String Quartet (Study Score)

SKU: HL.49015903

Appony-Quartet No. 2. Composed by Franz Joseph Haydn. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 71/2. 22 pages. Eulenburg Edition #ETP145. Published by Eulenburg Edition (HL.49015903).

ISBN 9783795763466. UPC: 073999317336. 5.25x7.5x0.098 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Study Score. By Alexander Borodin. (Study Score). Schott. Size 5.25x7.5 inches. 48 pages. Published by Eulenburg London (Schott).

Composed by Arcangelo Corelli (1653-1713), edited by Paul Paradise. Performance part for 1st violin. With bowings and fingerings. 36 pages. Published by Belwin.

By Cesar Auguste Franck. (Study Score). Schott. Size 5.25x7.5 inches. 64 pages. Published by Eulenburg London (Schott).

Composed by Peter Ilyich Tchaikovsky (1840-1893). Masterworks; Quartet; Solo Small Ensembles; String Quartet. Kalmus Edition. Masterwork; Romantic. Book. 64 pages. Kalmus Classic Edition #00-K04014. Published by Kalmus Classic Edition

String quartet

SKU: HH.HH484-FSP

Composed by Franz Joseph Haydn. Edited by David Wyn Jones and Simone Laghi. Full score and parts. Edition HH Music Publishers #HH484-FSP. Published by Edition HH Music Publishers (HH.HH484-FSP).

ISBN 9781910359853.

A forgotten quartet attributed to Haydn and largely ignored for 200 years. Issued in Vienna in 1787 by Haydn’s favoured publisher, Artaria, the title page claims that it was both composed and arranged by the composer. Circumstantial and musical evidence suggests that this may, indeed, have been the case. This is the first modern edition of the work.

String Quartet

SKU: HL.14031816

Composed by Jean Joubert. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV12053901. Published by Music Sales (HL.14031816).

8.5x11.75x0.3 inches.

Though conceived as four separate movements, my second string quartet has a single motif which is common to them all. This is the three-note Muss es sein? from Beethoven's last quartet, Op. 135. But whereas Beethoven's theme is notated G E A flat, thus giving it an F minor connotation, I have sued an alternative spelling - G E G sharp - which suggests an ambiguous E minor-major. This ambiguity, in fact, becomes the tonal basis of the whole work, only to be resolved at the end of the final movement. Each movement begins with a variant of the basic motif on the cello. The first has the original form of the theme, while the second has a majorised version which is also expressed as a chord. The third movement, with its scherzoid middle section, reverts to the major-minor ambiguity of the first, and the finale begins with the majorised version as an ostinato accompaniment on pizzicato cello. The slow movement is sub-titled In memoriam DSCH and concludes with a quotation of Shostakovich's motto - D E flat C B - which is basically the same as Beethoven's with the addition of one note. This is not to imply that the work contains no other thematic material. One important theme, a rising fifth and a second, is also common to three of the movements, and is ultimately derived from my first quartet, Op. 1 of 27 years earlier, to which this second contribution to the form is in many ways like a sequel. Like the earlier work, too, this quartet is dedicated to my wife.

String Quartet (Study Score)

SKU: HL.49009744

Composed by Wolfgang Amadeus Mozart. Edited by Stanley Sadie. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Composed 1786. 48 pages. Eulenburg Edition #ETP 24. Published by Eulenburg Edition (HL.49009744).

ISBN 9783795761424. UPC: 841886017924. 5.25x7.5x0.152 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.