(23 Arrangements of Gems from the Baroque Period). By Various. Arranged by Joel Lish. String quartet. For 2 Violins, Viola and Cello. Quartets. Baroque. Advanced. Set of 4 parts. Published by Middle Fiddle Music

String Quartet (Study Score)

SKU: HL.49009663

Komplimentier. Composed by Ludwig van Beethoven. Edited by Wilhelm Altmann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 18/2. 32 pages. Eulenburg Edition #ETP17. Published by Eulenburg Edition (HL.49009663).

ISBN 9783795768393. UPC: 841886013612. 5.25x7.5x0.105 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Streichquartett Nr. 2 d-Moll. By Bedrich Smetana. Edited by Frantisek Bartos; Josef Plavec; Karel Solc. For String Quartet (2 violins, viola, cello). Set of Parts; Urtext Edition. Published by Baerenreiter Verlag (German import).

Streichqartett Nr. 2 d-Moll. By Bedrich Smetana. Edited by Frantisek Bartos; Josef Plavec; Karel Solc. For String Quartet (2 violins, viola, cello). Baerenreiter Studienpartituren - Study scores. Study Score; Urtext Edition (paperbound). Published by Baerenreiter Verlag (German import).

String Quartet (Study Score)

SKU: HL.49015903

Appony-Quartet No. 2. Composed by Franz Joseph Haydn. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Study Score. Op. 71/2. 22 pages. Eulenburg Edition #ETP145. Published by Eulenburg Edition (HL.49015903).

ISBN 9783795763466. UPC: 073999317336. 5.25x7.5x0.098 inches.

With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Set of parts. Standard Notation. 33 (violin 1), 31 (violin 2), 31 (viola), 31 (cello) pages

(2vn,va,vc)

SKU: TM.540-5309SET

Composed by Chevalier de Saint-Georges. Set of parts. Published by Lucks Music Library (TM.540-5309SET).

No. 1 Allegro assai, No. 2 Allegro, No. 3 Allegro, No. 4 Allegro Moderato, No. 5 Allegro, No. 6 Allegro assai.

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Score. Standard Notation. 44 pages

Chamber Music String Quartet

SKU: PR.114410380

Composed by Lowell Liebermann. Saddle, Tape Junction. Set of Score and Parts. With Standard notation. Composed 1998. Opus 60. 48 + 92 pages. Duration 30 minutes. Theodore Presser Company #114-41038. Published by Theodore Presser Company (PR.114410380).

UPC: 680160015160. 9.5 x 13 inches.

My second String Quartet was written twenty years after the first, Opus 4 from 1978. The First Quartet is an obsessively contrapuntal work in one movement, which was no doubt influenced by my studies with David Diamond. I had always intended to return to the medium once I left the astringency of my earlier style, but it was only when the National Federation of Music Clubs commissioned a major chamber work, with unspecified instrumentation, to celebrate their 100th Anniversary that I was enabled to do so. The Second Quartet is in four movements: Moderato, Allegro isterico, an Andante theme with 11 variations, and the closing Allegro, which then returns to the tempo of the first movement. An audience member at the premiere told me that she heard echoes of recent tragic events such as the Oklahoma bombing in this work. While I had no such programmatic intent while writing the quartet, it was not an entirely incorrect assessment of the work's intended emotional impact. The quartet is pervaded by a sense of seriousness, even mournfulness. The second movement's scherzo is an aggressively animated piece of musical machinery. The third movement's Variations unfold into a greater variety of moods than the others - but the moments of lyricism are countered by aggressive or ironic outbursts. The final movement's attempt at triumph quickly subsides into a return of the first movement, before being transformed onto a sense of resignation and acceptance as the chromaticism of the opening theme is transformed into a pure and diatonic C-Major. The work received its world premiere by the Shanghai Quartet at the 100th Anniversary Congress of the National Federation of Music Clubs at the Congress Hotel in Chicago on August 19th 1998.
My second String Quartet was written twenty years after the first, Opus 4 from 1978.  The First Quartet is an obsessively contrapuntal work in one movement, which was no doubt influenced by my studies with David Diamond.  I had always intended to return to the medium once I left the astringency of my earlier style, but it was only when the National Federation of Music Clubs commissioned a major chamber work, with unspecified instrumentation, to celebrate their 100th Anniversary that I was enabled to do so.The Second Quartet is in four movements:  Moderato, Allegro isterico, an Andante theme with 11 variations, and the closing Allegro, which then returns to the tempo of the first movement.An audience member at the premiere told me that she heard echoes of recent tragic events such as the Oklahoma bombing in this work.  While I had no such programmatic intent while writing the quartet, it was not an entirely incorrect assessment of the work’s intended emotional impact.  The quartet is pervaded by a sense of seriousness, even mournfulness.  The second movement’s scherzo is an aggressively animated piece of musical machinery.  The third movement’s Variations unfold into a greater variety of moods than the others – but the moments of lyricism are countered by aggressive or ironic outbursts.  The final movement’s attempt at triumph quickly subsides into a return of the first movement, before being transformed onto a sense of resignation and acceptance as the chromaticism of the opening theme is transformed into a pure and diatonic C-Major.The work received its world premiere by the Shanghai Quartet at the 100th Anniversary Congress of the National Federation of Music Clubs at the Congress Hotel in Chicago on August 19th 1998.

Composed by David Conte (1955-). Secular, 21st Century. Published by E.C. Schirmer Publishing (EC.8336).