Volume 1. For
String Quartet.
Composed by Gene Milford.
This edition: Latham
Music. Quartet; Solo
Small Ensembles; String -
Quartet. LudwigMasters -
Latham Music. Book.
LudwigMasters
Publications
#36-52703614. Published
by LudwigMasters
Publications
(AP.36-52703614).
ISBN
9781581069761. UPC:
654690687517.
English.
This
collection of folk songs
from Latin America
(Mexico, Costa Rica and
Guatemala) are meant to
expand young player's
knowledge of music from
other cultures or give
them pride in the music
of their own heritage.
The music is mostly in
1st position with only
Violin 1 and Violoncello
wandering briefly into
other positions. Players
will use pizzicato and a
variety of bowing
styles.
Naci en la Cumbre (I
was Born on the Mountain)
is a traditional
Guatemalan folk
song.
Vuela,
suspiro (Fly, My Sighs)
is a traditional Costa
Rican folk song.
Ay! Tituy is a
traditional folk song
from Costa Rica.
La Cucaracha (The
Cockroach) is a
traditional Spanish song,
also trendy in Latin
America. It is about a
cockroach who can't walk.
The song came to
symbolize the Mexican
Revolution (1910-20) and
Pancho
Villa.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Ave Maria Quatuor à cordes: 2 violons, alto, violoncelle Schott
String Quartet; Voice SKU: HL.49045100 For Voice and String Quartet Sc...(+)
String Quartet; Voice
SKU: HL.49045100
For Voice and String
Quartet Score And Parts -
Latin. Composed by
Bertold Hummel. This
edition: Saddle
stitching. Sheet music.
Vocal Ensemble.
Classical. Softcover.
Composed 1982. 16 pages.
Duration 3'. Schott Music
#ED22542. Published by
Schott Music
(HL.49045100).
ISBN
9790001160674.
9.0x12.0x0.056 inches.
Latin.
Bertold
Hummel schrieb das
vorliegende Ave Maria fur
seinen Sohn Martin, der
dieses Stuck auch in
Begleitung des familiaren
Streichquartetts
musizierte, wovon eine
noch erhaltene
Bratschenstimme zeugt.
Die zweiteilige
Komposition verbindet
eine terzverwandt
angelegte
Dur-Moll-Tonalitat mit
modaler Harmonik.
Pragendes Element der
Begleitung ist eine
absteigende, phrygische
Tonleiter, die im Verlauf
des Stuckes die Richtung
wechselt und auch
Transformationen ins
Dorische bzw. ins Moll
erfahrt. Der zweite Teil
('Sancta Maria...')
greift die Musik des
Anfangs wieder auf und
fuhrt zu neuen
Kombinationen des
musikalischen Materials.
(Christoph Weinhart
2015).
Chamber Music String Quartet - Advanced SKU: PR.114414200 For String Q...(+)
Chamber Music String
Quartet - Advanced
SKU: PR.114414200
For String
Quartet. Composed by
James Matheson. Sws each.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed February 10
1998. 24+8+8+8+8 pages.
Duration 13 minutes.
Theodore Presser Company
#114-41420. Published by
Theodore Presser Company
(PR.114414200).
ISBN
9781491111284. UPC:
680160594719. 9x12
inches.
Composed
for violinist Baird
Dodge, James Matheson's
SPIN is a three-movement
study in various meanings
of the word spin. I. Gyre
has the character of a
whimsically spinning
object in a sort of
arena. II. Web is
essentially a slow
movement. It explores a
nearly static, sinewy
texture comprised of
slowly undulating chords
in which snippets of
melody emerge from the
notes held while the
chords disappear. Similar
to the first movement,
III. Spiral explores a
kinetic notion of
spinning, this time in
the form of rapidly
rising scales. SPIN
was composed in early
1998. Each of the
work’s three
movements assumes the
task of exploring a
different meaning of the
title.The first movement,
Gyre (as in gyroscope),
has the character of a
whimsically spinning
object in a sort of arena
– spinning and
bouncing off the walls
(like a spinning penny,
which bounces off of an
object unpredictably and
with somewhat explosive
force). The primary
musical idea consists of
high harmonics in the
violins set against a
rocking pulse in the
lower strings. This basic
texture is explored in
various guises as the
movement progresses.Web
is essentially a slow
movement. It explores a
nearly static, sinewy
texture comprised of
slowly undulating chords.
Snippets of melody emerge
from the notes held while
the chords disappear. The
music intensifies,
leading to an expected
climax (or anti-climax)
of pizzicatos, before
returning to the opening
material and winding
gently to a close.Like
Gyre, the third movement,
Spiral, explores a
kinetic notion of
spinning, this time in
the form of rapidly
rising scales. The formal
idea of this movement,
however, has the
character of a spiral,
with its tendency toward
implosion.SPIN was
written for violinist
Baird Dodge.
String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE24 The Planet on the Table....(+)
Chamber Music String
Quartet
SKU:
CF.BE24
The Planet
on the Table.
Composed by Martin
Bresnick. Folio. Set of
Score and Parts.
48+20+16+16+16 pages.
Duration 32 minutes. Carl
Fischer Music #BE24.
Published by Carl Fischer
Music (CF.BE24).
ISBN
9781491156780. UPC:
680160915323. 9 x 12
inches. La.
Based
on Wallace Stevens' poem
The Planet on the Table
this string quartet's
world is made of the
music and sounds of
remembered times or of
something heard that the
composer, Martin
Bresnick, liked. The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems as a point
of departure or pathway
into those remembered
sounds and music. What
matters is that my music,
like his (Stevens')
poetry, should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part.. Wallace
Stevens' poem The Planet
on the Table begins -
Ariel was glad he had
written his poems, They
were of a remembered time
Or of something seen that
he liked. In this string
quartet, also entitled
The Planet on the Table,
my planet is made of the
music and sounds of a
remembered time or of
something heard that I
liked. The quartet has
five movements, each
headed by a quotation
from one of Stevens'
poems* as a point of
departure or pathway into
those remembered sounds
and music: I. Mrs.
Anderson's Swedish Baby
II. She Measured the Hour
III. Scene 10 Becomes 11
IV. Someone Has Walked
Across the Snow V. His
Self and the Sun Like
Stevens, my self and the
sun are one, and my
music, like his poetry,
although makings of my
self, is also makings of
the sun. Stevens wrote it
was not important that
his poetry survive, which
is also true of my work.
What matters is that my
music, like his poetry,
should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part. *Sources for
the titles: I. The
Pleasures of Merely
Circulating II. The Idea
of Order at Key West III.
Chaos in Motion and Not
in Motion IV. Vacancy in
the Park V. The Planet on
the Table. Wallace
Stevens' poem The Planet
on the Table begins
-Ariel was glad he had
written his poems,They
were of a remembered
timeOr of something seen
that he liked.In this
string quartet, also
entitled The Planet on
the Table, my planet is
made of the music and
sounds of a remembered
time or of something
heard that I liked.The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems* as a
point of departure or
pathway into those
remembered sounds and
music:I. Mrs. Anderson's
Swedish BabyII. She
Measured the HourIII.
Scene 10 Becomes 11IV.
Someone Has Walked Across
the SnowV. His Self and
the SunLike Stevens, my
self and the sun are one,
and my music, like his
poetry, although makings
of my self, is also
makings of the sun.
Stevens wrote it was not
important that his poetry
survive, which is also
true of my work.What
matters is that my music,
like his poetry, should
bear some lineament or
character, some
affluence, if only half
perceived in the poverty
of its sounds, of the
planet of which it was
part.*Sources for the
titles:I. The Pleasures
of Merely CirculatingII.
The Idea of Order at Key
WestIII. Chaos in Motion
and Not in MotionIV.
Vacancy in the ParkV. The
Planet on the Table.
Harp, Flute, Clarinet, String Quartet SKU: HL.14023298 Composed by Per No...(+)
Harp, Flute, Clarinet,
String Quartet
SKU:
HL.14023298
Composed
by Per Norgard. Music
Sales America. Score.
Music Sales #KP01431.
Published by Music Sales
(HL.14023298).
ISBN
9788759871591.
English.
Per
Norgard 's Gennem Torne /
Through Thorns (2003)
Harp Concerto No. 2 -
Passage for Harp Solo
with Flute, Clarinet and
String Quartet. Premiered
by Tine Rehling (Harp)
and the Esbjerg Ensemble,
conducted by Kaisa Roose
at the Concert Hall of
the Western Jutland
Academy of Music,
Esbjerg, 28th January
2004. Programme Note
THROUGH THORNS has a
duration of about 20
minutes, in one
continuous movement, thus
the subtitle passage. The
work is scored for harp
solo, flute, clarinet and
string quartet. The title
is borrowed from the
lines from an old Virgin
Mary Hymn: Mary wanders
through thorns, a hymn
which ends with the
following line: then
roses grew forth amongst
thethorns. I only came
across the poem after
finishing the
composition, the passage
of which is a journey of
sometimes dramatic
events, concluding with a
rose-blooming, as does
the hymn. For
THROUGH THORNS to borrow
its title from a Virgin
Mary Hymn has to do with
the musical material and
current of the piece,
which brings motives from
an earlier choral piece
of mine, FLOS UT ROSA
(Latin for a flower like
a rose), and the rose in
question is of course the
one which grew forth when
the Virgin Mary gave
birth to the Infant Jesus
in a hitherto unheard-of
fashion, a NOVA GENITURA
(new birth), which is the
title of another work of
mine that also derives
its material from my
original rose-melody from
1975. THROUGH
THORNS is dedicated to
Tine Rehling, and
together with her I have
tried to expand the
sonorities of the harp,
by exploring existing
techniques and their more
remote regions, in order
to gain access to new
territory and new
soundscaoes, as realised
by the constantly
experimentally-minded and
virtuoso player.
Per Norgard, 2004.
 .
Panis Angelicus Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Music Distribution Services
High Voice and String Quartet SKU: M7.DOHR-25248 Composed by Cesar August...(+)
High Voice and String
Quartet
SKU:
M7.DOHR-25248
Composed by Cesar Auguste
Franck. Arranged by
Wolfgang Birtel. Sheet
music. Score and parts.
13 pages. MDS (Music
Distribution Services)
#DOHR 25248. Published by
MDS (Music Distribution
Services)
(M7.DOHR-25248).
Warm winds in Havanna Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Furore Verlag
String quartet SKU: FV.FUE-10423 Composed by Margaret Brandman. Contempor...(+)
String quartet
SKU:
FV.FUE-10423
Composed
by Margaret Brandman.
Contemporary. Score and
parts. Furore Verlag #FUE
10423. Published by
Furore Verlag
(FV.FUE-10423).
ISBN
9790501827237.
Owin
g to the popularity of
Margaret
Brandman’s Warm
Winds in Havana
contemporary classical
suite with jazz and
Latin-American influences
for Saxophone Quartet
(fue 1990), the composer
received several requests
from members of string
ensembles, to arrange
this work for
strings.
Ulla in Africa Quatuor à cordes: 2 violons, alto, violoncelle Advance Music
SKU: AP.1-ADV6420 For String Quartet. Composed by Heiner Wiberny. ...(+)
SKU: AP.1-ADV6420
For String
Quartet. Composed by
Heiner Wiberny. Quartet;
Solo Small Ensembles;
String Quartet. Advance
Music. Funk; Jazz. Score
and Part(s). Advance
Music #01-ADV6420.
Published by Advance
Music (AP.1-ADV6420).
UPC: 805095064209.
English.
The
listener recognizes
immediately the sound and
flavor of the African
highlife and Latin funk
styles.
5th String Quartet
with Soprano.
Composed by Jorg Widmann.
This edition: Saddle
stitching. Sheet music.
String Ensemble. Score
and parts. Composed 2005.
156 pages. Duration 25'.
Schott Music #ED20082.
Published by Schott Music
(HL.49017965).
ISBN
9790001154536.
9.0x12.0x0.45 inches.
Latin -
German.
Many pieces
with a classical cycle of
movements lead to an
examination of baroque
counterpoint in the form
of a fugue. Widmann's
fifth string quartet,
which closes his first
cycle in this genre like
a finale, wants to remain
a deliberately tentative
'Versuch uber die Fuge',
through it's dialogue
with the singing voice's
quotation from the Bible:
'That which is, is far
off and exceedingly deep.
Who can find it out? -
Vanitas vanitatum omnia
vanitas!'.
Subject Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Carl Fischer
Chamber Music String Quartet SKU: CF.BE11F Composed by Jason Eckardt. Ful...(+)
Chamber Music String
Quartet
SKU:
CF.BE11F
Composed by
Jason Eckardt. Full
score. 78 pages. Duration
16 minutes. Carl Fischer
Music #BE11F. Published
by Carl Fischer Music
(CF.BE11F).
ISBN
9780825888595. UPC:
798408088590. 8.5 x 11
inches.
Beginning
in the 1950s, the CIA
became very interested in
psychological research
beingconducted on the
effects of sensory
deprivation on humans.
The research, that
suggestedrapid regression
in those tested, provided
a framework for sections
of what would later
beknown as the KUBARK
manual, the first a
series of US-government
documents thatprovided
techniques for
interrogating detainees.
These methods involved
radicallyaltering a
detainee’s sense
of time and
environment.Among these
techniques, some
developed independently
of the manuals by
interrogators,were the
manipulation of light and
sound. In order to weaken
the resolve of a
detaineeand prolong
“capture
shock,†complete
sensory deprivation
followed by blasts of
light ornoise, or very
loud music, proved
effective. So much so
that variations and
combinationsof these
techniques were widely
used by the United States
as well as both its
allies andenemies in
Vietnam, Latin America,
Northern Ireland, and the
Middle East.Though the
idea of sound as a weapon
is at least as old as the
account of
Joshua’s siegeof
Jericho, it was only
recently deemed
“inhuman and
degrading†for the
purposes ofinterrogation
by the European Court of
Human Rights in the 1978
case “Ireland v.
theUnited
Kingdom.â€. Accid
entals apply only to the
notes they precede with
the exception of tied or
consecutively repeated
notes.Tempi are
consistent throughout the
meter changes (Le.,
~'=),)=)l, etc.).Grace
notes are always to be
played as fast as
possible. Each grace note
in a group should be of
the same duration.
Gracenotes curtail the
previous measured note's
duration with the
exception noted
below.Approximate
duration: 16 minutes.
Score
and Parts. Composed
by Lucio Franco Amanti.
String Ensemble.
Classical. Softcover. 56
pages. Duration 840
seconds. Schott Music
#ED22674. Published by
Schott Music
(HL.49046188).
ISBN
9781540051684. UPC:
888680938703. 9.0x12.0
inches.
When
Cuarteto Casals
approached me with the
idea of illuminating
Beethovens quartets anew,
you can imagine the many
thoughts and feelings
that where going through
my mind: what a joy, what
a great honor What an
intriguing
head-scratcher! How can
you possibly shine a new
light on something that
is already perfect?
Weeks, months went by in
search of a common ground
between the Master and
myself until I finally
found it in the
realization that a word
lays hidden in the St.
Johns hymn that gave
musical notes their
original name: Re, Sol,
Ut, Io (D, G, C, B in
English music notation)
Perfect!
“Resolutioâ€
in Latin means both the
resolution of aproblem
and the re-solution: a
re-blend of many elements
that will eventually
coagulate to make
something new. There was
finally themelodic and a
rhythmical canvas for my
piece. On this canvas I
wrote the story of a
funny little contest,
played on a sunny
Mediterranean square,
between street musicians
and Cuarteto Casals just
minutes before they are
about to go on stage to
perform Beethovens Harp
Quartet. After all the
characters, each in his
own way, had the chance
to tell their story, a
gentle rain starts to
fall, dissolving
(Re-solving) again the
music sheet to eventually
leave us with just a
white piece of paper for
somebody else to continue
the Work. (Lucio Franco
Amanti).