Air De Concert (Haydn) Canzonetta(op.16) Panofka Der Schmetterling (Schumann) Deutscher Tanz (Haydn) Divertimento In D (Beethoven) Divertissement (Mozart) Idylle, Op.146 (Dancla) L'alouette (Lark) Mendelssohn Menuet Elegante (Mozart) Rondino (Pleyel) Rondo (Son.op.137#1) Schubert Scherzo (Wohlfahrt) Theme(allegretto Grazioso,op.11) Trauermarsch From Antigone Wiegenlied (Cradle Song) Schumann Menuetto (Haydn) Theme (Beethoven) Danse Allemande (Beethoven) 2nd St.qt., Theme From(pleyel) String Quartet #1, Theme From(pleyel) Trio And Quartet Albums - First Quartet Album For Strings (Two Violins, Viola and Cello) (Two violins, viola and cello String Trio and Quartet Collection). Arranged by Herman Hummel and Harvey S. Whistler. String quartet. For violin 1, violin 2, viola, cello. Ensemble Collection. 32 pages. Rubank Publications #RUBL165. Published by Rubank Publications

Chamber Music String Quartet

SKU: PR.14440265S

Composed by Sydney F. Hodkinson. Large Score. With Standard notation. Duration 25 minutes. Merion Music #144-40265S. Published by Merion Music (PR.14440265S).

UPC: 680160027910.

The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed. Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler. An annunicatory 'leaping motive' (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force. A five-note motive, usually very deliberate, also keeps recurring like an insistent caller. All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic 'grammar' spoken tends to recall the jazz world of my youth. To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms. The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda. The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like 'call-and-response.' It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani. The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto. All three movements make much use of canonic stretti, similar gestures, and repetition. For example, the climax of movement III's Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.
The Second and Third Quartets were conceived at the same time; indeed, their composition intermingled, over half of No. 3 being sketched before No. 2 was completed.  Accordingly, they share similar material but, like the intertwining blood of cousins, their natures differ: No. 2 being somewhat acerbic and declamatory, No. 3 more lyric and gentler.An annunicatory ‘leaping motive’ (derived from a motto generated by my name) opens Quartet No. 2 and inhabits the course of the piece as a cyclical binding-force.  A five-note motive, usually very deliberate, also keeps recurring like an insistent caller.  All three movements are based on tonal centers (I on B and E, II on D, III on C) and the harmonic ‘grammar’ spoken tends to recall the jazz world of my youth.To hopefully achieve a certain classical ambience was one of the goals of this piece, and all three movements have traditional forms.  The first movement is a modified Sonata-Allegro design, with a severely-truncated recapitulation balanced by a lengthy, and decaying Coda.  The second movement is a set of strophic variants and an epilogue interspersed with both solo ritornelli and first-movement material (the motto and the five-note motive) in the nature of a fantasia-like ‘call-and-response. ’  It is dedicated to the memory of the American mezzo-soprano Jan DeGaetani.  The third movement is a modified Rondo (ABACBA) which evolves out of the opening motto.All three movements make much use of canonic stretti, similar gestures, and repetition.  For example, the climax of movement III’s Rondo throws the first movement back at us again, as if the players were reluctant to let it go, so that the entire piece could perhaps be viewed as a single large, extended, Sonata movement, with introduction and Coda.

Composed by Felix Ibarrondo. Classical: 20th Century (Contemporary). Parts. 14+12+13+12 pages. Editions Jobert #JJ71877. Published by Editions Jobert

String quartet

SKU: LM.JJ11871

Composed by Felix Ibarrondo. Classical: 20th Century (Contemporary). Score. Editions Jobert #JJ11871. Published by Editions Jobert (LM.JJ11871).

ISBN 9790230811871.

For 2 Violins, Viola (or Violin 3) and Cello. By Various. Arranged by Sheila Nelson. (Set). Boosey and Hawkes Chamber Music. Size 8.25x11.75 inches. 60 pages. Published by Boosey and Hawkes.

Set of Parts. By Various. Arranged by Bill Thorp. (Set). Boosey and Hawkes Chamber Music. Size 9x12 inches. 64 pages. Published by Boosey and Hawkes.

Set of Parts. By Various. Arranged by John Kember. Schott. Size 9x12 inches. 88 pages. Published by Schott.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Beyer. String Quartets. For 2 Violins, Viola, Cello. Sheet Music. Published by Edition Kunzelmann

String Quartet - Grade 3

SKU: MA.EMR-59177

Composed by Various. Score and parts. Duration 15'49. Editions Marc Reift #EMR 59177. Published by Editions Marc Reift (MA.EMR-59177).

1. A Scottish Cradle Song / 2. Aviators March / 3. Love is Here To Stay / 4. Rondo Alla Turca / 5. Sloop John B.