Performance Score. By Various. Arranged by Wilhelm Lutz. (Recorder). Schott. 24 pages. Published by Schott.

Recorder Ensemble

SKU: HL.49002947

Performance Score. Composed by Ludwig van Beethoven. Edited by Francis Grubb. This edition: Folding. Sheet music. Edition Schott. Classical. Playing score. 8 pages. Schott Music #ED 11793. Published by Schott Music (HL.49002947).

ISBN 9790220112508. UPC: 073999235951. 9.0x12.0x0.061 inches.

4 recorders (SATB).

(Modern Grooves for Recorder Quartet). Edited by Moni Schonfelder. For Descant Recorder/Treble Recorder/Tenor Recorder/Bass Recorder. Stapled. Ready to Play. Performance score, Part(s), Anthology. Text Language: German/English. 16/4/4/4/4/4 pages. Published by Baerenreiter Verlag

Recorder Quartet - early intermediate

SKU: BT.DHP-1084504-070

Composed by Glenn Miller. Arranged by Paul Van Loey. De Haske Recorder Series. Set (Score & Parts). Composed 2008. 12 pages. De Haske Publications #DHP 1084504-070. Published by De Haske Publications (BT.DHP-1084504-070).

ISBN 9789043130035. 9x12 inches. English-German-French-Dut ch.

Moonlight Serenade was composed in 1939, by Glenn Miller in his typically American big-band style. It was an immediate success and it even became the signature tune of Glenn Miller. The catchy melody has since been used in various films and television series. It has been performed in many styles, from romantic to swinging. The Flanders Recorder Quartet likes to play this work with a low recorder consort: tenor, F bass, C bass, great bass (each instrument then plays an octave lower). This gives the work a slightly “close harmony” feel. Of course the more usual line-up also does the music justice.

Moonli ght Serenade is in 1939 gecomponeerd door Glenn Miller in zijn typisch Amerikaanse Bigbandstijl. De aanstekelijke melodie is in verschillende films en televisieseries gebruikt. In Frankrijk is de song populair gewordenonder de titel Dansez maintenant (1975) - in een uitvoering van Dave. Het Flanders Recorder Quartet speelt dii werk graag in laag blokfluitconsort: tenor, F-bas, C-bas, grootbas (elk instrument speelt dan een octaaf lager). Zo ontstaateen lichte close-harmonystijl. De muziek komt in de gebruikelijke bezetting natuurlijk ook uitstekend tot haar recht.

Moonligh t Serenade wurde 1939 von Glenn Miller in dem ihm eigenen, typisch amerikanischen Big-Band-Stil komponiert. Es wurde schon in vielen Stilen - von romantisch bis Swing - interpretiert. Das Flanders Recorder Quartet aus Belgien, dessen Mitglied und Arrangeur Paul van Loey diese Bearbeitung schrieb, spielt das Stück gerne mit einem tiefen Blockflötenensemble: Tenor-, F-Bass-, C-Bass- und Großbassblockflöte (wobei jedes Instrument eine Oktave tiefer spielt). Dies verleiht dem Werk eine Art Close Harmony“-Gefühl. Aber auch die übliche Besetzung wird der Musik vollkommen gerecht.

Glenn Miller (1904-1944) fut l’un des plus grands chefs d’orchestre de swing américains de son temps. Le son mythique du prestigieux Glenn Miller Orchestra mêlant swing, jazz et improvisation est, aujourd’hui encore, célèbre dans le monde entier. Glenn Miller reste pour le public une véritable légende et ses airs les plus célèbres sont dans toutes les mémoires. En 1939, Glenn Miller composa Moonlight Serenade, une pièce dont l’idiome sonore est typique du style Big Band américain. Il présenta sa création pour la première fois sur la face B du disque Sunrise Serenade. Le succès fut immédiat. La mélodie fit l’objet de nombreuses reprises notamment au cinéma et latélévision.

Nel 1939, Glenn Miller compose Moonlight Serenade, un brano dal linguaggio sonoro tipico dello stile big band americano. Esistono oggi numerose varianti stilistiche di questo brano. Il quartetto di flauto dolce delle Fiandre privilegia suonarlo con strumenti che si sviluppano nei registri gravi: flauti dolci tenori, basso in Fa, basso in Do e un grande basso. Il brano rivela così una struttura in close harmony. E' anche possibile eseguire il brano con un ensemble strutturato in maniera più tradizionale.

Recorder Ensemble

SKU: HL.49002875

Performance Score. Composed by Michael East. Edited by Francis Grubb. This edition: Folding. Sheet music. Edition Schott. Classical. Playing score. 10 pages. Schott Music #ED11572. Published by Schott Music (HL.49002875).

ISBN 9790220111433. UPC: 073999254570. 8.5x11.5x0.05 inches.

4 recorders (SSAT).

Recorder Ensemble

SKU: HL.49002872

Performance Score. Composed by Michael East. Edited by Francis Grubb. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 10 pages. Schott Music #ED 11569. Published by Schott Music (HL.49002872).

ISBN 9790220111402. UPC: 073999455540. 8.5x11.5x0.049 inches.

4 recorders (SSAT).

Recorder Ensemble

SKU: HL.49002946

Performance Score. Composed by Wolfgang Amadeus Mozart. Edited by Edgar Hubert Hunt. This edition: Folding. Sheet music. Edition Schott. Classical. Playing score. 2 pages. Schott Music #ED11783. Published by Schott Music (HL.49002946).

ISBN 9790220112485. UPC: 884088073039. 8.75x11.5x0.025 inches.

4 recorders (SATB).

Recorder Ensemble

SKU: HL.49004630

Performance Score. Composed by Salomone Rossi. Edited by Franz Julius Giesbert. This edition: Saddle stitching. Sheet music. Edition Schott. Classical. Playing score. 12 pages. Schott Music #ED4096. Published by Schott Music (HL.49004630).

ISBN 9790001048569. UPC: 073999748048. 9.0x12.0x0.11 inches.

4 recorders (SATB).

Score and Parts Recorder Quartet (Score & Parts) - advanced

SKU: HL.49018050

Recorder Quartet. Composed by Karel van Steenhoven. This edition: Saddle stitching. Sheet music. Woodwind Ensemble. Classical. Softcover. 28 pages. Duration 6'. Schott Music #OFB 213. Published by Schott Music (HL.49018050).

ISBN 9790001158152. UPC: 841886013513. 9.25x12.0x0.093 inches.

In 1982 Karel van Steenhoven, founder member of the Amsterdam Loeki Stardust Quartet, wrote this modal composition Silent Danger for his ensemble. It is an experimental and witty work, a play on tones, chords, sounds and unusual effects. The idea behind it is described by Steenhoven as follows: 'As long as music is without aim, it remains free, versatile, is developing; when it seeks an aim, it becomes rigid, gets stuck in repeated chords.' - a rewarding task for performers, and a composition worth listening to for the audience.