Quartet Sant Petersburg Quatuor à cordes: 2 violons, alto, violoncelle Editorial de Musica Boileau
String quartet SKU: BO.B.3664 Composed by Jordi Cervello. Published by Ed...(+)
String quartet
SKU:
BO.B.3664
Composed by
Jordi Cervello. Published
by Editorial de Musica
Boileau (BO.B.3664).
Cuarteto San
Petersburgo (The Saint
Petersburg Quartet) was
written between January
and March 2011. It owes
its name to the fact that
Saint Petersburg has been
a very significant city
for me. I was invited
there in 1988 to take
part in a big
contemporary music
festival, but my
uninterrupted bond with
the city started on 2002,
thanks to the
negotiations of my friend
and pupil Albert Barbeta.
Since then, I have
constantly travelled
there in order to record
a considerable part of my
repertoire: seventeen
pieces. In addition to
the concerts we went to,
I took the opportunity
during my trips to visit
the well-known
conservatoire where so
many great personalities
from the world of music
composition once taught,
and the place that
launched the most
important violin school
in the whole of Russia:
the school of Leopoldo
Auer. Spending a long
time in Auer's classroom
writing my concert for
violin and orchestra was
an unforgettable
experience for me. His
large portrait motivated
me even
further.
Cuartet
o San Petersburgo evokes
many of the most
cherished and moving
moments that I have had
in this city. It is
structured in four
movements. The first one,
Allegretto-Allegro, opens
with an introduction that
sets forth the two main
themes, amid a soft and
elastic atmosphere. The
Allegro starts vigorously
and in it we find changes
in the tempo and moments
of mystery, as well as
certain seclusion,
returning then to the
emphatic theme where the
counterpoint finds its
place. The movement ends
placidly.
The
Scherzo-marcato that
follows is marked by a
persistent rhythm of
triplets that carries on
from beginning to end.
The tempo does not
change, but brief and
decided themes are
introduced, as well as
passages of counterpoint.
Brief and dissonant
chords are heard
throughout the movement,
which ends
vigorously.
The
third movement, Ut, is a
very special one. For a
while already I had been
playing with the idea of
writing a movement that
was to have the tonality
C as a leitmotiv. This
one is made up by two
slow and static parts. In
the first one, the first
violin plays
pizzicatti-glissandi. In
the second, the first
violin and particularly
the violoncello settle on
C while the other two
instruments produce
descending chromatic
harmonies.
Final
ly, the
Introduccion-Presto (the
Introduction-Presto). It
starts with some bucolic
passages which remind us
of the introduction to
the first movement. A
fast and energetic Presto
suddenly erupts. A kind
of moto perpetuo which
alternates with two
expressive passages and,
towards the end, a viola
and violoncello tremolo,
all of great mystery and
expectation, make way for
a resounding finale
marcato.
Composed by Lara Poe.
Classical, contemporary.
Score & parts. Fennica
Gehrman #55011-853-9.
Published by Fennica
Gehrman (FG.55011-853-9).
Lara Poe's (b.
1993) energetic
Divergence (2015-2016)
for string quartet was
conceived cyclically: the
four movements explore
drifting in and out of
focus between different
materials. A light ditty
of the second movement
diverges to the third
movement's overtone
derived
chords.
Duration:
c. 25'
This
product includes a set of
parts (violin I, violin
II, viola, violoncello)
and a score.
Lara
Poe is a Finnish-American
composer who is currently
based in London. Her
works have been performed
across a wide range of
venues throughout the US,
Europe, and Asia. Her
piece Kaamos, which she
wrote for the Lahti
Symphony Orchestra, was
recently nominated for a
Ivors Composer Award in
the Large Scale
Composition category.
Kaamos also was selected
by YLE Radio Finland to
represent Finland at the
International Rostrum of
Composers 2021 in
Belgrade, Serbia. Poe was
the 2019 Tanglewood Music
Patricia Plum Wilde
Fellow and represented
Finland at Ung Nordisk
Musik 2019 in Piteå.
She was also a 2018-2019
participant in the London
Symphony Orchestra's
Panufnik Scheme, where
she worked under the
guidance of Colin
Matthews and Christian
Mason.
Scherzo P 191 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] - Avancé Schott
In e minor for string quartet. By Ottorino Respighi. By Ottorino Respighi (18...(+)
In e minor for string
quartet. By Ottorino
Respighi. By Ottorino
Respighi (1879-1936).
Edited
by Elia Andrea Corazza.
This
edition: Saddle
stitching.
Sheet music. Edition
Schott.
Classical. Score and
parts,
softcover. Composed 1898.
24
pages. Schott Music #ED
23356. Published by
Schott
Music
String
Quartet. Composed by
Richard Reed Parry. Music
Sales America. Classical,
Contemporary. Book
[Softcover]. Composed
2015. 12 pages. Chester
Music #CH83149. Published
by Chester Music
(HL.14043527).
9.25x12.0x0.091
inches.
English.
Richard
Reed Parry 's Quartet For
Heart And Breath is an
innovative and original
piece based on the
performers' own bodily
rhythms. This sheet music
is for String Quartet
(Violin/Violin/Viola/Cell
o). Richard Reed Parry is
familiarto millions as
the lead singer of rock
band Arcade Fire, yet his
foray into classical
music is equally worthy
of attention. Quartet For
Heart And Breath is an
experiment into using the
performers' heartbeats
and breathing to dictate
the tempo. The performers
are instructed to wear
stethoscopes in order to
listen to their
heartbeats closely, while
one complete breath
corresponds to one bar
and two heartbeats equal
two crotchets. The result
is a quiet and subtle
piece, as each instrument
has to play softly so as
to be able to keep in
time. The piece also has
a naturally occurring
dynamism in that the
players' heart rates
constantly change as the
performance goes on, with
each instrument falling
in and out of sync
sometimes culminating in
a beautiful moment of all
heartbeats matching each
other. Interestingly,
this unique aspect means
that no performance will
ever be the same, meaning
to hear or play this
composition will be a
truly once in a lifetime
experience. Quartet For
Heart And Breath is a
superbly one-of-a-kind
composition by Richard
Reed Parry . Commissioned
by the Kronos Quartet,
this piece makes for a
wonderfully distinctive
performance, with
fascinating implications
for the connection
between the music and the
body.
Composed
by Manfred Trojahn.
Stapled. Score. Composed
2009. 43 pages. Duration
21 minutes. Baerenreiter
Verlag #BA09378_00.
Published by Baerenreiter
Verlag (BA.BA09378).
ISBN 9790006539086.
32.5 x 25.5 cm
inches.
A modern
sequel to the music of
the Romantic era.
The first
movement hints at the
chromatic of
“Tristanâ€;
cantilena lines convey a
mournful scene. It is
succeeded by a brilliant
scherzo with the cryptic
title “Erste fremde
Szene†(First
Foreign/Unknown Scene
– one is invited
to solve this riddle),
while the third movement,
with its singing quality,
is related to the first.
The final movement, a
“Zweite fremde
Szeneâ€
(“Second
Foreign/Unknown
Sceneâ€), alludes to
the “last
dance†tradition,
with its ironic
undertones and the
copious use of sixths,
counterpointed with
tarantella rhythms.
A rewarding,
striking work, equally
valuable for concerts
combining older
compositions with new
works as for contemporary
music programmes.
Violin, Viola and Cello - Grade 4 SKU: HL.14042763 Opus 165. Compo...(+)
Violin, Viola and Cello -
Grade 4
SKU:
HL.14042763
Opus
165. Composed by
Niels Viggo Bentzon.
Music Sales America.
Classical. Softcover.
Composed 2013. Edition
Wilhelm Hansen #WH31865A.
Published by Edition
Wilhelm Hansen
(HL.14042763).
ISBN
9788759881989.
Niel
s Viggo Bentzon: Kvartet
VII: Opus 165 is a superb
String quartet
composition by Niels
Viggo Bentzon , expertly
written for Violin, Viola
and Cello.
Composed by Bohuslav
Martinu. Edited by
Aleš Brezina. This
edition: complete
edition, urtext edition.
Linen. The Bohuslav
Martinu Complete Edition
IV/3/2. Complete edition,
Score, anthology.
Baerenreiter Verlag
#BA10576_01. Published by
Baerenreiter Verlag
(BA.BA10576-01).
ISBN
9790260108363. 33.3 x 26
cm inches. Language: CS,
Text Language: CZ.
Preface: Brezina,
Aleš.
ThePetite
Messe solennelleis the
finest work of Rossini's
late years. He composed
it between 1863 and 1864
at the age of 71 as a
commission for Countess
Louise Pillet -Will for
the consecration of her
private chapel, where the
work received its first
performance in March
1864. Together with
theStabat mater, the mass
is one of the composer's
mostimportant sacred
works.
The unusual
instrumentation with two
pianos and harmonium is
entirely in keeping with
the Neapolitan keyboard
tradition of the 18th
century which was
cultivated in France in
Rossini's day. It forms a
distinct contrast to the
style of large-scale
sacred compositions as
written by, for example,
Liszt and Bruckner.
Rossini explained that he
wrote the later
orchestral version of the
work dating from 1867 out
of concern that if he did
not do this, other
composers might
orchestrate the mass too
heavily in later
arrangements.
-
Choral score based on the
Urtext of the seriesWorks
of Gioachino Rossini -
Supplements the already
existing material
available to this
work
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Score
and Parts. Composed
by Johanna Senfter.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. String Ensemble.
Classical. Softcover. Op.
28. Duration 24'. Schott
Music #ED21076. Published
by Schott Music
(HL.49019413).
ISBN
9790001176477. UPC:
841886016729.
The
composer Johanna Senfter
(1879 1961) from
Oppenheim concerned
herself with chamber
music for strings all her
life, even studied violin
in Frankfurt herself. Max
Reger then gave her
lessons in Leipzig, first
privately, then in his
composition class at the
conservatoire and valued
her 'extraordinary
compositional talent'.
The strict teacher more
and more became a
committed promoter of the
works by Johanna Senfter.
For a period of 50 years,
the composer concerned
herself with the string
quartet genre, from
Quartet No. 1 in D minor
Op. 4, composed shortly
after the turn of the
century, to the sixth and
last Quartet in C minor
Op. 115 which was
performed for the first
time in 1960, one year
before her death. The
Quartet in F sharp minor
Op. 28 is her second
quartet which was
premiered in Darmstadt on
5 November 1922. In this
work, as in later works,
Senfter combined
traditional form models -
here Baroque movements
like gavotte, saraband,
gigue - with expressive,
late Romantic musical
language. The work,
consisting of six short
movements, may without
doubt be regarded as a
valuable addition to the
quartet repertoire.
String Quartet SKU: FG.55011-574-3 Composed by Kalevi Aho. Score+parts. F...(+)
String Quartet
SKU:
FG.55011-574-3
Composed by Kalevi Aho.
Score+parts. Fennica
Gehrman #55011-574-3.
Published by Fennica
Gehrman (FG.55011-574-3).
ISBN
9790550115743.
Kale
vi Aho (b.1949) was only
18 years old when he
completed his String
Quartet no. 1 in g minor
(1967). Nonetheless it
was already the second
one of its kind: the
earlier string quartet in
a minor got christened
String Quartet No. 0 and
banned from performing.
The g minor quartet was
heard the first time only
50 years after it was
born, when the Kamus
Quartet premiered it at
the Musica Kalevi Aho
Festival in Forssa on
June 28, 2019. In Aho's
home town, Forssa, it was
not possible to study
composition with a
teacher: My model in this
and the other works I
composed while I was at
school was all the mostly
tonal music I had
personally played on the
violin or heard on the
radio. The first
movement, Moderato,
begins in variation form,
until followed by a fugue
based on the variation
theme. The initially
lyrical second movement
has a quick, virtuosic
and light middle section.
The third movement is a
very quick scherzo that
becomes dramatic, and the
work ends with a
chorale-like finale. The
composer tells: When I
got to study composition
at the Sibelius Academy
in autumn 1968 and showed
the quartet to my
teacher, Einojuhani
Rautavaara, he said there
was no point my studying
tonal harmony and tonal
formal constructions any
longer; that I could do
the exams in them
straight away and start
the courses in modern
music resources there and
then..