(Soprano, Clarinet, and String Quartet Archive Edition). By Osvaldo Golijov (1960-). Score and Parts. Boosey and Hawkes Chamber Music. 33 pages. Boosey and Hawkes #M051106813. Published by Boosey and Hawkes

Piano Reduction with Solo Part. By Karl Amadeus Hartmann. Schott. 80 pages. Published by Schott.

9 Classical Pieces Arranged for String Quartet Score and Parts. By Various. Arranged by John Kember. Schott. Softcover. Size 9x12 inches. 68 pages. Published by Schott.

String Quartet

SKU: IG.HAS08

Composed by Daniel Burwasser. Score and Parts. Imagine Music Publishing #HAS08. Published by Imagine Music Publishing (IG.HAS08).

9 x 12 inches.

The Two Fugues capture the all the elegance, charm and contrapuntal flavor of the Baroque style and can be played together or individually. These original fugues are fun to perform while still challenging the players to think independently from one another. Two Fugues is available in arrangements for brass, woodwind, clarinet, saxophone and string quartets.

With Obbligato Clarinet - Score and Parts. By Volker David Kirchner. Schott. 62 pages. Published by Schott.

By Wolfgang Amadeus Mozart. Woodwind and string ensembles. Published by International Music Co.

Oboe, Clarinet, Violin, Viola and Double Bass. By Sergei Prokofiev. (Parts). Boosey and Hawkes Chamber Music. Book only. Size 9x12 inches. 76 pages. Published by Boosey & Hawkes.

Figura is a work by composer Kaija Saariaho for Solo Clarinet, Piano and String Quartet. This is the score and parts

String quartet

SKU: FG.55011-775-4

Composed by Alex Freeman. Classical, contemporary. Score & parts. Fennica Gehrman #55011-775-4. Published by Fennica Gehrman (FG.55011-775-4).

ISBN 9790550117754.

Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement.

Duration: c. 13'

This product includes the score and the parts (A4 sized).


American-Finn ish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality.

His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music.

By Johannes Brahms. Woodwind and string ensembles. Published by International Music Co.