirty masterpieces will captivate your heart and invigorate your fingers. This book is not just a musical treasure trove; it's an invitation to explore the rich tapestry of classical music that has stood the test of time. Versatile and Dynamic: Thirty Classical Piano Solos is more than just a collection of sheet music – it's a versatile resource for a multitude of occasions. Whether you're preparing for a recital, competition, graduation, wedding, talent show, church service, celebration, family gathering, or simply looking for beautiful pieces to play, this book has you covered. A Range of Emotions: Let the expressive melodies of Ave Maria stir your soul or revel in the triumphant spirit of Pomp and Circumstance. Play the charming Barcarolle or immerse yourself in the enchanting Swan Lake. Each piece tells its unique story, allowing you to explore a vast spectrum of emotions through your playing. Ideal for Beginning and Intermediate Players: Designed with simplicity in mind, Thirty Classical Piano Solos includes accessible arrangements that retain the essence of the original compositions while providing an approachable challenge for those still honing their skills. With practice and dedication, you'll soon be performing these cherished classics with confidence and grace. A Beautiful Gift: Looking for the perfect gift for a piano enthusiast? Look no further! Thirty Classical Piano Solos is a thoughtful and cherished gift for children, adult beginners, or anyone who appreciates the beauty of classical music. Begin your musical odyssey today with this exceptional collection of classical piano solos. Let the melodies of the great composers resonate through your fingertips and transport you to a world of timeless beauty.

Featuring Music from 2001: A Space Odyssey, A Clockwork Orange and Barry Lyndon. Composed by Antonio Vivaldi (1678-1741), Giovanni Paisiello (1740-1816), Wolfgang Amadeus Mozart (1756-1791), Ludwig van Beethoven (1770-1827), Gioachino Rossini (1792- 1868), Franz Schubert (1797- 1828), Edward Elgar (1857- 1934), and George Frideric Handel (1685-1759). Edited by Nicholas Hopkins. Arranged by Nicholas Hopkins. Carl Fischer Music #PL1064. Published by Carl Fischer Music

Alfred's Basic Adult Piano Course Lesson Book, Book 1 by Willard A. Palmer, Morton Manus, and Amanda Vick Lethco. For Piano. Method/Instruction; Piano - Alfred's Basic Adult Piano Course. Alfred's Basic Adult Piano Course. Book and CD. 112 pages. Published by Alfred Music Publishing

Composed by Mark Levine. For piano. Jazz. Method book. 63 pages. Published by Sher Music Company

Piano

SKU: BT.MUSME0282

Composed by Paul Murphy. Play Music. Tuition. Book with CD. Composed 2015. Play Music Publishing #MUSME0282. Published by Play Music Publishing (BT.MUSME0282).

English.

The 30 pieces contained within this tutorial are aimed exclusively at piano beginners. All pieces are easy to play and will enable you to rapidly gain substantial experience in piano playing and, since they are adapted versions of real musical pieces, you will at no time lose your pleasure of playing. In order not to overwhelm you, the level of difficulty of the pieces to be performed increases progressively, allowing you to work in a fluent and coherent manner. The piano pieces put together in this tutorial will also allow you to discover musical styles which are totally different from one another, forming a large panorama of contemporary and classic music. You will get a tasteof popular music, jazz, ragtime, blues and rock. So you can rest assured, there’s something for everyone in here(!) The CD attached to the book will make your study even more enjoyable. Every musical piece appears twice: the first time for demonstration purposes (with the piano) and the second in the form of a backing track (without the piano), in order to give you the opportunity to play the piano and enjoy the accompaniment of other musicians.

Star Spangled Banner and America the Beautiful for Easy Piano composed by John Stafford Smith and Samuel A. Ward. Arranged by Jonathon Robbins. For easy piano solo. Solo. Patriotic. Sheet Music. Text Language: English. 4 pages. Published by Santorella Publications

By Julie Mcintosh Johnson. For piano. Basics of Keyboard Theory. Level: Level X (advanced). Workbook. Published by J. Johnson Music Publications.

The Christmas Cobweb by Pam Wedgwood. Book; CD; Classroom/Pre-School; Musicals; Musicals and Programs. Faber Edition: Junior Spotlight Series. Children; Christmas; Winter. Elementary. 32 pages. Published by Faber Music

By E. L. Lancaster, Morton Manus, and Willard A. Palmer. For Piano. Piano - Alfred's Adult Method. Alfred's Basic Adult Piano Course. Book. 152 pages. Published by Alfred Publishing.

Piano

SKU: BT.MUSMS0356

Play Music España. Tuition. Book and DVD. 40 pages. Play Music Spain #MUSMS0356. Published by Play Music Spain (BT.MUSMS0356).

Spanish.

La meta de nuestro libro es hacerle practicar las escalas en el piano en un marco puramente musical, o sea en situación de toque, en unos clichés de acompañamiento, unas melodías y unos solos. La idea no es trabajarlos técnicamente sino musicalmente... ¡seguro que le va a gustar! Este libro se dedica también a hacerle tocar “en situación” las 7 principales escalas que son la escala mayor, la escala pentatónica mayor, la escala menor natural, la escala pentatónica menor, la escala blues, la escala menor melódica, y por último, la escala menor armónica. Para cada una de ellas, Vddescubrirá no sólo la estructura y las notas que la componen en las doce tonalidades, sino también y sobre todo múltiples aplicaciones musicales (acompañamiento, melodía o solo) a tocar en el playback. En el disco de datos (audio, mp3 y vídeo mp4) incluido en el método Vd encontrará y eso para cada toque, la demostración grabada en vídeo y un playback específico (en dos aires diferentes) que le permitirá aprender a tocar a compás y se divertirá... como si tocara dentro de una banda, con otros músicos.

Piano - Grade 6

SKU: BT.WMP2001

08 Grade 6. Arranged by Josephine Koh. Studies & Exercises. Book Only. 44 pages. Wells Music Publishers #WMP2001. Published by Wells Music Publishers (BT.WMP2001).

ISBN 9789810579067. English.

Teacher s' Choice, Piano Examination Pieces 2007-2008 for Grades 6 to 8 are specially compiled to provide teachers and students with good options for the ABRSM Piano examinations.

Contains a variety of relevantalternative choice pieces especially selected and edited by Josephine Koh and a team of experienced music teachers.

A bumper collection of film themes. Great Piano Solos. TV-Film-Musical-Show. Book Only. Wise Publications #MUSAM982795. Published by Wise Publications

Solo Repertoire and Lead Sheets from Movies, TV, Radio, and Stage. Edited by E. L. Lancaster and Kenon D. Renfrow. Method/Instruction; Promotional Packet. Alfred's Group Piano for Adults. Pop. Book. Alfred Music #00- 106941. Published by Alfred Music

Chamber Music Piano

SKU: PR.110418370

Composed by Charles Ives. Arranged by Danny Holt. Performance Score. 20 pages. Duration 8 minutes. Theodore Presser Company #110-41837. Published by Theodore Presser Company (PR.110418370).

ISBN 9781491135075. UPC: 680160686247.

Compo sed as an organ solo by the 17-year-old Ives for his own performance purposes, the beloved Variations on America is a treat for any occasion, whether a holiday concert, a serious recital, or other special event. Danny Holt’s transcription for Piano, Four Hands adds a dazzling new option to play at home or on stage, taking best advantage of Ives’ tremendous contrasts in color, dynamics, and texture.
Composed when Charles Ives was a teenager, Variations on “America” is both a convenient introduction to Ives’ body of work, and an early example of his iconoclastic musical voice and creative genius. Just a few years after composing this piece, Ives would leave home to study music at Yale. But until then he had been taught by his father, George (who had been a bandmaster in the Civil War). George subjected the young Ives to experiments such as singing a song in one key while being accompanied in another, or arranging for two marching bands to converge on a town center, with the resulting cacophony that ensued.The Variations exemplifies an early period of experimentation in Ives’ work, spurred on by the unusual pedagogy of his father. The piece is particularly notable for its use of bitonality in the two interludes, subtly foreshadowing more well-known examples by Stravinsky, Bartók, and others by approximately two decades.The bitonal interludes were so ahead of their time, in fact, they were omitted from the first copy that was submitted to a publisher in 1892. (Alas, the piece was rejected even despite these “shocking” elements having been left out, and it wasn’t published until more than five decades later.) There is some ambiguity about when exactly Ives added the interludes into his manuscript copy, though ample evidence suggests he had performed the piece with the interludes around the time he notated the piece in 1891-92. In any case, in light of this piece and his other polytonal explorations from the last decade of the 19th century, it seems fair to give Ives credit for being a pioneer in this area!This arrangement for Piano, Four Hands, closely follows Ives’ original version for organ, setting aside William Schuman’s popular adaptation for symphony orchestra and William Rhoads’ band transcription of the Schuman orchestration. Pianists will find that the piece translates well to the instrument. Ideally, the choreography and logistics of elbow-to-elbow four-hands playing approximates the wild joy one gets from watching an organist play the piece (e.g., the elaborate pedal part in the final variation).In preparing this publication, attention was paid to details in the dual Critical Editions (Presser 443-41003) of both Ives’ manuscript edition and the 1949 publication edited by organist E. Power Biggs (who is credited with discovering what had been a long-lost, forgotten work.) But as with much of Ives’ output, attempting to create a true ‘urtext’ score is a futile endeavor, and especially with a piece such as this one – in which Ives incorporated improvisation in live performance – seems unnecessary anyhow. True die-hards are of course encouraged to consult the critical editions and even find inspiration in the orchestrated version. Generally, performers are advised to be wild, have fun, and not to be too rigid in their interpretive choices.Dynamics in this arrangement mostly follow the organ score closely. Pianists will use good judgment about pedaling throughout, which should be straightforward and intuitive. Courtesy accidentals have been provided frequently – without parentheses – balancing the need for extra clarity in the context of Ives’ murky musical language, and a desire to avoid unnecessary clutter.A few notes that might inform interpretive decisions:mm. 15-16: There are inconsistencies here between Ives’ original manuscript and the 1949 Biggs edition, regarding the top voice in m. 15, beat 3 (C# vs. Cn) and m. 16 (D Major vs. D Minor).mm. 76-84 & 143-146: In both Interludes, Ives emphatically notates extreme dynamic contrast, in order to highlight the bitonality. Although it may seem counterintuitive (or even a misprint, as has apparently been misconstrued by some), performers are urged to follow the composer’s marking!m. 109: Two-note slurs have been added here for clarity and consistency with other similar passages, though they do not appear in either the original manuscript or Biggs.m. 112: The last two eighth notes of Primo appear as 16ths in the original manuscript.mm. 183-186: The original manuscript has a slightly different bass line.mm. 184 & 186: Primo gestures have been re-written to be slightly more idiomatic for Piano, Four Hands.m. 186: The breath mark at the end of this bar does not appear in either the manuscript or Biggs, but is an editorial suggestion – aside from being appropriately dramatic, it will indeed be necessary in a reverberant hall!I would like to thank Steven Vanhauwaert, the other half of my piano duo, 4handsLA, for his input on early drafts of this arrangement.— Danny Holt, April 2022.

Piano

SKU: BO.EI0314

Composed by jordi Vilaprinyo. Published by Editorial de Musica Boileau (BO.EI0314).

Within musical activities there exists a great diversity of different aspects that often go far beyond any particular specialization. Of all cultural activities clearly music is one that manifests numerous multidisciplinary features which not only enriches music itself but also all who are involved in it. This is certainly the case of Jordi Vilaprinyo, an excellent pianist, brilliant composer and a dedicated pedagogue with a remarkable career as a professor at the Conservatorio Municipal de Musica de Barcelona and in other educational institutions. All of this is all in addition to his role as a tireless advocate of everything relating to the piano, which reveals his exceptional personality completely dedicated to his greatest passion-music.

T he academic year 2011-12 marked the celebration of the 125th anniversary of the Conservatorio Municipal de Musica de Barcelona. In honor of the occasion, Jordi Vilaprinyo composed a series of eleven short pieces which present a pianistic-musical portrait of each professor of the Piano Department in our Conservatory. This piece, written in the form of a suite, brings together eleven imaginative musical sketches which reflect the personal qualities and musical personalities of his colleagues as seen through the eyes of Mr. Vilaprinyo. These eleven portraits reveal the respect which Jordi feels for his colleagues and at the same time they are ideal teaching pieces.

The various portraits are written in a free and diverse musical language which is always effective. Certain moments are quite evocative while others are more descriptive and, at times, more energetic. The varied textures and sonic balance are always highly controlled and affecting. However, I would like to emphasize, that although the work could be considered as program music due to its personal nature, the pieces stand apart for their musical quality.

Publish ed by Editorial Boileau, the work was premiered in a student concert which Professor Maria Rosa Ribas organizes each year. Professor Ribas is one of the members of the Piano Department depicted in the musical portraits. The premiere, performed by students of the Conservatory, took place in the Auditorio Eduard Toldra on May 30, 2011.

The Onze retrats [Eleven Portraits] are dedicated respectively to the following professors: Carolina Saldana, Merce Molero, Maria Drets, Montserrat Cabero, Maria Jesus Crespo, Carles Marques, Maria Rosa Ribas, Albada Olaya, Montse Padros, Carme Poch and Mireia Planas.

111 Little and Very Easy Original Classical Piano Pieces for Piano. Composed by Various. Edited by Hans Gunter Heumann. Piano. Softcover. 112 pages. Schott Music #ED22601. Published by Schott Music (HL.49045292).

Composed by Marilyn Lowe; Edwin E. Gordon; Michael Brill. Music Moves. Music Education. Book. 44 pages. GIA Publications #6443. Published by GIA Publications

Piano

SKU: FP.FWP02

Composed by Percy Whitehead. Published by Forsyths Publications (FP.FWP02).

ISBN 979-0-57050-313-1.

A former professor at the Royal College of Music, Percy Whitehead's albums are gems of rhythmic balance, melodic vitality and always lively subject matter. This ever popular album features 18 short pieces about cats, depicting every kind of feline mood. Suggested grade 0-1.

Edited by Transcribed by Peter Sprague. Transcribed by Peter Sprague, Chick Corea's official transcriber . Single Line Melody Songbook. Published by Sher Music Company.

Home Version. CD-ROM software. CD-ROM only. Size 8x9.5 inches. Published by Jss Music.

By Carol Barratt. For Piano. Classical, Folk, Country. 40 pages. Published by Music Sales

Piano (Piano)

SKU: HL.14017987

Composed by Lowell Mason. Music Sales America. 20th Century, Children. Book [Softcover]. 24 pages. Music Sales #BOE003622. Published by Music Sales (HL.14017987).

ISBN 9781846093326.

Part 3 of Barbara Kirkby-Mason's album of pieces for the elementary Pianist, with melodies and exercises intended to develop a keen sense of rhythm, feeling and balance at the keyboard. The book features a full guide to basic music-reading and note-finding at the Piano, followed by a gradual but progressive series of miniature lessons, each covering a different aspect of music. You will learn contrary motion, scalic and arpeggio-based melody, staccato and legato, and much more.

Lesson Book Book 1. Arranged by Cheryl Finn & Eamonn Morris. Willis. Size 9x12 inches. 51 pages. Published by Willis Music.

Michael Aaron Piano Course (Curso Para Piano), Book 1. (Spanish, English Language Edition). By Michael Aaron. For Piano. Method/Instruction; Piano - Aaron Method. Michael Aaron Piano Course. Latin. Book. Text language: Spanish. 64 pages. Published by Alfred Music Publishing

By Bernadine Johnson. For Piano. Piano Suite; Piano Supplemental; Sheet; Solo. Recital Suite Series. Form: Suite. Recital. Late Intermediate. 12 pages. Published by Alfred Music