John Legend : All of Me Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By John Legend. By John Stevens and Toby Gad. Arranged by Larry Moore. For ...(+)
By John Legend. By John
Stevens and Toby Gad.
Arranged by Larry Moore.
For
String Quartet (String
Quartet). Pops For String
Quartet. Grade 3-4.
Published by Hal Leonard
String Quartet SKU: HL.14030965 Music Sales America. Classical. Set of Pa...(+)
String Quartet
SKU:
HL.14030965
Music
Sales America. Classical.
Set of Parts. Music Sales
#KP00509. Published by
Music Sales
(HL.14030965).
ISBN
9788759861448.
English.
Version
for String Quartet. Score
available: KP00510 The
composer writes: 'In
February 1987 I saw in
the Tate Gallery in
London a painting by the
Victorian English painter
John William Waterhouse.
The painting kept
haunting my memory, and
as I at the same time
planned to write a piece
for solo viola, my ideas
for the music and the
memory of the painting
fused more and more. I
decided, then, to let my
piece borrow the title of
Waterhouse's paint-ing:
'The Lady of Shalott'.
The picture of a
mad-like, pale, and
perhaps singing woman
alone in a boat without
sculls, which calmly
slips out from the rush
growth of the river is an
illustration for the
ending of Alfred
Tennyson's poem by the
same title, which again
plaits into the old
English legends about
King Arthur. My piece
tries to meander - like
the river at Camelot -
among these sources. As
suggested above the piece
was originally written
for viola solo. The
version for string
quartet is from
1993.'.
String Quartet SKU: HL.14030964 Composed by Bent Sorensen. Music Sales Am...(+)
String Quartet
SKU:
HL.14030964
Composed
by Bent Sorensen. Music
Sales America. Classical.
Score. 10 pages. Music
Sales #KP00510. Published
by Music Sales
(HL.14030964).
ISBN
9788759861455.
English.
The
Composer writes: 'In
February 1987 I saw in
the Tate Gallery in
London a painting by the
Victorian English painter
John William Waterhouse.
The painting kept
haunting my memory, and
as I at the same time
planned to write a piece
for solo Viola, my ideas
for the music and the
memory of the painting
fused more and more. I
decided, then, to let my
piece borrow the title of
Waterhouse's painting:
The Lady Of Shalott. The
picture of a mad-like,
pale, and perhaps singing
woman alone in a boat
without sculls, which
calmly slips out from the
rush growth of the river
is an illustration for
the ending of Alfred
Tennyson's poem by the
same title, which again
plaits into the old
English legends about
King Arthur. My piece
tries to meander - like
the river at Camelot -
among these sources.' As
suggested above the piece
was originally written
for Viola solo. This
version for String
Quartet is from 1993.