Singin’ in the Rain Quatuor à cordes: 2 violons, alto, violoncelle - Intermédiaire De Haske Publications
From Singin’ in the Rain. Composed by Arthur Freed and Nacio Herb Brown. A...(+)
From Singin’ in the
Rain.
Composed by Arthur Freed
and
Nacio Herb Brown.
Arranged by
Anthony Gröger. De
Haske Pops
for String Quartet.
TV-Film-
Musical-Show. Set (Score
&
Parts). Composed 2019. 12
pages. De Haske
Publications
#DHP 1196189-070.
Published by
De Haske Publications
Drivers License Quatuor à cordes: 2 violons, alto, violoncelle - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1216354-070 As perform...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1216354-070
As performed by Olivia
Rodrigo. Composed by
Olivia Rodrigo, Daniel
Nigro. Arranged by
Anthony Gröger. De
Haske Pops for String
Quartet. Pop and Rock.
Set (Score and Parts).
Composed 2021. De Haske
Publications #DHP
1216354-070. Published by
De Haske Publications
(BT.DHP-1216354-070).
ISBN 9789043162135.
English-German-French-Dut
ch.
Drivers
License is the debut
single by the young
American singer Olivia
Rodrigo. The song, a
power ballad inspired by
heartbreak, received
critical acclaim upon its
release, with reviewers
lauding Rodrigos song
writing skills and
singing voice. Arranger
Anthony Gröger did not
fail to notice this mega
hit, taking the beautiful
ballad and creating an
intense and passionate
arrangement for string
quartet.
Driver
s License is de
debuutsingle van de jonge
Amerikaanse zangeres
Olivia Rodrigo. Het
nummer, een powerballad
ge nspireerd door
liefdesverdriet, kreeg
meteen al bij de release
lovende kritieken, met
name voor Rodrigoâ??s
songwriting en zang. Ook
Anthony Gröger is deze
megahit niet ontgaan. Hij
maakte van deze prachtige
ballad een intens en
passievol arrangement
voor
strijkkwartet.
Drivers License ist
die Debütsingle der
jungen amerikanischen
Sängerin Olivia
Rodrigo. Dieses Lied,
eine von Herzschmerz
inspirierte
Power-Ballade, erhielt
gleich nach der
Veröffentlichung
hervorragende Kritiken,
insbesondere für
Rodrigos
Songwriting-Fähigkeite
n und ihre Singstimme.
Anthony Gröger hat
diesen Megahit sogleich
aufgegriffen. Er schuf
aus der wunderschönen
Ballade ein intensives
und leidenschaftliches
Arrangement für
Streichquartett.
String Quartet (2vl,va,vc) SKU: BR.EB-9243 Full Score. Composed by...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9243
Full
Score. Composed by
Christian Mason. Chamber
music; stapled. Edition
Breitkopf. World premiere
of the original version:
London, May 10, 2016World
premiere of the string
orchestra version:
Clermont-Ferrand, October
8, 2020. New music
(post-2000). Full score.
Composed 2016/2020. 40
pages. Duration 19'.
Breitkopf and Haertel #EB
9243. Published by
Breitkopf and Haertel
(BR.EB-9243).
ISBN
9790004185438. 9 x 12
inches.
It was the
practice of Khoomii
(throat singing) -
following several
workshops with Michael
Ormiston - that first
attracted me to Tuvan
music. Composing this
Songbook, the first in a
series commissioned by
the Ligeti Quartet, I
took the chance to
reflect on compositional
questions around
transcription and
arrangement of existing
music, and frequently
found myself asking:
where is the boundary
between the source
material and the new
substance? Of course the
relationship varies from
piece to piece, and
moment to moment:
sometimes we seem to
glimpse the pure source,
but most of the time
there are differing
degrees of distance,
working towards or away
from it. This new version
for string orchestra
corresponds closely to
the original quartet
version, with an
additional part for
double basses.The
traditional Tuvan songs
that I have transcribed
and recomposed are all
known to me from the Ay
Kherel CD The Music of
Tuva: Throat Singing and
Instruments from Central
Asia (2004, Arc Music).
According to the notes
from that CD, this is
what the songs are
about:1. Dyngylday: If
you have come on a horse
in blue, it doesn't mean
that you are the best. My
heart tells me something
else: my sweetheart
doesn't have such a
beautiful horse, but he
is my darling.An
alternative
interpretation from Alash
Ensemble
(alashensemble.com): The
word dyngylday is a
nonsense term with no
translation. The song
makes good-humored fun of
somebody for being a
good-for-nothing.2. Eki
Attar (The Best Steeds):
The horse is the basis of
our life. It is a magic
creature. Even its step
is full of music and
rhythm. You may not be a
horse rider, but when you
hear this song you will
always remember horses.3.
Kuda Yry: This wedding
song glorifies the
strength of the groom and
the beauty of his
Horse.4. Ezir-Kara
('Black Eagle'): This was
the name of a horse, who
became a legend through
his remarkable strength
and speed.It is not just
overtones that abound
here: there are galloping
rhythms aplenty, and
though I am no horse
rider I tried to keep the
horses galloping in my
imagination while
composing these
pieces.Christian Mason
(with quotes from Ay
Kherel and Alash
Ensemble)
World
premiere of the original
version: London/UK, May
10, 2016, World premiere
of the string orchestra
version:
Clermont-Ferrand/France,
October 8, 2020.
String Quartet (2vl,va,vc) SKU: BR.EB-9244 Set of Parts. Composed ...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9244
Set of
Parts. Composed by
Christian Mason. Chamber
music; stapled. Edition
Breitkopf. World premiere
of the original version:
London, May 10, 2016World
premiere of the string
orchestra version:
Clermont-Ferrand, October
8, 2020. New music
(post-2000). Set of
parts. Composed
2016/2020. 92 pages.
Duration 19'. Breitkopf
and Haertel #EB 9244.
Published by Breitkopf
and Haertel (BR.EB-9244).
ISBN 9790004185445. 9
x 12 inches.
It was
the practice of Khoomii
(throat singing) -
following several
workshops with Michael
Ormiston - that first
attracted me to Tuvan
music. Composing this
Songbook, the first in a
series commissioned by
the Ligeti Quartet, I
took the chance to
reflect on compositional
questions around
transcription and
arrangement of existing
music, and frequently
found myself asking:
where is the boundary
between the source
material and the new
substance? Of course the
relationship varies from
piece to piece, and
moment to moment:
sometimes we seem to
glimpse the pure source,
but most of the time
there are differing
degrees of distance,
working towards or away
from it. This new version
for string orchestra
corresponds closely to
the original quartet
version, with an
additional part for
double basses.The
traditional Tuvan songs
that I have transcribed
and recomposed are all
known to me from the Ay
Kherel CD The Music of
Tuva: Throat Singing and
Instruments from Central
Asia (2004, Arc Music).
According to the notes
from that CD, this is
what the songs are
about:1. Dyngylday: If
you have come on a horse
in blue, it doesn't mean
that you are the best. My
heart tells me something
else: my sweetheart
doesn't have such a
beautiful horse, but he
is my darling.An
alternative
interpretation from Alash
Ensemble
(alashensemble.com): The
word dyngylday is a
nonsense term with no
translation. The song
makes good-humored fun of
somebody for being a
good-for-nothing.2. Eki
Attar (The Best Steeds):
The horse is the basis of
our life. It is a magic
creature. Even its step
is full of music and
rhythm. You may not be a
horse rider, but when you
hear this song you will
always remember horses.3.
Kuda Yry: This wedding
song glorifies the
strength of the groom and
the beauty of his
Horse.4. Ezir-Kara
('Black Eagle'): This was
the name of a horse, who
became a legend through
his remarkable strength
and speed.It is not just
overtones that abound
here: there are galloping
rhythms aplenty, and
though I am no horse
rider I tried to keep the
horses galloping in my
imagination while
composing these
pieces.Christian Mason
(with quotes from Ay
Kherel and Alash
Ensemble)
World
premiere of the original
version: London/UK, May
10, 2016, World premiere
of the string orchestra
version:
Clermont-Ferrand/France,
October 8, 2020.
String Quartet SKU: BR.EB-9271 Composed by Christian Mason. Chamber music...(+)
String Quartet
SKU:
BR.EB-9271
Composed
by Christian Mason.
Chamber music. Edition
Breitkopf. New music
(post-2000); Music
post-1945. Sheet Music.
Composed 2018. Duration
21'. Breitkopf and
Haertel #EB 9271.
Published by Breitkopf
and Haertel (BR.EB-9271).
ISBN 9790004185711. 0
x 0 inches.
I fell
in love with the
remarkable singing of the
Tenores di Bitti on
hearing their recordings
as a student. Their
uniquely intense vocal
timbre, their harmony,
which seemed pure and
rough at once, and the
sense that this music
was, at root, not so much
about performance as
simply being together in
the world, in a community
of spirit. At the time, I
had no intention of using
this music to my own
creative ends, but now,
here we are: Sardinian
Songbook is the second in
a cycle of works for the
Ligeti Quartet, all based
on transcriptions of
music from different
throat-singing
traditions. Like string
quartets, the tenores
usually sing in groups of
four voices, but being
free from instruments
they stand very close
together enabling the
resonances of their
voices to blend and
interact in a special
way. The quartet, of
course, can only sit so
close before their bows
clash, so I have chosen
instead to reflect this
physical closeness
inversely, by getting the
players to stand
increasingly far from one
another as the piece
progresses. In so doing,
the initial state of
sonic blend gives way to
hocketing lines, opening
up the sense of
space.Christian Mason,
2018 The four movements
may be played separately
or as a collection. If
played together the
following order should be
observed (see table of
contents).
World
premiere: Sheffield/UK,
Firth Hall, April 14,
2018, Commissioned by
Ligeti Quartet.
String Quartet SKU: BR.EB-9270 Composed by Christian Mason. Chamber music...(+)
String Quartet
SKU:
BR.EB-9270
Composed
by Christian Mason.
Chamber music. Edition
Breitkopf. New music
(post-2000); Music
post-1945. Sheet Music.
Composed 2018. 28 pages.
Duration 21'. Breitkopf
and Haertel #EB 9270.
Published by Breitkopf
and Haertel (BR.EB-9270).
ISBN 9790004185704. 9
x 12 inches.
I fell
in love with the
remarkable singing of the
Tenores di Bitti on
hearing their recordings
as a student. Their
uniquely intense vocal
timbre, their harmony,
which seemed pure and
rough at once, and the
sense that this music
was, at root, not so much
about performance as
simply being together in
the world, in a community
of spirit. At the time, I
had no intention of using
this music to my own
creative ends, but now,
here we are: Sardinian
Songbook is the second in
a cycle of works for the
Ligeti Quartet, all based
on transcriptions of
music from different
throat-singing
traditions. Like string
quartets, the tenores
usually sing in groups of
four voices, but being
free from instruments
they stand very close
together enabling the
resonances of their
voices to blend and
interact in a special
way. The quartet, of
course, can only sit so
close before their bows
clash, so I have chosen
instead to reflect this
physical closeness
inversely, by getting the
players to stand
increasingly far from one
another as the piece
progresses. In so doing,
the initial state of
sonic blend gives way to
hocketing lines, opening
up the sense of
space.Christian Mason,
2018 The four movements
may be played separately
or as a collection. If
played together the
following order should be
observed (see table of
contents).
World
premiere: Sheffield/UK,
Firth Hall, April 14,
2018, Commissioned by
Ligeti Quartet.
Paul Robeson Told Me Quatuor à cordes: 2 violons, alto, violoncelle [Partition + CD] Boosey and Hawkes
String Quartet and Pre-recorded Sound. Composed by Michael Daugherty (1954-). Bo...(+)
String Quartet and
Pre-recorded Sound.
Composed by Michael
Daugherty (1954-). Boosey
and Hawkes Chamber Music.
Classical. Softcover with
CD, Score and Parts. 52
pages. Boosey and Hawkes
#M051105922. Published by
Boosey and Hawkes
Composed
by Manfred Trojahn.
Stapled. Score. Composed
2009. 43 pages. Duration
21 minutes. Baerenreiter
Verlag #BA09378_00.
Published by Baerenreiter
Verlag (BA.BA09378).
ISBN 9790006539086.
32.5 x 25.5 cm
inches.
A modern
sequel to the music of
the Romantic era.
The first
movement hints at the
chromatic of
“Tristanâ€;
cantilena lines convey a
mournful scene. It is
succeeded by a brilliant
scherzo with the cryptic
title “Erste fremde
Szene†(First
Foreign/Unknown Scene
– one is invited
to solve this riddle),
while the third movement,
with its singing quality,
is related to the first.
The final movement, a
“Zweite fremde
Szeneâ€
(“Second
Foreign/Unknown
Sceneâ€), alludes to
the “last
dance†tradition,
with its ironic
undertones and the
copious use of sixths,
counterpointed with
tarantella rhythms.
A rewarding,
striking work, equally
valuable for concerts
combining older
compositions with new
works as for contemporary
music programmes.
String Quartet (Parts) SKU: HL.4492994 Set of Parts. By Brods...(+)
String Quartet
(Parts)
SKU:
HL.4492994
Set of
Parts. By Brodsky
Quartet and Elvis
Costello. Edited by
Jacqueline Thomas and
Paul Cassidy. Music for
String Quartet.
Classical. Softcover.
Published by Hal Leonard
(HL.4492994).
ISBN
9781705186466. UPC:
196288119203. 9.0x12.0
inches.
Elvis
Costello was inspired to
create this song sequence
for string quartet and
voice after discovering
that a Veronese academic
had been replying to
letters addressed to
â??Juliet Capulet.â?
The delicate and personal
nature of the
correspondence inspired a
wonderful and poignant
set of songs, written,
arranged and originally
performed by Elvis
Costello and the Brodsky
Quartet. Released in
1993, the album was met
with critical acclaim for
its creative mix of rock
and classical style
influences and
intelligent sense of
melody. Hal Leonard is
proud to publish this
30th Anniversary Edition
of the work, edited by
Brodsky Quartet members
Jacqueline Thomas and
Paul Cassidy.
String quartet SKU: HH.HH462-FSP Composed by Ming Wang. String Quartet. F...(+)
String quartet
SKU:
HH.HH462-FSP
Composed
by Ming Wang. String
Quartet. Full score and
parts. Edition HH Music
Publishers #HH462-FSP.
Published by Edition HH
Music Publishers
(HH.HH462-FSP).
ISBN
9790708146711.
Cica
da larvae live
underground for years,
creeping about slowly and
peacefully in the
darkness until that
sudden, beautiful brief
moment when, one warm,
damp summer’s eve,
they emerge,
metamorphosed into a
highly mobile life form.
Gaily they dance in the
sunshine, singing
ardently to the trees in
all their greenery ---
but only for a short
while, for, just as
suddenly, they are gone.
The same process repeats
year upon year. The life
cycle of this string
quartet resembles that of
the cicada. Initially,
two embryonic cells
remain hidden within
dense, gloomy
note-clusters; over time
they evolve into buds,
grow and then blossom.
They appear for the first
time in their adult form
in the fast middle
section, where they
assume the shape of two
very popular Chinese folk
melodies, Jasmine and Old
Six Blows, albeit in
wholly chromaticized and
defamiliarized variants.
After their grand
efflorescence, these
forms gradually dissolve
into transparent wisps of
sound.
String Quartet No.4 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] - Intermédiaire Wilhelm Hansen
String Quartet - Grade 4 SKU: BT.WH31498 Composed by Hans Abrahamsen. Sco...(+)
String Quartet - Grade 4
SKU: BT.WH31498
Composed by Hans
Abrahamsen. Score Only.
Composed 2013. 42 pages.
Edition Wilhelm Hansen
#WH31498. Published by
Edition Wilhelm Hansen
(BT.WH31498).
ISBN
9788759824603.
English.
String
Quartet No.4 was composed
by Hans Abrahamsen in
2012. Commissioned by
Westdeutscher Rundfunk
and Wigmore Hall For the
Arditti Quartet.
Programme note: The basic
idea for my Fourth String
Quartet was very clear to
me: It should be quiet
and soft music or to put
it in a german term: hoch
im Himmel gesungen ...
(â€High singing in
heaven…â€).
Each of the four
movements has a different
scordatura/pitch. The
first movement begins
like my work
â€Schneeâ€
sky-high with an airy and
soft melody by the first
violin. The second
movement is fast and
â€movement and
joyâ€-like. It
consists of two duets and
a reverse style
counterpoint. While the
sections were
progressively longerin
the first movement they
are getting shorter and
shorter in the second.
â€Dark, heavy and
earthy†is the
third movement and its
pizzicato recalls big
black raindrops falling
to the ground. It is the
dark and grainy
counterpart to the first
movement whereas the
fourth movement
corresponds to the
second. The fourth
movement was planned as a
dark and heavy
counterpart but it turned
out to be like
â€babblingâ€
music of a child. My
Fourth String Quartet has
become in its way a
serene and cool piece. So
the Quartet has been
finished luckyly after
twenty years it was
already in 1990 that I
was commissioned by
Wittener Tage für Neue
Musik to write the piece
for Arditti Quartet. Hans
Abrahamsen.
Chorale Fantasy Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Peermusic Classical
String Quartet SKU: BT.PMC3933 String quartet. Composed by Mohamme...(+)
String Quartet
SKU:
BT.PMC3933
String
quartet. Composed by
Mohammed Fairouz. Set
(Score & Parts). Composed
2013. 10 pages. Peermusic
Classical #PMC3933.
Published by Peermusic
Classical (BT.PMC3933).
A short work
that, in the composer's
words, Lives in the world
between maqam (Arabic
modes) and gentle
counterpoint. All parts
are written within the
singing range of the
human voice. Intermediate
Level.
String Quartet SKU: HL.14030965 Music Sales America. Classical. Set of Pa...(+)
String Quartet
SKU:
HL.14030965
Music
Sales America. Classical.
Set of Parts. Music Sales
#KP00509. Published by
Music Sales
(HL.14030965).
ISBN
9788759861448.
English.
Version
for String Quartet. Score
available: KP00510 The
composer writes: 'In
February 1987 I saw in
the Tate Gallery in
London a painting by the
Victorian English painter
John William Waterhouse.
The painting kept
haunting my memory, and
as I at the same time
planned to write a piece
for solo viola, my ideas
for the music and the
memory of the painting
fused more and more. I
decided, then, to let my
piece borrow the title of
Waterhouse's paint-ing:
'The Lady of Shalott'.
The picture of a
mad-like, pale, and
perhaps singing woman
alone in a boat without
sculls, which calmly
slips out from the rush
growth of the river is an
illustration for the
ending of Alfred
Tennyson's poem by the
same title, which again
plaits into the old
English legends about
King Arthur. My piece
tries to meander - like
the river at Camelot -
among these sources. As
suggested above the piece
was originally written
for viola solo. The
version for string
quartet is from
1993.'.
Composed
by Peteris Vasks. This
edition: Saddle
stitching. Sheet music.
Edition Schott. Score and
Parts. Composed 2004. 56
pages. Duration 25'.
Schott Music #ED9809.
Published by Schott Music
(HL.49033305).
ISBN
9790001137911. UPC:
884088408053.
9.0x12.0x0.202
inches.
String
Quartet No. 5 consists of
two contrasting
movements. The first
movement, being present,
immediately leads to an
atmosphere of high
emotional tension. The
prevailing atmospheric
elements of the music are
dramatic and passionate,
alternating with each
other like a
kaleidoscope. In contrast
to that, a second theme
is intoned three times -
an invitation, a memory
of the existence of
another world, a
light-house which
illuminates the twilight
in which we live so
often. But this
invitation remains
unheard. The first
movement concludes with
dissonances in the upper
register - a cry of utter
desperation.The second
movement, so distant ...
yet so near, is the calm,
unhurried vocal section
of the quartet. A
forgiving, loving look at
a world tortured by grief
and contradictions.
Gradually, the singing
becomes more personal,
more emotional and more
dramatic. The rhythmic
figure of a funeral march
in the recapitulation of
the second movement is a
gesture of loss.
Eventually, the quartet
loses itself in an
atmosphere of
light-filled grief.
Peteris Vask.