Jupiter Hymn Quatuor de cuivres: 4 trombones - Facile De Haske Publications
4 Trombones - early intermediate SKU: BT.DHP-1125359-070 From The Plan...(+)
4 Trombones - early
intermediate
SKU:
BT.DHP-1125359-070
From The Planets.
Composed by Gustav Holst.
Arranged by Robert van
Beringen. De Haske Brass
Series. Set (Score and
Parts). Composed 2012. 8
pages. De Haske
Publications #DHP
1125359-070. Published by
De Haske Publications
(BT.DHP-1125359-070).
9x12 inches.
International.
J
upiter Hymn is a
beautiful, easy-to-play
arrangement from the
wonderful fourth movement
of the seven-part
orchestral suite The
Planets by Gustav
Holst: Jupiter, the
Bringer of Jollity. Holst
took inspiration for this
suite?one of his
best-known works?from the
astrological aspect of
the planets rather than
their astronomical or
physical characteristics.
Holst wrote The
Planets at the
beginning of the 20th
century, at a time when
certain features of the
work, such as exotic time
signatures (5/4),
dissonances and unusual
instrumentation were
uncommon.
Jupit
er Hymn is een mooie,
eenvoudig speelbare
bewerking van het
schitterende vierde deel
uit de zevendelige
orkestsuite The
Planets van Gustav
Holst: â??Jupiter - The
Bringer of Jollityâ??.
Holst liet zich voor de
suite, een van zijn
bekendste werken,
inspireren door het
astrologische karakter
van de planeten, en dus
niet op de astronomische
of fysische
eigenschappen. Hij
schreef The
Planets aan het begin
van de 20e eeuw. Voor die
tijd in het oog
springende bijzonderheden
zijn de toepassing van
ongebruikelijke
instrumenten, de ongewone
maatsoorten (5/4) en de
dissonante
samenklanken.
J
upiter Hymn ist eine
schöne, einfach
spielbare Bearbeitung aus
dem glanzvollen vierten
Satz der siebenteiligen
Orchester-Suite The
Planets von Gustav
Holst: Jupiter - The
Bringer of Jollity.
Holst lie� sich für
dese Suite, die eines
seiner bekanntesten Werke
ist, von dem
astrologischen Aspekt der
Planeten inspirieren und
nicht von deren
astronomischen oder
physischen Eigenschaften.
Er schrieb The
Planets zu Beginn des
20. Jahrhunderts.
Auffällig für seine
Zeit waren die Verwendung
ungebräuchlicher
Instrumente,
ungewöhnlicher
Taktarten (5/4) und
Dissonanzen.
Trombone Quartet - advanced SKU: CY.CC2475 Composed by Ludwig van Beethov...(+)
Trombone Quartet -
advanced
SKU:
CY.CC2475
Composed by
Ludwig van Beethoven.
Arranged by David Mathie.
German romantic. Score
and parts. Published by
Cherry Classics
(CY.CC2475).
Equali were
works written for equal,
or similar, instruments;
in the eighteenth century
they were almost always
used for funeral services
and usually employed a
quartet of trombones. The
most famous of these were
the three Beethoven wrote
for the Linz Cathedral in
Austria on All Soul's Day
1812. Two of these were
adapted later for male
voices and were sung at
Beethoven's
funeral.
These pieces
are some of the most
famous works for
trombones, no doubt due
to the fact that they
were composed by
Beethoven. They were
commissioned by Franz
Xaver Gloggl,
Kappelmeister of the city
of Linz, while Beethoven
was visiting his brother.
According to later
accounts by Gloggl's son,
although his father had a
complete collection of
trombones (soprano, alto,
tenor, bass or quart) the
three Equali were
performed by a
traditional quartet of
alto, tenor and bass
trombones.
This edition
offers a compromise: the
original score and parts
are given exactly as
written in the complete
works, and a version
designed for the less
experienced players: the
three movements are
transposed down one step,
edited with minor musical
suggestions, and all four
parts are written in bass
clef.
Dr. Mathie has
done the Trombone world a
great service in bringing
this great work in its
two forms to
publication.
Trombone Quartet - Advanced SKU: CY.CC3060 Composed by Jeremy Kempton. Cl...(+)
Trombone Quartet -
Advanced
SKU:
CY.CC3060
Composed by
Jeremy Kempton.
Classical. Score and
Parts. Cherry Classics
#CC3060. Published by
Cherry Classics
(CY.CC3060).
ISBN
9790530110355. 8.5 x 11
in inches.
A
ricercar is an
instrumental work that
was popular in the
Renaissance and Baroque
periods. Jeremy Kempton's
stirring Ricercar for
Sonorous Instruments
harkens back to the
Venetian splendor of the
Gabrielis who epitomized
the Glory of Venice at
its height. This 3 minute
work is in A-B-A form
beginning with a
fanfare-like Allegro that
gives way to a
contrasting lyrical
section which seems to
almost melt away. The
piece then returns to the
opening Allegro and a
hall-ringing conclusion.
This work is appropriate
for advanced
performers.
