(For String Orchestra or String Quartet). Edited by Paul Paradise. For 1st Violin. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 32 pages. Published by Alfred Publishing.

Sechs Concertos and six Sonatas for strings. Can be perfomed by one or several players from each string instrument. Continuo realization: Wolf Hobohm. Composed by Georg Philipp Telemann (1681-1767). Edited by Ute Poetzsch. This edition: Edition of selected works, Urtext edition. Linen. Telemann Musical Works. Volume 28. Score, anthology. Baerenreiter Verlag #BA05309- 01. Published by Baerenreiter Verlag

(For String Orchestra or String Quartet). Edited by Paul Paradise. For Viola. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 28 pages. Published by Alfred Publishing.

String Quartet (bsn,vl,va,vc)

SKU: BR.MR-1165

Composed by Johann Christian Vogel. Edited by William Waterhouse. Chamber music; stapled. Musica Rara. Early classical. Score and parts. 48 pages. Breitkopf and Haertel #MR 1165. Published by Breitkopf and Haertel (BR.MR-1165).

ISBN 9790004481011. 9 x 12 inches.

His works also include a quantity of instrumental music, much of it for wind instruments. For bassoon he wrote several concertos, 6 duets and a set of 3 quartets published by Leduc as Opus 5. The present edition is based on an early set of manuscript parts preserved in the Bischofliches Ordinariats-Archiv, Eichstatt, Germany. Phrasing and expression marks have been sparingly added, lang appoggiaturas written out and obvious mistakes corrected.

(For String Orchestra or String Quartet). Edited by Paul Paradise. For 2nd Violin. String Orchestra Collection. The Best of.. Level: Medium-Advanced. Book. 32 pages. Published by Alfred Publishing.

Cello, Viola, Violin, String Quartet

SKU: HL.14026541

Composed by Per Norgard. Music Sales America. Classical. Score. 12 pages. Music Sales #KP01185. Published by Music Sales (HL.14026541).

ISBN 9788759874226. 9.5x14.25x0.058 inches. Danish.

String Quartet No.1 - 'Quartetto Breve' (1952) by Per Norgard. Programme note:  The spectrum of sound, the gesticulation - in short, the very nature of the strings - has always had a central place in my output, demonstrated by the numbers of string quartets, concertos with string soloist, chamber and solo works. The interest dates back to my school years, when I was fortunate to be able to compose for a cello-playing schoolmate and to accompany him on the piano. I discovered then the innumerable nuances of sound and playing varieties offered by just one bow, four strings and five fingers..  My first string quartet - Quartetto Breve - has a firm root in the Nordictradition and is strongly inspired by Jean Sibelius (1865-1957) and my teacher Vagn Holmboe (1909-96).  Per Norgard (1998) .

String quartet

SKU: FG.55011-639-9

Composed by Einojuhani Rautavaara. Score + parts. Fennica Gehrman #55011-639-9. Published by Fennica Gehrman (FG.55011-639-9).

ISBN 9790550116399.

New Urtext edition (2020) of Einojuhani Rautavaara's String Quartet No. 1 is based on the composer's manuscript, incorporating corrections and comments by composer's hand in various sources. Einojuhani Rautavaara (1928-2016) was one of Finland's internationally most successful composers. He made his major breakthrough with the Seventh Symphony, Angel of Light, in the 1990s, but his output includes numerous classic operas, concertos, chamber music works and choral works. Over his extensive career, he progressed from Neo-Classicism to strict dodecaphony to free-tonal Neo-Romanticism. His catalogue of influences over the decades includes Orthodox liturgical music and Finnish fiddlers. Rautavaara's first string quartet (1953) is from his Neo-Classical early period when he composed only little chamber music. Stravinsky and the Finnish folk music are present in the rhythmical first movement; later enters a characteristic scale alternating half and whole steps. After the Slavic romanticism of the slow movement Andante the fiddler is back in the cheerful Gigue.

String Quartet (str quar)

SKU: BR.MR-32020

Overture. Composed by Wolfgang Amadeus Mozart. Chamber music. Musica Rara.

Beyer schafft es, mit seinen Bearbeitungen die Moglichkeiten des Streichquartetts eindrucksvoll auszunutzen und dabei den Charakter der Werke Mozarts in einem stimmungsvollen Klangbild zu beschreiben, dass dem des Originals in jeder Weise gerecht wird. Overture; Classical. Score and parts. Breitkopf and Haertel #MR 32020. Published by Breitkopf and Haertel (BR.MR-32020).

ISBN 9790004489413. 0 x 0 inches.

Christian Beyer (*1977), who is himself an active orchestra and chamber musician as well as a sought-after arranger and conductor, presents with this arrangement an edition that speaks from the heart of many musicians. Mozart's overtures, established as individual works in almost all concert halls worldwide, can now also be performed in programs of chamber music concerts.The difficulty level of these editions ranges from semi-professional to professional, but also ambitious amateur musicians will find the arrangements easy to master.

With his arrangements, Beyer succeeds in impressively exploiting the potentials of the string quartet and, at the same time, presenting the character of Mozart's works in an atmospheric sound image that does full justice to that of the original in all respects.

String Quartet (str quar)

SKU: BR.MR-32027

Overture. Composed by Wolfgang Amadeus Mozart. Chamber music; stapled. Musica Rara.

Beyer schafft es, mit seinen Bearbeitungen die Moglichkeiten des Streichquartetts eindrucksvoll auszunutzen und dabei den Charakter der Werke Mozarts in einem stimmungsvollen Klangbild zu beschreiben, dass dem des Originals in jeder Weise gerecht wird. Classical period. Score and parts. 28 pages. Breitkopf and Haertel #MR 32027. Published by Breitkopf and Haertel (BR.MR-32027).

ISBN 9790004489475. 0 x 0 inches.

Christian Beyer (*1977), who is himself an active orchestra and chamber musician as well as a sought-after arranger and conductor, presents with this arrangement an edition that speaks from the heart of many musicians. Mozart's overtures, established as individual works in almost all concert halls worldwide, can now also be performed in programs of chamber music concerts.The difficulty level of these editions ranges from semi-professional to professional, but also ambitious amateur musicians will find the arrangements easy to master.

With his arrangements, Beyer succeeds in impressively exploiting the potentials of the string quartet and, at the same time, presenting the character of Mozart's works in an atmospheric sound image that does full justice to that of the original in all respects.

Composed by Mary Cohen. Quartet; Solo Small Ensembles; String Quartet. Faber Edition. Christmas; Winter. Part(s). Faber Music #12-0571520766. Published by Faber Music

String Quartet (str quar)

SKU: BR.MR-32022

Overture. Composed by Wolfgang Amadeus Mozart. Chamber music; stapled. Musica Rara.

Beyer schafft es, mit seinen Bearbeitungen die Moglichkeiten des Streichquartetts eindrucksvoll auszunutzen und dabei den Charakter der Werke Mozarts in einem stimmungsvollen Klangbild zu beschreiben, dass dem des Originals in jeder Weise gerecht wird. Overture; Classical. Score and parts. 32 pages. Breitkopf and Haertel #MR 32022. Published by Breitkopf and Haertel (BR.MR-32022).

ISBN 9790004489437. 9 x 12 inches.

Christian Beyer (*1977), who is himself an active orchestra and chamber musician as well as a sought-after arranger and conductor, presents with this arrangement an edition that speaks from the heart of many musicians. Mozart's overtures, established as individual works in almost all concert halls worldwide, can now also be performed in programs of chamber music concerts.The difficulty level of these editions ranges from semi-professional to professional, but also ambitious amateur musicians will find the arrangements easy to master.

With his arrangements, Beyer succeeds in impressively exploiting the potentials of the string quartet and, at the same time, presenting the character of Mozart's works in an atmospheric sound image that does full justice to that of the original in all respects.

String quartet

SKU: BO.B.3664

Composed by Jordi Cervello. Published by Editorial de Musica Boileau (BO.B.3664).

Cuarteto San Petersburgo (The Saint Petersburg Quartet) was written between January and March 2011. It owes its name to the fact that Saint Petersburg has been a very significant city for me. I was invited there in 1988 to take part in a big contemporary music festival, but my uninterrupted bond with the city started on 2002, thanks to the negotiations of my friend and pupil Albert Barbeta. Since then, I have constantly travelled there in order to record a considerable part of my repertoire: seventeen pieces. In addition to the concerts we went to, I took the opportunity during my trips to visit the well-known conservatoire where so many great personalities from the world of music composition once taught, and the place that launched the most important violin school in the whole of Russia: the school of Leopoldo Auer. Spending a long time in Auer's classroom writing my concert for violin and orchestra was an unforgettable experience for me. His large portrait motivated me even further.

Cuartet o San Petersburgo evokes many of the most cherished and moving moments that I have had in this city. It is structured in four movements. The first one, Allegretto-Allegro, opens with an introduction that sets forth the two main themes, amid a soft and elastic atmosphere. The Allegro starts vigorously and in it we find changes in the tempo and moments of mystery, as well as certain seclusion, returning then to the emphatic theme where the counterpoint finds its place. The movement ends placidly.

The Scherzo-marcato that follows is marked by a persistent rhythm of triplets that carries on from beginning to end. The tempo does not change, but brief and decided themes are introduced, as well as passages of counterpoint. Brief and dissonant chords are heard throughout the movement, which ends vigorously.

The third movement, Ut, is a very special one. For a while already I had been playing with the idea of writing a movement that was to have the tonality C as a leitmotiv. This one is made up by two slow and static parts. In the first one, the first violin plays pizzicatti-glissandi. In the second, the first violin and particularly the violoncello settle on C while the other two instruments produce descending chromatic harmonies.

Final ly, the Introduccion-Presto (the Introduction-Presto). It starts with some bucolic passages which remind us of the introduction to the first movement. A fast and energetic Presto suddenly erupts. A kind of moto perpetuo which alternates with two expressive passages and, towards the end, a viola and violoncello tremolo, all of great mystery and expectation, make way for a resounding finale marcato.