Composed by James Hosay. For alto/tenor saxophone (solos transposed for both alto and tenor saxophones). Includes alto/tenor saxophone solo songbook and accompaniment CD. With chord names. Jazz rock. 44 pages. 9x12 inches. Published by Curnow Music

Alto- or Tenor Saxophone - intermediate

SKU: BT.DHP-1002155-400

Arranged by Don Campbell and Peter Gistelinck. TV-Film-Musical-Show. Book with CD. Composed 2000. 34 pages. De Haske Publications #DHP 1002155-400. Published by De Haske Publications (BT.DHP-1002155-400).

ISBN 9789043110716. English.

Everyone will be sure to recognise many of the ten hits from theworld of the West-End Musical. Contains songs from Sweet Charity,Aspects of Love, My Fair Lady, A Chorus Line, Fiddler On The Roof,The Blues Brothers, Phantom of The Opera and Joseph and HisAmazing Technicolor Dreamcoat.

Bekannte Songs des 20. Jahrhunderts.

Dix extraits de comédies musicales célèbres.

Il CD contiene la versione integrale di ogni brano, come anche una versione con il solo accompagnamento.

Edited by Keith Snell. For Saxophone. Woodwind - Saxophone Method or Collection. Belwin Master Solos. Level: Easy. Book. 16 pages. Published by Alfred Publishing.

Edited by Keith Snell. For Saxophone. Woodwind - Saxophone Method or Collection. Belwin Master Solos. Level: Easy. Book. 36 pages. Published by Alfred Publishing.

Performed by Dave Koz. Instrumental solo book for saxophone (alto, tenor, or soprano). With chord names, transcriptions, introductory text and black and white photos. 90 pages. Published by Cherry Lane Music

Saxophone

SKU: HL.48186442

Composed by Armando Ghidoni. Leduc. Softcover. Alphonse Leduc #AL30677. Published by Alphonse Leduc (HL.48186442).

UPC: 888680829957. 9x12 inches.

“Prem iered in 2013, Sweet And Go for solo Saxophone elegantly explores the poetic and technical resources of the instrument Armando Ghidoni knows so well (Concerto pour saxophone et orchestre à cordes; Concerto Grosso pour saxophone alto, piano et orchestre). The diptych, approximately five minutes in length, opens with an Adagio, a free deEclamation in recitative that is an oasis of tenderness to which the glissandi bring a whiff of the Orient. In contrast to this voluptuous dream, the second section, marked Vivo brilante ben ritmato, allows the soloist to display a sparkling virtuosity ' slaps included! ' without betraying the underlying spirit of improvisation. Melodies, rhythms, nuances and colours all contribute to this festival of ingenuity.&rdquo.