| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle [Partition] Peermusic Classical
Critical Edition. Composed by Charles Ives (1874-1954). Edited by Malcolm...(+)
Critical Edition.
Composed by Charles Ives
(1874-1954). Edited by
Malcolm Goldstein.
Peermusic Classical.
Softcover. Peermusic
#70133-759. Published by
Peermusic (HL.175547).
$49.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440265S Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S). UPC:
680160027910. The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. $85.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Norgard Gennem Torne Sc Hp/st/4tel Cham Book Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Music Sales
Harp, Flute, Clarinet, String Quartet SKU: HL.14023298 Composed by Per No...(+)
Harp, Flute, Clarinet,
String Quartet SKU:
HL.14023298 Composed
by Per Norgard. Music
Sales America. Score.
Music Sales #KP01431.
Published by Music Sales
(HL.14023298). ISBN
9788759871591.
English. Per
Norgard 's Gennem Torne /
Through Thorns (2003)
Harp Concerto No. 2 -
Passage for Harp Solo
with Flute, Clarinet and
String Quartet. Premiered
by Tine Rehling (Harp)
and the Esbjerg Ensemble,
conducted by Kaisa Roose
at the Concert Hall of
the Western Jutland
Academy of Music,
Esbjerg, 28th January
2004. Programme Note
THROUGH THORNS has a
duration of about 20
minutes, in one
continuous movement, thus
the subtitle passage. The
work is scored for harp
solo, flute, clarinet and
string quartet. The title
is borrowed from the
lines from an old Virgin
Mary Hymn: Mary wanders
through thorns, a hymn
which ends with the
following line: then
roses grew forth amongst
thethorns. I only came
across the poem after
finishing the
composition, the passage
of which is a journey of
sometimes dramatic
events, concluding with a
rose-blooming, as does
the hymn. For
THROUGH THORNS to borrow
its title from a Virgin
Mary Hymn has to do with
the musical material and
current of the piece,
which brings motives from
an earlier choral piece
of mine, FLOS UT ROSA
(Latin for a flower like
a rose), and the rose in
question is of course the
one which grew forth when
the Virgin Mary gave
birth to the Infant Jesus
in a hitherto unheard-of
fashion, a NOVA GENITURA
(new birth), which is the
title of another work of
mine that also derives
its material from my
original rose-melody from
1975. THROUGH
THORNS is dedicated to
Tine Rehling, and
together with her I have
tried to expand the
sonorities of the harp,
by exploring existing
techniques and their more
remote regions, in order
to gain access to new
territory and new
soundscaoes, as realised
by the constantly
experimentally-minded and
virtuoso player.
Per Norgard, 2004.
 . $55.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No.4 'Widmung' Quatuor à cordes: 2 violons, alto, violoncelle Unión Musical Ediciones
SKU: HL.50603813 Score and Parts. Composed by Benet Casablancas. S...(+)
SKU: HL.50603813
Score and Parts.
Composed by Benet
Casablancas. String.
Softcover. Duration 660
seconds. Union Musical
Ediciones #UME28535.
Published by Union
Musical Ediciones
(HL.50603813). ISBN
9781705145913. UPC:
840126992892. The
String Quartet no. 4,
subtitled Dedication, was
commissioned by the CNDM
of Madrid to celebrate
the 250th Anniversary of
Beethoven and was written
for, and dedicated to,
the Cuarteto Casals
(2017). This one-movement
work, lasting some 11
minutes, is based on a
small motif from the op
quartet. 130 as a tribute
to the German master. The
work, that explores the
full range of the
technical, musical, and
emotional scope of the
quartet medium, has a
ternary arrangement, with
a slow introduction and a
conclusive stretta on the
B-flat note (like the one
that opens Op. 130). Its
course includes marked
contrasts between the
contemplative, lyrical,
static and suspensive
sections - in the manner
of stagnations - and
those with a more lively
tempo, playful and
occasionally festive.
Priority
Direct Import titles are
specialty titles that are
not generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a Priority
Direct Import title, our
overseas warehouse will
ship it to you directly
at the time of order,
typically within one
business day. However,
the shipment time will be
slower than items shipped
from our US warehouse. It
may take up to 2-3 weeks
to get to
you. $29.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No.4 Widmung Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Unión Musical Ediciones
String Quartet SKU: BT.MUSUME28535 Composed by Benet Casablancas. Classic...(+)
String Quartet SKU:
BT.MUSUME28535
Composed by Benet
Casablancas. Classical.
Set (Score & Parts).
Composed 2021. 80 pages.
Union Musical Ediciones
#MUSUME28535. Published
by Union Musical
Ediciones
(BT.MUSUME28535).
The String
Quartet no. 4, subtitled
Dedication, was
commissioned by the CNDM
of Madrid to celebrate
the 250th Anniversary of
Beethoven and was written
for, and dedicated to,
the Cuarteto Casals
(2017). This one-movement
work,lasting some 11
minutes, is based on a
small motif from the op
quartet. 130 as a tribute
to the German master. The
work, that explores the
full range of the
technical, musical, and
emotional scope of the
quartet medium, has
aternary arrangement,
with a slow introduction
and a conclusive stretta
on the B-flat note (like
the one that opens Op.
130). Its course includes
marked contrasts between
the contemplative,
lyrical, static and
suspensive sections -in
the manner of stagnations
- and those with a more
lively tempo, playful and
occasionally festive. $40.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Retrato V for String Quartet Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Periferia Music
String Quartet SKU: AY.CM3180PM Composed by Eddie Mora. Ensembles - Chamb...(+)
String Quartet SKU:
AY.CM3180PM Composed
by Eddie Mora. Ensembles
- Chamber Music. Score &
Parts. Duration 9'11.
Periferia Publishing
#CM3180PM. Published by
Periferia Publishing
(AY.CM3180PM). ISBN
9790543573345. This
work is part of a series
for different chamber and
symphonic ensembles. The
Retrato V for string
quartet is divided in two
setions. In the first one
the dissonant setcions
ineract with the
consonants creating a
musical linear discourse.
As far as the work is
concerned, it conludes
with a fast and light
movement where the clear
and festive sonorities
predominate. We can
clearly distinguish two
themes. $37.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| String Quartet No 5 Quatuor à cordes: 2 violons, alto, violoncelle Dantalian
By Donald Martino (1931-2005). For Violin, Violin, Viola, Cello. This edition: S...(+)
By Donald Martino
(1931-2005). For Violin,
Violin, Viola, Cello.
This edition: Study
Score. Contemporary
Classical. Conservatory.
Sheet music
$15.00 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| String Quartet No. 6 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
Chamber Music String Quartet SKU: PR.14440505S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet SKU:
PR.14440505S Composed
by Sydney F. Hodkinson.
Full score. With Standard
notation. 37 pages.
Duration 17 minutes.
Theodore Presser Company
#144-40505S. Published by
Theodore Presser Company
(PR.14440505S). UPC:
680160594603. The
most straightforward and
shortest of any of my
string quartets to date,
the sixth employs only
two thematic gestures
which are used, perhaps
obsessively, throughout:
(a) brief melodic lines
formed principally of
sevenths, and (b) an
ascending scale. The
formal design is born out
of the continual
combining, interweaving
and juxtaposition of
these two elements, which
collect themselves into
two movements played
without pause: the first
predominantly slow and
pensive, the second
rhythmic and driving.
Quartet No. 6 is
approximately 16 minutes
in duration. The score
was commissioned by the
Los Angeles-based Calder
Quartet, four extremely
talented young musicians
with whom I performed at
the Aspen, Colorado,
Music Festival, and is
dedicated to my wife,
Elizabeth on the occasion
of our fifty years
together. The first
movement is written in
memory of my
father-in-law Howard
Deischer (1907 - 2005),
who died during the
course of composing. The
work was completed in
April of 2005 in
Ormond-by-the-Sea,
Florida. -- Sydney
Hodkinson. The most
straightforward and
shortest of any of my
string quartets to date,
the sixth employs only
two thematic gestures
which are used, perhaps
obsessively, throughout:
(a) brief melodic lines
formed principally of
sevenths, and (b) an
ascending scale. The
formal design is born out
of the continual
combining, interweaving
and juxtaposition of
these two elements, which
collect themselves into
two movements played
without pause: the first
predominantly slow and
pensive, the second
rhythmic and
driving.Quartet No. 6 is
approximately 16 minutes
in duration. The
score was commissioned by
the Los Angeles-based
Calder Quartet, four
extremely talented young
musicians with whom I
performed at the Aspen,
Colorado, Music Festival,
and is dedicated to my
wife, Elizabeth on the
occasion of our fifty
years together. The
first movement is written
in memory of my
father-in-law Howard
Deischer (1907 –
2005), who died during
the course of
composing. The work
was completed in April of
2005 in
Ormond-by-the-Sea,
Florida.— Sydney
Hodkinson. $31.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 9 - Shiva Dances Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet (Parts) SKU: HL.14037707 Parts. Composed by Kevin V...(+)
String Quartet (Parts)
SKU: HL.14037707
Parts. Composed by
Kevin Volans. Music Sales
America. Contemporary.
Softcover. Composed 2010.
80 pages. Chester Music
#CH7452501. Published by
Chester Music
(HL.14037707). ISBN
9781849385916. UPC:
884088578626.
8.25x11.75x0.262
inches. Kevin
Volans' String Quartet
No. 9: Shiva Dances was
commissioned by BBC Radio
3 and first performed by
the Smith Quartet at the
2004 Huddersfield
Contemporary Music
Festival.
Kevin
Volans (the composer)
notes on the
piece: In the past
I have been interested in
trying to go beyond
historicism (1970s),
beyond style(1980s) and
beyond form (1990s) in my
work. Looking back over
the music of the
twentiethcentury I was
struck by the fact the
nearlyall of it is
extremely 'busy', almost
cluttered. Italmost
seemed that composers
felt compelled to look
industrious. In the new
millennium Ithought it
would be interesting to
try and eliminate
content. I also aspired
to movingfrommusic (sound
as art) to art (art as
sound). This, of course,
has already been done by
a numberof composers
(many from New York -
Phil Niblock and La Monte
Young, to name but two),
butit was something I had
never tried.AlthoughI
found it annoying that
the label 'minimalist'
was given to my
African-based work,and
fearing this would make
the label stick, I set
out to write a piece
which reflected my loveof
minimal painting and
architecture. The
Japanesehave a term
'wabi' meaning
'voluntarypoverty' or
'emptiness' to describe
their restrained minimal
aesthetic, an aesthetic
which,however, pays
greatest attention to the
quality of material and
fine detail. I like to
think thatthelack of
excessive pitch material
in this piece reflects a
kind of voluntary
poverty.When Shiva is
portrayed dancing (as
Nataraj) He is depicted
in a circle of flames
crushing asmall figure -
the ego - underfoot.You
get theimpression He
dances on the spot, not
movingaround at all. I
like that. The piece
is dedicated to Pablo
Pascual
Cilleruelo. $28.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Everything That Rises Quatuor à cordes: 2 violons, alto, violoncelle Chester
String Quartet (Score) SKU: HL.284555 String Quartet. Composed by ...(+)
String Quartet (Score)
SKU: HL.284555
String Quartet.
Composed by John Luther
Adams. Music Sales
America. Classical.
Softcover. Composed 2018.
74 pages. Chester Music
#CH87868. Published by
Chester Music
(HL.284555). UPC:
888680912901. 9x12
inches. Composers
note:
I never
imagined I would write a
string quartet. Then I
heard the JACK Quartet,
and I understood how I
might be able to make the
medium my own. The result
was The Wind in High
Places - a twenty-minute
work composed entirely on
natural harmonics and
open strings.
Over
the next few years, two
more quartets followed.
The second quartet,
untouched, is a further
exploration of the
aeolian sound world of
the first. Then, in
Canticles of the Sky, the
musicians finally touch
the fingerboards of their
instruments.
And
now comes Everything That
Rises.
This fourth
quartet is more
expansive, both in time
and in space. It grows
out of Sila: The Breath
of the World - a
performance-length
choral/orchestral work
composed on a rising
series of sixteen
harmonic
clouds.
Everything
That Rises traverses this
same territory, but in a
much more melodic
way.
Each musician
is a soloist, playing
throughout. They surround
the audience. Time
floats.
Over the
course of an hour, the
lines spin out - always
rising - in acoustically
perfect intervals that
grow progressively
smaller as they spiral
upward... until the music
dissolves into the soft
noise of the bows,
sighing. $40.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
Page suivante 1 31 61 61 61 |