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Music By Thos
Quatuor à cordes: 2 violons, alto, violoncelle
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String Quartet (ZIMMERMANN BERND ALOIS)
33.30
String Quartet (ZIMMERMANN BERND ALOIS)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Par ZIMMERMANN BERND ALOIS. With this edition, Schott publishes the early two-mo...
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Par ZIMMERMANN BERND ALOIS. With this edition, Schott publishes the early two-movement string quartet by Bernd Alois Zimmermann for the first time. In a letter the composer wrote: 'I am still messing around with my quartet. This probably is the most concentrated work of composition - and the most abstract.' The string quartet belongs within the context of his early works which focussed on chamber music, unlike those of later years. Until 1945, he created a number of piano pieces and songs, a Suite for Violin and Piano as well as a String Trio (ED 7563)./ Répertoire / Quatuor à Cordes
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String Quartet No.4 Widmung (CASABLANCAS BENET)
49.00
String Quartet No.4 Widmung (CASABLANCAS BENET)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Union Musical Ediciones
Par CASABLANCAS BENET. The String Quartet no. 4, subtitled 'Dedication', was com...
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Par CASABLANCAS BENET. The String Quartet no. 4, subtitled 'Dedication', was commissioned by the CNDM of Madrid to celebrate the 250th Anniversary of Beethoven and was written for, and dedicated to, the Cuarteto Casals (2017). This one-movement work,lasting some 11 minutes, is based on a small motif from the op quartet. 130 as a tribute to the German master. The work, that explores the full range of the technical, musical, and emotional scope of the quartet medium, has aternary arrangement, with a slow introduction and a conclusive stretta on the B-flat note (like the one that opens Op. 130). Its course includes marked contrasts between the contemplative, lyrical, static and suspensive sections -in the manner of stagnations - and those with a more lively tempo, playful and occasionally festive./ Répertoire / Quatuor à Cordes
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Quartet For Heart And Breath
22.40
Quartet For Heart And Breath
Quatuor à cordes: 2 violons, alto, violoncelle
[Livre]
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Intermédiaire/avancé
Chester
Richard Reed Parry's Quartet For Heart And Breath is an innovative and original ...
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Richard Reed Parry's Quartet For Heart And Breath is an innovative and original piece based on the performers' own bodily rhythms. This sheet music is for String Quartet (Violin/Violin/Viola/Cello).Richard Reed Parry is familiar to millions as the lead singer of rock band Arcade Fire, yet his foray into classical music is equally worthy of attention. Quartet For Heart And Breath is an experiment into using the performers' heartbeats and breathing to dictate the tempo. The performers are instructed to wear stethoscopes in order to listen to their heartbeats closely, while one complete breath corresponds to one bar and two heartbeats equal two crotchets.The result is a quiet and subtle piece, as each instrument has to play softly so as to be able to keep in time. The piece also has a naturally occurring dynamism in that the players' heart rates constantly change as the performance goes on, with each instrument falling in and out of sync sometimes culminating in a beautiful moment of all heartbeats matching each other. Interestingly, this unique aspect means that no performance will ever be the same, meaning to hear or play this composition will be a truly once in a lifetime experience.Quartet For Heart And Breath is a superbly one-of-a-kind composition by Richard Reed Parry. Commissioned by the Kronos Quartet, this piece makes for a wonderfully distinctive performance, with fascinating implications for the connection between the music and the body. / Quatuor A Cordes
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Passalega (KOLBUSZ ALEKSANDRA) (KOLBUSZ ALEKSANDRA)
35.10
Passalega (KOLBUSZ ALEKSANDRA) (KOLBUSZ ALEKSANDRA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of c...
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Par KOLBUSZ ALEKSANDRA. Long before writing Passalega, I harboured the idea of creating some form of organically homogeneous chain of musical tensions evolving ever more distinctly into a musical utterance, although still indeterminate in terms of pitch. The tissues forming the chain of those tensions were of relatively simple design, yet in spite of this ? or perhaps because of it ? they were incredibly well suited to generating the expressive narrative that accompanied me throughout that entire pre-composition period. After recognising the character of the musical potential in that material, I considered it to be similar to Baroque rhetoric in terms of the refined clarity and smoothness of the gestures. Inspired by this, I sought to articulate this material in the fullest possible way by tracing a chain of swelling tensions, referring to a homogeneously polyphonic string quartet. / Date parution : 2022-12-12/ Répertoire / Quatuor à Cordes
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Distant Voices (HOSOKAWA TOSHIO)
43.60
Distant Voices (HOSOKAWA TOSHIO)
Quatuor à cordes: 2 violons, alto, violoncelle
Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simp...
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Par HOSOKAWA TOSHIO. In my sixth work for a string quartet, there is a very simple melody concealed in the background. That melody (distant voices) is played within an extremely slow tempo, and the notes which form the melody gain different textures by becoming disassembled, and played by different techniques. In our daily lives, our inner voices become concealed by our daily customs. The act of composing, to me, is to find out that concealed distant voices, make those voices spatialized and construct them within the musical time. This work is dedicated to Alois Lageder. Toshio Hosokawa / Date parution : 2023-06-01/ Répertoire / Quatuor à Cordes
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