String Quartet

SKU: HL.14035182

Gathering (Score). Composed by Kevin Volans. Music Sales America. Classical. Score. Composed 1993. 40 pages. Chester Music #CH60972. Published by Chester Music (HL.14035182).

ISBN 9780711967311. 9.0x12.0x0.14 inches.

String Quartet No.2 Hunting: Gathering was commissioned by Doris and Myron Beigler and the Lincoln Center for the Performing Arts for the Kronos Quartet. It was first performed by them in December 1987, San Francisco. Duration 24 minutes. Parts available: CH61330.

String Quartet - Grade 3.5

SKU: AP.36-52703558

Composed by Lynne Latham. Arranged by Catherine McMichael. Performance Music Ensemble; String Quartet. Ludwig Masters. Wedding. Score. Latham Music Enterprises #36-52703558. Published by Latham Music Enterprises (AP.36-52703558).

ISBN 9781628760330. UPC: 660355067679. English.

Don't let this title fool you...this collection of ten meditative preludes is useful for more than just weddings.  For service introits, communion gatherings, memorials, funerals or prayer interludes these lovely settings will find a way to your folder throughout the year in church or concert venues.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

String Quartet (str quar)

SKU: BR.MR-32069

Composed by Johannes Brahms. Edited by Christian Beyer. Chamber music; stapled. Musica Rara. Overture; Romantic. Score and parts. 44 pages. Duration 10'. Breitkopf and Haertel #MR 32069. Published by Breitkopf and Haertel (BR.MR-32069).

ISBN 9790004489499. 9 x 12 inches.

Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer. The present arrangement for string quartet by Christian Beyer compliments the already available overtures by Mozart, which Beyer also arranged for this instrumentation.

(Study Score). By Franz Joseph Haydn (1732-1809). Edited by Georg Feder. Henle Music Folios. Book only. 100 pages

Chamber Music String Quartet

SKU: PR.14440572S

Composed by Ellen Taaffe Zwilich. Sws. Premiere: South Mountain Concerts, Pittsfield, MA; Saint Lawrence String Quartet. Contemporary. Full score. With Standard notation. Composed 2012. 16 pages. Duration 12 minutes. Theodore Presser Company #144-40572S. Published by Theodore Presser Company (PR.14440572S).

ISBN 9781598066029. UPC: 680160617685. 9x12 inches.

When the family heirs to the legendary Galimir String Quartet (three sisters and a brother) gathered to commemorate the centenary birth years of these famed performers, they chose Ellen Taaffe Zwilich to commission for this honor. The composer, who has also worked professionally as a violinist, responded with a one-movement odyssey entitled Voyage, cross-breeding her own characteristic style with glimpses of Viennese waltzes and other Galimir flavor. There is a sweet, sad lyricism to this work, a hectic discord..., some wailing and moaning, these moods alternating with dancing klezmer rhythms of Jewish wedding music that take over and make things right in the end. (Stanley Fefferman, BachTrack.com).

SKU: GI.G-008759

Tune Name: Based On Lasst Uns Erfreuen, Lm With Alleluias. Sacred. GIA Publications #008759. Published by GIA Publications (GI.G-008759).

UPC: 641151087597.

Chamber Music String Quartet

SKU: PR.114405050

Composed by John Downey. Set of Score and Parts. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505. Published by Theodore Presser Company (PR.114405050).

UPC: 680160008377. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique efffect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water , disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorlines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluch the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against the sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in spae. Here, the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement , two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue among the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of 'psycho-rhythmics contributes to an on-rush of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

Chamber Music String Quartet

SKU: PR.11440505S

Composed by John Downey. Full score. With Standard notation. 53 pages. Duration 25 minutes. Theodore Presser Company #114-40505S. Published by Theodore Presser Company (PR.11440505S).

UPC: 680160008391. 11 x 14 inches.

Although structurally it subdivides into five movements, the entire quartet emerges as one vast continuum. There are no formal breaks between movements. However, certain musical signposts can be discerned, associated with each of the movements' terminations and new beginnings. The opening movement, The Nostalgia of Clanging Bell Sonorities, begins floating on recurrent Bbs whose soft rhythmic flow slowly puts into motion strong undercurrents suggestive of the latent power of water... After several suggestions of tolling bells, the movement gradually fades into hushed tones of veiled and very distant sonorities. It uses a unique effect, for the first time in a musical context, conveyed through the use of extra heavy practice mutes. The second movement, The Spill of Water, disengages itself from the first through its distinct contrast in tempo. Water moves fast, and when it splashes, it tends to run wildly. In this case, it happens to be bubbly water that gushes forth bodly... smashing across rocky shorelines. So, too, the music attempts to conjure such moods. At the end of this movement, a cello cadenza emerges, introducing an introspective type of melodicism. The third movement, The Poignancy of Memory, contains many silences as it tries to convey memory through fragmented remembrances much like often occur in our dream state. Progressing through several slowly building images, it gradually works itself into juxtaposition of musical images. Towards the movement's end, high harmonics are sounding in all four instruments while left hand pizzicato notes in the cello pluck the last remembrances of this central core. Almost imperceptibly, the viola assumes leadership as it dissolves into: The fourth movement, The Fluidity of Motion, which has mostly the viola, but also the cello, articulating lyrical statements against sheets of sound conjured up by the two violins playing a flood of swirling figures, evokes a kind of static motion in space. Here , the virtually imperceptible manner in which this hushed whisper continues incessantly, can suggest the potential fluidity with which movement may inch forward... Later into the fourth movement, two fairly extended solos by the second and then the first violins, lead to a kind of spontaneous dialogue amont the four instrumentalists. Eventually, this musical conversation gets caught up in: The fifth movement's The Rush of Time, which opens with a hushed flurry of speed, precipitates the Finale. It generates, at first slowly, but then very swiftly, whole shifts of rhythmic fields that initially seem to conflict with one another. Ultimately, this use of psycho-rhythmics contributes to an on-rush seem of motion and time. Rhythmic changes are, at times, abruptly precipitated with but little or no preparation creating a kind of inevitability in forward thrust, while the movement rushes forward with a feeling of gradual and continuous acceleration. It gathers density as more and more notes are piled progressively upon successive beats. The attempt is to spark tension and ignite excitement by means of frenetic confrontations of dissimilitudes. Ultimately - with the help of time - these polarities centrifically spin out their own destinies with their accompanying fall-out and own inevitable resolutions.

String Quartet

SKU: HL.14035172

Composed by Kevin Volans. Music Sales America. Set (Score & Parts). Chester Music #SOS03216. Published by Chester Music (HL.14035172).