2 violins, viola, violoncello SKU: FG.55011-874-4 Composed by Tiina MyllÃ...(+)
2 violins, viola,
violoncello
SKU:
FG.55011-874-4
Composed by Tiina
Myllärinen. Classical,
contemporary. Score &
parts. Fennica Gehrman
#55011-874-4. Published
by Fennica Gehrman
(FG.55011-874-4).
Tiina
Myllärinen's (b. 1979)
(Bad) Dreams come true
for strings quartet
(2022) was composed when
war broke out in Europe.
The composer tells: The
shock, and the daily news
barrage of battles could
not help making an
impression on my work and
its material. I wondered
what dreams and plans
people had in Ukraine
before the war, and how
everything became a
nightmare in a single
night. Terror, fear and
tension found their way
into the work, along with
memories of life in the
past and dreams of a
different future. The
work is dedicated to the
people of Ukraine; to the
dreams that will
hopefully soon come
true.
This product
includes the full score
and a set of
parts.
Tiina
Myllärinen’s
music has been described
as cheerfully
inquisitive, vigorous and
original. Her works
include Squarcio for
ensemble, the orchestral
what? (2010) and Traces
(2013, commissioned by
the Pro Musica Foundation
and premiered at the
Helsinki Music Centre on
5 June 2014) and Three
Songs for voice, guitar
and cello (2007).
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. This
edition: Urtext. Chamber
music; Folder. Edition
Breitkopf.
Orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern:
The two captivating
quartets are now
available as Urtext
editions. Romantic
period. Set of parts. 88
pages. Breitkopf and
Haertel #EB 8939.
Published by Breitkopf
and Haertel (BR.EB-8939).
ISBN
9790004186084.
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff bid a
brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
String Quartet (2vl,va,vc) SKU: BR.PB-5622-07 Urtext. Composed by ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.PB-5622-07
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library).
With
his first String Quartet
in D minor, op. 77,
composed in 1855, the
native Swiss composer
Joachim Raff (1822-1882)
bid a brilliant farewell
to Weimar.
Romantic
period. Study Score. 176
pages. Breitkopf and
Haertel #PB 5622-07.
Published by Breitkopf
and Haertel
(BR.PB-5622-07).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
String Quartet SKU: BR.PB-5622 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5622
Urtext. Composed
by Joachim Raff. Edited
by Severin Kolb and
Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5622. Published by
Breitkopf and Haertel
(BR.PB-5622).
ISBN
9790004215197. 6.5 x 9
inches.
With his
first String Quartet in D
minor, op. 77, composed
in 1855, the native Swiss
composer Joachim Raff bid
a brilliant farewell to
Weimar. He had been there
as Franz Liszt's
assistant since 1850 and
had made a name for
himself in the city's art
scene - now he embarked
on new paths. He composed
his second Quartet in A
major, op. 90, already in
1857 in Wiesbaden, the
spa town that was to
become his home for 21
years. The two quartets
are unequivocal works:
orchestrally-conceived,
full of energetic vigor,
and at times
uncompromisingly modern.
They confidently continue
the Beethoven tradition
and attest at the same
time to Raff's intensive
confrontation with
Richard Wagner's music
during the Weimar years.
In his chamber music, the
composer wanted to
achieve progress in an
inherently historical way
and to ground the
individual substance in
existing forms, as he
told the Viennese
violinist Josef
Hellmesberger, who
launched opus 77. The
quartets, first published
in 1860/62, found
illustrious interpreters,
among them, the Muller
brothers' renowned
ensemble, to which opus
90 was also dedicated,
and Joseph Joachim.In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
String Quartet SKU: HL.14043198 Composed by Bent Sorensen. Music Sales Am...(+)
String Quartet
SKU:
HL.14043198
Composed
by Bent Sorensen. Music
Sales America. Classical.
Softcover. Composed 2014.
Edition Wilhelm Hansen
#WH32036A. Published by
Edition Wilhelm Hansen
(HL.14043198).
ISBN
9788759884911.
9.5x14.25x0.136 inches.
English.
Rosenbad -
Papillons by the Danish
composer Bent Sorensen ,
scored for String
Quintet. Parts for 2 x
Violin, Viola and
Cello.
String Quartet SKU: BR.PB-5708 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5708
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708. Published by
Breitkopf and Haertel
(BR.PB-5708).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Study score SKU: BR.PB-5708-07 Urtext. Composed by Joachim Raff. E...(+)
Study score
SKU:
BR.PB-5708-07
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708-07. Published by
Breitkopf and Haertel
(BR.PB-5708-07).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
String Quartet (str quar) SKU: BR.MR-32069 Composed by Johannes Brahms. E...(+)
String Quartet (str quar)
SKU: BR.MR-32069
Composed by Johannes
Brahms. Edited by
Christian Beyer. Chamber
music; stapled. Musica
Rara. Overture; Romantic.
Score and parts. 44
pages. Duration 10'.
Breitkopf and Haertel #MR
32069. Published by
Breitkopf and Haertel
(BR.MR-32069).
ISBN
9790004489499. 9 x 12
inches.
Johannes
Brahms wrote the Academic
Festival Overture op. 80
in Bad Ischl in the
summer of 1880 as a token
of thanks for the
honorary doctorate that
had been bestowed upon
him the previous year by
the University of
Breslau. In keeping with
the event, the work
contains various
folkloric and student
songs which Brahms
borrowed from the
well-known Commers-Buch
fur den deutschen
Studenten, a book
containing material for
the annual students'
social gatherings. The
overture's first
performance was held in
Breslau on 4 January 1881
under the direction of
the composer. The present
arrangement for string
quartet by Christian
Beyer compliments the
already available
overtures by Mozart,
which Beyer also arranged
for this
instrumentation.