By Peter Ilyich Tchaikovsky. Arranged by Herman Hummel, Harvey Whistler. Easy Music For String. Published by Hal Leonard.

String Quartet - difficult

SKU: HL.49007924

Score and Parts. Composed by Gyorgy Ligeti. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1950. 28 pages. Duration 13'. Schott Music #ED 8334. Published by Schott Music (HL.49007924).

ISBN 9790001084741. UPC: 884088055448. 9.25x12.0x0.08 inches.

String Quartet; Voice - advanced

SKU: HL.49008175

Score and Parts. Composed by Johannes Brahms. Arranged by Aribert Reimann. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Score and Parts. Composed 1873. 20 pages. Duration 5'. Schott Music #ED 8836. Published by Schott Music (HL.49008175).

ISBN 9790001123358. UPC: 073999559378. 9.0x12.0x0.084 inches. German.

For voice and string quartet.

By Ronald Caltabiano. String quartet. For Violin I, Violin II, Viola, Cello. Classical. Score and parts. Composed 1986. 44 pages. Duration 22:00. Published by Theodore Presser Company.

SKU: TM.540-3021SET

Composed by Robert Schumann. Set of parts. Published by Lucks Music Library (TM.540-3021SET).

No. 1 Introduzione (Andante espressivo) – Scherzo (Presto) – Intermezzo – Adagio – Presto, No. 2 Allegro vivace – Andante quasi Variazioni – Molto piu lento – Scherzo (Presto) – Allegro molto, No. 3 Andante espressivo – Assai agitato – Un poco Adagio – Adagio molto – Finale (Allegro molto vivace).

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Set of parts. Standard Notation. 33 (violin 1), 31 (violin 2), 31 (viola), 31 (cello) pages

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Score. Standard Notation. 44 pages

Chamber Music String Quartet

SKU: PR.114410380

Composed by Lowell Liebermann. Saddle, Tape Junction. Set of Score and Parts. With Standard notation. Composed 1998. Opus 60. 48 + 92 pages. Duration 30 minutes. Theodore Presser Company #114-41038. Published by Theodore Presser Company (PR.114410380).

UPC: 680160015160. 9.5 x 13 inches.

My second String Quartet was written twenty years after the first, Opus 4 from 1978. The First Quartet is an obsessively contrapuntal work in one movement, which was no doubt influenced by my studies with David Diamond. I had always intended to return to the medium once I left the astringency of my earlier style, but it was only when the National Federation of Music Clubs commissioned a major chamber work, with unspecified instrumentation, to celebrate their 100th Anniversary that I was enabled to do so. The Second Quartet is in four movements: Moderato, Allegro isterico, an Andante theme with 11 variations, and the closing Allegro, which then returns to the tempo of the first movement. An audience member at the premiere told me that she heard echoes of recent tragic events such as the Oklahoma bombing in this work. While I had no such programmatic intent while writing the quartet, it was not an entirely incorrect assessment of the work's intended emotional impact. The quartet is pervaded by a sense of seriousness, even mournfulness. The second movement's scherzo is an aggressively animated piece of musical machinery. The third movement's Variations unfold into a greater variety of moods than the others - but the moments of lyricism are countered by aggressive or ironic outbursts. The final movement's attempt at triumph quickly subsides into a return of the first movement, before being transformed onto a sense of resignation and acceptance as the chromaticism of the opening theme is transformed into a pure and diatonic C-Major. The work received its world premiere by the Shanghai Quartet at the 100th Anniversary Congress of the National Federation of Music Clubs at the Congress Hotel in Chicago on August 19th 1998.
My second String Quartet was written twenty years after the first, Opus 4 from 1978.  The First Quartet is an obsessively contrapuntal work in one movement, which was no doubt influenced by my studies with David Diamond.  I had always intended to return to the medium once I left the astringency of my earlier style, but it was only when the National Federation of Music Clubs commissioned a major chamber work, with unspecified instrumentation, to celebrate their 100th Anniversary that I was enabled to do so.The Second Quartet is in four movements:  Moderato, Allegro isterico, an Andante theme with 11 variations, and the closing Allegro, which then returns to the tempo of the first movement.An audience member at the premiere told me that she heard echoes of recent tragic events such as the Oklahoma bombing in this work.  While I had no such programmatic intent while writing the quartet, it was not an entirely incorrect assessment of the work’s intended emotional impact.  The quartet is pervaded by a sense of seriousness, even mournfulness.  The second movement’s scherzo is an aggressively animated piece of musical machinery.  The third movement’s Variations unfold into a greater variety of moods than the others – but the moments of lyricism are countered by aggressive or ironic outbursts.  The final movement’s attempt at triumph quickly subsides into a return of the first movement, before being transformed onto a sense of resignation and acceptance as the chromaticism of the opening theme is transformed into a pure and diatonic C-Major.The work received its world premiere by the Shanghai Quartet at the 100th Anniversary Congress of the National Federation of Music Clubs at the Congress Hotel in Chicago on August 19th 1998.

(2nd Violin). Arranged by Andrew H. Dabczynski. Orchestra. For Violin 2. Part(s); String Quartet. Alfred's Ovation String Quartet Series. Wedding. 32 pages. Published by Alfred Music Publishing