By George Frideric Handel. Edited by George Megaw. Arranged by Paul Paradise. Orchestra (Viola). 32 pages. Published by Belwin.

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Set of parts. Standard Notation. 33 (violin 1), 31 (violin 2), 31 (viola), 31 (cello) pages

Arranged by Deborah Greenblatt. String Quartet. For 2 violins, viola, and cello. Score. Standard Notation. 44 pages

SKU: TM.540-6208SET

Composed by George Chadwick. Set of parts. Lucks Music Library #M 2021. Published by Lucks Music Library (TM.540-6208SET).

String Quartet

SKU: C4.9790-902250559

Composed by George Henschel. Edited by Daniel Mitterdorfer and Harold Fabrikant. Classical. Score and Parts. Crescendo Music Publications #9790-902250559. Published by Crescendo Music Publications (C4.9790-902250559).

ISBN 9790902250559. 8.27 x 11.7 inches.

Not much is known of the performance history of this work, though its dedication to the Kneisel Quartet indicates that Henschel held them in high esteem. Cast in the traditional four-movement structure, the Quartet looks back unashamedly to the Romantic period and would not be out of place in a programme containing any of Brahms' Quartets.

String Quartet (STRING QRTET)

SKU: HL.50602025

Set of Parts. Composed by Georges Enescu. String. Classical. Softcover. 100 pages. Editions Salabert #SLB01589200. Published by Editions Salabert (HL.50602025).

ISBN 9781540055040. UPC: 888680944780. 9.5x12.5x0.36 inches.

Chamber Music String Quartet

SKU: PR.144401000

Composed by George Perle. Spiral. Premiere: Forum Group of the International Society for Contemporary Music, in New York City. Contemporary. Score. With Standard notation. Composed 1946-1948. Opus 21. Theodore Presser Company #144-40100. Published by Theodore Presser Company (PR.144401000).

UPC: 680160025589. 11 x 8.5 inches.

George Perle, now an instructor at the University of Louisville, was born in 1915, in Bayonne, New Jersey. He began work on the Third String Quartet in 1946 in Japan and completed it the following year in New York City. It was presented for the first time at a concert of the Forum Group of the International Society for Contemporary Music, in New York City on Feb. 7, 1948. The work is based on the following twelve-tone series, and its permutations and transpositions: d; e-flat; a-flat; b; c; f-sharp; c-sharp; f-natural; g; a; e; b-flat. The score is arranged in the present publication in such a way as to render unnecessary the extraction of parts for performance. Each player may read his part directly from a copy of the score.