Trombone Quartet - advanced

SKU: HL.44001639

Composed by Jan Van der Roost. De Haske Ensemble. Educational Tool. Set (Score & Parts). Composed 1991. De Haske Publications #910247. Published by De Haske Publications (HL.44001639).

UPC: 073999016390. International (more than one language).

Jan Van der Roost composed the Chemical Suite for the Daniel Speer Trombone Consort. In the unusual work the general characteristics of the chemical materials Potassium, Glycerin, Chloroform and Ethanol are portrayed in four movements. All advanced trombone groups will love playing this work ? look out especially for the interesting sound effects!

Jan Van der Roost schrieb die Chemical Suite speziell fur das Daniel Speer Trombone Consort. In dieser ungewohnlichen Suite werden die allgemeinen Eigenschaften der chemischen Stoffe Kalium, Glycerin, Chloroform und Ethanol in vier gleichnamigen Satzen mit Hilfe von interessanten Klangeffekten musikalisch dargestellt.

Jan Van der Roost ha scritto Chemical Suite per il Daniel Speer Trombone Consort. In questa suite inusuale vengono tradotti in musica, con l'aiuto di particolare effetti sonori, le caratteristiche delle combinazioni di quattro elementi chimici.

4 Trombones

SKU: CA.4050900

Composed by Ludwig van Beethoven. German title: Drei Aequale. Full score. 4 pages. Carus Verlag #CV 40.509/00. Published by Carus Verlag (CA.4050900).

ISBN 9790007071158. Language: all languages.

Trombones (MORE TROMBON)

SKU: HL.50511784

Partitur und Stimmen. Composed by Laszlo Dubrovay. EMB. Contemporary Hungarian Works. Score and parts. Editio Musica Budapest #Z14511. Published by Editio Musica Budapest (HL.50511784).

ISBN 9790080145111. 8.5x11.75x0.099 inches. Hungarian, English. Laszlo Dubrovay.

The composer wrote this work in 2004 for the Corpus trombone quartet, to whom it is dedicated. The piece consists of a slow and a fast section, both in rondo form. Its musical language makes use of a great many new elements of playing technique, which provide an excellent opportunity for displaying the fantastically virtuosic capabilities of both the new modes of sound production and the performers: they include Wah-muted notes with modulated tone colour, harmonic-glissandi, sequences of buzzing notes sung into the instrument, valve-modulated harmonic glissandi, rapid double- and tripletongued staccatos, and flutter-tongued, lip-trilled and buzzing lip-vibrating notes. The purpose: playful, good-humoured music-making, to exorcise evil from our lives.