Wash Rag for String Quartet Quatuor à cordes: 2 violons, alto, violoncelle - Facile LudwigMasters Publications
String Quartet - Grade 3 SKU: AP.36-52703617 Composed by Alan Shulman. Th...(+)
String Quartet - Grade 3
SKU:
AP.36-52703617
Composed by Alan Shulman.
This edition: Latham
Music. Quartet; Solo
Small Ensembles; String -
Quartet. LudwigMasters -
Latham Music. Book.
LudwigMasters
Publications
#36-52703617. Published
by LudwigMasters
Publications
(AP.36-52703617).
UPC:
735816385521.
English.
This
humorous little vignette
for string quartet was
composed in 1979 and was
originally intended to be
published by Piedmont
Music, the ASCAP division
of EB Marks Classical.
For reasons unknown,
however, it remained in
manuscript form until
2021, when a copy of the
composer's autograph
parts was discovered in
the archives of a
completely different Alan
Shulman piece. This newly
engraved Latham Music
edition therefore
represents the first
publication of Shulman's
delightful work, as well
as the first full score.
As the title suggests,
this is a medium-slow
rag, or cakewalk in a
loose AABA form. The
bluesy and graceful main
melody is introduced by
the first violin in a
call and response
exchange with the rest of
the ensemble. The
restatement of the
primary theme is led by
the second violin, with
the entire ensemble
playing pizzicato, having
the effect of playful
mockery. In the B
section, the first violin
earnestly reasserts the
stately grace from the
opening however, the
cello is clearly becoming
restless and decides to
take over the lead just
before the final reprise.
The lighthearted ending
again has the first
violin doing its best to
bring the tune to a
refined conclusion, but
the rest of the group
still has mischief in
mind. After a couple
moments of seeming
confusion, the ensemble
regroups at last and
plays the final riff with
resolute emphasis. If
you're looking to add a
light moment to a recital
program, or looking for a
short, medium level
contest piece that
players and audiences
alike will enjoy, this
little miniature is an
ideal choice!
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
(Parts). Composed by Alban Berg (1885-1935). Edited by Ulrich Scheideler. For St...(+)
(Parts). Composed by
Alban Berg (1885-1935).
Edited by Ulrich
Scheideler. For String
Quartet. Henle Music
Folios. Softcover. G.
Henle #HN1000. Published
by G. Henle
Quartet Sant Petersburg Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3664 Composed by Jordi Cervello. Published by Ed...(+)
String quartet
SKU:
BO.B.3664
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3664).
Cuarteto San
Petersburgo (The Saint
Petersburg Quartet) was
written between January
and March 2011. It owes
its name to the fact that
Saint Petersburg has been
a very significant city
for me. I was invited
there in 1988 to take
part in a big
contemporary music
festival, but my
uninterrupted bond with
the city started on 2002,
thanks to the
negotiations of my friend
and pupil Albert Barbeta.
Since then, I have
constantly travelled
there in order to record
a considerable part of my
repertoire: seventeen
pieces. In addition to
the concerts we went to,
I took the opportunity
during my trips to visit
the well-known
conservatoire where so
many great personalities
from the world of music
composition once taught,
and the place that
launched the most
important violin school
in the whole of Russia:
the school of Leopoldo
Auer. Spending a long
time in Auer's classroom
writing my concert for
violin and orchestra was
an unforgettable
experience for me. His
large portrait motivated
me even
further.
Cuartet
o San Petersburgo evokes
many of the most
cherished and moving
moments that I have had
in this city. It is
structured in four
movements. The first one,
Allegretto-Allegro, opens
with an introduction that
sets forth the two main
themes, amid a soft and
elastic atmosphere. The
Allegro starts vigorously
and in it we find changes
in the tempo and moments
of mystery, as well as
certain seclusion,
returning then to the
emphatic theme where the
counterpoint finds its
place. The movement ends
placidly.
The
Scherzo-marcato that
follows is marked by a
persistent rhythm of
triplets that carries on
from beginning to end.
The tempo does not
change, but brief and
decided themes are
introduced, as well as
passages of counterpoint.
Brief and dissonant
chords are heard
throughout the movement,
which ends
vigorously.
The
third movement, Ut, is a
very special one. For a
while already I had been
playing with the idea of
writing a movement that
was to have the tonality
C as a leitmotiv. This
one is made up by two
slow and static parts. In
the first one, the first
violin plays
pizzicatti-glissandi. In
the second, the first
violin and particularly
the violoncello settle on
C while the other two
instruments produce
descending chromatic
harmonies.
Final
ly, the
Introduccion-Presto (the
Introduction-Presto). It
starts with some bucolic
passages which remind us
of the introduction to
the first movement. A
fast and energetic Presto
suddenly erupts. A kind
of moto perpetuo which
alternates with two
expressive passages and,
towards the end, a viola
and violoncello tremolo,
all of great mystery and
expectation, make way for
a resounding finale
marcato.
(Study Score). Composed by Alban Berg (1885-1935). Edited by Ulrich Scheideler. ...(+)
(Study Score). Composed
by Alban Berg
(1885-1935). Edited by
Ulrich Scheideler. For
String Quartet (Study
Score). Henle Study
Scores. Softcover. G.
Henle #HN7000. Published
by G. Henle
String quartet (Violins
(2),
Viola, Violoncello) -
Level 2
Composed by Antonin
Dvorak
(1841-1904). Edited by
Michael
Kube. This edition:
urtext
edition. In a folder. Set
of
parts. Opus 96.
13/13/13/13
pages. Baerenreiter
Verlag
#BA11538_00. Published by
Baerenreiter Verlag
First violin,second violin,viola,cello,Perc. adlib (1. Violin, 2. Violin, Viola,...(+)
First violin,second
violin,viola,cello,Perc.
adlib (1. Violin, 2.
Violin, Viola,
Violoncello, Drums ad
libitum) - Level 4
SKU: BA.BA11525
Composed by Pavel Haas.
Edited by Ondrej Pivoda.
This edition: urtext
edition. In a folder.
Barenreiter Urtext. With
percussion ad libitum.
Set of parts. Opus 7.
16/15/13/12/3 pages.
Baerenreiter Verlag
#BA11525_00. Published by
Baerenreiter Verlag
(BA.BA11525).
ISBN
9790260108868. 31 x 24.3
cm inches.
Pavel
Haas was one of Leoš
Janácek’s most
gifted students. His
String Quartet No. 2
“From the Monkey
Mountains†is
considered to be one of
the first high points of
his oeuvre.
In
this work, Haas combined
elements of
Janácek’s
compositional technique
with jazz, particularly
in the fourth
movement’s
instrumentation for
string quartet and
percussion ad libitum.
This version was
premiered in Brno in
1926; later, the work was
revised for string
quartet only. For this
edition Ondrej Pivoda has
reconstructed the
original version,
bringing to light
passages that were never
published until
now.
This is the
first critical edition of
the work. It is based on
all relevant sources,
taking sketches of the
final version of the
score and contemporary
performance material into
account. It includes an
extensive Foreword
(Cz/Eng/Ger) as well as a
Critical Commentary
(Eng).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
(1er Mouvement De Quatuor A Cordes No.12 Dit Americain - (1stmovement of the S...(+)
(1er Mouvement De Quatuor
A Cordes No.12 Dit
Americain - (1stmovement
of the String Quartet
No.12 Also Called the
American )). By Antonin
Dvorak (1841-1904).
Edited by Jean-Francois
Verdier. Arranged by
Bertrand Hainaut.
Woodwind quartet. For
Clarinet .
String Quartet (2vl,va,vc) SKU: BR.KM-266 Parts Supplied with Fingerin...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.KM-266
Parts
Supplied with Fingerings
and Bowing Marks by
Engelbert Rontgen.
Composed by Ludwig van
Beethoven. Chamber music;
Folder.
Kammermusik-Bibliothek
(Chamber Music Library).
The Breitkopf
Originals serie
s opens up a fascinating
view into the Breitkopf &
Hartel publishing-house
archives. The focus is on
its rarities and
treasures, together with
milestones in the history
of interpretation for
works of the. Classical;
Romantic. Score. 224
pages. Breitkopf and
Haertel #KM 266.
Published by Breitkopf
and Haertel (BR.KM-266).
ISBN 9790004504901. 10
x 12.5 inches.
The
editor, Engelbert
Rontgen, writes in his
foreword:Following a
commission by the
gentlemen Breitkopf &
Hartel in Leipzig to
produce a complete
edition of Beethoven's
string quartets supplied
with bowing marks and
fingerings, I undertook
this task on the basis of
the critical complete
edition of these
quartets, published in
1862. First of all, it
seemed necessary to
change the original
slurring in some places
to suit the bowing
technique, with regard to
performing and
expression.In the
quartets from Beethoven's
early period, the
performing marks often
lack the accuracy and
completeness that is
required for an exact
interplay, whereas they
are given in the quartets
of his later period
almost everywhere with
the greatest detail and
precision, . Furthermore,
the before mentioned
scores contain a number
of mistakes, which in all
likelihood may have crept
into the manuscripts as
writing mistakes.I have
therefore endeavored to
carefully add the missing
performing marks, as well
as to correct the
incorrect notes, without,
however, claiming to have
done everything that is
questionable.Breitkopf
Originals invite you to
take a fresh look at
19th-century reception
history.The music is
printed clearly and in a
larger than usual
size.(Rebekah Smith,
AUSTA
Stringendo)
The
Breitkopf Originals
series opens up a
fascinating view into the
Breitkopf & Hartel
publishing-house
archives. The focus is on
its rarities and
treasures, together with
milestones in the history
of interpretation for
works of the Classical
and Romantic repertoire,
presented by the most
prominent artists of
their time.
You Are My Sunshine Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1196191-070 Composed by J...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1196191-070
Composed by Jimmie Davis,
Charles Mitchell.
Arranged by Nico Dezaire.
De Haske Pops for String
Quartet. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1196191-070. Published by
De Haske Publications
(BT.DHP-1196191-070).
ISBN 9789043157988.
English-German-French-Dut
ch.
With its
simple, memorable melody
and folk-song style,
You Are My
Sunshine is
undoubtedly one of
America’s most
successful old-time music
love songs. Its success
in the 1940s massively
boosted the popularity of
the song’s singer
and guitarist, Jimmie
Davis and Charles
Mitchell, so much so that
it helped to springboard
Davis’ political
career, culminating in
his successful election
as Governor of Louisiana
in 1944. Dezaire’s
skilful arrangement
retains the
quintessential country
sound of the original
with this new string
quartet
orchestration.
You Are My Sunshine
is een liefdesliedje in
de Amerikaanse
old-time-muziektraditie
met een eenvoudige,
volksliedachtige en
bijzonder aanstekelijke
melodie. Zanger Jimmie
Davis en gitarist Charles
Mitchell werden er in de
jaren 1940 enorm populair
mee. Het succes gaf Davis
zelfs een beslissende
boost in zijn politieke
carrière, die hij
bekroonde met zijn
verkiezing tot gouverneur
van de Amerikaanse staat
Louisiana. Nico Dezaire
heeft met dit arrangement
de kenmerkende
countrysound van het
origineel op vakkundige
wijze bewerkt voor
strijkkwartet.
You Are My Sunshine
ist ein Lovesong in der
Tradition der
US-amerikanischen
Old-Time Music, dessen
einfache, volksliedartige
Melodie sich sofort
einprägt. Sänger
Jimmie Davis und
Gitarrist Charles
Mitchell erlangten mit
diesem Titel in den
1940er-Jahren eine enorme
Popularität. Bei Davis
beflügelte dieser
Erfolg sogar
maßgeblich seine
politische Karriere, die
er mit seiner Wahl zum
Gouverneur des
US-Bundesstaats Louisiana
krönen konnte. Nico
Dezaire setzt in seiner
Bearbeitung den typischen
Country-Sound des
Originals gekonnt auf
eine
Streichquartett-Besetzung
um.