You Are My Sunshine Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Facile De Haske Publications
String Quartet - early intermediate SKU: BT.DHP-1196191-070 Composed by J...(+)
String Quartet - early
intermediate
SKU:
BT.DHP-1196191-070
Composed by Jimmie Davis,
Charles Mitchell.
Arranged by Nico Dezaire.
De Haske Pops for String
Quartet. Set (Score &
Parts). Composed 2019. De
Haske Publications #DHP
1196191-070. Published by
De Haske Publications
(BT.DHP-1196191-070).
ISBN 9789043157988.
English-German-French-Dut
ch.
With its
simple, memorable melody
and folk-song style,
You Are My
Sunshine is
undoubtedly one of
America’s most
successful old-time music
love songs. Its success
in the 1940s massively
boosted the popularity of
the song’s singer
and guitarist, Jimmie
Davis and Charles
Mitchell, so much so that
it helped to springboard
Davis’ political
career, culminating in
his successful election
as Governor of Louisiana
in 1944. Dezaire’s
skilful arrangement
retains the
quintessential country
sound of the original
with this new string
quartet
orchestration.
You Are My Sunshine
is een liefdesliedje in
de Amerikaanse
old-time-muziektraditie
met een eenvoudige,
volksliedachtige en
bijzonder aanstekelijke
melodie. Zanger Jimmie
Davis en gitarist Charles
Mitchell werden er in de
jaren 1940 enorm populair
mee. Het succes gaf Davis
zelfs een beslissende
boost in zijn politieke
carrière, die hij
bekroonde met zijn
verkiezing tot gouverneur
van de Amerikaanse staat
Louisiana. Nico Dezaire
heeft met dit arrangement
de kenmerkende
countrysound van het
origineel op vakkundige
wijze bewerkt voor
strijkkwartet.
You Are My Sunshine
ist ein Lovesong in der
Tradition der
US-amerikanischen
Old-Time Music, dessen
einfache, volksliedartige
Melodie sich sofort
einprägt. Sänger
Jimmie Davis und
Gitarrist Charles
Mitchell erlangten mit
diesem Titel in den
1940er-Jahren eine enorme
Popularität. Bei Davis
beflügelte dieser
Erfolg sogar
maßgeblich seine
politische Karriere, die
er mit seiner Wahl zum
Gouverneur des
US-Bundesstaats Louisiana
krönen konnte. Nico
Dezaire setzt in seiner
Bearbeitung den typischen
Country-Sound des
Originals gekonnt auf
eine
Streichquartett-Besetzung
um.
String Quartet SKU: BT.ALHE32609 Composed by Henri Dutilleux. Classical. ...(+)
String Quartet
SKU:
BT.ALHE32609
Composed
by Henri Dutilleux.
Classical. Score Only.
Heugel & Cie #ALHE32609.
Published by Heugel & Cie
(BT.ALHE32609).
French.
Compo
sed between 1973 and
1976, Ainsi
La Nuit for
a String Quartet is one
of the most important
works of its genre,
byHenri
Dutilleux
(1916-2013), a French
composer.
This
scoreof Ains
i La
Nuit is the
conductor's score, with
the four instruments
altogether. The score for
each individual
instrument can be bought
separately.
Commissioned by the
KoussevitzkyFoundation
for the Juilliard
Quartet, Ain
si La
Nuit is
based on a series of
studies, lasts 18 minutes
and is divided into 7
sections:
1. Nocturne
2. Miroir d'espace
3.Litanies 4.
Litanies II 5.
Constellations 6.
Nocturne II 7.
Temps suspendu
Built on single
hexachords, it also use
the octatonic mode and
focus on harmonies,
contrasts and oppositions
ofregister.
Anton Webern: Langsamer Satz Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Carl Fischer
For String Quartet. Composed by Anton Webern (1883-1945). Edited by James Beale....(+)
For String Quartet.
Composed by Anton Webern
(1883-1945). Edited by
James Beale. SWS - Main
book Only. First
Performed May 27, 1962 at
Seattle, Washington by
the University of
Washington String
Quartet. Score and
part(s). With Standard
notation. Composed 1905.
32 pages. Duration
0:08:00. Carl Fischer
Music #O4528. Published
by Carl Fischer Musi
Harbor Music Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String Quartet SKU: PR.16400222S Composed by Dan Welcher. Full score (stu...(+)
String Quartet
SKU:
PR.16400222S
Composed
by Dan Welcher. Full
score (study). With
Standard notation.
Duration 11 minutes.
Theodore Presser Company
#164-00222S. Published by
Theodore Presser Company
(PR.16400222S).
UPC:
680160037841.
This
work follows my Quartet
No. 1 by five years. In
terms of style and
aesthetic aim, however,
it seems light years
away. Where the first
work, a 28-minute,
four-movement piece, took
aim at cosmic conflicts
and heroic resolutions,
the present work is
intended as a kind of
divertissment. Harbor
Music lasts a mere eleven
minutes, is cast in a
single movement with six
sections, and should
leave both performers and
listeners with a feeling
of good humor and
affection. The
title comes from my
experience as a guest in
the magnificent city of
Sydney, Australia. One of
its most attractive
features is its unique
system of ferry boats:
the city is laid out
around a large,
multi-channeled harbor,
with destinations more
easily approached by
water than by land.
Consequently, inhabitants
of Sydney get around on
small, people-friendly
boats that come and go
from the central docks at
Circular Quay. During a
week's visit in 1991, I
must have boarded these
boats at least a dozen
times, always bound for a
new location - the resort
town of Manley, or the
Zoo at Taronga Park, or
the shopping district at
Darling Harbour.
In casting about for a
form for my second string
quartet, a kind of loose
rondo came to mind. Each
new destination would be
approached from the same
starting-out point
(although there are
subtle variations in the
repeating theme; it's
always in a new key, and
the texture is never the
same). The result, I
hope, is a sense of
constant new information
presented with
introductory frames of a
more familiar nature.
The embarkation
theme, which begins the
piece, is a sort of
bi-tonal fanfare in which
the violins are in G
major and the viola and
cello are in B-flat
major. It is bold, eager,
and forward-looking. The
first voyage maintains
this bi-tonality,
beginning as a 9/8 due
for second violin and
viola in a kind of
rocking motion -much as a
boat produces when
reaching the deeper water
in the harbor. A sweet,
nostalgic theme emerges
over this rocking
accompaniment. This music
is developed somewhat,
then transforms quickly
into a much faster and
lighter episode, filled
with rising and falling
scales (again, in
differing keys). A
scherzando interlude in
short notes and changing
meters provides contrast,
and the episode ends with
a reprise of the scales.
The second
embarkation follows, this
time in A major/C major.
It leads quickly into a
very warm and slow theme,
in wide-leaping intervals
for the viola. This
section is interrupted
twice by solo cadenzas
for the cello, suggesting
distant boat-horns in
major thirds. The end of
the episode becomes a
transition, with
boat-horns leading into
the final appearance of
the embarkation music,
this time in trills and
tremolos instead of
sharply accented chords.
The nostalgic theme of
the first episode makes a
final appearance, serving
now as a coda. The
rocking motion continues,
in a lullaby fashion,
leaving us drowsy and
satisfied on our homeward
journey. Harbor
Music was written for the
Cavani Quartet, and is
dedicated to Richard J.
Bogomolny. Commissioned
by his employees at First
National Supermarkets as
a gift, it represents a
thank you from many of
the people (including
this composer) who have
benefitted from his
vision and generosity. An
ardent advocate of
chamber music (and a
cellist himself), Mr.
Bogomolny has for many
years been Chairman of
the Board of Chamber
Music America. -- Dan
Welcher.
String quartet SKU: FG.55011-510-1 Composed by Matthew Whittall. Score an...(+)
String quartet
SKU:
FG.55011-510-1
Composed by Matthew
Whittall. Score and
parts. Fennica Gehrman
#55011-510-1. Published
by Fennica Gehrman
(FG.55011-510-1).
ISBN
9790550115101.
Matt
hew Whittall's preface to
Bright Ferment (2019): I
have a complicated
history with the string
quartet. Actually, it's
not that complicated. I
spent months writing a
huge one in my early
twenties and hastily
withdrew it after a long
delayed premiere, vowing
never to write another.
In a typical case of
karmic retribution, my
fear of the form would
eventually be overcome by
the unrefusable offer to
write the compulsory
piece for the Banff
International String
Quartet Competition in my
native Canada. The short
duration requested, about
nine minutes, also felt
like a good way to wade
gingerly back into the
medium. The title was
originally just a
nice-sounding pair of
words that surfaced in a
brainstorming session
with fellow composer Alex
Freeman over an
injudicious amount of
fermented barley. When I
looked it up later, I
found that it was a
phrase of older coinage,
seemingly used more for
poetic resonance than any
fixed meaning. Ferment by
itself denotes a state of
confusion, change or lack
of order. With bright, it
takes on a more positive
connotation with regard
to society and
creativity: a wild
profusion of ideas barely
checked by reason. (It
may not actually mean
that, but it describes
this piece nicely, so
let's go with it.)
Fermentation in its
trendy culinary usage is
also hinted at via a
recurrent percolating
device of scattered
pizzicati. As one may
guess from the tone of
this introduction, there
is little attempt at
gravity in Bright
Ferment, the only means
by which I felt I could
sidestep the historical
and expressive weight of
the string quartet genre.
Styles, gestures and
moods are tossed around,
cross-cut and abandoned
in
stream-of-consciousness
fashion, connected by
little except an
intuitive sense of
rightness in their
juxtaposition. If the
piece acquires depth in
spite of me, it will only
be because its disparate
parts amplify and
strengthen each other
simply by being together
- much like the ensemble
itself. Bright Ferment
was commissioned by the
Banff Centre for the Arts
and Creativity and the
Canadian Broadcasting
Corporation, with
additional funding from
the Americas Society (New
York), for the 2019 Banff
International String
Quartet Competition.
Duration: ca. 9
minutes.
Composed by
Rhian Samuel. Chamber
music. Score and Parts.
Score and parts. Stainer
& Bell Ltd. #Y279.
Published by Stainer &
Bell Ltd. (ST.Y279).
ISBN
9790220223068.
Such
is the character of the
accordion that any work
featuring its distinctive
voice within an ensemble
is likely to be a
piece
d'occasion. Written
for the prizewinning
young soloist Milos
Milivojevic and performed
with the Juritz String
Quartet at the 2011
Machynlleth Festival in
Wales, Rhian Samuel's
Mist on the
Hills is no
exception. The composer
has used the rare
opportunity of writing
for the instrument in
combination with solo
strings to exploit its
illustrative powers and
create a fourteen-minute
score inspired by the
changing weather over the
hills around her Welsh
home on the Dyfi
Estuary.
In
particular, its three
movements are suggestive
of the appearance of mist
in the landscape,
'settling', 'lingering'
and 'swirling'. In the
first movement, which is
a gentle prelude, brief
accordion motifs break
through the timbre of
strings like glints of
sunshine through mist.
The second movement, more
song-like, presents three
verses of a lament; in
the first half of each
verse the accordion sings
as if from afar, while in
the second half (led by
the viola) the music
intensifies greatly. In
the dance-like and
virtuosic last movement a
short, constantly
changing refrain
alternates with two types
of material: 'swirling'
music and lighter, more
rhythmical ideas.
Finally, scale passages
invade the texture,
ceasing only as the
accordion ascends to the
top of its range in the
closing bars.
String Quartet No. 8 - Parts Quatuor à cordes: 2 violons, alto, violoncelle [Set de Parties séparées] Faber Music Limited
(Parts). By Peter Sculthorpe (1929-). For string quartet (2 violins, viola, cell...(+)
(Parts). By Peter
Sculthorpe (1929-). For
string quartet (2
violins, viola, cello).
Masterworks; Part(s);
Quartet; String Quartet.
Faber Edition. 20th
Century. Set of
performance parts.
Standard notation.
Published by Faber Music
Composed by Lei Liang. This edition: Saddle stitching. Sheet music. String. Scor...(+)
Composed by Lei Liang.
This edition: Saddle
stitching. Sheet music.
String. Score and parts.
Composed 2014. 48 pages.
Duration 11'. Schott
Music #ED 30141.
Published by Schott Music
String Quartet SKU: BT.ALHE33293 Composed by Henri Dutilleux. Classical. ...(+)
String Quartet
SKU:
BT.ALHE33293
Composed
by Henri Dutilleux.
Classical. Set of Parts.
50 pages. Heugel & Cie
#ALHE33293. Published by
Heugel & Cie
(BT.ALHE33293).
French.
Composed
between 1973 and 1976,
Ainsi la nuit for string
quartet is one of the
most important works of
its genre, by Henri
Dutilleux (1916-2013), a
French composer.
Commissioned by the
Koussevitzky Foundation
for the JuilliardQuartet,
Ainsi la nuit is based on
a series of studies,
lasts 18 minutes and is
divided into 7 sections:
1. Nocturne 2. Miroir
d'espace 3. Litanies 4.
Litanies II 5.
Constellations 6.
Nocturne II 7. Temps
suspendu Built on
singlehexachords, it also
uses the octatonic mode
and focuses on harmonies,
contrasts and oppositions
of register. This
publication includes the
four string parts. Study
score can be purchased
separately.