By Luigi Arditi (1822-1903). For String quartet, Double bass ad lib.. 11 pages (...(+)
By Luigi Arditi
(1822-1903). For String
quartet, Double bass ad
lib.. 11 pages (score) /
4 3 3 3 3 pages (parts).
Der musikalische Salon
Vol. 53. Score and Parts
Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello....(+)
Arranged by Deborah
Greenblatt. String
Quartet. For 2 violins,
viola, and cello. Irish
Folk. Set of parts.
Standard Notation. 25
(violin 1), 25 (violin
2), 29 (viola), 25
(cello) pages
Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello....(+)
Arranged by Deborah
Greenblatt. String
Quartet. For 2 violins,
viola, and cello. Set of
parts. Standard Notation.
33 (violin 1), 31 (violin
2), 31 (viola), 31
(cello) pages
Score and Parts. Composed by Evgeny Kissin. Sheet Music. Paperbound. Henle M...(+)
Score and Parts. Composed
by
Evgeny Kissin. Sheet
Music.
Paperbound. Henle Music
Folios. Classical. Set of
Parts. 28 pages. G. Henle
#HN1183. Published by G.
Henle
For 2 Violins, Viola and Violoncello. Composed by Robert Schumann. Edited...(+)
For 2 Violins, Viola
and Violoncello.
Composed by Robert
Schumann. Edited by Hans
Kohlhase. This edition:
Folder. Sheet music.
String Ensemble. Set of
parts, Softcover. Op.
41. 212 pages. Schott
Music #ED9946-10.
Published by Schott Music
(HL.49019820).
String Quartet (Score) SKU: HL.14023668 Composed by Michael Nyman. Music ...(+)
String Quartet (Score)
SKU: HL.14023668
Composed by Michael
Nyman. Music Sales
America. Classical.
Score. Composed 1993. 22
pages. Chester Music
#CH60865. Published by
Chester Music
(HL.14023668).
ISBN
9780711932975.
9.0x12.0x0.095
inches.
String
Quartet No.3 was written
for, and first performed
by the Balanescu Quartet,
February 1990 at the
Queen Elizabeth Hall,
London. Duration 16
minutes. Instrumental
parts are available on
sale. Quoting composer:
In the summer of 1989 I
composed a choral work,
Out of the Ruins, for
Agnieszka Piotrowska's
BBC2 documentary which
dealt with the physical
and emotional responses
of some inhabitants of
Leninakhan to the
earthquake which
devastated Armenia the
previous December. When
he heard the recording of
the work that I made with
the Holy Echmiadzin
Chorus under the fervent
conducting of Khoren
Meykhanejian, Alex
Balanescu suggested
turning Out of the Ruins
into a string quartet.
There seemed no reason or
opportunity to do this
until I felt the need to
add to the intensity of
my experiences in Armenia
the no less profound
experience of witnessing
the images of the
Romanian revolution on
television during the
later part of December
1989. The compositional
procedure was as follows:
to take Out of the Ruins
as a template on which
the Romanian vocal or
instrumental music would
be superimposed, quite
often stretched into new
intervallic shapes though
the demands of the
completely performed
harmonic structure.
