Wedding Music Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Southern Music Ltd
(String Solos and Ensemble/String Quartet). Arranged by Aufderhaar, Cleo. For St...(+)
(String Solos and
Ensemble/String Quartet).
Arranged by Aufderhaar,
Cleo. For String Quartet.
String Solos and
Ensembles - String
Quartet. Southern Music.
Grade 4. 12 pages.
Southern Music Company
#B458VN2. Published by
Southern Music Company
Wedding Music Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire Southern Music Ltd
(String Solos and Ensemble/String Quartet). Arranged by Aufderhaar, Cleo. For St...(+)
(String Solos and
Ensemble/String Quartet).
Arranged by Aufderhaar,
Cleo. For String Quartet.
String Solos and
Ensembles - String
Quartet. Southern Music.
Grade 4. 12 pages.
Southern Music Company
#B458VN1. Published by
Southern Music Company
Wedding Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] - Intermédiaire Southern Music Ltd
(String Solos and Ensemble/String Quartet). Arranged by Cleo Aufderhaar. For Str...(+)
(String Solos and
Ensemble/String Quartet).
Arranged by Cleo
Aufderhaar. For String
Quintet (Score). String
Solos and Ensembles -
String Quartet. Southern
Music. Grade 4. Southern
Music Company #B458CO.
Published by Southern
Music Company
Four Canons Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Music Distribution Services
String Quartet SKU: M7.DOHR-20704 Composed by Johann Lutter. Sheet music....(+)
String Quartet
SKU:
M7.DOHR-20704
Composed by Johann
Lutter. Sheet music.
Score and parts. 6 pages.
MDS (Music Distribution
Services) #DOHR 20704.
Published by MDS (Music
Distribution Services)
(M7.DOHR-20704).
String Quartet. By Johann Pachelbel. Arranged by Donald Fraser. Fentone Play Alo...(+)
String Quartet. By Johann
Pachelbel. Arranged by
Donald Fraser. Fentone
Play Along Books. Play
Along. Size 8.25x11.75
inches. Published by
Fentone Music.
String Quartet or String Orchestra - easy SKU: BT.DHP-1135315-070 Arrange...(+)
String Quartet or String
Orchestra - easy
SKU:
BT.DHP-1135315-070
Arranged by Nico Dezaire.
De Haske String Orchestra
Series. Set (Score and
Parts). De Haske
Publications #DHP
1135315-070. Published by
De Haske Publications
(BT.DHP-1135315-070).
ISBN 9789043146814.
9x12 inches.
English-German-French-Dut
ch.
Scherzo P 191 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Avancé Schott
In e minor for string quartet. By Ottorino Respighi. By Ottorino Respighi (18...(+)
In e minor for string
quartet. By Ottorino
Respighi. By Ottorino
Respighi (1879-1936).
Edited
by Elia Andrea Corazza.
This
edition: Saddle
stitching.
Sheet music. Edition
Schott.
Classical. Score and
parts,
softcover. Composed 1898.
24
pages. Schott Music #ED
23356. Published by
Schott
Music
String Quartet No. 2 Quatuor à cordes: 2 violons, alto, violoncelle Merion Music
Chamber Music String Quartet SKU: PR.14440265S Composed by Sydney F. Hodk...(+)
Chamber Music String
Quartet
SKU:
PR.14440265S
Composed
by Sydney F. Hodkinson.
Large Score. With
Standard notation.
Duration 25 minutes.
Merion Music #144-40265S.
Published by Merion Music
(PR.14440265S).
UPC:
680160027910.
The
Second and Third Quartets
were conceived at the
same time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed. Accordingly,
they share similar
material but, like the
intertwining blood of
cousins, their natures
differ: No. 2 being
somewhat acerbic and
declamatory, No. 3 more
lyric and gentler. An
annunicatory 'leaping
motive' (derived from a
motto generated by my
name) opens Quartet No. 2
and inhabits the course
of the piece as a
cyclical binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
'grammar' spoken tends to
recall the jazz world of
my youth. To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms. The
first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The second
movement is a set of
strophic variants and an
epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
'call-and-response.' It
is dedicated to the
memory of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto. All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For example,
the climax of movement
III's Rondo throws the
first movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda. The Second and
Third Quartets were
conceived at the same
time; indeed, their
composition intermingled,
over half of No. 3 being
sketched before No. 2 was
completed.Â
Accordingly, they share
similar material but,
like the intertwining
blood of cousins, their
natures differ: No. 2
being somewhat acerbic
and declamatory, No. 3
more lyric and gentler.An
annunicatory
‘leaping
motive’ (derived
from a motto generated by
my name) opens Quartet
No. 2 and inhabits the
course of the piece as a
cyclical
binding-force. A
five-note motive, usually
very deliberate, also
keeps recurring like an
insistent caller. All
three movements are based
on tonal centers (I on B
and E, II on D, III on C)
and the harmonic
‘grammar’
spoken tends to recall
the jazz world of my
youth.To hopefully
achieve a certain
classical ambience was
one of the goals of this
piece, and all three
movements have
traditional forms.Â
The first movement is a
modified Sonata-Allegro
design, with a
severely-truncated
recapitulation balanced
by a lengthy, and
decaying Coda. The
second movement is a set
of strophic variants and
an epilogue interspersed
with both solo ritornelli
and first-movement
material (the motto and
the five-note motive) in
the nature of a
fantasia-like
‘call-and-response.
’ It is
dedicated to the memory
of the American
mezzo-soprano Jan
DeGaetani. The third
movement is a modified
Rondo (ABACBA) which
evolves out of the
opening motto.All three
movements make much use
of canonic stretti,
similar gestures, and
repetition. For
example, the climax of
movement III’s
Rondo throws the first
movement back at us
again, as if the players
were reluctant to let it
go, so that the entire
piece could perhaps be
viewed as a single large,
extended, Sonata
movement, with
introduction and
Coda.
Im Freygish Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Edition HH
String quartet SKU: HH.HH477-FSP Composed by Jeremy Arden. String Quartet...(+)
String quartet
SKU:
HH.HH477-FSP
Composed
by Jeremy Arden. String
Quartet. Full score and
parts. Edition HH Music
Publishers #HH477-FSP.
Published by Edition HH
Music Publishers
(HH.HH477-FSP).
ISBN
9790708146889.
The
term
‘freygish’
is typically found in
klezmer music but derives
from a much older
cantorial mode, also
known under several other
titles including the
Ahava Rabbah mode, the
Mode of Supplication, and
Altered Phrygian mode. It
is used for the setting
of ‘Ahava
Rabbah’, or
‘abounding
love’, the
Ashkenazi prayer and
blessing sung during the
synagogue morning
services. When performed,
either in synagogue or in
a klezmer setting, the
mode can be developed
into a variety of short
phrases and melodic
forms. Jeremy Arden has
taken this beautiful
irregular scale and
filtered its melodic
forms through my own
musical sensibilities to
create a dialogue between
Jewish musical traditions
and the western musical
canon, expressed here
through the rigorous
crucible of the string
quartet.