| String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle Carl Fischer
Chamber Music String Quartet SKU: CF.BE24 The Planet on the Table....(+)
Chamber Music String
Quartet SKU:
CF.BE24 The Planet
on the Table.
Composed by Martin
Bresnick. Folio. Set of
Score and Parts.
48+20+16+16+16 pages.
Duration 32 minutes. Carl
Fischer Music #BE24.
Published by Carl Fischer
Music (CF.BE24). ISBN
9781491156780. UPC:
680160915323. 9 x 12
inches. La. Based
on Wallace Stevens' poem
The Planet on the Table
this string quartet's
world is made of the
music and sounds of
remembered times or of
something heard that the
composer, Martin
Bresnick, liked. The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems as a point
of departure or pathway
into those remembered
sounds and music. What
matters is that my music,
like his (Stevens')
poetry, should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part.. Wallace
Stevens' poem The Planet
on the Table begins -
Ariel was glad he had
written his poems, They
were of a remembered time
Or of something seen that
he liked. In this string
quartet, also entitled
The Planet on the Table,
my planet is made of the
music and sounds of a
remembered time or of
something heard that I
liked. The quartet has
five movements, each
headed by a quotation
from one of Stevens'
poems* as a point of
departure or pathway into
those remembered sounds
and music: I. Mrs.
Anderson's Swedish Baby
II. She Measured the Hour
III. Scene 10 Becomes 11
IV. Someone Has Walked
Across the Snow V. His
Self and the Sun Like
Stevens, my self and the
sun are one, and my
music, like his poetry,
although makings of my
self, is also makings of
the sun. Stevens wrote it
was not important that
his poetry survive, which
is also true of my work.
What matters is that my
music, like his poetry,
should bear some
lineament or character,
some affluence, if only
half perceived in the
poverty of its sounds, of
the planet of which it
was part. *Sources for
the titles: I. The
Pleasures of Merely
Circulating II. The Idea
of Order at Key West III.
Chaos in Motion and Not
in Motion IV. Vacancy in
the Park V. The Planet on
the Table. Wallace
Stevens' poem The Planet
on the Table begins
-Ariel was glad he had
written his poems,They
were of a remembered
timeOr of something seen
that he liked.In this
string quartet, also
entitled The Planet on
the Table, my planet is
made of the music and
sounds of a remembered
time or of something
heard that I liked.The
quartet has five
movements, each headed by
a quotation from one of
Stevens' poems* as a
point of departure or
pathway into those
remembered sounds and
music:I. Mrs. Anderson's
Swedish BabyII. She
Measured the HourIII.
Scene 10 Becomes 11IV.
Someone Has Walked Across
the SnowV. His Self and
the SunLike Stevens, my
self and the sun are one,
and my music, like his
poetry, although makings
of my self, is also
makings of the sun.
Stevens wrote it was not
important that his poetry
survive, which is also
true of my work.What
matters is that my music,
like his poetry, should
bear some lineament or
character, some
affluence, if only half
perceived in the poverty
of its sounds, of the
planet of which it was
part.*Sources for the
titles:I. The Pleasures
of Merely CirculatingII.
The Idea of Order at Key
WestIII. Chaos in Motion
and Not in MotionIV.
Vacancy in the ParkV. The
Planet on the Table. $55.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 25 Easy String Quartets Quatuor à cordes: 2 violons, alto, violoncelle - Débutant Carl Fischer
Chamber Music String Quartet SKU: CF.BF168 Score. Composed by Ceci...(+)
Chamber Music String
Quartet SKU:
CF.BF168
Score. Composed by
Cecile Chaminade, English
Folk Song, Franz Joseph
Haydn, George Frideric
Handel, Gustav Holst,
Jean Sibelius,
Jean-Baptiste Lully,
Joseph (José) White,
Louise Farrenc, Ludwig
van Beethoven, Tielman
Susato, Welsh Folk Song,
Wolfgang Amadeus Mozart,
and etc. Arranged by
Kathryn Griesinger.
Collection - Score. Carl
Fischer Music #BF168.
Published by Carl Fischer
Music (CF.BF168). ISBN
9781491165577. UPC:
680160924615. Perfo
rming in a string quartet
is a special experience
when first learning to
play a string instrument.
Consisting of two
violins, one viola, and
one cello, the ensemble
features the beauty of
each instrument’s
unique timbre and range.
The 25 pieces in this
collection have been
carefully arranged for
developing musicians in
their first years of
playing. Ranging from
grade 1 to grade 2, each
piece uses easy key
signatures and accessible
ranges in a variety of
styles and tempi.
Spanning several
centuries, these pieces
include works from the
Medieval, Renaissance,
Baroque, Classical,
Romantic, and
Post-Romantic eras.
Representing many
countries and cultures,
this collection also
includes music by women
composers Louise Farrenc,
Cécile Chaminade,
Mélanie Bonis, Louise
Reichardt, and Amy Beach.
Ideal for recitals and
adjudicated events, this
compilation of
approachable music
promises developing
string players a
rewarding first
introduction to the
string quartet. $19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Subject Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Carl Fischer
Chamber Music String Quartet SKU: CF.BE11F Composed by Jason Eckardt. Ful...(+)
Chamber Music String
Quartet SKU:
CF.BE11F Composed by
Jason Eckardt. Full
score. 78 pages. Duration
16 minutes. Carl Fischer
Music #BE11F. Published
by Carl Fischer Music
(CF.BE11F). ISBN
9780825888595. UPC:
798408088590. 8.5 x 11
inches. Beginning
in the 1950s, the CIA
became very interested in
psychological research
beingconducted on the
effects of sensory
deprivation on humans.
The research, that
suggestedrapid regression
in those tested, provided
a framework for sections
of what would later
beknown as the KUBARK
manual, the first a
series of US-government
documents thatprovided
techniques for
interrogating detainees.
These methods involved
radicallyaltering a
detainee’s sense
of time and
environment.Among these
techniques, some
developed independently
of the manuals by
interrogators,were the
manipulation of light and
sound. In order to weaken
the resolve of a
detaineeand prolong
“capture
shock,†complete
sensory deprivation
followed by blasts of
light ornoise, or very
loud music, proved
effective. So much so
that variations and
combinationsof these
techniques were widely
used by the United States
as well as both its
allies andenemies in
Vietnam, Latin America,
Northern Ireland, and the
Middle East.Though the
idea of sound as a weapon
is at least as old as the
account of
Joshua’s siegeof
Jericho, it was only
recently deemed
“inhuman and
degrading†for the
purposes ofinterrogation
by the European Court of
Human Rights in the 1978
case “Ireland v.
theUnited
Kingdom.â€. Accid
entals apply only to the
notes they precede with
the exception of tied or
consecutively repeated
notes.Tempi are
consistent throughout the
meter changes (Le.,
~'=),)=)l, etc.).Grace
notes are always to be
played as fast as
possible. Each grace note
in a group should be of
the same duration.
Gracenotes curtail the
previous measured note's
duration with the
exception noted
below.Approximate
duration: 16 minutes. $41.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Seven Songs by Franz Liszt Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Schott
Baritone; String Quartet (Score & Parts) SKU: HL.49044628 Complied and...(+)
Baritone; String Quartet
(Score & Parts) SKU:
HL.49044628
Complied and
transcribed for Baritone
and String Quartet by
Aribert Reimann.
Composed by Aribert
Reimann and Franz Liszt.
Arranged by Aribert
Reimann. This edition:
Saddle stitching. Sheet
music. Vocal. Classical.
Score and parts. Composed
1860-1880. 76 pages.
Duration 20'. Schott
Music #ED 21885.
Published by Schott Music
(HL.49044628). ISBN
9790001198493. UPC:
841886022027.
9.25x12.0x0.212 inches.
German. Aribert
Reimann's idea to arrange
the lieder of Franz Liszt
for baritone and string
quartet goes back to his
collaboration with
Dietrich Fischer-Dieskau,
recording some of these
lieder for the German
broadcasting company
formerly known as Sender
Freies Berlin (SFB).
Since then, Reimann has
continued to be
fascinated by Liszt's
thrilling harmony and
unconventional treatment
of the voice. Here, he
has compiled a cycle
containing seven lieder
from Liszt's middle and
late periods, arranged so
that each song is the
logical continuation of
its predecessor. Liszt's
fundamental harmony has
been retained, but the
registers have been
altered to such an extent
that they appear in a
completely new light. $74.00 - Voir plus => Acheter | | |
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