She's Always A Woman Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1115206-070 Composed by Billy J...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1115206-070
Composed by Billy Joel.
Arranged by Anthony
Gröger. De Haske Pops
for String Quartet. Pop &
Rock. Set (Score &
Parts). Composed 2011. 12
pages. De Haske
Publications #DHP
1115206-070. Published by
De Haske Publications
(BT.DHP-1115206-070).
ISBN 9789043149297.
9x12 inches.
English-German-French-Dut
ch.
De Haske's
best-selling Pops for
String Quartet series
offers excellent
arrangements for
intermediate string
quartets who want to
bring some classic pop to
their performances.This
lyrical ballad was
released by Billy Joel in
1977 and has gained
popularity recently when
it was used for a John
Lewis television advert.
Onder de naam
Pops for String
Quartet heeft de
Haske een nieuwe serie
ontwikkeld voor
strijkkwartetten die zich
eens buiten het klassieke
pad willen begeven. Een
collectie van uitstekende
arrangementen in
gemiddelde
moeilijkheidsgraad!Deze
prachtige ballad uit de
jaren zeventig van Billy
Joel leent zich
uitstekend voor een
gevoelige interpretatie
door
strijkkwartet.
Unt
er dem Titel Pops for
String Quartet hat De
Haske eine Notenreihe ins
Leben gerufen, die
Streichquartette, die
sich einmal abseits der
ausgetretenen klassischen
Pfade bewegen wollen, mit
ausgezeichneten
Arrangements im leichten
bis mittleren
Schwierigkeitsgrad
versorgt.Die lyrische
Ballade von Billy Joel
aus dem Jahre 1977 eignet
sich vorzüglich
für eine
gefühlvolle
Interpretation im
Streichquartett!
Pops
for String Quartet:
una collana per tutti i
violinisti desiderosi di
suonare qualcosa di
diverso dal repertorio
classico.La splendida
ballata lirica di Bill
Joel del 1977 si presta
alla perfezione per
essere interpretata da un
quartetto di archi.
Composed by Lara Poe.
Classical, contemporary.
Score & parts. Fennica
Gehrman #55011-853-9.
Published by Fennica
Gehrman (FG.55011-853-9).
Lara Poe's (b.
1993) energetic
Divergence (2015-2016)
for string quartet was
conceived cyclically: the
four movements explore
drifting in and out of
focus between different
materials. A light ditty
of the second movement
diverges to the third
movement's overtone
derived
chords.
Duration:
c. 25'
This
product includes a set of
parts (violin I, violin
II, viola, violoncello)
and a score.
Lara
Poe is a Finnish-American
composer who is currently
based in London. Her
works have been performed
across a wide range of
venues throughout the US,
Europe, and Asia. Her
piece Kaamos, which she
wrote for the Lahti
Symphony Orchestra, was
recently nominated for a
Ivors Composer Award in
the Large Scale
Composition category.
Kaamos also was selected
by YLE Radio Finland to
represent Finland at the
International Rostrum of
Composers 2021 in
Belgrade, Serbia. Poe was
the 2019 Tanglewood Music
Patricia Plum Wilde
Fellow and represented
Finland at Ung Nordisk
Musik 2019 in Piteå.
She was also a 2018-2019
participant in the London
Symphony Orchestra's
Panufnik Scheme, where
she worked under the
guidance of Colin
Matthews and Christian
Mason.
The Movies Collection Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1196090-070 10 Great F...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1196090-070
10 Great Film Music
Themes. Arranged by
Anthony Gröger. De
Haske Pops for String
Quartet.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2019. 36 pages. De Haske
Publications #DHP
1196090-070. Published by
De Haske Publications
(BT.DHP-1196090-070).
ISBN 9789043157674.
English-German-French-Dut
ch.
Cinema has
always aimed to do one
thing above all else:
arouse emotions. Yet
however exciting,
entertaining or
fascinating a story might
be, its full impact is
really only felt with the
help of the right music.
While most original
soundtracks demand a
large orchestra, a much
smaller ensemble is
sufficient: Anthony
Gröger has taken ten
of the all-time most
beautiful film scores and
created stunning
arrangements for string
quartet. In keeping with
the Pops for String
Quartet series, this
volume also includes an
optional third violin
part in case a viola is
not available. This is an
indispensable collection
for any
occasion!
Van
oudsher is de film
bovenal bedoeld geweest
om emotie op te roepen.
Maar hoe spannend,
vermakelijk of boeiend
een verhaal ook is, pas
met de ondersteuning van
de juiste muziek komt het
volledig tot zijn recht.
Hoewel de meeste
originele soundtracks een
orkest met een grote
bezetting vereisen,
voldoet in dit geval een
kleiner ensemble. Anthony
Gröger heeft tien van
de mooiste
filmmuziektitels
verzameld en er prachtige
arrangementen voor
strijkkwartet van
gemaakt. Net als bij de
andere uitgaven in de
serie Pops for String
Quartet bevat ook
deze bundel een optionele
derde vioolpartij, voor
het geval er geen
altviool beschikbaar is.
Een fraaie collectie met
nummers voordiverse
gelegenheden!
Seit jeher
möchte Kino vor allem
eines: Emotionen wecken.
Doch wie spannend,
lustig, interessant eine
Story auch immer sein mag
erst mit Hilfe der
passenden Filmmusik kann
sie ihre volle Wirkung
entfalten. Während die
meisten Soundtracks im
Original ein groß
besetztes Orchester
erfordern, genügt hier
bereits eine viel
kleinere Besetzung:
Anthony Gröger hat
sich zehn der
schönsten
Filmmusik-Titel aller
Zeiten vorgenommen und
wirkungsvoll für
Streichquartett
bearbeitet. Eine
unverzichtbare Sammlung
für Anlässe jeder
Art, bei denen ein
Streichquartett gefragt
ist. Wie in der Serie
Pops for String
Quartet üblich,
enthält das Set auch
eine optionale
dritteViolinstimme für
den Fall, dass keine
Bratsche zur Verfügung
steht.
Tango Quatuor à cordes: 2 violons, alto, violoncelle Schott
Score and Parts String Quartet (Score & Parts) SKU: HL.49045929 No. 7 ...(+)
Score and Parts String
Quartet (Score & Parts)
SKU: HL.49045929
No. 7 from:
“Jazz-like. Partita
for Piano†String
Quartet Score and
Parts. Composed by
Erwin Schulhoff. Arranged
by Wolfgang Birtel.
String Ensemble.
Classical. Softcover. 12
pages. Schott Music
#ED22607. Published by
Schott Music
(HL.49045929).
9.0x12.0x0.057
inches.
The
Austro-Hungarian composer
Erwin Schulhoff
(1894-1942) was musically
precocious: At the
suggestion of AntonÃn
Dvorák, he
receivedpiano lessons at
the age of seven, and at
the age of ten became a
student at the Prague
Conservatory. Further
piano studies in Vienna,
Cologne and Leipzig as
well as composition
lessons with Max Reger
supplemented his
education. His Jewish
heritage, which defamed
his music as
“degenerateâ€,
and his sympathy for
communism, however, cost
him his life. In Prague
and finally interned in
Wülzburg near
Weissenburg in Bavaria,
he died of tuberculosis.
Schulhoff's musical
significance lies in the
integration of jazz into
art music, for example in
his oratorio H.M.S. Royal
Oak or in his Hot Sonata
for alto saxophone and
piano. He earned his
living as a jazz pianist
for a long time. In
August 1922 he wrote four
short piano pieces, his
Rag Music, to which he
added four more phrases
in November: released as
Partita, also known as
Jazz-like Partita - with
the fashion dances
Ragtime, Foxtrott,
Shimmy, Boston and - as
No. 7 - a tango. From a
piano to a string quartet
movement, the arrangement
presents itself as a
delicate and smart,
technically not too
difficult sweet, suitable
as a diversion or
addition in a quartet
program.
Special Import
titles are specialty
titles that are not
generally offered for
sale by US based
retailers. These items
must be obtained from our
overseas suppliers. When
you order a special
import title, it will be
shipped from our overseas
warehouse. The shipment
time will be slower than
items shipped directly
from our US warehouse and
may be subject to
delays.
When I'm Sixty-Four Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
As performed by The Beatles. Composed by John Lennon and Paul McCartney. Arran...(+)
As performed by The
Beatles.
Composed by John Lennon
and
Paul McCartney. Arranged
by
Nico Dezaire. De Haske
Pops
for String Quartet. Pop
and
Rock. Set (Score and
Parts).
Composed 2020. De Haske
Publications #DHP
1206259-
070. Published by De
Haske
Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
We Are The Champions Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1185965-070 As Perform...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1185965-070
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Anthony Gröger. De
Haske Pops for String
Quartet. Pop and Rock.
Set (Score and Parts).
Composed 2018. De Haske
Publications #DHP
1185965-070. Published by
De Haske Publications
(BT.DHP-1185965-070).
ISBN 9789043154505.
English-German-French-Dut
ch.
Queen are known
not only for their
stylistic diversity, but
also for their
over-the-top theatrics
during concerts and in
videos. This helped give
them the staying power to
have hit songs for over
twenty years! One of
their biggest, instantly
recognised hits is the
rock-anthem We Are the
Champions, written by
Freddie Mercury. This
monster hit is now
available in an energetic
string quartet
arrangement by Anthony
Gröger.
Queen
is niet alleen gekend om
hun muziek in diverse
stijlen, maar ook om hun
theatrale uitvoeringen
tijdens concerten en in
videoclips. Een van hun
grootste hits is het
rocknummer We Are the
Champions, geschreven
door Freddie Mercury.
Deze monsterhit is nu
beschikbaar in een
meesleepend arrangement
voor strijkkwartet
bewerkt door Anthony
Gröger.
Neben
der stilistischen
Vielseitigkeit ist das
Theatralische und
Pompöse eines der
Erkennungsmerkmale der
Musik von Queen und zwar
offensichtlich durchaus
im positiven Sinne, wie
der zeitlose Erfolg ihrer
Hits beweist! Ein
Paradebeispiel dafu r ist
die Rockhymne We Are
the Champions aus der
Feder von Freddie
Mercury, die nun in einer
mitreiÃ?enden
Streichquartettbearbeitun
g von Anthony Gröger
vorliegt.
Killer Queen Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Quartet - late intermediate SKU: BT.DHP-1115204-070 As Performe...(+)
String Quartet - late
intermediate
SKU:
BT.DHP-1115204-070
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Anthony Gröger. De
Haske Pops for String
Quartet. Pop & Rock. Set
(Score & Parts). Composed
2011. 12 pages. De Haske
Publications #DHP
1115204-070. Published by
De Haske Publications
(BT.DHP-1115204-070).
9x12 inches.
English-German-French-Dut
ch.
De Haske's
best-selling Pops for
String Quartet series
offers excellent
arrangements for
intermediate string
quartets who want to
bring some classic pop to
their performances.Have
you ever played Queen
with your string quartet?
Now you can treat the
audience to music from
this iconic band.
Onder de naam
Pops for String
Quartet heeft de
Haske een nieuwe serie
ontwikkeld voor
strijkkwartetten die zich
eens buiten het klassieke
pad willen begeven. Een
collectie van uitstekende
arrangementen in
gemiddelde
moeilijkheidsgraad!Brian
May (gitarist van Queen)
: Killer Queen was
the turning point. It was
the song that best summed
up our kind of music, and
a big hit, and we
desperately needed it as
a mark of something
successful happeningfor
us... I was always very
happy with this song.
Maak uw publiek en uzelf
ook blij met deze
uitgave!
Unter dem
Titel Pops for String
Quartet hat De Haske
eine Notenreihe ins Leben
gerufen, die
Streichquartette, die
sich einmal abseits der
ausgetretenen klassischen
Pfade bewegen wollen, mit
ausgezeichneten
Arrangements im leichten
bis mittleren
Schwierigkeitsgrad
versorgt.Haben Sie schon
einmal Queen im
Streichquartett gespielt?
Mit dieser Ausgabe
können Sie sich (und
Ihrem Publikum) dieses
Vergnügen
gönnen!
La
collection Killer
Queen pour Quatuor
Cordes.
Pops
for String Quartet:
una collana per tutti i
violinisti desiderosi di
suonare qualcosa di
diverso dal repertorio
classico.Avete gi suonato
un brano dei Queen con un
quartetto di archi? Un
brano che delizier sia
voi sia chi vi
ascolta!
Set
(Score & Parts). 106
pages. Bote & Bock
#BB3474. Published by
Bote & Bock (BT.BB3474).
ISBN
9783793141716.
F
or Isang
Yun, String
Quartet No. 3 from 1959
marked the beginning of
his European creative
phase and of his official
canon of works. Now it is
possible to encounter
Yun's early works from
his Korean period inthe
form of his String
Quartet No. 1
(1955). Three important
10-minute movements
containing references not
only to Asia but also to
Ravel, Bartók and
Eastern European folk
music and having an
idiosyncraticstructure:
Yun lines up forms and
figures, makes them
emerge from each other in
a contrasting manner and
assembles them into a
mosaic-like whole,
seeking for integration,
laying down his material
in layer upon layer and
endingthemovements with a
rhythmic unison.
[…] Even then, he
probably regarded a work
of art as an energetic
stream of sounds and as a
reflection of a world
whose diverging parts
weave into a harmonic
whole.
(Walter-WolfgangSparrer)<
/p>
String Quartet No. 1 Quatuor à cordes: 2 violons, alto, violoncelle Bote and Bock
String Quartet (Score & Parts) SKU: HL.48024228 Composed by Isang Yun. Bo...(+)
String Quartet (Score &
Parts)
SKU:
HL.48024228
Composed
by Isang Yun. Boosey &
Hawkes Chamber Music.
Classical. Softcover. 110
pages. Bote & Bock
#M202534748. Published by
Bote & Bock
(HL.48024228).
ISBN
9781540057310. UPC:
888680949266. 9x12
inches.
For Isang
Yun, String Quartet No. 3
from 1959 marked the
beginning of his European
creative phase and of his
official canon of works.
Now it is possible to
encounter Yun's early
works from his Korean
period in the form of his
String Quartet No. 1
(1955). Three important
10-minute movements
containing references not
only to Asia but also to
Ravel, Bartók and
Eastern European folk
musicand having an
idiosyncratic structure:
“Yun lines up forms
and figures, makes them
emerge from each other in
a contrasting manner and
assembles them into a
mosaic-like whole,
seeking for integration,
laying down his material
in layer upon layer and
ending the movements with
a rhythmic unison. []
Even then, he probably
regarded a work of art as
an energetic stream of
sounds and as a
reflection of a world
whose diverging parts
weave into a harmonic
whole.”
(Walter-Wolfgang
Sparrer).