String Quartet No. 2. (Study Score). By David Matthews. Masterworks; Quartet; Sc...(+)
String Quartet No. 2.
(Study Score). By David
Matthews. Masterworks;
Quartet; Score; String
Quartet. Faber Edition.
20th Century; Masterwork.
Published by Faber Music
String Quartet No. 6. (Study Score). By David Matthews. Masterworks; Quartet; Sc...(+)
String Quartet No. 6.
(Study Score). By David
Matthews. Masterworks;
Quartet; Score; String
Quartet. Faber Edition.
20th Century; Masterwork.
Published by Faber Music
String Quartet No. 1. (Study Score). By David Matthews. Masterworks; Quartet; Sc...(+)
String Quartet No. 1.
(Study Score). By David
Matthews. Masterworks;
Quartet; Score; String
Quartet. Faber Edition.
20th Century; Masterwork.
Published by Faber Music
Arranged by Bert Ligon,
Bud Caputo, Martin
Norgaard, Matt Turner,
and Thom Sharp.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
LudwigMasters
Publications
#36-52703303. Published
by LudwigMasters
Publications
(AP.36-52703303).
ISBN
9781621567455. UPC:
660355097294.
English.
Arrangers
Bud Caputo, Bert Ligon,
Martin Norgaard, Matt
Turner and Thom Sharp
bring you jazz in the
string quartet world!
These seven standards are
ideal for students and
professionals alike.
Includes: It's Only A
Paper Moon (Ligon); It
Had To Be You (Norgaard);
Bye Bye Blackbird
(Caputo); Blue Moon
(Turner); Take Five
(Ligon); How High The
Moon (Sharp); and A Day
In The Life Of A Fool
(Ligon).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Music for Celebrations Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
String Quartet - intermediate SKU: BT.DHP-1196088-070 Collection of fe...(+)
String Quartet -
intermediate
SKU:
BT.DHP-1196088-070
Collection of festive
and solemn classical
pieces. Arranged by
Anthony Gröger. De
Haske String Series.
Classical. Set (Score &
Parts). Composed 2020. 32
pages. De Haske
Publications #DHP
1196088-070. Published by
De Haske Publications
(BT.DHP-1196088-070).
ISBN 9789043158572.
English-German-French-Dut
ch.
No matter the
occasion, string quartets
are always in demand.
Music for
Celebrations features
eight works by composers
ranging from Marc-Antoine
Charpentier to Charles
Gounod which rank among
the most popular wedding
classics, with many of
the pieces also well
suited for other
occasions. The arranger
Anthony Gröger has
succeeded in transforming
the works, some of which
originally had extensive
instrumentation, into
compelling string quartet
arrangements that are
also easy to play while
preserving much of the
familiar character of the
originals. The third
violin part, which can
replace the viola part if
no violist is available,
is an added
bonus.
Er is
altijd vraag naar
strijkkwartetten voor
diverse feestelijke
gelegenheden. Music
for Celebrations
bevat acht werken van
verschillende bekende
componisten, van
Marc-Antoine Charpentier
tot Charles Gounod, die
behoren tot de meest
geliefde klassiekers voor
bruiloften, maar veelal
eveneens geschikt zijn
voor andere gelegenheden.
Arrangeur Anthony
Gröger is erin
geslaagd de stukken
waarvan sommige
oorspronkelijk voor een
omvangrijke
instrumentatie zijn
geschreven te
transformeren tot
overtuigende, goed
speelbare muziek voor
strijkkwartetbezetting,
waarin het vertrouwde
klankbeeld grotendeels
behouden is gebleven. Een
handig extraatje is de
toegevoegde
derdevioolpartij, die de
altvioolpartij kan
vervangen als er geen
altviolist beschikbaar
is.
Bei
festlichen Anlässen
diverser Art sind
Streichquartette immer
wieder gefragt. In
Music for
Celebrations sind
acht Kompositionen von
Marc-Antoine Charpentier
bis Charles Gounod
versammelt, die besonders
auf Hochzeitsfeiern zu
den beliebtesten
Klassikern zählen,
wobei viele der Stücke
sich auch für andere
Gelegenheiten bestens
eignen. Dem Arrangeur
Anthony Gröger ist es
gelungen, die teilweise
umfangreich besetzten
Originalwerke in
überzeugende, gut
spielbare
Streichquartettsätze
zu verwandeln und dabei
viel vom vertrauten
Klangbild zu bewahren.
Ein Bonbon ist die
zusätzlich beiliegende
dritte Violinstimme, die
anstelle der
Bratschenstimme genutzt
werdenkann, falls kein
Bratschist zur
Verfügung steht.
Trois quatuors [F, G, d] Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Noten Roehr
String quartet SKU: NR.84458 Pour deux violons, viola et violoncelle(+)
String quartet
SKU:
NR.84458
Pour deux
violons, viola et
violoncelle. Composed
by Frederik Hans
Matthison-Hansen. Chamber
music (3-9 instruments).
Score. Noten Roehr
#84458. Published by
Noten Roehr (NR.84458).
String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE24 The Planet on the Table....(+)
Chamber Music String
Quartet
SKU:
CF.BE24
The Planet
on the Table.
Composed by Martin
Bresnick. Folio. Set of
Score and Parts.
48+20+16+16+16 pages.
Duration 32 minutes. Carl
Fischer Music #BE24.
Published by Carl Fischer
Music (CF.BE24).
ISBN
9781491156780. UPC:
680160915323. 9 x 12
inches. La.
Based
on Wallace Stevens' poem
The Planet on the Table
this string quartet's
world is made of the
music and sounds of
remembered times or of
something heard that the
composer, Martin
Bresnick, liked. The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems as a point
of departure or pathway
into those remembered
sounds and music. What
matters is that my music,
like his (Stevens')
poetry, should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part.. Wallace
Stevens' poem The Planet
on the Table begins -
Ariel was glad he had
written his poems, They
were of a remembered time
Or of something seen that
he liked. In this string
quartet, also entitled
The Planet on the Table,
my planet is made of the
music and sounds of a
remembered time or of
something heard that I
liked. The quartet has
five movements, each
headed by a quotation
from one of Stevens'
poems* as a point of
departure or pathway into
those remembered sounds
and music: I. Mrs.
Anderson's Swedish Baby
II. She Measured the Hour
III. Scene 10 Becomes 11
IV. Someone Has Walked
Across the Snow V. His
Self and the Sun Like
Stevens, my self and the
sun are one, and my
music, like his poetry,
although makings of my
self, is also makings of
the sun. Stevens wrote it
was not important that
his poetry survive, which
is also true of my work.
What matters is that my
music, like his poetry,
should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part. *Sources for
the titles: I. The
Pleasures of Merely
Circulating II. The Idea
of Order at Key West III.
Chaos in Motion and Not
in Motion IV. Vacancy in
the Park V. The Planet on
the Table. Wallace
Stevens' poem The Planet
on the Table begins
-Ariel was glad he had
written his poems,They
were of a remembered
timeOr of something seen
that he liked.In this
string quartet, also
entitled The Planet on
the Table, my planet is
made of the music and
sounds of a remembered
time or of something
heard that I liked.The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems* as a
point of departure or
pathway into those
remembered sounds and
music:I. Mrs. Anderson's
Swedish BabyII. She
Measured the HourIII.
Scene 10 Becomes 11IV.
Someone Has Walked Across
the SnowV. His Self and
the SunLike Stevens, my
self and the sun are one,
and my music, like his
poetry, although makings
of my self, is also
makings of the sun.
Stevens wrote it was not
important that his poetry
survive, which is also
true of my work.What
matters is that my music,
like his poetry, should
bear some lineament or
character, some
affluence, if only half
perceived in the poverty
of its sounds, of the
planet of which it was
part.*Sources for the
titles:I. The Pleasures
of Merely CirculatingII.
The Idea of Order at Key
WestIII. Chaos in Motion
and Not in MotionIV.
Vacancy in the ParkV. The
Planet on the Table.
2 violins, viola, violoncello SKU: FG.55011-881-2 Reconstruction by An...(+)
2 violins, viola,
violoncello
SKU:
FG.55011-881-2
Reconstruction by
Anssi Mattila.
Composed by Erik
Tulindberg. Arranged by
Anssi Mattila. Classical.
Score & parts. Fennica
Gehrman #55011-881-2.
Published by Fennica
Gehrman (FG.55011-881-2).
The first
composer to warrant a
place in the musical
history of Finland, Erik
Tulindberg (1761-1814)
was an excellent
violinist, and he also
played the cello. His
musical reputation spread
all the way to Stockholm
(Finland was at that time
part of the Kingdom of
Sweden), and in 1797 was
there admitted as a
member of the Royal
Academy of
Music.
The I
violin, viola and cello
parts of
Tulindberg’s
String Quartets were
discovered in 1923 in the
collections of Helsinki
University Library. They
were copies of the
instrumental parts
presumably made by
Tulindberg himself,
though they were possibly
never used during his
lifetime. Not only is the
whole of the II violin
part missing; the first
movement of the viola
part of the fifth Quartet
stops in the middle of a
phrase, and the last 60
bars or so of the
movement’s
manuscript page are just
empty staves.
In
the early 2000s, the
Rantatie Quartet asked
Anssi Mattila whether he
would like to reconstruct
the missing II violin
part. The job was
finished in 2004 and the
Rantatie Quartet released
a Classical Emma-winning
disc of the Quartets in
2006.
This product
includes the full score
and the set of parts.
![Trois quatuors [F, G, d]](https://www.sheetmusicplus.com/dw/image/v2/BJFX_PRD/on/demandware.static/-/Sites-smp-main/default/dw08b18d91/images/5276/19645276_cover-large_file.png)
