String Quartet (Study Score) SKU: HL.49009831 Composed by Wolfgang Amadeu...(+)
String Quartet (Study
Score)
SKU:
HL.49009831
Composed
by Wolfgang Amadeus
Mozart. Edited by Stanley
Sadie. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1785. 44 pages.
Eulenburg Edition #ETP
35. Published by
Eulenburg Edition
(HL.49009831).
ISBN
9783795769727. UPC:
841886004986.
5.25x7.5x0.206
inches.
With more
than 1,200 titles from
the orchestral and choral
repertoire, from chamber
music and musical
theatre, Edition
Eulenburg is the world's
largest series of scores,
covering large part of
music history from the
Baroque to the Classical
era and looking back on a
long tradition.
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
25 Easy String Quartets Quatuor à cordes: 2 violons, alto, violoncelle - Débutant Carl Fischer
Chamber Music String Quartet SKU: CF.BF168 Score. Composed by Ceci...(+)
Chamber Music String
Quartet
SKU:
CF.BF168
Score. Composed by
Cecile Chaminade, English
Folk Song, Franz Joseph
Haydn, George Frideric
Handel, Gustav Holst,
Jean Sibelius,
Jean-Baptiste Lully,
Joseph (José) White,
Louise Farrenc, Ludwig
van Beethoven, Tielman
Susato, Welsh Folk Song,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Score. Carl
Fischer Music #BF168.
Published by Carl Fischer
Music (CF.BF168).
ISBN
9781491165577. UPC:
680160924615.
Perfo
rming in a string quartet
is a special experience
when first learning to
play a string instrument.
Consisting of two
violins, one viola, and
one cello, the ensemble
features the beauty of
each instrument’s
unique timbre and range.
The 25 pieces in this
collection have been
carefully arranged for
developing musicians in
their first years of
playing. Ranging from
grade 1 to grade 2, each
piece uses easy key
signatures and accessible
ranges in a variety of
styles and tempi.
Spanning several
centuries, these pieces
include works from the
Medieval, Renaissance,
Baroque, Classical,
Romantic, and
Post-Romantic eras.
Representing many
countries and cultures,
this collection also
includes music by women
composers Louise Farrenc,
Cécile Chaminade,
Mélanie Bonis, Louise
Reichardt, and Amy Beach.
Ideal for recitals and
adjudicated events, this
compilation of
approachable music
promises developing
string players a
rewarding first
introduction to the
string quartet.
String Quartet SKU: BR.PB-5708 Urtext. Composed by Joachim Raff. E...(+)
String Quartet
SKU:
BR.PB-5708
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708. Published by
Breitkopf and Haertel
(BR.PB-5708).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
Study score SKU: BR.PB-5708-07 Urtext. Composed by Joachim Raff. E...(+)
Study score
SKU:
BR.PB-5708-07
Urtext. Composed
by Joachim Raff. Edited
by Stefan Konig. Chamber
music.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
5708-07. Published by
Breitkopf and Haertel
(BR.PB-5708-07).
ISBN
9790004216453. 6.5 x 9
inches.
When his
musical triad op. 192 was
created in the winter of
1873/74, Raff was one of
Germany's most successful
composers and the central
artistic authority in the
Hessian spa, royal
residence and imperial
city of Wiesbaden. With
op. 192, Raff cultivated
his reputation as an
erudite composer who was
a master of contrapuntal
forms. By the time the
string quartets were
composed, he had already
established himself as
one of the most prolific
and versatile suite
composers of the 19th
century, as is evident
here in the various suite
conceptions: Opus 192 No.
1 (in C minor), as Suite
in the ancient style, has
with Baroque labels
stylized dance movements
follow one another. Die
schone Mullerin [The Fair
Maid of the Mill] op. 192
No. 2 (in D major), on
the other hand,
interprets the suite as a
sequence of chapters in a
musical narrative and
thus becomes probably the
first tone poem in string
quartet scoring. In the
third quartet (in C
major), of which Raff the
artist was proudest,
other genre designations
mix in among the dance
movements, and with its
free succession of
different movement types,
not usual for a sonata,
it preserves structural
openness. In
collaboration with the
Joachim-Raff-Archiv
Lachen (CH)
Some
eighteen years elapsed
between Raff's first
counted String Quartet
op. 77 and his Quartets
Nos. 6-8 op. 192,
combined as one work. As
such, Raff parted with
the weighty single opus
in quartet composition -
without, however,
sacrificing musical
quality.
5th String Quartet
with Soprano.
Composed by Jorg Widmann.
This edition: Saddle
stitching. Sheet music.
String Ensemble. Score
and parts. Composed 2005.
156 pages. Duration 25'.
Schott Music #ED20082.
Published by Schott Music
(HL.49017965).
ISBN
9790001154536.
9.0x12.0x0.45 inches.
Latin -
German.
Many pieces
with a classical cycle of
movements lead to an
examination of baroque
counterpoint in the form
of a fugue. Widmann's
fifth string quartet,
which closes his first
cycle in this genre like
a finale, wants to remain
a deliberately tentative
'Versuch uber die Fuge',
through it's dialogue
with the singing voice's
quotation from the Bible:
'That which is, is far
off and exceedingly deep.
Who can find it out? -
Vanitas vanitatum omnia
vanitas!'.
Score
and Parts. Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Classical. Softcover. Op.
28. Duration 24'. Schott
Music #ED21076. Published
by Schott Music
(HL.49019413).
ISBN
9790001176477. UPC:
841886016729.
The
composer Johanna Senfter
(1879 1961) from
Oppenheim concerned
herself with chamber
music for strings all her
life, even studied violin
in Frankfurt herself. Max
Reger then gave her
lessons in Leipzig, first
privately, then in his
composition class at the
conservatoire and valued
her 'extraordinary
compositional talent'.
The strict teacher more
and more became a
committed promoter of the
works by Johanna Senfter.
For a period of 50 years,
the composer concerned
herself with the string
quartet genre, from
Quartet No. 1 in D minor
Op. 4, composed shortly
after the turn of the
century, to the sixth and
last Quartet in C minor
Op. 115 which was
performed for the first
time in 1960, one year
before her death. The
Quartet in F sharp minor
Op. 28 is her second
quartet which was
premiered in Darmstadt on
5 November 1922. In this
work, as in later works,
Senfter combined
traditional form models -
here Baroque movements
like gavotte, saraband,
gigue - with expressive,
late Romantic musical
language. The work,
consisting of six short
movements, may without
doubt be regarded as a
valuable addition to the
quartet repertoire.