Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Alfred Publishing
(Violin 2). Strings. For Violin 2. Festival; Solo Small Ensembles. Alfred Publis...(+)
(Violin 2). Strings. For
Violin 2. Festival; Solo
Small Ensembles. Alfred
Publishing Co., Inc..
Form: Movie. Violin;
Wedding. Part(s);
Quartet. Published by
Alfred Music Publishing
Quatuor à cordes: 2 violons, alto, violoncelle [Partie séparée] Alfred Publishing
(Viola). Strings. For Viola. Festival; Solo Small Ensembles. Alfred Publishing C...(+)
(Viola). Strings. For
Viola. Festival; Solo
Small Ensembles. Alfred
Publishing Co., Inc..
Form: Movie. Viola;
Wedding. Part(s);
Quartet. Published by
Alfred Music Publishing
The Movies Collection Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1196090-070 10 Great F...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1196090-070
10 Great Film Music
Themes. Arranged by
Anthony Gröger. De
Haske Pops for String
Quartet.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2019. 36 pages. De Haske
Publications #DHP
1196090-070. Published by
De Haske Publications
(BT.DHP-1196090-070).
ISBN 9789043157674.
English-German-French-Dut
ch.
Cinema has
always aimed to do one
thing above all else:
arouse emotions. Yet
however exciting,
entertaining or
fascinating a story might
be, its full impact is
really only felt with the
help of the right music.
While most original
soundtracks demand a
large orchestra, a much
smaller ensemble is
sufficient: Anthony
Gröger has taken ten
of the all-time most
beautiful film scores and
created stunning
arrangements for string
quartet. In keeping with
the Pops for String
Quartet series, this
volume also includes an
optional third violin
part in case a viola is
not available. This is an
indispensable collection
for any
occasion!
Van
oudsher is de film
bovenal bedoeld geweest
om emotie op te roepen.
Maar hoe spannend,
vermakelijk of boeiend
een verhaal ook is, pas
met de ondersteuning van
de juiste muziek komt het
volledig tot zijn recht.
Hoewel de meeste
originele soundtracks een
orkest met een grote
bezetting vereisen,
voldoet in dit geval een
kleiner ensemble. Anthony
Gröger heeft tien van
de mooiste
filmmuziektitels
verzameld en er prachtige
arrangementen voor
strijkkwartet van
gemaakt. Net als bij de
andere uitgaven in de
serie Pops for String
Quartet bevat ook
deze bundel een optionele
derde vioolpartij, voor
het geval er geen
altviool beschikbaar is.
Een fraaie collectie met
nummers voordiverse
gelegenheden!
Seit jeher
möchte Kino vor allem
eines: Emotionen wecken.
Doch wie spannend,
lustig, interessant eine
Story auch immer sein mag
erst mit Hilfe der
passenden Filmmusik kann
sie ihre volle Wirkung
entfalten. Während die
meisten Soundtracks im
Original ein groß
besetztes Orchester
erfordern, genügt hier
bereits eine viel
kleinere Besetzung:
Anthony Gröger hat
sich zehn der
schönsten
Filmmusik-Titel aller
Zeiten vorgenommen und
wirkungsvoll für
Streichquartett
bearbeitet. Eine
unverzichtbare Sammlung
für Anlässe jeder
Art, bei denen ein
Streichquartett gefragt
ist. Wie in der Serie
Pops for String
Quartet üblich,
enthält das Set auch
eine optionale
dritteViolinstimme für
den Fall, dass keine
Bratsche zur Verfügung
steht.
A Bach Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3388 Composed by Jordi Cervello. Instrumental Se...(+)
String quartet
SKU:
BO.B.3388
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 10:12. Published
by Editorial de Musica
Boileau (BO.B.3388).
English
comments: A Bach for
string quartet is another
evocation of the past, in
this case of J.S. Bach's
works for violin. Written
in 2004, it is a
recreation of two of the
most important movements
in the series of Sonatas
and Partitas: The Adagio
of the third Sonata and
the Prelude of the third
Partita (BWV 1005 and
1006, respectively).
Jordi Cervello was a
violinist and, as such,
it should come as no
surprise that he once
again makes use of
compositions written for
his instrument. The
Adagio, here in common
time (the original by
Bach is in three-four
time), keeps up the
constant rhythmic figure
of the dotted quaver and
semi-quaver throughout
the movement, with a
calmness that is shrouded
in mystery. The second
movement, Preludiando,
retains the same lively
spirit as the original,
but explores different
moods. Moments of calm,
vigour and even some
dramatic points give it a
new dimension thanks to
the fact that it is
written for a quartet and
to Cervello's original
treatment of harmony and
counterpoint.
Co
mentarios del
Espanol: A Bach para
cuarteto de cuerda es
otra evocacion del
pasado, en este caso de
la obra para violin de
J.S. Bach. Escrita el ano
2004, se trata de una
recreacion de dos de los
movimientos mas
importantes de la serie
de Sonatas y Partitas: El
Adagio de la tercera
Sonata y el Preludio de
la tercera Partita (BWV
1005 y 1006
respectivamente). Jordi
Cervello fue violinista
y, como tal, no debe
sorprender que una vez
mas se sirva de material
compositivo procedente de
su instrumento. El
Adagio, aqui en compas de
cuatro (el original de
Bach es de tres) conserva
en todo el movimiento la
constante figura ritmica
de corchea con puntillo y
semicorchea, dentro de un
clima sereno pero rodeado
de misterio. El segundo
movimiento, Preludiando,
conserva el mismo
espiritu vivo del
original, pero
recorriendo diferentes
estados de animo.
Momentos de calma, de
vigor e incluso
dramaticos dan nueva
dimension gracias a la
escritura cuartetistica y
al original tratamiento
armonico y
contrapuntistico de
Cervello. A Bach se
estreno en La Pedrera de
Barcelona dentro del
ciclo Celebracions de la
Fundacio Caixa de
Catalunya en el ano 2006
con el Quarteto
Prometeo.
Chamber Music String Quartet SKU: PR.114405050 Composed by John Downey. S...(+)
Chamber Music String
Quartet
SKU:
PR.114405050
Composed
by John Downey. Set of
Score and Parts. With
Standard notation. 53
pages. Duration 25
minutes. Theodore Presser
Company #114-40505.
Published by Theodore
Presser Company
(PR.114405050).
UPC:
680160008377. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique efffect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water ,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorlines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluch
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against the
sheets of sound conjured
up by the two violins
playing a flood of
swirling figures, evokes
a kind of static motion
in spae. Here, the
virtually imperceptible
manner in which this
hushed whisper continues
incessantly, can suggest
the potential fluidity
with which movement may
inch forward... Later
into the fourth movement
, two fairly extended
solos by the second and
then the first violins,
lead to a kind of
spontaneous dialogue
among the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of 'psycho-rhythmics
contributes to an on-rush
of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
Chamber Music String Quartet SKU: PR.11440505S Composed by John Downey. F...(+)
Chamber Music String
Quartet
SKU:
PR.11440505S
Composed
by John Downey. Full
score. With Standard
notation. 53 pages.
Duration 25 minutes.
Theodore Presser Company
#114-40505S. Published by
Theodore Presser Company
(PR.11440505S).
UPC:
680160008391. 11 x 14
inches.
Although
structurally it
subdivides into five
movements, the entire
quartet emerges as one
vast continuum. There are
no formal breaks between
movements. However,
certain musical signposts
can be discerned,
associated with each of
the movements'
terminations and new
beginnings. The opening
movement, The Nostalgia
of Clanging Bell
Sonorities, begins
floating on recurrent Bbs
whose soft rhythmic flow
slowly puts into motion
strong undercurrents
suggestive of the latent
power of water... After
several suggestions of
tolling bells, the
movement gradually fades
into hushed tones of
veiled and very distant
sonorities. It uses a
unique effect, for the
first time in a musical
context, conveyed through
the use of extra heavy
practice mutes. The
second movement, The
Spill of Water,
disengages itself from
the first through its
distinct contrast in
tempo. Water moves fast,
and when it splashes, it
tends to run wildly. In
this case, it happens to
be bubbly water that
gushes forth bodly...
smashing across rocky
shorelines. So, too, the
music attempts to conjure
such moods. At the end of
this movement, a cello
cadenza emerges,
introducing an
introspective type of
melodicism. The third
movement, The Poignancy
of Memory, contains many
silences as it tries to
convey memory through
fragmented remembrances
much like often occur in
our dream state.
Progressing through
several slowly building
images, it gradually
works itself into
juxtaposition of musical
images. Towards the
movement's end, high
harmonics are sounding in
all four instruments
while left hand pizzicato
notes in the cello pluck
the last remembrances of
this central core. Almost
imperceptibly, the viola
assumes leadership as it
dissolves into: The
fourth movement, The
Fluidity of Motion, which
has mostly the viola, but
also the cello,
articulating lyrical
statements against sheets
of sound conjured up by
the two violins playing a
flood of swirling
figures, evokes a kind of
static motion in space.
Here , the virtually
imperceptible manner in
which this hushed whisper
continues incessantly,
can suggest the potential
fluidity with which
movement may inch
forward... Later into the
fourth movement, two
fairly extended solos by
the second and then the
first violins, lead to a
kind of spontaneous
dialogue amont the four
instrumentalists.
Eventually, this musical
conversation gets caught
up in: The fifth
movement's The Rush of
Time, which opens with a
hushed flurry of speed,
precipitates the Finale.
It generates, at first
slowly, but then very
swiftly, whole shifts of
rhythmic fields that
initially seem to
conflict with one
another. Ultimately, this
use of psycho-rhythmics
contributes to an on-rush
seem of motion and time.
Rhythmic changes are, at
times, abruptly
precipitated with but
little or no preparation
creating a kind of
inevitability in forward
thrust, while the
movement rushes forward
with a feeling of gradual
and continuous
acceleration. It gathers
density as more and more
notes are piled
progressively upon
successive beats. The
attempt is to spark
tension and ignite
excitement by means of
frenetic confrontations
of dissimilitudes.
Ultimately - with the
help of time - these
polarities centrifically
spin out their own
destinies with their
accompanying fall-out and
own inevitable
resolutions.
String Quartet (Score &
Parts) - easy to
intermediate
SKU:
HL.49045974
From
Children's Corner.
Composed by Claude
Debussy. Edited by
Wolfgang Birtel. Arranged
by Wolfgang Birtel. This
edition: Saddle
stitching. Sheet music.
String Ensemble.
Classical. Softcover. 28
pages. Schott Music
#ED21590. Published by
Schott Music
(HL.49045974).
ISBN
9790001192132. UPC:
841886020023. 9x12
inches.
The famous
Golliwogg's Cakewalk is
the final piece from
Debussy's cycle
Children's Corner
which consists of 6
miniatures for piano,
written for his daughter
in the years 1906-1908.
The style corresponds to
that of ragtime, a dance
which was in vogue around
the turn of the century.
In the middle section, he
parodies several times
the beginning of the
opera Tristan and
Isolde by Richard
Wagner with whom Debussy
had a rather ambiguous
relationship. The present
arrangement now allows
musicians to play the
popular movement in a
version for string
quartet.
Cello. Composed by Scott Joplin (1868-1917). Arranged by William Zinn. Collectio...(+)
Cello. Composed by Scott
Joplin (1868-1917).
Arranged by William Zinn.
Collections; Masterworks;
Performance Music
Ensemble; String
Orchestra Collection.
Masterwork Arrangement;
Romantic. Book. 16 pages.
Alfred Music #00-11637X.
Published by Alfred Music