Score and Parts String Quartet - difficult SKU: HL.49015565 String Qua...(+)
Score and Parts String
Quartet - difficult
SKU: HL.49015565
String Quartet Score
and Parts. Composed
by Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
String. Classical. Score
and parts. Composed 2006.
28 pages. Duration 8'.
Schott Music #ED9977.
Published by Schott Music
(HL.49015565).
ISBN
9781423421047.
9.0x12.0x0.079
inches.
'I have
always had a great
fondness for the works by
Schumann', Aribert
Reimann once said. There
exists a close
relationship even beyond
the music: As owner of
Schumann's medical
records from the mental
asylum in Endenich,
Reimann guarded the
secret of the
circumstances surrounding
Schumann's last weeks and
death.When the musical
world celebrated
Reimann's 70th birthday
and commemorated the
150th anniversary of
Schumann's death in 2006,
Reimann decided to
publish the records and
comment on them in his
book 'Robert Schumann in
Endenich' (ED 9870).This
book was presented to the
public on 5 May 2006 at
the Schumann Festival in
Dusseldorf. For this
occasion, as a musical
bow to Schumann, Reimann
composed the string
quartet Adagio which the
Heine Quartet premiered.
Adagio is based on both
Schumann's Endenich
chorales 'Wenn mein
Stundlein vorhanden ist'
and 'Stark und Mittler,
dein sind wir'.
Composed by Robert Schumann. Edited by Ernst Herttrich. For String Quartet (Stud...(+)
Composed by Robert
Schumann. Edited by Ernst
Herttrich. For String
Quartet (Study Score).
Henle Study Scores.
Softcover. 132 pages. G.
Henle #HN9873. Published
by G. Henle
3rd
string quartet.
Composed by Joerg
Widmann. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Score and parts. Composed
2003. 112 pages. Duration
12'. Schott Music
#ED9749. Published by
Schott Music
(HL.49033270).
ISBN
9790001136860.
9.25x12.0x0.3
inches.
The
Jagdquartett (Hunt
Quartet), which Jorg
Widmann wrote as his
third string quartet in
2003, following the
Choralquartett, also
begins with a visible
gesture. After a short
signal cry from the
performers, the piece
starts by quoting Robert
Schumann's Papillons op.
2, and for its full
duration retains this
gesture, these starting
sounds. The degrees of
recognizability do change
continuously, to be sure,
in the furious, racing
organism of the score.
The contours change into
forms on another level,
yet now and then the
begining material returns
clearly to the fore,
initiated anew by a cry
from the performers, and
is then digested or
mutated as a rhythmic
study into a field of
harmonic experimentation.
On rare occasions, there
are moments of pause - as
though the musicians were
testing the atmosphere,
as though they were
sensing the weather, so
as ultimately to continue
playing the quartet
across the fields an
forests of notes. A hunt
after joyful performance,
a chase, the whip
cracking, after the thing
to be shot, the sound,
its performer, perhaps
the composer himself? - A
last shout, morendo, dal
niente... - The victim is
not the audience, at any
rate.When comparing the
output of string quartets
from the 18th century to
thetime of Schumann, it
appears to have dropped
considerably. Schumann
composed only three
complete quartets, all of
them in the so-called
'chamber music year'
1842. Jorg Widmann, who
counts Robert Schumann
among his greatest
inspirations, finished a
series of five string
quartets in 2005, at the
same age as Schumann. The
quartets in the cycle
form in themselves the
characters of the
movements of the
classical quartet.
Jagdquartett represents
the fast middle movement,
the scherzo. Widmann's
work appears rough and
wild in the style of
Schumann's alter ego
Florestan. His hunt
begins in the tempo of
'allegro vivace assai'
with the final theme of
Schumann's Papillons
which often appears or is
cited in many of
Schumann's compositions.
Widmann eventually
dismantles the thematic
material of his fierce
quartet, thus
skeletonising his
prey.
Soprano voice and string quartet - difficult SKU: HL.49007921 By Rober...(+)
Soprano voice and string
quartet - difficult
SKU: HL.49007921
By Robert Schumann,
op. 107. Composed by
Robert Schumann. Arranged
by Aribert Reimann. This
edition: Saddle
stitching. Sheet music.
Edition Schott.
Classical. Score and
Parts. 56 pages. Duration
10'. Schott Music #ED
8329. Published by Schott
Music (HL.49007921).
ISBN 9790001111911.
9.0x12.0x0.238
inches.
In these
lieder, Robert Schumann
seems to mirror his life
full of crises. The
composition coincides
with the first
signs of his illness. The
picture of the drowning
Ophelia evoked in the
first chant
conjures up the image of
his suicide attempt three
years later. Aribert
Reimann's transcription
seems to be opposed to
Schumann's endeavours to
make stronger use of 'the
development of the
accompanying instrument,
the piano'. On the other
hand, the complete
integration of the vocal
part in the musical
setting of the string
quartet confirms
Schumann's assessment
that the singing voice
alone cannot 'express
everything; apart from
the expression of the
whole, even subtle
nuances of the poem shall
become apparent'. These
transcriptions show
Reimann's sense of timbre
and his many years of
experience as a lied
accompanist.
String Quartet (2vl,va,vc) SKU: BR.EB-32032 Urtext. Composed by Ro...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-32032
Urtext. Composed
by Robert Schumann.
Edited by Nick
Pfefferkorn. Chamber
music; Folder. Edition
Breitkopf. Romantic
period. Set of parts. 140
pages. Breitkopf and
Haertel #EB 32032.
Published by Breitkopf
and Haertel
(BR.EB-32032).
ISBN
9790004186343. 9 x 12
inches.
Invaluable
Glimpses Schumann's close
collaboration with the
David quartet, together
with the valuable advice
of his friend Mendelssohn
Bartholdy, led the
composer to make
extensive changes to the
Streichquartette op. 41
before publication in
December 1842. The
present edition is hence
to be thought of as a
critical Urtext edition;
it offers in fact to
those interested, an
invaluable glimpse into
Schumann's creative
process and his striving
for the final form of his
string quartets. All the
deletions, changes, and
the original phrasing
were carefully worked out
in detail, restored, and
editorially identified in
the music text. A
detailed preface giving
the geneses of the works,
as well as pages of the
autograph score in
facsimile, complement the
edition. The parts are of
course so configured in
the reliable Breitkopf
quality that the quartets
can also be performed
today in the traditional
form. The present edition
was also used for the
Leipzig String Quartet's
2010 CD recording.
String Quartet SKU: BR.PB-32032 Urtext. Composed by Robert Schuman...(+)
String Quartet
SKU:
BR.PB-32032
Urtext. Composed
by Robert Schumann.
Edited by Nick
Pfefferkorn. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score.
Breitkopf and Haertel #PB
32032. Published by
Breitkopf and Haertel
(BR.PB-32032).
ISBN
9790004215661. 6.5 x 9
inches.
Invaluable
Glimpses Schumann's close
collaboration with the
David quartet, together
with the valuable advice
of his friend Mendelssohn
Bartholdy, led the
composer to make
extensive changes to the
Streichquartette op. 41
before publication in
December 1842. The
present edition is hence
to be thought of as a
critical Urtext edition;
it offers in fact to
those interested, an
invaluable glimpse into
Schumann's creative
process and his striving
for the final form of his
string quartets. All the
deletions, changes, and
the original phrasing
were carefully worked out
in detail, restored, and
editorially identified in
the music text. A
detailed preface giving
the geneses of the works,
as well as pages of the
autograph score in
facsimile, complement the
edition. The parts are of
course so configured in
the reliable Breitkopf
quality that the quartets
can also be performed
today in the traditional
form. The present edition
was also used for the
Leipzig String Quartet's
2010 CD recording.
Urtext. Composed
by Robert Schumann.
Edited by Nick
Pfefferkorn. Chamber
music; Softbound.
Partitur-Bibliothek
(Score Library). Romantic
period. Study Score. 124
pages. Breitkopf and
Haertel #PB 32032-07.
Published by Breitkopf
and Haertel
(BR.PB-32032-07).
ISBN
9790004215661. 6.5 x 9
inches.
Invaluable
Glimpses Schumann's close
collaboration with the
David quartet, together
with the valuable advice
of his friend Mendelssohn
Bartholdy, led the
composer to make
extensive changes to the
Streichquartette op. 41
before publication in
December 1842. The
present edition is hence
to be thought of as a
critical Urtext edition;
it offers in fact to
those interested, an
invaluable glimpse into
Schumann's creative
process and his striving
for the final form of his
string quartets. All the
deletions, changes, and
the original phrasing
were carefully worked out
in detail, restored, and
editorially identified in
the music text. A
detailed preface giving
the geneses of the works,
as well as pages of the
autograph score in
facsimile, complement the
edition. The parts are of
course so configured in
the reliable Breitkopf
quality that the quartets
can also be performed
today in the traditional
form. The present edition
was also used for the
Leipzig String Quartet's
2010 CD recording.