Tenor & String Quartet SKU: PE.EP72822 Composed by Jonathan Dove. Voice(s...(+)
Tenor & String Quartet
SKU: PE.EP72822
Composed by Jonathan
Dove. Voice(s) & Various
Instruments. Edition
Peters. Living Composer.
Score and Part(s). 164
pages. Duration 00:30:00.
Edition Peters
#98-EP72822. Published by
Edition Peters
(PE.EP72822).
ISBN
9790577011769. 232 x
303mm inches.
English.
I have
only visited Damascus
once, twenty years ago,
on the way to
Palmyra. I had a
purpose (I was writing
music for a play about
Palmyra’s Queen
Zenobia) but essentially
I was a tourist.
Like any visitor, I was
thrilled to step out of
the noisy modern city
into the magical ancient
world of the walled Old
City, its vibrant souk
leading to the
magnificent mosque, and a
labyrinth of winding,
narrow streets filled
with the smell of
unleavened
bread.
In Palmyra,
I was met with
extraordinary kindness
everywhere. On one
occasion, a little
Bedouin boy noticed that
I was risking sunstroke
wandering bare-headed
among the spectacular
ruins: he showed me how
to tie a turban, then
took me to have tea with
his family in their
tent.
Since then, I
have watched helplessly
as these places of wonder
have been devastated and
their inhabitants
scattered and
killed. When the
Sacconi Quartet suggested
that I might choose a
Syrian poet for our
collaboration, I welcomed
the idea.
I
searched for a long time
to find a contemporary
poet whose work might
gain from any music I
could imagine. I
felt it was important to
find first-hand accounts
of the Syrian experience
– but, of course, I
was always reading them
in translation. In
an anthology
called Syria
Speaks, I was
astonished to read
something that looked
like prose, but was full
of poetry. It was
Anne-Marie
McManus’s fine
translation of Ali
Safar’s A
Black Cloud in a Leaden
White Sky
– an
eloquent, thoughtful,
contained yet vivid
account of life in a
war-torn country, all the
more moving for its
restraint.
In
setting these words, I
have not attempted to
imitate Syrian
music. However,
there is what might be
called a linguistic
accommodation in my
choice of scale, or
mode. Several
movements are in a mode
that I first discovered
while writing a cantata
commemorating the First
World War: it has a
tuning that I associate
with war, its violence
and desolation.
This eight-note
mode is similar to scales
found in Syrian
music. I did not
choose it in the
abstract: it emerged from
the harmonies I was
exploring in the earlier
work, and emerged again
as I was looking for the
right musical colours to
set Ali Safar’s
words. In this
work, its Arabic aspect
is more prominent. -
Jonathan
Dove
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String Quartet
Score. Composed by
Shin-Ichiro Ikebe. String
Ensemble. Classical.
Softcover. 28 pages.
Duration 600 seconds.
Zen-On #ZN590228.
Published by Zen-On
(HL.49045762).
ISBN
9784115902282.
8.25x11.75x0.1
inches.
This is the
eleventh work in my
chamber music series,
STRATA, and my fourth
string quartet following
STRATA I, V, and IX. This
series started in 1988
based on the idea of
regarding registers as
strata (the plural form
of stratum), from which
the title in derived.
While I continue to write
pieces, however, the
initial concept changed
in various aspects. This
time, I returned to the
original idea To put it
simply, I restarted from
STRATA I. I used the same
instruments and stared at
strara created by the
four string parts. That
became the act of
composing STRATA XI. The
work doesn't have
'development' in the
general sense but
represents a panorama of
strata. It consists of
four movements
(fast-slow-fast-slow). In
fact, before writing the
STRATA series, I wrote a
long string quartet when
I was a student, but I
didn't include it in my
list of works. Anyway,
the thought of writing
string quartet has never
disappeared from me. It
alays weighs heavily on
my mind. Shin-Ichiro
Ikebe.
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Composed by Bohuslav
Martinu. Edited by
Aleš Brezina. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
IV/3/2. Complete edition,
Score, anthology.
Baerenreiter Verlag
#BA10576_01. Published by
Baerenreiter Verlag
(BA.BA10576-01).
ISBN
9790260108363. 33.3 x 26
cm inches. Language: CS,
Text Language: CZ.
Preface: Brezina,
Aleš.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
She's Always A Woman Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1115206-070 Composed by Billy J...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1115206-070
Composed by Billy Joel.
Arranged by Anthony
Gröger. De Haske Pops
for String Quartet. Pop &
Rock. Set (Score &
Parts). Composed 2011. 12
pages. De Haske
Publications #DHP
1115206-070. Published by
De Haske Publications
(BT.DHP-1115206-070).
ISBN 9789043149297.
9x12 inches.
English-German-French-Dut
ch.
De Haske's
best-selling Pops for
String Quartet series
offers excellent
arrangements for
intermediate string
quartets who want to
bring some classic pop to
their performances.This
lyrical ballad was
released by Billy Joel in
1977 and has gained
popularity recently when
it was used for a John
Lewis television advert.
Onder de naam
Pops for String
Quartet heeft de
Haske een nieuwe serie
ontwikkeld voor
strijkkwartetten die zich
eens buiten het klassieke
pad willen begeven. Een
collectie van uitstekende
arrangementen in
gemiddelde
moeilijkheidsgraad!Deze
prachtige ballad uit de
jaren zeventig van Billy
Joel leent zich
uitstekend voor een
gevoelige interpretatie
door
strijkkwartet.
Unt
er dem Titel Pops for
String Quartet hat De
Haske eine Notenreihe ins
Leben gerufen, die
Streichquartette, die
sich einmal abseits der
ausgetretenen klassischen
Pfade bewegen wollen, mit
ausgezeichneten
Arrangements im leichten
bis mittleren
Schwierigkeitsgrad
versorgt.Die lyrische
Ballade von Billy Joel
aus dem Jahre 1977 eignet
sich vorzüglich
für eine
gefühlvolle
Interpretation im
Streichquartett!
Pops
for String Quartet:
una collana per tutti i
violinisti desiderosi di
suonare qualcosa di
diverso dal repertorio
classico.La splendida
ballata lirica di Bill
Joel del 1977 si presta
alla perfezione per
essere interpretata da un
quartetto di archi.
String Quartet (Study Score) SKU: HL.51487272 Study Score. Compose...(+)
String Quartet (Study
Score)
SKU:
HL.51487272
Study
Score. Composed by
Alexander Zemlinsky.
Edited by Dominik Rahmer.
Henle Music Folios.
Classical. Softcover. G.
Henle #HN7272. Published
by G. Henle
(HL.51487272).
UPC:
840126989366.
6.75x9.5x0.245
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
String Quartet (Parts) SKU: HL.51481272 Set of Parts. Composed by ...(+)
String Quartet (Parts)
SKU: HL.51481272
Set of Parts.
Composed by Alexander
Zemlinsky. Edited by
Dominik Rahmer. Henle
Music Folios. Classical.
Softcover. G. Henle
#HN1272. Published by G.
Henle (HL.51481272).
UPC: 840126989250.
9.0x12.0x0.348
inches.
Alexander
Zemlinsky's music was
long unjustly
overshadowed by what was
regarded as the
“more
progressive†Second
Viennese School. Although
Zemlinsky was close
friends with its
protagonist Arnold
Schönberg, he never
did take the latter's
radical step into
dodecaphony. At the same
time, he composed works
that were no less
original or fully
fledged. Composed between
1913 and 1915, his Second
String Quartet in
particular pushed the
contemporaneous
understanding of form and
tonality to its limits.
With just one movement
but spanning over 1,200
measures, this
multi-faceted work
numbers among the most
significant contributions
to the genre of the time
and has long merited a
critical new edition. The
Urtext edition by G.
Henle Publishers corrects
many errors and
inaccuracies in the first
edition that came to
light after careful
comparison with the
autograph sources in
Vienna and Washington.
For the first time, too,
the metronome markings
that survive only in one
of Zemlinsky's letters
have been incorporated.
Editorial work was kindly
supported by the
Alexander Zemlinsky
Endowment Fund in
Vienna.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Celestial Harmonies Quatuor à cordes: 2 violons, alto, violoncelle Imagine Music
String Quartet SKU: IG.IMF1824 Composed by Daniel Baldwin. Score and Part...(+)
String Quartet
SKU:
IG.IMF1824
Composed
by Daniel Baldwin. Score
and Parts. Imagine Music
Publishing #IMF1824.
Published by Imagine
Music Publishing
(IG.IMF1824).
9 x 12
inches.
Written for
my first doctoral
recital, Celestial
Harmonies was a fun
exercise in
experimentation. I
approached another
graduate student, Allen
Morris, about taking high
quality photographs of
each of the
constellations, which he
did between Thanksgiving
and New Year's Eve in
2013. Upon receiving
these photographs, I had
staff paper printed on
transparency paper and
placed the constellation
photos beneath the
transparency paper and
traced out the
constellations on the
staff paper. These became
the introductory sketches
for this new string
quartet. Like a solitary
photographer gazing up at
the night sky, the music
is quiet and intimate,
but reflects the drama
and wonderment of this
wonderous phenomenon.
String
Quartets / Double Quartet
to Schubert. Composed
by Adriana Holszky.
Chamber music; stapled.
Kammermusik-Bibliothek
(Chamber Music Library).
World premiere of the
complete version: Witten,
April 27, 1991
Music
post-1945; New music
(post-2000). Performance
score. Composed 1989/90.
68 pages. Duration 18'.
Breitkopf and Haertel #KM
2418. Published by
Breitkopf and Haertel
(BR.KM-2418).
ISBN
9790004501887. 10.5 x 14
inches.
There are
two versions of this
piece (two ways to
perform it):- as a
quartet- for two quartets
playing simultaneously.
In the latter case, the
two quartets divide the
staves of the page of a
score in such a way that
one quartet always plays
the upper stave, the
other quartet the lower.
One of the two quartets
can be taped beforehand
in case it is impossible
to make use of two
quartets.(Adriana
Holszky)CDs:Hangebrucken-
Quartett I - Quartett II-
DoppelquartettNomos-Quart
ett;
Pellegrini-QuartettCD cpo
999
112-2Bibliography:Blument
aler, Volker: Adriana
Holszky; Hangebrucken,
in: Streifzuge.
Werkkommentare zur Neuen
Musik, Saarbrucken 2000,
pp. 74-78.Brodsky, Seth:
From 1989, or European
Music and the Modernist
Unconscious, Oakland:
University of California
Press 2017, pp. 164-166,
262f.Hiekel, Jorn Peter:
Antiklassisches,
Rauschhaftes, Groteskes.
Uberlegungen zu den
Werken Hangebrucken und
Message, in: Adriana
Holszky, hrsg. von
Eva-Maria Houben,
Saarbrucken 2000, pp.
69-80.ders.: Fremdheit
und Vertrautheit.
Strategien der
Wiederverwendung im
Komponieren von Adriana
Holszky, in: Neue
Zeitschrift fur Musik 178
(2017), Heft 5, pp.
26-29.Holszky, Adriana:
Wandernde Klangraume und
die Korperlichkeit des
Klanges, in: Neue
Rundschau 132 (2021),
Heft 1, S.
146-158Nonnenmann,
Rainer: Die Quadratur des
musikalischen Kreises.
Aspekte des
Streichquartettschaffens
im einundzwanzigsten
Jahrhundert, in:
MusikTexte Heft 162
(August 2019), S.
91-98Schafer-Lembeck,
Hans-Ulrich: Du baust dir
eine Stadt . Uberlegungen
zu Asthetik und Didaktik
von Adriana Holszkys
Hangebrucken, in: Neue
Musik vermitteln.
Analysen Interpretationen
- Unterricht, hrsg. von
Hans Bassler, Ortwin
Nimczik und Peter W.
Schatt, Mainz: Schott,
2004, pp.
265-285.Zeitler, Ulrich:
Hangebrucken - Brucken
zur Vergangenheit?, in:
Musik und Unterricht 16
(1992), pp. 37-42.Zenck,
Martin: Internationalitat
und nationale Romantik im
19. und 20. Jahrhundert.
Zur Schubert-Rezeption in
zwei Jahrhunderten, in:
Archiv fur
Musikwissenschaft 67
(2010), Heft 4, pp.
261-283.
World
premiere of the complete
version: Witten, April
27, 1991.