The Gift of Love Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Hope Publishing Company
(Keys of A and G). Arranged by Hal H. Hopson. For violin I and II, viola and cel...(+)
(Keys of A and G).
Arranged by Hal H.
Hopson. For violin I and
II, viola and cello.
Hope's All-Time Best
Selling Choral Series.
Wedding, Love, Hymntune,
Children, General,
Sacred. String Quartet
Parts (Keys of A and G).
Published by Hope
Publishing Company
First violin,second violin,viola,cello,Perc. adlib (1. Violin, 2. Violin, Viola,...(+)
First violin,second
violin,viola,cello,Perc.
adlib (1. Violin, 2.
Violin, Viola,
Violoncello, Drums ad
libitum) - Level 4
SKU: BA.BA11525
Composed by Pavel Haas.
Edited by Ondrej Pivoda.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. With
percussion ad libitum.
Set of parts. Opus 7.
16/15/13/12/3 pages.
Baerenreiter Verlag
#BA11525_00. Published by
Baerenreiter Verlag
(BA.BA11525).
ISBN
9790260108868. 31 x 24.3
cm inches.
Pavel
Haas was one of Leoš
Janácek’s most
gifted students. His
String Quartet No. 2
“From the Monkey
Mountains†is
considered to be one of
the first high points of
his oeuvre.
In
this work, Haas combined
elements of
Janácek’s
compositional technique
with jazz, particularly
in the fourth
movement’s
instrumentation for
string quartet and
percussion ad libitum.
This version was
premiered in Brno in
1926; later, the work was
revised for string
quartet only. For this
edition Ondrej Pivoda has
reconstructed the
original version,
bringing to light
passages that were never
published until
now.
This is the
first critical edition of
the work. It is based on
all relevant sources,
taking sketches of the
final version of the
score and contemporary
performance material into
account. It includes an
extensive Foreword
(Cz/Eng/Ger) as well as a
Critical Commentary
(Eng).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(Streichquartett nr. 14 / Quatuor A Cordes No. 14). By Antonin Dvorak (1841-1904...(+)
(Streichquartett nr. 14 /
Quatuor A Cordes No. 14).
By Antonin Dvorak
(1841-1904). For 2
violins, viola, cello. In
a folder. The Complete
Works of Antonin Dvorak
IV/7 - B 193. Czech
title: Smy covy kvartet
14 As dur op. 105. Set of
parts. Opus 105, No. 14.
16/16/16/16 pages.
Published by Editio
Baerenreiter Praha
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello....(+)
Arranged by Deborah
Greenblatt. String
Quartet. For 2 violins,
viola, and cello. Irish
Folk. Set of parts.
Standard Notation. 25
(violin 1), 25 (violin
2), 29 (viola), 25
(cello) pages
String Quartet - intermediate SKU: BT.DHP-1064034-070 Arranged by Gunter ...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1064034-070
Arranged by Gunter Van
Rompaey and Hans Aerts.
Pop & Rock. Set (Score &
Parts). Composed 2006. 40
pages. De Haske
Publications #DHP
1064034-070. Published by
De Haske Publications
(BT.DHP-1064034-070).
ISBN 9789043124720.
9x12 inches.
English-German-French-Dut
ch.
Traditionally a
string quartet will not
readily take on pop
music. But times are
changing and the classic
quartet line-up proves
suitable for beautiful
arrangements of
contemporary songs as
well. This book features
three hits from past
decades, The Rose
(Bette Midler) with its
simple, pure sounds and
underlying harmonies,
La Solitudine
(Laura Pausini) -
compelling and with a
hidden energy and finally
Wonderwall
(Oasis), an unexpected
choice, with its
persistent rhythmic
background. To allow the
string quartet to play
together with optional
guitar or keyboard, chord
symbols have been added
in the score. These songs
- which certainly have a
passionate andromantic
ring to them - are ideal
for receptions, weddings
and other festive
occasions. (Position 1-5)
Drie bekende
songs in geslaagde
bewerkingen voor
strijkkwartet: Pop
Ballads for String
Quartet bewijst dat
het kan. Om het
strijkkwartet de
mogelijkheid te bieden
samen te spelen met
gitaar of keyboards zijn
akkoordsymbolentoegevoegd
in de partituur. Deze
songs vol passie en
romantiek zijn ideaal
voor het opluisteren van
recepties, bruiloften en
andere feestelijke
gelegenheden. (Position
1-5)
Ein Buch
für alle Streicher,
die anstatt der
klassischen Literatur
für Streichquartett
auch einmal etwas ganz
Modernes, Unterhaltsames
spielen wollen. Hans
Aerts und Gunter Van
Rompaey bearbeiteten
für diese Ausgabe drei
bekannte Pop- Titel
für zwei Violinen,
Viola und Cello.
Akkordsymbole für eine
Begleitung von Keyboard
oder Gitarre sind
ebenfalls
enthalten.(Position 1-5)
Questa
pubblicazione permetter
ai giovani musicisti di
cominciare a suonare in
gruppo. Il quartetto
d’archi è da
sempre la formazione per
eccellenza, equilibrata e
potente
nell’espressione.
Anche la musica in stile
pop, arrangiata per
l’occasione da
Hans Aerts, si adatta a
questo tipo di organico.
L’importante è
saper ascoltare la parte
degli altri per inserire
il proprio ritmo
nell’insieme.
(Position 1-5).
Composed by Antonin Dvorak (1841-1904). Edited by Antonin Pokorny; Karel Solc. F...(+)
Composed by Antonin
Dvorak (1841-1904).
Edited by Antonin
Pokorny; Karel Solc. For
2 violins, viola, cello.
Paperback. Level 3. Study
score. No. 2, B 17.
Published by Baerenreiter
Verlag