Killer Queen Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Quartet - late intermediate SKU: BT.DHP-1115204-070 As Performe...(+)
String Quartet - late
intermediate
SKU:
BT.DHP-1115204-070
As Performed by
Queen. Composed by
Freddie Mercury. Arranged
by Anthony Gröger. De
Haske Pops for String
Quartet. Pop & Rock. Set
(Score & Parts). Composed
2011. 12 pages. De Haske
Publications #DHP
1115204-070. Published by
De Haske Publications
(BT.DHP-1115204-070).
9x12 inches.
English-German-French-Dut
ch.
De Haske's
best-selling Pops for
String Quartet series
offers excellent
arrangements for
intermediate string
quartets who want to
bring some classic pop to
their performances.Have
you ever played Queen
with your string quartet?
Now you can treat the
audience to music from
this iconic band.
Onder de naam
Pops for String
Quartet heeft de
Haske een nieuwe serie
ontwikkeld voor
strijkkwartetten die zich
eens buiten het klassieke
pad willen begeven. Een
collectie van uitstekende
arrangementen in
gemiddelde
moeilijkheidsgraad!Brian
May (gitarist van Queen)
: Killer Queen was
the turning point. It was
the song that best summed
up our kind of music, and
a big hit, and we
desperately needed it as
a mark of something
successful happeningfor
us... I was always very
happy with this song.
Maak uw publiek en uzelf
ook blij met deze
uitgave!
Unter dem
Titel Pops for String
Quartet hat De Haske
eine Notenreihe ins Leben
gerufen, die
Streichquartette, die
sich einmal abseits der
ausgetretenen klassischen
Pfade bewegen wollen, mit
ausgezeichneten
Arrangements im leichten
bis mittleren
Schwierigkeitsgrad
versorgt.Haben Sie schon
einmal Queen im
Streichquartett gespielt?
Mit dieser Ausgabe
können Sie sich (und
Ihrem Publikum) dieses
Vergnügen
gönnen!
La
collection Killer
Queen pour Quatuor
Cordes.
Pops
for String Quartet:
una collana per tutti i
violinisti desiderosi di
suonare qualcosa di
diverso dal repertorio
classico.Avete gi suonato
un brano dei Queen con un
quartetto di archi? Un
brano che delizier sia
voi sia chi vi
ascolta!
Just the Way You Are Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1125308-070 Composed by B...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1125308-070
Composed by Billy Joel.
Arranged by Anthony
Gröger. De Haske Pops
for String Quartet. Set
(Score & Parts). Composed
2012. 12 pages. De Haske
Publications #DHP
1125308-070. Published by
De Haske Publications
(BT.DHP-1125308-070).
ISBN 9789043150293.
9x12 inches.
English-German-French-Dut
ch.
De Haske's
best-selling Pops for
String Quartet series
offers excellent
arrangements for
intermediate string
quartets who want to add
some classic pop to their
performances.
The Stranger
is het vijfde studio
album van Billy Joel,
uitgebracht in 1977. Dit
album betekende zijn
doorbraak naar het grote
publiek en is dan ook
zijn bestverkochte
reguliere plaat. De meest
succesvolle single van
het albumis het prachtige
Just the way you
are.Onder de naam
Pops for String
Quartet heeft de
Haske een nieuwe serie
ontwikkeld voor
strijkkwartetten die zich
eens buiten het klassieke
pad willen begeven. Een
collectie vanuitstekende
arrangementen in
gemiddelde
moeilijkheidsgraad! Die romantische
Ballade, die Billy Joel
1977 für seine Frau
schrieb, umgesetzt in
eine sehr gefühlvolle
Bearbeitung für
Streichquartett.Unter dem
Titel Pops for String
Quartet hat De Haske
eine Notenreihe ins Leben
gerufen, die
Streichquartette, die
sich einmal abseits der
ausgetretenen klassischen
Pfade bewegen wollen, mit
ausgezeichneten
Arrangements im leichten
bis mittleren
Schwierigkeitsgrad
versorgt.
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
Composed by Cole Porter.
Arranged by Bert Ligon.
Performance Music
Ensemble; String Quartet.
Latham Music. Score.
LudwigMasters
Publications
#36-52703312. Published
by LudwigMasters
Publications
(AP.36-52703312).
ISBN
9781621569794. UPC:
660355076695.
English.
Collection
includes: Night & Day;
Begin the Beguine; I Get
a Kick Out of You; You'd
Be So Nice To Come Home
To and I Concentrate on
You.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Cole Porter.
Arranged by Bert Ligon.
Performance Music
Ensemble; String Quartet.
Latham Music. Score and
Part(s). Latham Music
Enterprises #36-52703311.
Published by Latham Music
Enterprises
(AP.36-52703311).
ISBN
9781621569787. UPC:
746241226563.
English.
Collection
includes: Night and Day;
Begin the Beguine; I Get
a Kick Out of You; You'd
Be So Nice To Come Home
To and I Concentrate on
You.
These
products are currently
being prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
String Quartet (2vl,va,vc) SKU: BR.EB-9243 Full Score. Composed by...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9243
Full
Score. Composed by
Christian Mason. Chamber
music; stapled. Edition
Breitkopf. World premiere
of the original version:
London, May 10, 2016World
premiere of the string
orchestra version:
Clermont-Ferrand, October
8, 2020. New music
(post-2000). Full score.
Composed 2016/2020. 40
pages. Duration 19'.
Breitkopf and Haertel #EB
9243. Published by
Breitkopf and Haertel
(BR.EB-9243).
ISBN
9790004185438. 9 x 12
inches.
It was the
practice of Khoomii
(throat singing) -
following several
workshops with Michael
Ormiston - that first
attracted me to Tuvan
music. Composing this
Songbook, the first in a
series commissioned by
the Ligeti Quartet, I
took the chance to
reflect on compositional
questions around
transcription and
arrangement of existing
music, and frequently
found myself asking:
where is the boundary
between the source
material and the new
substance? Of course the
relationship varies from
piece to piece, and
moment to moment:
sometimes we seem to
glimpse the pure source,
but most of the time
there are differing
degrees of distance,
working towards or away
from it. This new version
for string orchestra
corresponds closely to
the original quartet
version, with an
additional part for
double basses.The
traditional Tuvan songs
that I have transcribed
and recomposed are all
known to me from the Ay
Kherel CD The Music of
Tuva: Throat Singing and
Instruments from Central
Asia (2004, Arc Music).
According to the notes
from that CD, this is
what the songs are
about:1. Dyngylday: If
you have come on a horse
in blue, it doesn't mean
that you are the best. My
heart tells me something
else: my sweetheart
doesn't have such a
beautiful horse, but he
is my darling.An
alternative
interpretation from Alash
Ensemble
(alashensemble.com): The
word dyngylday is a
nonsense term with no
translation. The song
makes good-humored fun of
somebody for being a
good-for-nothing.2. Eki
Attar (The Best Steeds):
The horse is the basis of
our life. It is a magic
creature. Even its step
is full of music and
rhythm. You may not be a
horse rider, but when you
hear this song you will
always remember horses.3.
Kuda Yry: This wedding
song glorifies the
strength of the groom and
the beauty of his
Horse.4. Ezir-Kara
('Black Eagle'): This was
the name of a horse, who
became a legend through
his remarkable strength
and speed.It is not just
overtones that abound
here: there are galloping
rhythms aplenty, and
though I am no horse
rider I tried to keep the
horses galloping in my
imagination while
composing these
pieces.Christian Mason
(with quotes from Ay
Kherel and Alash
Ensemble)
World
premiere of the original
version: London/UK, May
10, 2016, World premiere
of the string orchestra
version:
Clermont-Ferrand/France,
October 8, 2020.